Apocalypse Vinyl - End of the World Deals 24/7

Grammy Award-winning band Phoenix returns with their next full length, Alpha Zulu, due out 11/4/2022. This follows their 2020 single "Identical,'' which went #1 at AAA radio, from the Motion Picture "On The Rocks". The project was recorded during the height of the pandemic in Paris, at the iconic Louvre museum. Phoenix are set to perform at festivals like Primavera Sound (Barcelona), We Love Green (Paris) and Austin City Limits (Texas) and will embark on a full headline tour in the US, UK, and EU in Sept 2022. The band has seen over 1.5B+ streams across their catalog, and have previously headlined Coachella, Governors Ball, Primavera Sound, Austin City Limits, and more. They've performed on Saturday Night Live, The Tonight Show with Jimmy Fallon, amongst others.

New England rock band Four Year Strong have announced a re-recorded version of "Enemy of the World” complete with an updated depiction of the album art. The album originally came out over 10 years ago and was a breakout record for the band. Now it sees new production and 4 extra b-sides. "We decided to re record EOTW first and foremost to be as cool as Taylor Swift, but secondly because we wanted to be able to repress the vinyl and offer it to fans that haven’t been able to get it since the record came out." says Alan Day. He continues "It was really interesting to revisit all of the songs down to every detail, getting to kind of relive it in a way. We recorded the drums with Will Putney (who worked on the original EOTW as a engineer), did the rest by ourselves at Dan's house, and then had Will work his magic on it and mix and master it. We had just worked with Will for the first time since 2010 on our new album Brain Pain, and figured it would be perfect to work with Will as he knows FYS old and new more than anyone. So give it a listen, come out to the tour, and party like it’s 2010 again."

The time is now for Caroline Rose. Their last record, Superstar, was released on March 6, 2020. The record was critically acclaimed and positioned Rose as the next big breakthrough in music. Needless to say, the resulting pandemic grinded all momentum to a halt while at the same time throwing Rose’s personal life into turmoil. The result of that turmoil is the fuel that fired the creation of their latest album, The Art of Forgetting. With The Art of Forgetting, Rose took on the dual role of writer and producer. The album encapsulates the feeling of experiencing recent memories, having them turn into old ones and then ultimately forgetting those memories altogether. There is a romantic nature within the sonic landscape of this record. Tape effects and loops emulate the feeling of aging while the juxtaposition of modern acoustic-electronic textures, like lo-fi tape next to hi-fi granular synths result in some of their most mature and honest work to date.

If credibility were currency, FAKE NAMES’ wealth would be off the charts. Composed of Brian Baker (Minor Threat, Bad Religion, Dag Nasty), Michael Hampton (S.O.A., Embrace), Dennis Lyxzén (Refused, INVSN, The [International] Noise Conspiracy), Johnny Temple (Girls Against Boys, Soulside) and the newest member Brendan Canty (Fugazi, Rites of Spring), the band is a veritable post-hardcore dream team.

However instead of rehashing the past, Expendables is a reinvention that sees the band dialing back the distortion and leaning into the melodies. The result pairs their unparalleled pedigree with a pop sensibility that’s slightly unexpected and wholly satisfying. “For our
last record [2019’s FAKE NAMES]the general influences were 70’s U.K. punk and power-pop; but it wound up with a little classic rock vibe as well, like the Vibrators meets Aerosmith. We never saw that coming!” , Baker explains.

For Expendables the band enlisted producer Adam “Atom” Greenspan (IDLES, Yeah Yeah Yeahs). Baker explains, “The pop influences are a little more out front on this one and the production really helps it shine. It sounds more direct, more urgent.” Expendables is the latest exchange in a musical conversation that spans four decades. Baker aptly refers to the lineup of FAKE NAMES as a “mutual admiration society” and says that once the five members got in the same room together, it felt as if they had already been in the band together for years.

Dear Reader, About a year or two ago, Naomi Yang (of Galaxie 500) reached out to me after she rediscovered a video that we had made together in 2011, during the making of Tramp, just before the album’s release. It was for the song Serpents. The timing was uncanny, approaching the anniversary of Tramp. Thinking about my time in New York while in the bubble of Los Angeles and my home. Thinking about how restless I was, and now settled down and stable. Thinking about how Aaron Dessner took a chance on me after I messaged him with a fury of demos. He could see through the hiss and crappy vocals on my GarageBand demos, and that I had something to say. He gave me the confidence to be loud and to scream my rage and feel founded and justified in my own pain. He gave me more tools to find catharsis in my work. I have carried that with me ever since. 

Being on the west coast the last two years, I look back on my community in New York and am forever grateful. I had so many friends and peers step up and help me unfold these demos. The album that it became. Doug Keith and Ben Lord from my original touring band, Logan Cole, Peter Silberman from The Antlers, Jessica Larrabee from She Keeps Bees, Thomas Bartlett of Doveman, Rob Moose of yMusic, Jenn Wasner of Wye Oak, Julianna Barwick, Zach Condon of Beirut, Matt Barrick (of the Walkmen), Clarice Jensen, Ben Lanz, Bryce Dessner, and Bryan Devendorf (of The National). 

I had almost forgotten about a song titled "This Is Too Right" that didn’t make it onto the record. It was one of the first guitar “riffs” I had ever written and Jenn Wasner sang on it with me. A song about not believing how good I had it, like the other shoe was about to drop. I hope everyone that helped make this record and supported it, feel the love and admiration that I continue to hold for all of you. I hope that in sharing this record again, with a new video and this forgotten track, that new listeners are brought into this album and find meaning and relevance in it today. All of the musicians on this album helped me come to life and perform in ways I never had before. 

May these songs find you well. Sending all my love, Sharon.

LP in gatefold sleeve, with two posters featuring design by Ian Emes and Gerald Scarfe. Cover design by Aubrey Powell/Hipgnosis and Peter Curzon/Storm Studios. Featuring original 1973 line drawn cover artwork by George Hardie.

Twelve limited-edition Bob Marley vinyl LP's, each numbered and pressed exclusively at the legendary Tuff Gong International headquarters in Kingston, Jamaica, will be available, featuring nine original studio albums and two original live albums, plus the world's best-selling reggae album, Legend, all including a highly-desirable Tuff Gong stamp.

Over the span of two decades, M83 mastermind Anthony Gonzalez has firmly established himself as an artist whose work transcends mere escapism in favor of full-on worldbuilding. Whether it be via his celebrated studio albums, film soundtracks, or compositions for stage productions, Gonzalez has proven that nothing surpasses his ability to perfectly encapsulate a specific time, emotion, or sense of place.

Now with Fantasy, the Platinum selling, GRAMMY nominated artist returns with his most personal album to date. Featuring long-time collaborator Justin Meldal-Johnsen and Joe Berry, M83’s touring keyboardist and sax player, the album was born out of extended jam sessions that lasted nearly a year. The result is an exuberant, live-sounding record where trademark M83 goosebump moments abound.

Kacey Musgraves will be releasing a limited edition Zoetrope Picture Disc Vinyl in celebrating the 10th Anniversary of her debut Platinum and Grammy winning album- Same Trailer Different Park. The album went to #1 on the Country Album Charts when it was released in 2013. Kacey co-wrote all 12 tracks and co-produced the album with Luke Laird and Shane McAnally. Album won the Grammy award for the Best Country Album at the 56th Annual Grammy Awards. The album featured the break-out singles- “Merry Go Round”, “Blowin’ Smoke”, and “Follow Your Arrow”.

Created between Palm Springs, California and Hilo, Hawai'i, V is the first double album from the Hawaiian-New Zealand singer-songwriter, multi-instrumentalist and producer Ruban Nielson's Unknown Mortal Orchestra band. Designed to play as one continuous movement and road-tested on dry California freeways, V is the definitive Unknown Mortal Orchestra car record. It's also the fifth full-length album Ruban has released in twelve years. Across fourteen sunbleached songs - written solo or with his brother Kody - Ruban draws from the rich traditions of West Coast AOR, yacht rock, weirdo pop and Hawaiian Hapa-haole music. Over a laidback blend of singalong anthems and cinematic instrumentals, he evokes blue skies, afternoons spent lounging by hotel swimming pools and the alluring darkness that lurks below perfect, pristine surfaces. It's a duality expressed in the dilapidated sunset blues and the saltcorroded soul Ruban explores through tracks like 'Layla' and 'Nadja. ' During the pandemic's early days, Ruban reunited with Kody at a cousin's wedding in Hawai'i. With assistance from their father, Chris Nielson (saxophone/flute) and longstanding Unknown Mortal Orchestra member Jake Portrait, they brought everything Ruban had been thinking about together. The result was V, due for release on March 3, 2023, through Jagjaguwar. When they talked about records that moved them in that spine-shivering manner, Ruban started thinking about the 70s AM radio rock and 80s pop songs that had lurked on the edge of his subconscious mind for most of his life. He wanted to write his version of records like that, leading to the two glorious uptempo singles Unknown Mortal Orchestra released in 2021, 'Weekend Run' and 'That Life'. However, the golden good times never last forever. Not long after, health issues began to plague his extended family. Putting his recordings aside, he helped his mother and his uncle move home from New Zealand and Portland to Hawai'i, and began dividing his time between Hawai'i and Palm Springs. During this period he reconnected with his relatives, reassessed his past, and started to look at things with fresh eyes. Hawai'i brought back memories of the darker side of his parents' lifestyle as entertainers. On those trips, he heard those classic AM radio rock records everywhere. They were inextricably intertwined with the palm trees, swimming pools, and glamorized hedonism he'd internalized from his childhood. There's a type of music in Hawai'i called Hapa-haole (Half white). You can hear it expressed in signature Unknown Mortal Orchestra style through the humid guitar-led atmosphere of V's penultimate song, 'I Killed Captain Cook'. Although the songs are presented in a traditional Hawaiian manner, they're mostly sung in English. Having been influenced by Hawaiian music since Unknown Mortal Orchestra's first album, Ruban saw a space for himself within the tradition. When he reflected on his success, he realised he had the responsibility and platform to represent Hapa-haole music on the global stage.

Her Loss is a collaborative studio album by Drake and 21 Savage. It was released on November 4, 2022 through OVO Sound/Republic Records and debuted at #1 on the Billboard Top 200 Albums Chart.

After spending the past 20 years in the studio, on concert stages all over the world and at the literal top of the charts, All-American Rejects co-founder Tyson Ritter didn’t start Now More Than Ever in 2018 with the expectation it would turn into a real band – but a real band is very much what it has become. In tandem with veteran musicians/songwriters/producers Scott Chesak and Izzy Fontaine, Ritter has begun a meaningful and exciting new chapter in his music career with Now More Than Ever’s debut album Creatrix, which will be released March 17, 2023, by Thirty Tigers.

To hear Ritter tell it, All-American Rejects’ relationship with the traditional music industry was in many ways the reason he was eager to try something different: simply making music with friends for fun, without any preconceived notions about what would, could or should happen next. In other words, no constraints, no A&Rs, no deadlines and no mandate to sound like anyone or anything other than themselves.

The fact that Ritter and Chesak have known each other for so long certainly helped jumpstart things, as the latter has been a multi-instrumentalist touring member of All-American Rejects since 2011. Chesak later segued into writing and producing for artists such as Weezer and Panic! At The Disco, a skill Ritter has long admired but had difficulty incorporating into his own creative process. As he began thinking about new music, he “definitely knew” he “didn’t want to write in the traditional sense with and for another artist in a studio. Scotty and I just got to talking and decided to write some tunes. It started that innocently.”

“We didn’t have a name, or an idea of being a band, until probably a year after that,” Chesak adds. “We were kind of just writing for the purity of writing and trying to make something cool. There’s a huge folder of songs we made during that time that aren’t part of this project, but three or four of them showed us there was something cohesive there.”

Having spent decades in the same musical scene, Ritter and Chesak were committed to a fresh approach when it came to the sound of their new work. “We were kind of sick of guitar music, because we both come from the rock world,” says Chesak, who handled bass, drums and keyboard duties during the sessions. “So at first we made a rule: Fuck guitars. No guitars!” Quickly they realized their beef wasn’t with guitars per se, but rather the same old sound of the instrument. Enter Izzy Fontaine, who has worked closely behind the scenes with everyone from Taking Back Sunday and Glassjaw to Seal and Banks, and came up in the industry alongside many of the same bands as Ritter and Chesak.

Now More Than Ever shimmers with that spirit of freedom, its nine tracks gracefully surfing the peaks of the past four decades of pop and rock. These are the kinds of songs that used to be on the radio and certainly still should be today – the ones that make you dance, shake your ass and forget about everything else for a while. The breathless electro-rock of “D-E-A-D Together” and the sultry power ballad “Heart To Heart” best embody that vibe, while horn players from Ozomatli add an instant dance party to “Candle.” The ‘80s synth-driven closer “Never You” started life as a Ritter acoustic song but was quickly transformed by Chesak and Fontaine into what’s now the perfect soundtrack for a vintage slow dance prom scene.

To that end, “Heels Up Head Over” explores those themes with a tale about a werewolf and vampire getting married, while lyrical references to the ageless cool of Joan Jett and drunk, young romance make you feel right at home in Now More Than Ever’s company. “This is a record where there was freedom in lyric,” Ritter says. “When you’re on a major label for 15 years, you can succumb to trying to follow your last thing. That can seep into the music in a way that’s so unconscious. The joy of this band is that it’s completely free of any oppressive overlords, ivory towers, approval processes or co-writes that have been manufactured, licked, stamped and thrown onto the assembly line.”

Now More Than Ever is here to help make sure the pillars of pop and rock will never fall, and they’re prepared to go down believing. “This is our little monolith,” Ritter says. “It might be six feet tall amongst giants, but it’s pure. And it’s truth for us. It’s saccharine as fuck, and I love it.”

Endless Summer Vacation is the eagerly anticipated new album from recording artist, songwriter, and trailblazer Miley Cyrus. This collection is Miley’s eighth studio album, and the follow up to 2020’s album, Plastic Hearts. 2023 finds Miley the strongest and most confident she’s ever been, with the music and imagery of Endless Summer Vacation serving as a reflection of that. The album was recorded in Los Angeles and produced with Kid Harpoon, Greg Kurstin, Mike WiLL Made-It and Tyler Johnson.

The War And Treaty will release their major label debut, The Lover’s Game, via Mercury Nashville on March 10, 2023. The husband-and-wife team of Michael Trotter, Jr. and Tanya Trotter were recently nominated for Duo/Group of the Year at the 2022 Americana Honors & Awards ceremony. They have amassed a following as eclectic as their sound – a bluesy yet joyful fusion of Southern soul, gospel, country and rock n’ roll. Indie Exclusive Clear LP.

Mascot Records is proud to announce the release of 'Voices', the new studio album from blues rockers, The Cold Stares, available everywhere March 10th, 2023. For the past ten years, The Cold Stares have toured the world relentlessly as a duo, blowing away audiences across the US and Europe with a fierce, blistering live show that belied their bare bones, guitar-and-drums setup. Now, the band is embracing a whole new kind of chemistry as they launch their next chapter, adding a third member and channelling the classic power trio sound they grew up on with their explosive new album, Voices. "The chains were off when we made this record," says guitarist/singer Chris Tapp. "Suddenly, all the parameters that had dictated what we could and couldn't do just disappeared and we were free to create whatever sound we wanted." That sense of total artistic liberation lies at the heart of Voices, which pushes The Cold Stares' signature mix of blues, southern, and hard rock to bold new heights. Recorded almost entirely over the course of just two days with producer/engineer/mixer Mark Needham (Taj Mahal, The Killers, Imagine Dragons, Walk the Moon, Fleetwood Mac), the album stands as the band's most mature, eclectic collection yet, balancing gritty muscle and tender emotion in equal measure.

If anybody knows how to fight, it's Otherwise. The Las Vegas quartet Adrian Patrick [vocals], Ryan Patrick [guitar], Nick Bedrosian [bass], and Joe Conner [drums]-have weathered personal tragedy and trauma, withstood the tides of the industry, and still stand tall. If anything, the boys are stronger than ever with a one-two punch of airtight guitars, stadium-shaking grooves, and hypnotic hard-hitting hooks. Over the past decade, they've clawed their way through the rock 'n' roll ranks and emerged as an unbreakable force. Their catalog spans fan favorites such as True Love Never Dies [2012], Peace At All Costs [2014], and Sleeping Lions [2017]. Signature anthem "Soldiers" has amassed over 66 million Spotify streams and counting-unprecedented for a rock band of any era. Meanwhile, 2019's Defy kickstarted another chapter. "Crossfire" eclipsed 5.1 million Spotify streams followed by "Lifted" with 3.7 million Spotify streams. Loudwire hailed the latter as "a stomp-clap rocker." On this trip, they've also ignited the stages of Welcome To Rockville, Rocklahoma, and Shiprocked! As well as supporting Stone Sour, Papa Roach, and more. However, their fifth full-length album, Gawdzillionaire [Mascot Label Group], trumpets their fighting spirit louder than ever before.

The Blaze is back: after the release of their first album DANCEHALL, the producer-director duo went on a world tour of festivals and sold-out venues. Guillaume and Jonathan Alric composed and recorded their new album, JUNGLE, with this live perspective in mind: introspective electronic music carried by images and melodies that are always drunk with emotion.

'Oh Me Oh My' is both elegant and ferocious. It is stirring in one moment and a balm the next. It details histories both global and personal. Lonnie Holley's harrowing youth and young manhood in the Jim Crow South are well-told at this point - his sale into a different home as a child for just a bottle of whiskey; his abuse at the infamous Mount Meigs correctional facility for boys; the destruction of his art environment by the Birmingham airport expansion. But Holley's music is less a performance of pain endured and more a display of perseverance, of relentless hope. Intricately and lovingly produced by LA's Jacknife Lee (The Cure, REM, Modest Mouse), there is both kinetic, shortwave funk that call to mind Brian Eno's 'My Life in the Bush of Ghosts' and the deep space satellite sounds of Eno's ambient works. But it's a tremendous achievement in sonics all it's own.It's also an achievement in the refinement of Holley's impressionistic, stream-of-consciousness lyrics. On the title track which deals with mutual human understanding", Holley is able to make a profound point as ever in far fewer phrases: "The deeper we go, the more chances there are, for us to understand the oh-me's and understand the oh-my's." Illustrious collaborators like Michael Stipe, Sharon Van Etten, Moor Mother and Justin Vernon of Bon Iver serve as not only as choirs of angels and co-pilots to give Lonnie's message flight but as proof of Lonnie Holley as a galvanizing, iconoclastic force across the music community.

Zappa '80: Mudd Club/Munich combines 2 historical performances from the 1980 spring/summer tour. The first is a set at FZ's favorite NYC nightclub, the famous Mudd Club, presented from a hi-res transfer of the original master tape. The second, from Olympiahalle in Munich, is the first-ever direct-to-digital live stereo recording of Zappa. Mastered by Bernie Grundman in 2022, with photography and memoir from George Alper, and liner notes from Arthur Barrow, Steve Vai & `Vaultmeister' Joe Travers.

Also Available: Zappa ’80: Munich [3LP], Zappa ’80: Mudd Club [2LP]

Australian indie-folk duo Hollow Coves' release their debut EP 'Wanderlust' on CD and vinyl. It highlights Hollow Coves trademark soft lyrics and harmonies embedded deep into the acoustic guitar melodies. Since the EP's release, "Coastline" and "The Woods" are now certified GOLD status in Canada, and the minute long "Interlude" has found resonance on Tiktok and Meta soundtracked to stunning & on-brand travel and wanderlust themed content. The band has grown their own live following, translating their recorded music showcasing both their softer side and a lively stomp and holler show that has led to opening for Passenger and The Lumineers.

Dierks Bentley will release his 10th studio album on Capitol Records Nashville on February 24, 2022. The brand-new album will include 14 songs and features duets with Ashley McBryde and Billy Strings. His latest hit single, “Gold,” is currently rising on the Country charts. Dierks has sold over 10M albums worldwide and garnered over 4.2B streams. He has 21 #1 songs, 3 CMA Awards, 14 GRAMMY nominations and is a member of the Grand Ole Opry.

On her transcendent new record, Workin' On A World, Iris DeMent faces the modern world — as it is right now — with its climate catastrophe, pandemic illness, and epidemic of violence and social injustice — and not only asks us how we can keep working towards a better world, but implores us to love each other, despite our very different ways of seeing.

Renowned for re-imagining songs from American Idol to his stirring viral hit with Cher's "Believe", Adam Lambert - the Grammy-nominated pop icon, LGBTQ trailblazer and Queen frontman - brings you High Drama, a wonderfully diverse collection of covers with a twist, held together by Adam’s once-in-a-generation voice and trademark flair.

Jordan Davis will release his 2nd studio album, Bluebird Days, on February 17, 2022. The highly anticipated album features 17 songs, including the #1 double-platinum CMA Song of the Year, "Buy Dirt" feat. Luke Bryan. The hit song (about faith, family and friends) continues to resonate with fans worldwide, topping the Country Radio Airplay chart, amassing over 735M global streams and earning NSAI Song of the Year. Also featured is the #1 Country hit, "What My World Spins Around."

5 Seconds of Summer - 5SOS5 (White Vinyl) The 2022 release from Australian pop-rock band, 5 Seconds of Summer 2X vinyl

A little over a decade ago Logic was sleeping on Big Lenbo’s basement couch in College Park, Maryland. Months later he would sign his first record deal and his life then changed forever. With his career taking off, Logic gave everything to his work. For years he did album after album, tour after tour, interview after interview. And it paid off - but at a severe cost to his mental health. Logic knew if he was going to continue his relationship with music, it would have to be on his own terms. Introducing College Park, Logic’s debut independent album. In College Park, Logic tells the story about a kid from Maryland who was tired of sleeping on couches… and changed that the only way he knew how. 

Forty Below Records releases Weight of the World, the new album by award-winning Blues and Roots musician Joe Louis Walker. A Blues Hall of Fame inductee and six-time Blues Music Award winner, NPR described Walker as "a legendary boundary-pushing icon of modern blues." His 2015 release, Everyone Wants a Piece, was nominated for the Contemporary Blues Grammy. In addition, Walker dueted with B.B. King on his Grammy Award-winning Blues Summit album and played guitar on James Cotton's Grammy-winning album Deep in the Blues. Recorded with Producer Eric Corne (John Mayall, Walter Trout, Sugaray Rayford), Weight of the World showcases the depth of Walker's influences and the prowess with which he commands different genres; be it Soul, "The Weight of the World," "Is it a Matter of Time," "Don't Walk Out That Door," Gospel, "Hello, it's the Blues," Funk, "Count Your Chickens," New Orleans 2nd line, "Waking Up the Dead," Indie Blues "Root Down," Rock N Roll, "Blue Mirror," Contemporary Blues, "Bed of Roses," or Jazz, "You Got Me Whipped."It's a compelling album that displays a master at the height of his game. They say Roots musicians age like fine wine, which certainly rings true with Walker. Weight of the World is a resounding statement and quite possibly the beginning of the greatest chapter of a storied career.

AVATAR will save Heavy Metal.

There are no weapons on this planet that can challenge might of the electric guitar. For decades metal has been the most powerful force known to man. Its sonic teeth have gnawed through the status quo over and over, pushing the boundaries for what can be created in the marriage between blood and machine. If a Mount Rushmore were to be carved for all the titans of the genre, it would span the entire globe many times over. It’s a burning beacon, the misfits and rebels.

As time has passed, much of the scene has become divided in two equally stale camps. The first is forever stuck in the past, no longer seeking to lead. The second are those who have forgotten the most important ingredients to what made metal what it was and must remain. They’ve lost touch with the devil. They’ve forgotten how to move. In a genre best experienced with your whole body, they’ve lost the lust.

We grew up together. John and Jonas started the band when they were just 15 and 14 years old. Johannes joined at the age of 16, as did Henrik and finally Simon, who left to be replaced by Tim, a longtime friend of ours, in 2012. While constantly redefining what we do and why we do it, we are among a select few who have remained a true band of brothers. Metal has been our key to the kingdom, our way to see the world. Self-financing our debut when we were between 18 and 19, we have never waited for anyone’s approval or permission. With DANCE DEVIL DANCE we are adamant to give something back for all we’ve received.

Andy Shauf’s songs unfold like short fiction: they’re densely layered with colorful characters and a rich emotional depth. On his new studio album Norm, Andy Shauf’s songwriting veers decidedly more oblique, hinting at sinister happenings and dark motivations. The result: an intoxicating collection of mellifluous melodies and beguiling lyrics. Levitating, synth-laden atmospherics drive Shauf’s storytelling on ‘Norm,’ mixed by Neal Pogue (Tyler, the Creator).

In 2016, The Party catapulted Andy Shauf to indie notoriety, followed by 2020’s The Neon Skyline which landed Andy Shauf performances on Jimmy Kimmel Live! and CBS This Morning: Saturday, a Polaris Prize nomination, and mentions on several best-of lists — among them, a track on Barack Obama’s playlist and praise from Pitch- fork, The Atlantic, Esquire, Stereogum, and more.

We want to write a big album—something suited for radio, but our songs don’t follow conventional pop structures. Instead of choruses with universal themes, I write with a specificity that is new to me, narrowing in on the smallest details of our lives. The more we try to broaden our scope, the more we turn inward.

To keep ourselves from falling into old habits, we use instruments and gear that are new to us. We work alone and Patrick engineers. The sounds he creates are as foundational as any part he writes. We resist the urge to over edit or do too many takes. Unlike previous albums which have been more wall of sound, we make a point not to overpower my voice with a dense mix.

We name the album Pollen. It is about small things with big consequences: a particle, a moment, a choice. It is me in a fragile state; sometimes inhabited freely, sometimes reacted against. It is striving to remain in a moment without slipping into dread. It is about the way I can be undone by a very small thing."

Pierce The Veil debuted atop Billboard’s Top Rock Albums, Alternative Albums, and Hard Rock Albums charts twice – first with Collide with the Sky (2012) and its follow-up, Misadventures (2016). A decade after its release, the already platinum “King for a Day” shot to No. 1 on Billboard’s Hard Rock Streaming chart, driven by the viral #KingForADay hashtag on TikTok. Even with two gold singles; a gold album; 2022 could be their biggest year. Because this is the year of The Jaws of Life.

Pierce The Veil US Billboard 200 Top 20 album Collide With The Sky will be pressed on three brand new vinyl colors. The album is RIAA certified Gold and features the singles “King For A Day,” “Bulls In The Bronx” and “Hell Above”.

Pierce the Veil - "Misadventures" Pierce the Veil's fourth studio album, Misadventures, reached #4 on the Billboard 200 when it was released in 2016. The album features the singles "The Divine Zero," "Texas Is Forever," "and "Circles." Limited Edition Indie Exclusive Silver with Red Splatter LP.