ARTEMIS returns with their 2nd Blue Note album In Real Time, a marvelous follow-up that highlights the improvisational strength of its members as well as their respective gifts as composers. A dynamic new line-up of the collective features founding members Renee Rosnes (piano), Ingrid Jensen (trumpet), Noriko Ueda (bass), and Allison Miller (drums) joined by newcomers Nicole Glover (tenor saxophone) and Alexa Tarantino (soprano saxophone, alto saxophone and flute). 180-gram LP.

Walter Trout has mesmerized guitar fans around the globe with his masterful phrases and unique style. The album title Battle Scars is a nod to Walter's battle with illness and his triumph over it thanks to his liver transplant. Each song connects to a specific story from Walter's experience with life and almost death. Walter returned live on stage at the Royal Albert Hall only 13 months after his successful and life-saving liver transplant.

ECM recording artists and key jazz musicians from several generations unite on Once Around the Room to celebrate the musical legacy of drum icon Paul Motian in a big way. Jakob Bro and Joe Lovano lead an ensemble through fiery originals that recall the idioms and idiosyncrasies which Motian brought to light over six influential decades behind the drums. Featuring Larry Grenadier, Thomas Morgan and Anders Christensen on bass, as well as Joey Baron and Jorge Rossy on drums.

Doctor Ross, also known as "Doctor Ross the Harmonica Boss", made his reputation as a bluesman in Memphis before moving to Michigan. During the early '50s, Ross recorded his first sides, including "Chicago Breakdown”, with Sam Phillips at Sun Records. This compilation, Memphis Breakdown, compiles the best of those early Memphis sessions all in one place, remastered for vinyl.

Dana Gillespie’s debut album, Foolish Seasons, is one of the great lost albums of 1960’s British pop. This very rare and sought-after 1968 album from the legendary British singer/songwriter was only released in the U.S. and over the years its reputation among collectors has only grown. Although it never came out in England, Decca Records kept the masters to the intended U.K. pressing which is now being released on vinyl. It contains two previously unreleased, self-penned tracks – the blue-eyed soul bop “Goin’ Round in Circles” and the orchestral “Come to My Arms” which could almost have been a Bond theme.

Side A:
1. You Just Gotta Know My Mind
2. Tears In My Eyes
3. Life Is Short
4. Souvenirs Of Stefan
5. Can't You See I'm Dreaming
6. Goin' Round In Circles
7. No, No, No, No, No
Side B:
8. He Loves Me, He Loves Me Not
9. London Social Degree
10. Dead
11. Foolish Reasons
12. Where Will You Be
13. Come To My Arms
14. Hard Lovin' Loser

HIGH-DEFINITION PREMIUM VINYL PRESSING FOR SUPER FIDELITY INCLUDES 2 BONUS TRACKS! This essential LP edition presents one of Hopkins' finest albums, "Mojo Hand", which was originally issued in 1962 on Bobby Robinson's label, Fire Records. (The LP would be retitled Lightnin' Hopkins just two years later for the Sphere Sounds imprint re-release, featuring a different cover-sleeve.) Mojo Hand is widely regarded as one of the true masterpieces from Hopkins' catalog. The material ranges from classic blues to R&B-flavored numbers. There's even a charming novelty Christmas blues, titled "Santa." These are moody and powerful performances. Despite the variety, the album is remarkably cohesive because Hopkins' amalgamation of styles can be heard within each song.

Very special vinyl reissue of the third album from hugely influential British bluesman John Mayall, who gave a boost to a young Eric Clapton when Mayall asked Clapton to join his Bluesbreakers band! Having left the Bluesbreakers behind, Mayall originally released this solo album in 1980 and showed that he had the chops to stand on his own! This reissue revamps the artwork with vintage photos of Mayall in a gorgeous gatefold jacket housing a RED MARBLE vinyl!

First Time on Vinyl. Rare 1967 Recording Live in Montreal. James Cotton gained notoriety in 1950's as Howlin' Wolf's and Muddy Water's harmonica player and then went on to establish himself as a legend of American Blues. Passed Away in 2017.  New Original Cover Art Painting. Remastered for Vinyl. 1LP Black Vinyl. Justin Time Essentials Collection.

A1.Intro A2.Honky Tonk A3.Woke Up This Morning A4.Black Night A5.Feelin' Good A6.Mean Old World A7.Mother in Law Blues B1.Everyday I Have the Blues B2.Tramp B3.Nine Below Zero B4.That's Alright B5.Rock Me Baby B6.Rocket 88 B7.Outro

2014 180 gram audiophile vinyl pressing reissue. First pressing of 1500 worldwide numbered copies are pressed on white vinyl. Briefcase Full of Blues is the debut album by The Blues Brothers, originally released in 1978. The Blues Brothers, more formally called The Blues Brothers' Show Band and Revue, began as an affectionate comedic tribute to R&B music featuring comedy actors Dan Aykroyd and John Belushi, as part of a musical sketch on Saturday Night Live. Belushi (lead vocalist "Joliet Jake" Blues) and Aykroyd (harmonica player/backing vocalist Elwood Blues) fronted a band which was composed of well-known and respected session musicians. Soon after three SNL performances, the band began to take on a life beyond television, releasing an album, Briefcase Full of Blues, and then having the Hollywood film The Blues Brothers created around it's characters in 1980. The track listing of Briefcase Full of Blues boasts infectious covers of songs by Otis Redding, Junior Wells, King Floyd, Sam & Dave and Big Joe Turner, amongst others. Backing up Jake & Elwood are Stax heroes Donald - Duck- Dunn and Steve Cropper, Paul Shaffer and other seasoned session men. The album reached #1 on the Billboard 200 and went double Platinum. Two singles were released, "Rubber Biscuit", which reached number 37 on the Billboard Hot 100 and "Soul Man", which reached number 14.

Sun Rooms is Jason Adasiewicz's three year old trio featuring Jason (vibraphone), Mike Reed (drums) and Nate McBride (bass). Their debut record Sun Rooms (DMK 593) was named by the New York Times (Ben Ratliff) as one of the Top 10 Pop and Jazz Records of 2010. Spacer was written in the winter of 2011 and slowly shaped through a month long residency at a north side Chicago bar, the Whistler. Engineered by Griffin Rodriguez, Spacer documents 8 new tunes by Adasiewicz, one from McBride, and one from Dutch cornetist Eric Boeren.

It is tempting to play up the "Italian Connection" on Joey's newest record. With Joey's previous nod toward the Goodfellas it would easy to claim that Frank Sinatra is the natural next step. But the simple fact of the matter is that this is tribute of one master of American Music to another. Perhaps no other singer in history defined the American Popular Songbook as Frank Sinatra and it is only natural that Joey DeFrancesco ? so instrumental in defining the new B-3 sound ? would turn to wealth of exceptional material from the Sinatra discography. Great music is great music and Joey knows it and has surrounded himself with great sidemen. The great Houston Person on tenor sax is on hand as is groove master guitarist Melvin Sparks and Joey's drummer of choice, Byron Landham. Together they swing through six tunes recorded by Sinatra and, while far from mimicking the original arrangements, they pay tribute to the legacy of Sinatra, refracted through the prism of their own talent and imagination.

2020 release. Stand Up! It's not just an album title, it's an order, forcing anyone who hears Whitney Shay's brand of rocket-fueled R&B onto the dancefloor. A flame-haired stick of dynamite in a sparkling dress, this San Diego phenomenon has made a record for dancing, drinking and dreaming, with songs to soundtrack the peaks and punches of life. Stand Up! Is sure to mark the global explosion of a singer-songwriter who's long been threatening to go 'boom'.

Coming up the old-fashioned way - with a thousand word-of-mouth shows blazing her reputation across the planet - Shay's first decade has seen four wins at the San Diego Music Awards, a nomination at last year's prestigious Blues Music Awards and the tag of "future blues icon" bestowed by Blues Matters! #magazine. Whether you picked up 2012's debut album, Soul Tonic, caught up with her on 2018's acclaimed A Woman Rules The World - or heard her songs on major TV networks including HBO and NBC - you're probably already a fan, whether you realise it or not. But having signed to Ruf last year, Shay is set to paint the world red in 2020.

Tracking at Austin's Wire Recording Studio with producer Kaz Kazanoff, Stand Up! #saw the singer let the good vibes flow. Setting the pace with the title track's brassy soul and smoky quickfire vocal, this new record's upbeat moments twist from the rolling groove of Tell The Truth to the dirtied-up funk of P.S. It's Not About You, with Shay's all-star studio band rising to the occasion.

For the last 30 years, Medeski Martin & Wood have explored the boundaries of modern jazz, incorporating hip hop, avant-garde, world music, and electronic funk influences into their fearless improvisational style. Its title taken from the first line of “Old Angel Midnight” by Jack Kerouac (himself a legendary improviser), 1995’s Friday Afternoon in the Universe flings a whole lot at the wall and just about everything sticks, with mid-‘70s Miles Davis the predominant hue in an ever-changing sonic palette. “Chubb Sub” is a favorite, and was used prominently in the Get Shorty soundtrack, but even the most abstract numbers groove and move. First time on vinyl!

Ronnie Wood's first solo album in nearly a decade doubles as a live tribute to one of his musical heroes, Chuck Berry. Named after an instrumental originally featured on Chuck's 1960 LP Rockin' At The Hops, Mad Lad: A Live Tribute to Chuck Berry was recorded live at Wimborne's Tivoli Theatre and finds the Rolling Stones guitarist also holding down vocal duties with guest appearances from singer Imelda May and pianist Ben Waters. In addition to the tracks "Tribute to Chuck Berry" written by Wood and "Worried Life Blues" written by Maceo Merriweather, the 11-track collection includes renditions of further Chuck Berry classics like "Johnny B Goode," "Roll Over Beethoven," "Rock 'N' Roll Music," "Back in the U.S.A." and "Little Queenie." Mad Lad will be the first in a trilogy to be recorded by Wood and the band in the coming years, each paying tribute to Ronnie's musical heroes. Ronnie chose Chuck Berry for the first album as he has been a lifelong fan, has toured with him and also, to honor his sad passing just over two years ago.

Limited 180gm vinyl LP pressing cut by mastering engineer Kevin Berg using the original high resolution studio masters. 2018 release. Bob James, the Grammy Award-winning jazz keyboardist, arranger, record producer, record executive, and founding member of Fourplay, returns with Espresso, his first solo-led project in 12 years. Album tunes, penned by James, reflect the same inventiveness and musical fluency that persuaded Quincy Jones to become his mentor and champion back in 1963. His expressiveness through both writing and performance permeates the rocking minor-key blues of "Bulgogi," the definitive cool jazz of "Topside," the funk strut of "Submarine," the whispered beauty of "Promenade," the turbulent, more complex yet supremely listenable "Mojito Ride" and every other moment on Espresso. The Bob James Trio is complete with drummer Billy Kilson and bassist Michael Palazzolo.

Limited 180gm yellow colored virgin vinyl LP pressing including one bonus track. Big Band Bossa Nova is a 1962 album by saxophonist Stan Getz with the Gary McFarland Orchestra. The album was arranged and conducted by Gary McFarland and produced by Creed Taylor for Verve Records. This was Stan's second bossa nova album for Verve following Jazz Samba.

Though the trio of John Medeski, Billy Martin, and Chris Wood had already expanded the jazz genre with their first three records (two of which we have reissued here at Real Gone Music), it was this 1996 album that really crossed over and won the ensemble a whole new legion of listeners in the “jam band” camp. Recorded in a remote, solar-powered plywood shack in Hawaii (hence the title), Shack-Man brought the ‘70s soul-jazz beloved by the band firmly into the ‘90s, propelled by Medeski’s simultaneously nostalgic yet forward-thinking excursions on the Hammond B-3. A masterpiece of groove, out on vinyl for the first time!

2017 release. Mindi Abair and the Boneshakers return with a powerhouse blues rock album, produced by Kevin Shirley (Led Zeppelin/Aerosmith/The Black Crowes/Joe Bonamassa) and recorded at this historic Eastwest Studios in Hollywood. Mindi Abair is a two time Grammy Award nominated saxophonist, vocalist, author, and National Trustee for the National Academy of Recording Arts and Sciences. Mindi was the featured saxophonist for the 2011 and 2012 seasons of American Idol, performed with the rock band Aerosmith for their 2012 Summer Tour, joined Bruce Springsteen and Max Weinberg for a night at the Beacon Theater and played with Paul Shaffer and the CBS Orchestra three times on Late Show with David Letterman.

2023 release. For his third Mack Avenue Records release, 5-time Grammy Award-winner Billy Childs assembles an all-star quartet with trumpeter Ambrose Akinmusire, bassist Scott Colley, and drummer Brian Blade. On The Winds of Change, the critically acclaimed pianist/composer offers 5 brand new original compositions alongside exhilarating arrangements of Chick Corea's "Crystal Silence" (originally on Corea's 1972 ECM recording of the same name with vibraphonist Gary Burton) and Kenny Barron's "The Black Angel" (originally on trumpeter Freddie Hubbard's 1970 Atlantic recording of the same name) to push the creative boundaries of the group and inspire a collective new sound to pay homage to jazz legends and the artistry.

A Benefit For Equality Vol. 1 celebrates Black Artistry in the blues genre. A portion of the proceeds will benefit the NAACP. 

Wolf Kerscheck's stirring arrangements of ten Gurtu compositions are both sympathetic to Gurtu's melting-pot philosophy, and imaginative in their reach, and to this end the arranger deserves equal plaudits for what is a pulsating performance from the 21 musicians who give the CD it's title.

Recorded by Dan Auerbach at Easy Eye Sound studio, Tell Everybody! (21st Century Juke Joint Blues From Easy Eye Sound) spans the diverse blues spectrum, a payment of respect and admiration for the musicians carrying this American tradition into this century and beyond. Includes new recordings from Dan Auerbach, The Black Keys, RL Boyce, Gabe Carter, Robert Finley, Jimmy "Duck" Holmes, Moonrisers, Nat Myers, Glenn Schwartz feat. Joe Walsh, and Leo "Bud" Welch.

Gatefold 180-Gram vinyl. One of the few great ladies of jazz song, Ella Fitzgerald (1917-1996) inflected each tune with her unique sense of swing. The songs selected here have been carefully chosen among her best works, composed by such names as Cole Porter, Richard Rodgers & Lorenz Hart, and Duke Ellington. Many of these tunes were taken from the celebrated song books that gained her enormous prestige. These are all studio recordings with the sole exception of her celebrated reading of Kurt Weill's "Mack the Knife" which was an absolute hit in her Ella in Berlin LP.

Blues Rocktress Samantha Fish goes all in with her 4th Ruf Records release delivering a heavy dose of CHILLS & FEVER. Recorded deep in America's Rust Belt in Detroit the city that has filled America's musical tapestry with it's legendary Motown Sound to it's embedded Punk music scene spawning top acts from Iggy Pop to the White Stripes. On Chills & Fever Samantha makes musical history enlisting members of the punk blues band The Detroit Cobras along with producer Bobby Harlow (The GO/ Jack White) to record a futuristic set of songs and a chilling walk through memory lane. Samantha's soulful sultry voice and hot rod guitar slinging is layered against a poly rhythmic horn entrenched background all mixed and mastered by Jim Kissling (The Crystal Method, Fat Boy Slim) delivering a cool, exciting, and one of the best American Roots records of 2017.

Limited colored vinyl LP pressing. Dance finds Stern again leading her polyglot New York quartet with Argentine keyboardist Leo Genovese and the Senegalese rhythm duo of bassist Mamadou Ba and percussionist Eladji Alioune Faye. Dance was written and rehearsed in summer and autumn 2020 and then recorded, under safe conditions, at Shelter Island Sound in December, with Leni producing. Along with Genovese, Ba and Faye, the album features one of Leni's confreres from her days playing in Salif Keita's band, Haruna Samake, who added his harp-like kamele n'goni to three tracks from afar and co-wrote one song with Leni, the buoyant "Kono" ("Bird"). Along with "Yah Rakhman," co-written by Leni and Faye, other highlights of Dance include the freshly arranged, richly harmonized traditional West African griot tune "Daouda Saane" and the hard-grooving, Genovese-penned "Kani" ("Spicy Pepper"), which features some characteristically piquant solos by the pianist.

Vinyl LP pressing. After four years of touring and developing "An Unforgettable Tribute to Nat King Cole," the legendary George Benson makes his most inspired album: Inspiration: A Tribute to Nat King Cole. The recording is one of the most meaningful of Benson's career and is a testament to the spirit of Cole's timeless body of work. Benson's heartfelt renditions of some of Cole's greatest songs with Nelson Riddle arrangements and the 42-piece Henry Mancini Institute Orchestra are complemented by duets with Tony Award winner Idina Menzel and rising star Judith Hill, along with a special collaboration with multi-Grammy and Pulitzer Prize-winning trumpeter Wynton Marsalis.

Recorded in a church in New Orleans, and produced by T-Bone Burnett, Jon Batiste’s major label debut is a stunning showcase of the brilliant pianist and vocalist. Primarily just Jon and his piano, Hollywood Africans includes standards, unexpected covers, and original songs. This release displays Batiste’s dynamic talents and highlights his musicality and virtuosity on his instrument.

Vinyl LP pressing. As far as B-3 Hammond organ is concerned, Jimmy Smith is the greatest ever at that instrument. Like the best recordings of the greatest period for improvisational jazz that lasted from about 1950 to the late 1960's, The Sermon is only one example of the numerous sessions that many top notch players gathered for, taking turns as leaders and sidemen. On The Sermon, Smith is accompanied by the likes such as Kenny Burrell, Lee Morgan, Lou Donaldson, Tina Brooks and Art Blakey. It was produced by Rudy Van Gelder for Blue Note, and was Smith's fifteenth album in three years. The Sermon is a bebop-hardbop masterclass and at least a decade ahead of it's time.

Bobby 'Blue' Bland (1930 - 2013) was one of the leading US-American Blues, R&B and Soul entertainers. He knew how to combine the intensity of Gospel music with the expression of the Blues. His voice sounded as he wanted to bear witness to one's resolve but he was able to let his voice sound soft, sometimes cool but always cultivated. Thus he also reached out to the fans of Frank Sinatra and Nat 'King' Cole with tremendous success. He formed his remarkable style of singing out of many different influences, characteristic and exclusively reserved for Bobby 'Blue' Bland. Blands voice was always the center of attention. After his huge successes during the 1950s and 1960s for the Duke label, he moved to ABC Dunhill when Duke was sold. He could reach a wider white audience in the early 1970s with his two LPs, 'His California Album' and 'Dreamer', plus productions together with B.B. King. 'Dreamer' was the record company's trial to produce an album in California with the cool Soul appeal of the city of Los Angeles. As a timeless Soul and Blues classic the album contains the in recent years often sampled track Ain't No Love in the Heart of the City, one of the musical back bones to one of the favorites by Jay Z. The whole album is a wonderful soundtrack for those lonely nights alone and blue in a sleazy joint trying to forget a lost love in a bottle of bourbon. 'Dreamer' is the warm velvet cover against cold loneliness with so many great songs like I Wouldn't Treat A Dog (The Way You Treated Me) and Whose Foolin' Who?, the bluesy Cold Day In Hell, Lovin' On Borrowed Time and When You Come To The End Of Your Road. I Ain't Gonna Be The First To Cry has indeed the lyrical quality of The Thrill Is Gone. The production by Steve Barri and Michael Omartian sounds full and ponderous. The accompanying musicians, amongst them guitarists Dean Parks and Larry Carlton, bassist Wilton Felder and drummer Ed Green, belong to the cream of L.A.'s studio musicians.

Recorded in 1959 at the legendary Van Gelder Studios in Hackensack, New Jersey, this is considered one of Donald Byrd's finest LPs. Byrd had a fruitful run in the late '50s with the great baritone saxophonist Pepper Adams and here they are joined by tenor-man Charlie Rouse, and a great rhythm section like on "Devil Whip", an energetic tune with a nice call-andresponse theme between the horns and the rhythm section. Here Byrd impresses with a few incredibly long phrases in his solo, however he still manages to play with very clear and logical phrasing. Other highlights are Frank Sinatra's "Witchcraft", the self-penned blues "Here I Am" and the Walter Davis written grooves "Bronze Dance" and "Clarion Calls".

LAST SHALL BE FIRST: THE JCR RECORDS STORY 2 - The second installment of "The Last Shall Be First.." series focusing on D-Vine Spirituals subsidiary label, JCR Records. This reissue series is packed with incredible Sacred Soul performances from Memphis, TN in the late 60's.

80 Pure Virging Vinyl LPs in Gatefold Packaging.

Acoustic Sounds celebrates Contemporary Records with this new reissue of Curtis Counce’s 1957 album You Get More Bounce With Curtis Counce! Originally released in 1957 the album sees Counce (bass) alongside Jack Shelton (trumpet), Harold Land (tenor sax), Carl Perkins (piano) & Frank Butler (drums). Recorded by Roy DuNann this edition is pressed on 180-gram vinyl pressed at QRP with (AAA) lacquers cut from the original tapes by Bernie Grundman and is presented in a tip-on jacket.

The return of the Memphis soul/funk/jazz trio The City Champs. Members, Al Gamble (St. Paul & The Broken Bones), George Sluppick (Chris Robinson Brotherhood) and Joe Restivo (Don Bryant) have been secretly concocting these tasty, solar expansing nuggets since their last output in 2010.

Contemporary Records Acoustic Sounds Series presents this 180-gram LP edition of Ornette Coleman’s debut Something Else!!!!. Originally released in 1958 and recorded by legendary engineer Roy DuNann, the album introduced the world to Coleman’s innovative style and features his band of Don Cherry, Walter Norris, Don Payne and Billy Higgins. This new edition features ALL-ANALOG mastering from the original analog tapes by Bernie Grundman and is pressed at QRP and presented in a tip-on jacket.

Double vinyl LP pressing. In December 1996, as Lee Konitz approached his 70th birthday, the great alto saxophonist brought a unique multigenerational trio with pianist Brad Mehldau (then 26) and bassist Charlie Haden (then 59) into the Jazz Bakery in Los Angeles for an engagement that resulted in this sublime live recording. The 6 standards presented on the album including "Cherokee," "What Is This Thing Called Love?" and "'Round Midnight" were merely jumping off points for these restlessly creative musicians.

Jazz Behind the Dikes Vol 3 is the third and final installment in the Jazz Behind The Dikes series, which highlights some of the greatest Dutch jazzmen under ideal conditions: in their own combo's and playing the music of their own choice in complete freedom. The result is a collection of straightforward modern jazz by renowned Dutch jazz musicians such as Ron Madna Trio, Tony Vos Quartet and Frans Elsen Quartet. This third volume of the series is available as a limited edition of 500 individually numbered copies on blue vinyl.

Contemporary Records Acoustic Sounds Series presents this 180-gram LP edition of Ornette Coleman’s second album Tomorrow Is The Question!. First released in 1959 and recorded by legendary engineer Roy DuNann, the album also features Don Cherry, Percy Heath, Shelly Manne and Red Mitchell. This new edition features ALL-ANALOG mastering from the original analog tapes by Bernie Grundman and is pressed at QRP and presented in a tip-on jacket.

Limited 180gm vinyl LP pressing includes bonus CD edition containing bonus tracks. DownBeat "Baker's trumpet gives to this record something that too few performances possess today, thoughtful understatement. Baker picks his way here with less certainty than he once did, but the sensuous personal tone and the carefully wrought countermelodies are still in evidence and worth hearing. The rhythm section is a model of superlative musicianship in balance with mature taste. It is a unit that would bring out the best in any player, including the troubled young trumpet player featured here."

An impressive live album by Marvin Peterson who was one of the finest trumpeters in the '60s-'70s is making it's return on vinyl format. These tracks were performed by the band led by Hannibal Marvin Peterson, though he had yet to add  'Hannibal' to his name at the time of recording. Here, he performed with eight musicians in his hometown of Texas, and their performance crossed the boundaries of jazz, soul and funk with skilled musicians. These included organist Eugene Carrier who also participated in the BB King Band and drummer Emry Thomas who would later participate in the band led by Johnny 'Guitar' Watson. With a glance at the cover art, you can get a sense of the powerful and passionate live recording that brought joy to it's many fans. The opening 'Groove for Otis' (M1) with a jazz-funk whose edgy beat excites rare-groove fans. 'Our Groove' (M4) is also a fine track that has a slick bassline and Eugene's organ fusing in harmony.  P-VINE is very proud to be repressing this record with it's intimate feeling akin to being there in the crowd as the mighty Peterson walks up to take center stage.

This new pressing of bassist Leroy Vinnegar's first album as a leader Leroy Walks! Is released as part of Acoustic Sounds celebration of Contemporary Records. Originally released in 1958 the album sees Victor Feldman, Gerald Wilson, Teddy Edwards, Carl Perkins, and Tony Bazley joining Vinnegar. Recorded by Roy DuNann this edition is pressed on 180-gram vinyl pressed at QRP with (AAA) lacquers cut from the original tapes by Bernie Grundman and is presented in a tip-on jacket.

Shredding jams with dueling electric guitars from Tatsu Aoki-led quartet - for fans of Dead live tapes, Little Feat and private press fusion.

Acoustic Sounds celebrates Contemporary Records with this new reissue of the West Side Story album by pianist André Previn, bassist Red Mitchell and drummer Shelly Manne. Originally released in 1960, the album contains 8 cuts from the musical soundtrack reinterpreted in a jazz style. Recorded by legendary engineer Roy DuNann this edition is pressed on 180-gram vinyl pressed at QRP with (AAA) lacquers cut from the original tapes by Bernie Grundman and is presented in a tip-on jacket.