{"title":"Archie Shepp","description":null,"products":[{"product_id":"archie-shepp-derailleur-the-1964-demo-vinyl","title":"Derailleur: The 1964 Demo (Vinyl)","description":"Archie Shepp - Derailleur: The 1964 Demo (Vinyl) \u003cbr\u003eBarcode: 769791985353 \u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 12\/8\/23\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Archie Shepp","offers":[{"title":"Default Title","offer_id":42024542011473,"sku":"18JCI1-QFR9-UM","price":38.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/archie-shepp-derailleur-the-1964-demo_r0Ea9.jpg?v=1762480014"},{"product_id":"archie-shepp-the-magic-of-ju-ju-verve-by-request-series-180-gram-vinyl-vinyl","title":"The Magic Of Ju-Ju (Verve By Request Series) (180 Gram Vinyl) (Vinyl)","description":"Opening with the 18-minute track of the same name, Archie Shepp's The Magic of Ju-Ju takes on a fevered pace as the centerpiece of this date from 1968. 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Archie Shepp plays the tenor and altosaxophone, Horace Parlan on piano, Wayne Dockery on bass and George Brown on drums. Compositions include the modern jazz interpretation of the traditional 'Go Down Moses (Let My People Go)', the Duke Ellington written 'I Didn't Know About You', Charlie Parker's 'Now's The Time' plus three more tracks. I Didn't Know About You is available on vinyl for the first time as a limited edition of 500 individually numbered copies on yellow coloured vinyl. Official website: https:\/\/www. Archieshepp. org\/ LISTEN: https:\/\/youtu. #be\/FJhaDBTW_kY* 180 GRAM AUDIOPHILE VINYL* JAZZ QUARTET LED BY TENOR AND ALTO-SAXOPHONIST ARCHIE SHEPP AND FEATURING HORACE PARLAN, WAYNE DOCKERY, AND GEORGE BROWN* FOR THE FIRST TIME AVAILABLE ON VINYL * LIMITED EDITION OF 500 INDIVIDUALLY NUMBERED COPIES ON YELLOW COLOURED VINYLTrack listing:SIDE A1. Go Down Moses (Let My People Go)2. I Didn't Know About YouSIDE B1. Billie's Bossa2. Hot House SIDE C1. The Good Life2. 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The record is comprised of two three-part suites and the 10 minute \"Down In Brazil,\" among which are two vocal parts and a poem recitation. The outing finds Shepp, then in his musical prime, backed by a stellar group of players that grows to 13 pieces at times. This crew includes Ray Draper (tuba), Charles Greenlee (trombone) Dave Burrell (piano), and Jimmy Garrison (bass), among others. For the first time since 1979, the record is being reissued on vinyl. 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Archie Shepp has made many Afrocentric statements in his long distinguished career but this meeting with Algerian and Touareg musicians in 1969 ranks among his greatest artistic achievements. The backdrop was the inaugural Pan African Festival Of Culture that took place in Algiers in July 1969 in order to promote solidarity among African nations at a time when many were emerging from the yoke of colonialism and some were still fighting for freedom. Their struggle chimed with the Black Power movement in America, which the likes of Archie Shepp vocally supported.Accompanied by compatriots, trombonist Grachan Moncur III, trumpeter Clifford Thornton, pianist Dave Burrell, double bassist Alan Silva and drummer Sunny Murray, Archie Shepp blows with both fiery, bluesy passion and soulful tenderness on lengthy pieces in which the Touareg percussion and double reed horns create dancing rhythms that regularly turn into a deep trance groove. Joining the two groups are poets Ted Joans and Don Lee, who deliver thought-provoking verse on the significance of the occasion, declaring emphatically that the African-Americans have come home to Africa, the land they consider to be the heartland of what is known as jazz.On the album are two concerts that took place at the front of the Ketchaoua mosque and at the Atlas Cinema. It swarms, it screams, it moves, it dances. Archie Shepp and the musicians are in the middle of a crowd in trance, creating a frenetic atmosphere which assures the listener a completely immersive adventure.This newly remastered version of 'Live At The Panafrican Festival' provides an opportunity to enjoy historic music that was in the vanguard of collaborations between African-American and African artists. 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Yasmina, a Black Woman is a jazz album by Archie Shepp, recorded in 1969 in Paris. It features musicians from the Art Ensemble of Chicago. The first track, giving it's title to the album, is a long free jazz piece by an 11-piece orchestra; in it, the references to Africa that Shepp had experimented with only a few weeks earlier in Algiers are to be found in the use of African percussion instruments, or the African incantations sung by Shepp himself at the beginning of the track. The other two pieces, a homage to Sonny Rollins written by trombonist Grachan Moncur III and a standard, played by a more traditional quintet and quartet respectively, are more reminiscent of the hard bop genre, although the fiery playing of the musicians, notably Shepp himself, gives them a definite avant-garde edge.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYasmina\u003c\/li\u003e\n\u003cli\u003eSonny's Back\u003c\/li\u003e\n\u003cli\u003eBody and Soul\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5060767441121\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Byg\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.24.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Archie Shepp","offers":[{"title":"Default Title","offer_id":58292032667729,"sku":"331392","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/4178008-3158771.jpg?v=1760738522"},{"product_id":"live-at-massy-rsd-2023","title":"Live at Massy [RSD 2023] []","description":"\u003cp\u003eFRENCH IMPORT (One Time Pressing, Jazz avant-garde Collector's item) - 1975 Iconic, Very Rare Live Recording from The Massy in France. Archie \"Vernon\" Shepp American is a tenor saxophonist, composer, dramatist, teacher, and pioneer of the free jazz movement,  known not only for his creative improvisation and colorful sound but also for his Afrocentric approach to music. The National Endowment for the Arts named Shepp a Jazz Master in 2016. 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Restored \u0026amp; remastered from the original tapes by Nick Robbins, it features a new and insightful essay by author \u0026amp; music journalist Kevin Le Gendre.The LP edition presents the original gatefold sleeve and artwork meticulously recreated with a sleek matte laminate finish, along with a double-sided insert.Awarded Audiophile Album of the Month by Jazzwise, March 2023, and hailed as \"A must for Shepp fans as well as free-jazz aficionados\" by Kevin Whitlock - Jazzwise.Florida-born saxophonist, composer, poet, actor, and playwright Archie Shepp was one of the most powerful voices of politicized Black culture in the late '60s-a time of radical thought and social upheaval.After relocating to Paris, Shepp recorded a series of groundbreaking albums, including BlasÃ©, which explored themes of freedom, racial equality, and the deep roots of African-American music. Blending gospel, blues, and avant-garde jazz, the album featured the mesmerizing vocals of Jeanne Lee and members of the Art Ensemble of Chicago, creating a powerful fusion of jazz, poetry, and radical politics.BlasÃ© defies categorization, moving fluidly across eras and influences-what Shepp called \"pre-jazz\" as much as \"free jazz.\" From a graceful reprise of Duke Ellington's Sophisticated Lady to the propulsive rhythms of Touareg, inspired by his transformative experience at the 1969 Pan-African Festival in Algiers, Shepp's vision was always expansive.Black music has a dynamic relationship with it's past-what was once old becomes new again, resonating across generations. If BlasÃ© teaches us anything, it's that younger artists will always feel the spirit of their predecessors, both in life and beyond. 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Restored \u0026amp; remastered from the original tapes by Nick Robbins, it features the original gatefold sleeve \u0026amp; artwork faithfully reproduced, along with an insert containing an insightful essay by author \u0026amp; music journalist Kevin Le GendreIn a long and distinguished career Archie Shepp has made a number of important political statements, speaking out boldly on racial inequality and oppression in America, and Poem For Malcolm has pride of place in his discography. Recorded at the tailend of the 60s after the saxophonist had relocated to Paris, the album features an all-star cast of contributors that includes U.S hard bop hero Hank Mobley as well as Art Ensemble Of Chicago bassist Malachi Favors, pianist Burton Greene, and French drummer Claude Delcloo.While embracing the dynamic, turbulent energy of the avant-garde or 'New Thing' the players did not entirely break from 'tradition' and a reprise of 'Oleo', one of the enduring post-bop themes of 'saxophone colossus' Sonny Rollins, is a highlight of the album. But first and foremost Shepp's towering personality dominates proceedings. The title track is a searing recital of a text he wrote to mark the passing of his role model Malcolm X that fully conveys the grief over the death of a visionary who sought to bring both dignity and autonomy to people of colour the world over. This remastered version of the album offers the opportunity to experience Shepp's powerful poetry and the artistry of a transatlantic band at the cutting edge of post-war improvised music, all in the finest audio quality. 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