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The follow-up to Stumpwork evolved through affirming sessions at Jeff Tweedy's Chicago studio the Loft and explosive ones with Gilla Band's Alan Duggan and Daniel Fox at Sonic Studios in Dublin, taking advantage of the sonic particulars of each space, and finally with Cate Le Bon at Black Box in the Loire Valley.Secret Love is the finest expression yet of the profound friendships that created Dry Cleaning. Here, the south London four-piece take their place in rock's avant garde, catalysing the Reaganite paranoia of early 80s US punk and hardcore with the dry strut of Keith Richards, stoner rock, dystopian degradation, playful no wave and pastoral fingerpicking, while Florence's delivery, meticulously calibrated to her bandmates' soundscapes, asserts her in a lineage of spoken-word artists stretching from Laurie Anderson to Life Without Buildings' Sue Tompkins.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHit My Head All Day\u003c\/li\u003e\n\u003cli\u003eCruise Ship Designer\u003c\/li\u003e\n\u003cli\u003eMy Soul \/ Half Pint\u003c\/li\u003e\n\u003cli\u003eSecret Love (Concealed in a Drawing of a Boy)\u003c\/li\u003e\n\u003cli\u003eLet Me Grow and You'll See the Fruit\u003c\/li\u003e\n\u003cli\u003eBlood\u003c\/li\u003e\n\u003cli\u003eEvil Evil Idiot\u003c\/li\u003e\n\u003cli\u003eRocks\u003c\/li\u003e\n\u003cli\u003eThe Cute Things\u003c\/li\u003e\n\u003cli\u003eI Need You\u003c\/li\u003e\n\u003cli\u003eJoy\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e*** Indie Exclusive ***\u003cbr\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191400086807\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 4ad\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.9.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Dry Cleaning","offers":[{"title":"Default Title","offer_id":58254729314385,"sku":"33480462","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/4462814-3458836.jpg?v=1759478295"},{"product_id":"pre-order-lush-gala-lp","title":"Gala [LP]","description":"\u003cp\u003eLush's Gala was the band's debut compilation album, comprising their earliest releases - Scar(1989), Mad Love (1990), and Sweetness and Light (1990) - in reverse chronological order,plus two additional tracks (a cover version of ABBA's \"Hey Hey Helen\" and the extended RobinGuthrie mix of Scar track \"Scarlet\").Originally released in 1990 as the band's introduction to the US and Japanese markets, the com-pilation's 35th anniversary is being celebrated with a 2025 reissue with new remasters by KevinVanbergen. 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Giver Taker, hailed by Rolling Stone as one of the year's best albums, positioned him as a compelling voice exploring enduring themes of spirituality, identity, and liberation. With The King, Anjimile intensified his examination of Black and trans existence amid personal and societal turbulence, reaffirming his courageous commitment to navigating discomfort as a means of liberation.You're Free to Go, picks up where The King left off, but with it's hands open wide - a central question being: what happens when you let go and let love in? On You're Free to Go, he learns to trust life again.The album's title symbolises Anjimile's expansive perspective on love and personal freedom, influenced profoundly by his relationship with his partner and their joyful embrace of non-monogamy. Elsewhere, You're Free to Go explores heavier, darker truths; But even in it's most searching moments, the record radiates light. Each song holds space for healing - for turning pain into something tender, communal, and free.Spirituality remains the heartbeat of Anjmile's work. \"Songwriting feels like a prayer, a plea, or a question,\" he says. Across the album, sacredness feels alive and imperfect - a practice of breathing, wondering, forgiving. The album hums with that same sacred energy: messy and full of grace.You're Free to Go is a portrait of transformation - not as a wound, but an opening. Richly textured, this collection of songs is an honest reflection of life's fluctuations. It holds space for contradiction and finds liberation in tenderness. 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Giver Taker, hailed by Rolling Stone as one of the year's best albums, positioned him as a compelling voice exploring enduring themes of spirituality, identity, and liberation. With The King, Anjimile intensified his examination of Black and trans existence amid personal and societal turbulence, reaffirming his courageous commitment to navigating discomfort as a means of liberation.You're Free to Go, picks up where The King left off, but with it's hands open wide - a central question being: what happens when you let go and let love in? On You're Free to Go, he learns to trust life again.The album's title symbolises Anjimile's expansive perspective on love and personal freedom, influenced profoundly by his relationship with his partner and their joyful embrace of non-monogamy. Elsewhere, You're Free to Go explores heavier, darker truths; But even in it's most searching moments, the record radiates light. Each song holds space for healing - for turning pain into something tender, communal, and free.Spirituality remains the heartbeat of Anjmile's work. \"Songwriting feels like a prayer, a plea, or a question,\" he says. Across the album, sacredness feels alive and imperfect - a practice of breathing, wondering, forgiving. The album hums with that same sacred energy: messy and full of grace.You're Free to Go is a portrait of transformation - not as a wound, but an opening. Richly textured, this collection of songs is an honest reflection of life's fluctuations. It holds space for contradiction and finds liberation in tenderness. 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Highlights include \"Her Eyes Were Huge\", on which lightly strummed acoustic guitar uplift Karin Oliver's swooning, gossamer drawl; the synth-led, inquisitive and prickly \"Are We Still Married?\"; and pensive instrumental waltz \"Siting Still Moving Still Staring Outlooking\". A varied yet grounded compilation of new material and old (some dating back to Defever's junior high days), it finds the band entering a confident creative stride, leaving listeners enthralled by both it's beauty and darkness and proving Defever's inspired productions utterly unique. \"Dark, disturbing, and beautiful [...] Held together by Warren Defever's artful production, it's 23 songs range from jealous contemplation to spiritual concerns, from gentle folk to white noise guitar outbursts. 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The project's soaring growth over time allowed Defever to employ an extraordinarily adventuring approach to the record's sound and vision, indulging his love for all kinds of music, be it tastes of looped dub (\"Lord, Make Me A Channel of Your Peace\", \"The Homesick Waltz\"), sugar-sweet 1960s pop (\"Baby Fish Mouth\", \"Lip\"), distortion-laden dream-gaze (\"Can't Go Wrong Without You\"), evocative alt-noise (\"Sick\"), or strummy folk (\"Where Knock Is Open Wide\"). Embracing the surreal and turning their experimentalism up a notch and with Defever's studio skills truly blossoming, many see this as a high point for the band. \"Like a DIY cocktail of My Bloody Valentine's dreamy noise and the wee-hours arthouse sigh of fellow 4AD'ers This Mortal Coil, [Mouth By Mouth] generates a tremolo- and fuzz-laden frenzy underscoring Defever's debt to '60s garage psych.\" - Bandcamp Daily\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBaby Fish Mouth\u003c\/li\u003e\n\u003cli\u003eLip\u003c\/li\u003e\n\u003cli\u003eCornfield\u003c\/li\u003e\n\u003cli\u003eIn Every Ford\u003c\/li\u003e\n\u003cli\u003eLord, Make Me A Channel Of Your Peace\u003c\/li\u003e\n\u003cli\u003eDrink, Dress, and Ink\u003c\/li\u003e\n\u003cli\u003eWhere Knock Is Open Wide\u003c\/li\u003e\n\u003cli\u003eCan't Go Wrong Without You\u003c\/li\u003e\n\u003cli\u003eJack Rabbits\u003c\/li\u003e\n\u003cli\u003eSort Of\u003c\/li\u003e\n\u003cli\u003eSick\u003c\/li\u003e\n\u003cli\u003eBlue Moon\u003c\/li\u003e\n\u003cli\u003eEar\u003c\/li\u003e\n\u003cli\u003eLemon Ocean\u003c\/li\u003e\n\u003cli\u003eThe Torso\u003c\/li\u003e\n\u003cli\u003eThe Dirt Eaters\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191400041127\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 4ad\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.8.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"His Name Is Alive","offers":[{"title":"Default Title","offer_id":59258531512401,"sku":"132413630","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/4502630-3555095.jpg?v=1774969847"},{"product_id":"pre-order-livonia-cd","title":"Livonia [CD]","description":"\u003cp\u003eA storied part of the early 4AD catalog, His Name Is Alive - the creative outlet of Michigan musician Warren Defever - was signed to the label in 1989, after founder Ivo Watts-Russell fell in love with their dark and fragmented sonic inclinations via cassette demos sent in the post. The project's debut record, Livonia (named after Defever's hometown), was released in June 1990. While His Name Is Alive's sound was in line with the gothic echoes of labelmates Cocteau Twins and Dead Can Dance, they also had a different, nonpareil quality, something existing on the boundary of this earth and another realm further underground. It was this otherness that piqued interest and proved the fulcrum of an unpredictable sound that often changed tack before listeners could second guess.A product of nearly ten years of Defever's home recordings, produced and mixed by Watts-Russell and his This Mortal Coil collaborator John Fryer, their debut Livonia cemented the band's presence among the 4AD's well-established ethereal lineage, reinventing and refracting the 4AD sound through a prism. A study in shadows, the album examined the dual themes of love and loss, being woozily delivered as if dreamlike. 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The project's soaring growth over time allowed Defever to employ an extraordinarily adventuring approach to the record's sound and vision, indulging his love for all kinds of music, be it tastes of looped dub (\"Lord, Make Me A Channel of Your Peace\", \"The Homesick Waltz\"), sugar-sweet 1960s pop (\"Baby Fish Mouth\", \"Lip\"), distortion-laden dream-gaze (\"Can't Go Wrong Without You\"), evocative alt-noise (\"Sick\"), or strummy folk (\"Where Knock Is Open Wide\"). Embracing the surreal and turning their experimentalism up a notch and with Defever's studio skills truly blossoming, many see this as a high point for the band. \"Like a DIY cocktail of My Bloody Valentine's dreamy noise and the wee-hours arthouse sigh of fellow 4AD'ers This Mortal Coil, [Mouth By Mouth] generates a tremolo- and fuzz-laden frenzy underscoring Defever's debt to '60s garage psych.\" - Bandcamp Daily\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBaby Fish Mouth\u003c\/li\u003e\n\u003cli\u003eLip\u003c\/li\u003e\n\u003cli\u003eCornfield\u003c\/li\u003e\n\u003cli\u003eIn Every Ford\u003c\/li\u003e\n\u003cli\u003eLord, Make Me A Channel Of Your Peace\u003c\/li\u003e\n\u003cli\u003eDrink, Dress, and Ink\u003c\/li\u003e\n\u003cli\u003eWhere Knock Is Open Wide\u003c\/li\u003e\n\u003cli\u003eCan't Go Wrong Without You\u003c\/li\u003e\n\u003cli\u003eJack Rabbits\u003c\/li\u003e\n\u003cli\u003eSort Of\u003c\/li\u003e\n\u003cli\u003eSick\u003c\/li\u003e\n\u003cli\u003eBlue Moon\u003c\/li\u003e\n\u003cli\u003eEar\u003c\/li\u003e\n\u003cli\u003eLemon Ocean\u003c\/li\u003e\n\u003cli\u003eThe Torso\u003c\/li\u003e\n\u003cli\u003eThe Dirt Eaters\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191400041103\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 4ad\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.8.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"His Name Is Alive","offers":[{"title":"Default Title","offer_id":59258532364369,"sku":"132358270","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/4502629-3555093.jpg?v=1774969871"},{"product_id":"pre-order-livonia-lp","title":"Livonia [LP]","description":"\u003cp\u003eA storied part of the early 4AD catalog, His Name Is Alive - the creative outlet of Michigan musician Warren Defever - was signed to the label in 1989, after founder Ivo Watts-Russell fell in love with their dark and fragmented sonic inclinations via cassette demos sent in the post. 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Highlights include \"Her Eyes Were Huge\", on which lightly strummed acoustic guitar uplift Karin Oliver's swooning, gossamer drawl; the synth-led, inquisitive and prickly \"Are We Still Married?\"; and pensive instrumental waltz \"Siting Still Moving Still Staring Outlooking\". A varied yet grounded compilation of new material and old (some dating back to Defever's junior high days), it finds the band entering a confident creative stride, leaving listeners enthralled by both it's beauty and darkness and proving Defever's inspired productions utterly unique. \"Dark, disturbing, and beautiful [...] Held together by Warren Defever's artful production, it's 23 songs range from jealous contemplation to spiritual concerns, from gentle folk to white noise guitar outbursts. 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The duo of Mike Mason and Louise Trehy crafted lush, atmospheric songs full of hazy guitars and delicate vocals. 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These represses feature newly remastered audio with engineer Kevin Vanbergen having returned to the band's original analogue tapes to deliver stunning new masters that reveal more layers to these much-loved records.Bossanova is the third Pixies album. The band continued to work with Gil Norton after collaborating to such success on their platinum-selling second album Doolittle. Their third album in as many years, 1990 was a particularly fertile time for the band with Kim Deal also having success with The Breeders, who released their debut album Pod just a few months prior. Featuring the singles 'Allison' (a tribute to jazz and blues pianist Mose Allison), 'Dig For Fire' and 'Velouria', plus the first cover to feature on one of their albums 'Cecilia Ann' (originally by The Surftones), Bossanova showed a less primal side to the band, with surf and space rock rising to the fore. 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These represses feature newly remastered audio with engineer Kevin Vanbergen having returned to the band's original analogue tapes to deliver stunning new masters that excitingly reveal more layers to these much-loved records.Trompe le Monde bookended a golden run of landmark records released in quick succession that cemented Pixies as one of the best of a generation.Translated from French to mean \"fool the world\", Trompe le Monde showed the band still restless to push their sound forward. With producer Gil Norton again at the controls, their fourth album is arguably their most playful with Black Francis's lyrics on UFOs and conspiracy theories keeping things weird while power pop creeps in to amplify the space rock established on predecessor Bossanova.Trompe le Monde goes full throttle with 15 tracks coming in a quickfire 40-minute salvo. 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These represses feature newly remastered audio with engineer Kevin Vanbergen having returned to the band's original analogue tapes to deliver stunning new masters that reveal more layers to these much-loved records.Bossanova is the third Pixies album. The band continued to work with Gil Norton after collaborating to such success on their platinum-selling second album Doolittle. Their third album in as many years, 1990 was a particularly fertile time for the band with Kim Deal also having success with The Breeders, who released their debut album Pod just a few months prior. Featuring the singles 'Allison' (a tribute to jazz and blues pianist Mose Allison), 'Dig For Fire' and 'Velouria', plus the first cover to feature on one of their albums 'Cecilia Ann' (originally by The Surftones), Bossanova showed a less primal side to the band, with surf and space rock rising to the fore. 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Ten songs capture what the band describes as \"quick bursts\" of brilliance pulled from improvisation and instinct. Stripping back the abstraction of their acclaimed debut 45 Pounds, the New York four-piece sharpen their sound into something skeletal, visceral, and eerily direct, balancing chaos with instinctive precision. Magazine captures the band at their most immediate, fleeting bursts of noise, tension, and dark spiritual imagery that hit like a transmission from another realm. \"This is a band so instinctive and expressive that it's greatness lies not just in what's happening on the record, but in what could possibly happen next.\" - Pitchfork\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGhost of Love\u003c\/li\u003e\n\u003cli\u003eStillness Blues\u003c\/li\u003e\n\u003cli\u003eInnocent Sigh\u003c\/li\u003e\n\u003cli\u003eHips on a Wheel\u003c\/li\u003e\n\u003cli\u003eBallerina\u003c\/li\u003e\n\u003cli\u003eGive Blood\u003c\/li\u003e\n\u003cli\u003eMagazine\u003c\/li\u003e\n\u003cli\u003eSewer Tree\u003c\/li\u003e\n\u003cli\u003eBurns\u003c\/li\u003e\n\u003cli\u003eTo the Devil\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191400093713\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 4ad\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.21.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Yhwh Nailgun","offers":[{"title":"Default Title","offer_id":59636876738641,"sku":"214185388","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/4518776-3612276.jpg?v=1781110782"}],"url":"https:\/\/apocalypsevinyl.com\/collections\/4ad.oembed","provider":"Apocalypse Vinyl","version":"1.0","type":"link"}