{"title":"Bright Eyes","description":null,"products":[{"product_id":"bright-eyes-bright-eyes-fevers-and-mirrors-a-companion-opaque-gold-colored-vinyl-extended-play-vinyl","title":"Bright Eyes Fevers and Mirrors: A Companion (Opaque Gold Colored Vinyl, Extended Play) [Vinyl]","description":"Bright Eyes - Bright Eyes Fevers and Mirrors: A Companion (Opaque Gold Colored Vinyl, Extended Play) [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 656605160733 \u003cbr\u003e\u003cp\u003eTracksCredits\u003cbr\u003e1 Haligh, Haligh, a Lie, Haligh (Companion Version)\u003cbr\u003e2 A Scale, a Mirror, and Those Indifferent Clocks (Companion Version)\u003cbr\u003e3 Arienette (Companion Version)\u003cbr\u003e4 Hypnotist (Song for Daniel H)\u003cbr\u003e5 When the Curious Girl Realizes She Is Under Glass (Companion Version)\u003cbr\u003e6 A Spindle, a Darkness, a Fever, and a Necklace (Companion Version)\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 05\/27\/2022\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bright Eyes","offers":[{"title":"Default Title","offer_id":41891422142545,"sku":"67BA17-J2OS-00","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Bright-Eyes-Fevers-and-Mirrors-A-Companion-Opaque-Gold-Colored-Vinyl-Extended-Play_mGGpL.jpg?v=1759469278"},{"product_id":"bright-eyes-bright-eyes-cassadaga-yellow-vinyl","title":"Bright Eyes Cassadaga - Yellow [Vinyl]","description":"Bright Eyes - Bright Eyes Cassadaga - Yellow [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 656605159638 \u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 06\/16\/2023\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bright Eyes","offers":[{"title":"Default Title","offer_id":41891561144401,"sku":"75I1XN-EIMK-00","price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/bright-eyes-cassadaga-yellow_0gEq6.jpg?v=1759469351"},{"product_id":"bright-eyes-bright-eyes-a-christmas-album-vmp-blue-numbered-vinyl","title":"Bright Eyes A Christmas Album (VMP, Blue, Numbered) [Vinyl]","description":"Bright Eyes - Bright Eyes A Christmas Album (VMP, Blue, Numbered) [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 656605158730 \u003cbr\u003e\u003cp\u003eTraditional Christmas songs performed and arranged by Bright Eyes' Conor Oberst and Maria Taylor along with the help of Jake Bellows, Gretta Cohn, Armand Costanzo, Denver Dalley, Stefanie Drootin, Orenda Fink, Neely Jenkins, Jiha Lee, Andy LeMaster, Mike Mogis, Matt Oberst, Stephen Pedersen, Blake Sennett, Macey Taylor and Nick White.\u003c\/p\u003e\r\n\r\n\u003cp\u003eLimited to 2000 copies, the VMP exclusive version of Bright Eyes' \u003ci\u003eA Christmas Album\u003c\/i\u003e is pressed on Blue Seafoam Wave vinyl at Independent Record Pressing (IRP). The 1 LP will arrive in a single direct-to-board, foil-stamped and numbered jacket.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 2022\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Holiday\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bright Eyes","offers":[{"title":"Default Title","offer_id":41892077600849,"sku":"NTHMDH-NXOT-00","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/a-christmas-album-vmp-blue-numbered_Hhbpg.jpg?v=1762467712"},{"product_id":"bright-eyes-bright-eyes-im-wide-awake-its-morning-a-companion-gold-vinyl-ep-vinyl","title":"Bright Eyes I'm Wide Awake, It's Morning: A Companion (Gold Vinyl, EP) [Vinyl]","description":"Bright Eyes - Bright Eyes I'm Wide Awake, It's Morning: A Companion (Gold Vinyl, EP) [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 656605160931 \u003cbr\u003e\u003cp\u003eTracksCredits 1 Old Soul Song (For the New World Order) [Companion Version] 2 First Day of My Life (Companion Version) 3 Fare Thee Well, Miss Carousel 4 Road to Joy (Companion Version) 5 We Are Nowhere and It's Now (Companion Version) 6 Land Locked Blues (Companion Version)\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 11\/25\/2022\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bright Eyes","offers":[{"title":"Default Title","offer_id":41892130455633,"sku":"A83XK6-W6ID-00","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/bright-eyes-im-wide-awake-its-morning-a-companion-colored-vinyl-gold-extended-play_yrAQP.jpg?v=1759469698"},{"product_id":"bright-eyes-bright-eyes-noise-floor-rarities-1998-2005-champagne-wave-vinyl","title":"Bright Eyes Noise Floor (rarities: 1998-2005) - Champagne Wave [Vinyl]","description":"Bright Eyes - Bright Eyes Noise Floor (rarities: 1998-2005) - Champagne Wave [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 656605159430 \u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 06\/16\/2023\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bright Eyes","offers":[{"title":"Default Title","offer_id":41892227252305,"sku":"E7ID22-LIRJ-00","price":35.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/bright-eyes-noise-floor-rarities-1998-2005-champagne-wave_D3EBS.jpg?v=1762468554"},{"product_id":"bright-eyes-bright-eyes-the-peoples-key-a-companion-gold-vinyl","title":"Bright Eyes The People's Key: A Companion - Gold [Vinyl]","description":"Bright Eyes - Bright Eyes The People's Key: A Companion - Gold [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 656605161235 \u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 06\/16\/2023\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bright Eyes","offers":[{"title":"Default Title","offer_id":41892297146449,"sku":"FSY1Z4-1GOI-00","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/bright-eyes-the-peoples-key-a-companion-gold_Nemyk.jpg?v=1762468626"},{"product_id":"bright-eyes-bright-eyes-noise-floor-a-companion-gold-vinyl","title":"Bright Eyes Noise Floor: A Companion - Gold [Vinyl]","description":"Bright Eyes - Bright Eyes Noise Floor: A Companion - Gold [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 656605161334 \u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 06\/16\/2023\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bright Eyes","offers":[{"title":"Default Title","offer_id":41892350132305,"sku":"FSDOW5-H7EY-00","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/bright-eyes-noise-floor-a-companion-gold_nKJRb.jpg?v=1762469005"},{"product_id":"bright-eyes-bright-eyes-lifted-or-the-story-is-in-the-soil-keep-your-ear-to-the-ground-a-companion-gold-vinyl-ep-vinyl","title":"Bright Eyes Lifted or The Story Is in the Soil, Keep Your Ear to the Ground: A Companion (Gold Vinyl, EP) [Vinyl]","description":"Bright Eyes - Bright Eyes Lifted or The Story Is in the Soil, Keep Your Ear to the Ground: A Companion (Gold Vinyl, EP) [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 656605160832 \u003cbr\u003e\u003cp\u003eTracksCredits 1 The Big Picture (Companion Version) 2 You Will. You? Will. You? Will. You? Will. (Companion Version) 3 Laura Laurent (Companion Version) 4 Nothing Gets Crossed Out (Companion Version) 5 November 6 Waste of Paint (Companion Version)\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 11\/25\/2022\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bright Eyes","offers":[{"title":"Default Title","offer_id":41892403445841,"sku":"ST6XNQ-VLNA-00","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/bright-eyes-lifted-or-the-story-is-in-the-soil-keep-your-ear-to-the-ground-a-companion-colored-vinyl-gold-disc-extended-play_OqFav.jpg?v=1762469210"},{"product_id":"bright-eyes-bright-eyes-cassadaga-a-companion-gold-vinyl","title":"Bright Eyes Cassadaga: A Companion - Gold [Vinyl]","description":"Bright Eyes - Bright Eyes Cassadaga: A Companion - Gold [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 656605161136 \u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 06\/16\/2023\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bright Eyes","offers":[{"title":"Default Title","offer_id":41892522459217,"sku":"UVOCEW-N96M-00","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/bright-eyes-cassadaga-a-companion-gold_4yOfG.jpg?v=1762469476"},{"product_id":"bright-eyes-bright-eyes-lifted-or-the-story-is-in-the-soil-keep-your-ear-to-the-ground-2-lps-vinyl","title":"Bright Eyes Lifted or The Story Is in the Soil, Keep Your Ear to The Ground (2 Lp's) [Vinyl]","description":"Bright Eyes - Bright Eyes Lifted or The Story Is in the Soil, Keep Your Ear to The Ground (2 Lp's) [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 656605158624 \u003cbr\u003e\u003cp\u003eTracksCredits - Disc 1 - 1 The Big Picture 2 Method Acting 3 False Advertising 4 You Will. You? Will. You? Will. You? Will 5 Lover I Don't Have to Love 6 Bowl of Oranges 7 Don't Know When But a Day Is Gonna Come - Disc 2 - 1 Nothing Gets Crossed Out 2 Make War 3 Waste of Paint 4 From a Balance Beam 5 Laura Laurent 6 Let's Not Shit Ourselves (To Love and to Be Loved)\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 11\/25\/2022\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bright Eyes","offers":[{"title":"Default Title","offer_id":41892536221777,"sku":"I6XEMK-OY0E-00","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/bright-eyes-liftedor-the-story-is-in-the-soil-keep-your-ear-to-the-ground-2-lps_h0GI8.jpg?v=1762469567"},{"product_id":"bright-eyes-bright-eyes-digital-ash-in-a-digital-urn-a-companion-colored-vinyl-gold-extended-play-vinyl","title":"Bright Eyes Digital Ash In A Digital Urn: A Companion (Colored Vinyl, Gold, Extended Play) [Vinyl]","description":"Bright Eyes - Bright Eyes Digital Ash In A Digital Urn: A Companion (Colored Vinyl, Gold, Extended Play) [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 656605161037 \u003cbr\u003e\u003cp\u003eTracksCredits\u003cbr\u003e1 Hit the Switch (Companion Version)\u003cbr\u003e2 Down in a Rabbit Hole (Companion Version)\u003cbr\u003e3 Arc of Time (Time Code) [Companion Version]\u003cbr\u003e4 Ship in a Bottle (Companion Version)\u003cbr\u003e5 Agenda Suicide\u003cbr\u003e6 Gold Mine Gutted (Companion Version)\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 11\/25\/2022\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bright Eyes","offers":[{"title":"Default Title","offer_id":41901941784657,"sku":"PW4ZJQ-O50K-00","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/bright-eyes-digital-ash-in-a-digital-urn-a-companion-colored-vinyl-gold-extended-play_wxMOy.jpg?v=1762470202"},{"product_id":"bright-eyes-bright-eyes-five-dice-all-threes-2lp-red-orange-splatter-vinyl","title":"Bright Eyes FIVE DICE, ALL THREES (2LP, Red \u0026 Orange Splatter) [Vinyl]","description":"Bright Eyes - Bright Eyes FIVE DICE, ALL THREES (2LP, Red \u0026amp; Orange Splatter) [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 656605163635 \u003cbr\u003e\u003cp\u003eFive Dice, All Threes is a record of uncommon intensity and tenderness, communal exorcism and personal excavation. These are, of course, qualities that fans have come to expect from Bright Eyes, nearly three decades into their career. The tight-knit band of Conor Oberst, Mike Mogis, and Nate Walcott tends to operate in distinct sweeping movements: each unique in its sound and story but unified by a sense of ambition and ever-growing emotional stakes. Even with this rich history behind them, these new songs exude a visceral thrill like nothing they have attempted before. Oberst has always sung in a voice that conveys a sense of life-or-death gravity. At times throughout Five Dice, All Threes, you may feel worried for him; other times, he may seem like the only one with the clarity to get us out of this mess.\u003c\/p\u003e\r\n\r\n\u003cp\u003eOn the self-produced album, Bright Eyes embrace the elusive quality that has made them so enduring and influential across generations and genres, bringing their homespun sound from an Omaha bedroom to devoted audiences around the world. In Oberst’s songwriting lies a promise that our loneliest thoughts and feelings can take on grander shapes when passed between friends, blasted through speakers, or shouted among crowds. This time around, the band invites such like-minded voices onto the record with them, with notable guest appearances from Cat Power (“All Threes”), The National’s Matt Berninger (“The Time I Have Left”), and Alex Orange Drink, the frontman of the New York punk band The So So Glos, who co-wrote several songs and shares a climactic verse in the surging “Rainbow Overpass.”\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhen they hit the studio with Oberst’s longtime bandmates—the multiinstrumentalist and producer Mike Mogis, the keyboardist and arranger Nate Walcott—they opted for a fast-paced approach that drew inspiration from formative influences like The Replacements and Frank Black. They sought textures that burst from the mix like gnarly splashes of paint on a blank canvas; they opted for first takes and spontaneous decisions. Five Dice, All Threes thrashes and squirms and resists classification. In the brilliant expanse of “El Capitan,” they blend a galloping rhythm you might find in a Johnny Cash standard with a swell of funereal horns, shouted vocals, and lyrics that read like a sobering farewell between twin souls. “So they’re burning you an effigy,” Oberst sings. “Well, that happens to me all the time!”\u003c\/p\u003e\r\n\r\n\u003cp\u003eFor every striking turn in his lyrics, the band knows just how to complement him. On one level, Five Dice, All Threes may be the most fun album in the Bright Eyes catalog, filled with singalong hooks and buzzing performances. And yet, sitting alongside these adrenalized rockers that sound beamed in directly from the garage, you will find contemplative, psychedelic material like the heartbreaking “Tiny Suicides” and “All Threes,” a song whose jazzy piano solo and free-associative lyrics feel totally unprecedented in the Bright Eyes catalog.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAs per usual, the music comes loaded with subtext that invites deep listening—the signature touch of a band who has always honored the album as its own exalted work of art. In the game of threes, the titular move would indicate a perfect roll. Perfection, however, means something different in the world of Bright Eyes, where our flaws are what grants us authority and finding meaning is only possible if we bear witness to the dark, winding journey to get there. On Five Dice, All Threes, Bright Eyes embrace these beliefs with music that feels thrillingly alive, as if we were all in the room with them, shouting along and gaining the strength to move forward together. It doesn’t just sound like classic Bright Eyes. It sounds like their future, too.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e1 Five Dice\u003c\/li\u003e\r\n\t\u003cli\u003e2 Bells and Whistles\u003c\/li\u003e\r\n\t\u003cli\u003e3 El Capitan\u003c\/li\u003e\r\n\t\u003cli\u003e4 Bas Jan Ader\u003c\/li\u003e\r\n\t\u003cli\u003e5 Tiny Suicides\u003c\/li\u003e\r\n\t\u003cli\u003e6 All Threes\u003c\/li\u003e\r\n\t\u003cli\u003e7 Rainbow Overpass\u003c\/li\u003e\r\n\t\u003cli\u003e8 Hate\u003c\/li\u003e\r\n\t\u003cli\u003e9 Real Feel 105°\u003c\/li\u003e\r\n\t\u003cli\u003e10 Spun Out\u003c\/li\u003e\r\n\t\u003cli\u003e11 Trains Still Run on Time\u003c\/li\u003e\r\n\t\u003cli\u003e12 The Time I Have Left\u003c\/li\u003e\r\n\t\u003cli\u003e13 Tin Soldier Boy\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 09\/20\/2024\u003c\/li\u003e\n\u003cli\u003eReleased: 09\/20\/2024\u003c\/li\u003e\n\u003cli\u003eFormat Detail: 2xLP - Red \u0026amp; Orange Splatter\u003c\/li\u003e\n\u003cli\u003eUPC: 656605163635\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eLabel: Dead Oceans\u003c\/li\u003e\n\u003cli\u003eGenre: Alternative\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bright Eyes","offers":[{"title":"Default Title","offer_id":41939970064465,"sku":"VBDBDL-VM8V-00","price":38.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/five-dice-all-threes-2lp-red-orange-splatter_uc2iD.jpg?v=1759470418"},{"product_id":"bright-eyes-five-dice-all-threes-cd","title":"Five Dice, All Threes (CD)","description":"Bright Eyes - Five Dice, All Threes (CD) \u003cbr\u003e Barcode: 656605163628 \u003cbr\u003e\u003cp\u003eDescription\u003cbr\u003eFive Dice, All Threes is a record of uncommon intensity and tenderness,\u003c\/p\u003e\u003cp\u003ecommunal exorcism and personal excavation. These are, of course, qualities that fans have come to expect from Bright Eyes, nearly three decades into their career. The tight-knit band of Conor Oberst, Mike Mogis, and Nate Walcott tends to operate in distinct sweeping movements: each unique in it's sound and story but unified by a sense of ambition and ever-growing emotional stakes. Even with this rich history behind them, these new songs exude a visceral thrill like nothing they have attempted before. Oberst has always sung in a voice that conveys a sense of life-or-death gravity. At times throughout Five Dice, All Threes, you may feel worried for him; other times, he may seem like the only one with the clarity to get us out of this mess. On the self-produced album, Bright Eyes embrace the elusive quality that has made them so enduring and influential across generations and genres, bringing their homespun sound from an Omaha bedroom to devoted audiences around the world. In Oberst's songwriting lies a promise that our loneliest thoughts and feelings can take on grander shapes when passed between friends, blasted through speakers, or shouted among crowds. This time around, the band invites such like-minded voices onto the record with them, with notable guest appearances from Cat Power (\"All Threes\"), The National's Matt Berninger (\"The Time I Have Left\"), and Alex Levine, the frontman of the New York punk band The So So Glos, who co-wrote several songs and shares a climactic verse in the surging \"Rainbow Overpass.\" When they hit the studio with Oberst's longtime bandmates-the multiinstrumentalist and producer Mike Mogis, the keyboardist and arranger Nate Walcott-they opted for a fast-paced approach that drew inspiration from formative influences like The Replacements and Frank Black. They sought textures that burst from the mix like gnarly splashes of paint on a blank canvas; they opted for first takes and spontaneous decisions. Five Dice, All Threes thrashes and squirms and resists classification. In the brilliant expanse of \"El Capitan,\" they blend a galloping rhythm you might find in a Johnny Cash standard with a swell of funereal horns, shouted vocals, and lyrics that read like a sobering farewell between twin souls. \"So they're burning you an effigy,\" Oberst sings. \"Well, that happens to me all the time!\" For every striking turn in his lyrics, the band knows just how to complement him. On one level, Five Dice, All Threes may be the most fun album in the Bright Eyes catalog, filled with singalong hooks and buzzing performances. And yet, sitting alongside these adrenalized rockers that sound beamed in directly from the garage, you will find contemplative, psychedelic material like the heartbreaking \"Tiny Suicides\" and \"All Threes,\" a song whose jazzy piano solo and free-associative lyrics feel totally unprecedented in the Bright Eyes catalog. As per usual, the music comes loaded with subtext that invites deep listening-the signature touch of a band who has always honored the album as it's own exalted work of art. In the game of threes, the titular move would indicate a perfect roll. Perfection, however, means something different in the world of Bright Eyes, where our flaws are what grants us authority and finding meaning is only possible if we bear witness to the dark, winding journey to get there. On Five Dice, All Threes, Bright Eyes embrace these beliefs with music that feels thrillingly alive, as if we were all in the room with them, shouting along and gaining the strength to move forward together. It doesn't just sound like classic Bright Eyes. It sounds like their future, too.\u003cbr\u003eTracks\u003cbr\u003e1 Five Dice\u003cbr\u003e2 Bells and Whistles\u003cbr\u003e3 El Capitan\u003cbr\u003e4 Bas Jan Ader\u003cbr\u003e5 Tiny Suicides\u003cbr\u003e6 All Threes\u003cbr\u003e7 Rainbow Overpass\u003cbr\u003e8 Hate\u003cbr\u003e9 Real Feel 105°\u003cbr\u003e10 Spun Out\u003cbr\u003e11 Trains Still Run on Time\u003cbr\u003e12 The Time I Have Left\u003cbr\u003e13 Tin Soldier Boy\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eRelease-Date: : 09\/20\/2024\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bright Eyes","offers":[{"title":"Default Title","offer_id":42035659472977,"sku":"HVNECQ-ILH1-3B","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/bright-eyes-five-dice-all-threes_Xu5d0.jpg?v=1762501089"},{"product_id":"bright-eyes-five-dice-all-threes-2-lp-vinyl","title":"Five Dice, All Threes (2 Lp) (Vinyl)","description":"\u003cp\u003eDescription\u003cbr\u003eFive Dice, All Threes is a record of uncommon intensity and tenderness,\u003c\/p\u003e\u003cp\u003ecommunal exorcism and personal excavation. These are, of course, qualities that fans have come to expect from Bright Eyes, nearly three decades into their career. The tight-knit band of Conor Oberst, Mike Mogis, and Nate Walcott tends to operate in distinct sweeping movements: each unique in it's sound and story but unified by a sense of ambition and ever-growing emotional stakes. Even with this rich history behind them, these new songs exude a visceral thrill like nothing they have attempted before. Oberst has always sung in a voice that conveys a sense of life-or-death gravity. At times throughout Five Dice, All Threes, you may feel worried for him; other times, he may seem like the only one with the clarity to get us out of this mess. On the self-produced album, Bright Eyes embrace the elusive quality that has made them so enduring and influential across generations and genres, bringing their homespun sound from an Omaha bedroom to devoted audiences around the world. In Oberst's songwriting lies a promise that our loneliest thoughts and feelings can take on grander shapes when passed between friends, blasted through speakers, or shouted among crowds. This time around, the band invites such like-minded voices onto the record with them, with notable guest appearances from Cat Power (\"All Threes\"), The National's Matt Berninger (\"The Time I Have Left\"), and Alex Levine, the frontman of the New York punk band The So So Glos, who co-wrote several songs and shares a climactic verse in the surging \"Rainbow Overpass.\" When they hit the studio with Oberst's longtime bandmates-the multiinstrumentalist and producer Mike Mogis, the keyboardist and arranger Nate Walcott-they opted for a fast-paced approach that drew inspiration from formative influences like The Replacements and Frank Black. They sought textures that burst from the mix like gnarly splashes of paint on a blank canvas; they opted for first takes and spontaneous decisions. Five Dice, All Threes thrashes and squirms and resists classification. In the brilliant expanse of \"El Capitan,\" they blend a galloping rhythm you might find in a Johnny Cash standard with a swell of funereal horns, shouted vocals, and lyrics that read like a sobering farewell between twin souls. \"So they're burning you an effigy,\" Oberst sings. \"Well, that happens to me all the time!\" For every striking turn in his lyrics, the band knows just how to complement him. On one level, Five Dice, All Threes may be the most fun album in the Bright Eyes catalog, filled with singalong hooks and buzzing performances. And yet, sitting alongside these adrenalized rockers that sound beamed in directly from the garage, you will find contemplative, psychedelic material like the heartbreaking \"Tiny Suicides\" and \"All Threes,\" a song whose jazzy piano solo and free-associative lyrics feel totally unprecedented in the Bright Eyes catalog. As per usual, the music comes loaded with subtext that invites deep listening-the signature touch of a band who has always honored the album as it's own exalted work of art. In the game of threes, the titular move would indicate a perfect roll. Perfection, however, means something different in the world of Bright Eyes, where our flaws are what grants us authority and finding meaning is only possible if we bear witness to the dark, winding journey to get there. On Five Dice, All Threes, Bright Eyes embrace these beliefs with music that feels thrillingly alive, as if we were all in the room with them, shouting along and gaining the strength to move forward together. It doesn't just sound like classic Bright Eyes. It sounds like their future, too.\u003cbr\u003e \u003cbr\u003eTracks\u003cbr\u003e1 Five Dice\u003cbr\u003e2 Bells and Whistles\u003cbr\u003e3 El Capitan\u003cbr\u003e4 Bas Jan Ader\u003cbr\u003e5 Tiny Suicides\u003cbr\u003e6 All Threes\u003cbr\u003e7 Rainbow Overpass\u003cbr\u003e8 Hate\u003cbr\u003e9 Real Feel 105°\u003cbr\u003e10 Spun Out\u003cbr\u003e11 Trains Still Run on Time\u003cbr\u003e12 The Time I Have Left\u003cbr\u003e13 Tin Soldier Boy\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 09\/20\/2024\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bright Eyes","offers":[{"title":"Default Title","offer_id":42159932932177,"sku":"HDEINX-O41R-48","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/bright-eyes-five-dice-all-threes-2-lp_mIzjf.jpg?v=1759489514"},{"product_id":"bright-eyes-a-christmas-album-translucent-red-colored-vinyl-vinyl","title":"A Christmas Album (Translucent Red Colored Vinyl) (Vinyl)","description":"\u003cp\u003eDescription\u003cbr\u003eBright Eyes' Christmas Album begins with a piano, flute, ambient noise, and musical saw-driven version of \"Away in a Manger,\" helping weed out casual Christmas music enjoyers, but all too tempting for the most devout of Conor Oberst's disciples, who originally learned that the warmth of the holiday season is trumped only by it's potential for melancholy back in 2002 with the original Saddle Creek release. Oberst and a small army of friends at his house proceed to jamboree through Christmas classics like \"Have Yourself a Merry Little Christmas,\" \"God Rest Ye Merry Gentlemen,\" and \"Oh Little Town of Bethlehem,\" Holiday cheer, when delivered with Oberst's trademark tremble, sounds more like a lament than it does hymns of ecclesiastical joy. But the spirited listener will find that the fragile, homespun, and somewhat blinkered vibe that permeates the album sets itself apart from the bog-standard, less sonically humble offerings of the holidays, and, both strangely and satisfyingly, is probably more aligned with the true spirit of the season.\u003cbr\u003eTracks\u003cbr\u003e1 Away in a Manger\u003cbr\u003e2 Blue Christmas\u003cbr\u003e3 Oh Little Town of Bethlehem\u003cbr\u003e4 God Rest Ye Merry Gentlemen\u003cbr\u003e5 The First Noel\u003cbr\u003e6 Little Drummer Boy\u003cbr\u003e7 White Christmas\u003cbr\u003e8 Silent Night\u003cbr\u003e9 Silver Bells\u003cbr\u003e10 Have Yourself a Merry Little Christmas\u003cbr\u003e11 The Night Before Christmas\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 11\/10\/2023\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bright Eyes","offers":[{"title":"Default Title","offer_id":42175227068497,"sku":"UMCD9D-E66U-GH","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/bright-eyes-a-christmas-album-translucent-red-colored-vinyl_N1Loq.jpg?v=1759489807"},{"product_id":"bright-eyes-lifted-or-the-story-is-in-the-soil-keep-your-ear-to-the-ground-2xlp-yellow-black-vinyl","title":"LIFTED or The Story Is in the Soil, Keep Your Ear to The Ground (2xLP - Yellow \u0026 Black) (Vinyl)","description":"\u003cp\u003e“The first three are innocent in a way, because we didn't have an audience when we were making them,\" Oberst says. \"But from Lifted on, I was definitely aware of an audience. Lifted was well-received right away, and then everything happened with Wide Awake and Digital Ash.\" Those two albums came out simultaneously. And their lead singles – \"Take It Easy (Love Nothing),\" from the austere, remote Digital Ash, and \"Lua,\" from the warm, folky Wide Awake - debuted in the top two slots on the Billboard Hot 100. \"First Day of My Life,\" also from Wide Awake, would later be voted the Number One love song of all time by NPR Music's reader's poll.Bright Eyes had officially broken through. It was a heady, exciting time, but also fraught and tense, both because of the band's careening new fame, and because of the state of the world. When Bright Eyes made their Tonight Show debut in 2006, they chose to perform none of their shiny new hits, instead delivering a searing, harrowing rendition of their caustic anti-Bush anthem, \"When The President Talks To God.\"These days, Oberst is still amusing himself by messing with the extremes Bright Eyes baked into this era's releases, extremes that reflected the polar, with-us-or-against-us, fractious feel of the times. The reworked Digital Ash tracks, originally so clean and elegant, are, on the companion EP, full of \"harmonica and mandolins – folky vibes,\" Oberst says. While the analogue sweetness of the Wide Awake songs have been put through a detached nihilism filter.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 11\/25\/2022\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eLabel: Dead Oceans\u003c\/li\u003e\n\u003cli\u003eGenre: Alternative\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bright Eyes","offers":[{"title":"Default Title","offer_id":42215516078161,"sku":"BK23QY-QTJZ-00","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/lifted-or-the-story-is-in-the-soil-keep-your-ear-to-the-ground-2xlp-yellow-black_FqKKM.jpg?v=1759490592"},{"product_id":"bright-eyes-im-wide-awake-its-morning-vinyl-5526","title":"I'm Wide Awake, It's Morning (Vinyl)","description":"TracksCredits\r\n1 At the Bottom of Everything\r\n2 We Are Nowhere and It's Now\r\n3 Old Soul Song (For the New World Order)\r\n4 Lua\r\n5 Train Under Water\r\n6 First Day of My Life\r\n7 Another Travelin' Song\r\n8 Land Locked Blues\r\n9 Poison Oak\r\n10 Road to Joy\u003cul\u003e\n\u003cli\u003eReleased: 11\/25\/2022\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bright Eyes","offers":[{"title":"Default Title","offer_id":42241536000081,"sku":"9OF7PQ-YVK4-00","price":21.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/bright-eyes-im-wide-awake-its-morning_1bkpS.jpg?v=1762516059"},{"product_id":"bright-eyes-the-peoples-key-tangerine-orange-vinyl-0203","title":"The People's Key - Tangerine Orange (Vinyl)","description":"\u003cp\u003eThe People's Key - Tangerine Orange is a undefined Records \u0026amp; LPs from Bright Eyes\u003c\/p\u003e\u003cul\u003e\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\u003c\/ul\u003e","brand":"Bright Eyes","offers":[{"title":"Default Title","offer_id":42243571482705,"sku":"TUADGG-FCUD-00","price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/bright-eyes-the-peoples-key-tangerine-orange_n3ibz.jpg?v=1762518026"},{"product_id":"bright-eyes-letting-off-the-happiness-vinyl-0784","title":"Letting Off The Happiness (Vinyl)","description":"\u003cul\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e1\u003c\/span\u003e If Winter Ends\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e2\u003c\/span\u003e Padraic My Prince\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e3\u003c\/span\u003e Contrast and Compare\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e4\u003c\/span\u003e The City Has Sex\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e5\u003c\/span\u003e The Difference in the Shades\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e6\u003c\/span\u003e Touch June on the West Coast\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e7\u003c\/span\u003e Pull My Hair a Poetic Retelling of An Unfortunate Seduction\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e8\u003c\/span\u003e Tereza and Tomas\u003c\/li\u003e\r\n\u003c\/ul\u003e\u003cul\u003e\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\u003c\/ul\u003e","brand":"Bright Eyes","offers":[{"title":"Default Title","offer_id":42243601367121,"sku":"048JLO-MT9G-00","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Bright-Eyes-Letting-Off-The-Happiness_cwVwT.jpg?v=1762518209"},{"product_id":"bright-eyes-digital-ash-in-a-digital-urn-vinyl-3631","title":"Digital Ash In A Digital Urn (Vinyl)","description":"TracksCredits\r\n1 Time Code\r\n2 Gold Mine Gutted\r\n3 Arc of Time (Time Code)\r\n4 Down in a Rabbit Hole\r\n5 Take It Easy (Love Nothing)\r\n6 Hit the Switch\r\n7 I Believe in Symmetry\r\n8 Devil in the Details\r\n9 Ship in a Bottle\r\n10 Light Pollution\r\n11 Theme to Piñata\r\n12 Easy\/Lucky\/Free\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bright Eyes","offers":[{"title":"Default Title","offer_id":42244616028241,"sku":"ELZFXR-4JBV-00","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/bright-eyes-digital-ash-in-a-digital-urn_DX3Pp.jpg?v=1762520656"},{"product_id":"bright-eyes-collection-of-songs-written-and-recorded-1995-1997-vinyl","title":"Collection Of Songs Written And Recorded 1995-1997 (Vinyl)","description":"\u003cul\u003e\r\n\u003cli class=\"discnum\"\u003e- Disc 1 -\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e1\u003c\/span\u003e The Invisible Gardener\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e2\u003c\/span\u003e Patient Hope in New Snow\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e3\u003c\/span\u003e Saturday As Usual\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e4\u003c\/span\u003e Falling Out of Love at This Volume\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e5\u003c\/span\u003e Exaltation on a Cool Kitchen Floor\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e6\u003c\/span\u003e The Awful Sweetness of Escaping Sweat\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e7\u003c\/span\u003e Puella Quam Amo Est Pulchra\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e8\u003c\/span\u003e Driving Fast Through a Big City at Night\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e9\u003c\/span\u003e How Many Lights Do You See?\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e10\u003c\/span\u003e I Watched You Taking Off\u003c\/li\u003e\r\n\u003cli class=\"discnum\"\u003e- Disc 2 -\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e1\u003c\/span\u003e A Celebration Upon Completion\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e2\u003c\/span\u003e Emily, Sing Something Sweet\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e3\u003c\/span\u003e All of the Truth\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e4\u003c\/span\u003e One Straw (Please)\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e5\u003c\/span\u003e Lila\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e6\u003c\/span\u003e A Few Minutes on Friday\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e7\u003c\/span\u003e Supriya\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e8\u003c\/span\u003e Solid Jackson\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e9\u003c\/span\u003e Feb. 15th\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e10\u003c\/span\u003e The 'Feel Good' Revolution\u003c\/li\u003e\r\n\u003c\/ul\u003e\u003cul\u003e\n\u003cli\u003eReleased: 07\/15\/2022\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bright Eyes","offers":[{"title":"Default Title","offer_id":42433058766929,"sku":"EAA8PT-5IQY-00","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Bright-Eyes-Collection-Of-Songs-Written-And-Recorded-1995-1997_vrpdo.jpg?v=1747256364"},{"product_id":"bright-eyes-down-in-the-weeds-where-the-world-once-was-cd","title":"Down in the Weeds, Where the World Once Was [CD]","description":"\u003cp\u003e\u003cspan\u003eSometimes it feels like you hear a Bright Eyes song with your whole body. From Conor Oberst’s early recordings in an Omaha basement in 1995 all the way up to 2020, Bright Eyes’ music tries to unravel the impossible tangles of dissent: personal and political, external and internal. It’s a study of the beauty in unsteadiness in all its forms – in a voice, beliefs, love, identity, and what fills up the spaces in-between. And in so many ways, it’s just about searching for a way through.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe year 2020 is full of significant anniversaries for Bright Eyes. Fevers and Mirrors was released 20 years ago this May, while Digital Ash in a Digital Urn and I’m Wide Awake It’s Morning both turned 15 in January. The latter, a singer-songwriter tour-de-force released amidst the Bush presidency and Iraq war, wades through incisive anti-war rhetoric and micro, intimate calamities. On the title track and throughout the record, Oberst sings about body counts in the newspaper, televised wars, the bottomless pit of American greed, struggling to understand the world alongside one’s own turmoil. In its own way, I’m Wide Awake It’s Morning carved out its place in the canon of great anti-war albums by being both present and prophetic, its urgency enduring 15 years later.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIn 2011 the release of The People’s Key, Bright Eyes’ ninth and most recent album, ushered in an unofficial hiatus for the beloved project. In the time since, the work of the band’s core members – Oberst, multi-instrumentalist Mike Mogis, and multi-instrumentalist Nathaniel Walcott – has remained omnipresent, through both the members’ original work and collaboration.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIn recent years, Mogis produced records for beloved folk acts First Aid Kit and Joseph, among others, as well as mixed the fine-spun ennui of Phoebe Bridgers’ breakthrough 2017 debut, Stranger in the Alps. Mogis and bandmate Walcott also teamed up to write the original scores for The Fault in Our Stars, Stuck in Love, and Lovely Still, and Walcott worked as a solo composer scoring number of independent feature-length films. Walcott spent extensive time on collaboration; in addition to his arrangement work for Mavis Staples, First Aid Kit, and M. Ward, he contributed studio work to artists ranging from U2 to jazz guitarist Jeff Parker, and also toured heavily as a member of the Red Hot Chili Peppers. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOberst, who’s nearly 30 years into a prolific musical career, spent the last decade in similarly productive fashion. Across three years he released a string of solo albums: Salutations (2017), Ruminations (2016), and Upside Down Mountain (2014), as well as guested on records by First Aid Kit, Phoebe Bridgers, and Alt-J. His punk band, Desaparecidos, emerged from a 13-year hiatus in 2015 with the thunderous sophomore LP, Payola, a white-knuckled disarray of hollered political fury. And at the top of 2019, Oberst and Bridgers debuted their new band, Better Oblivion Community Center, digitally dropping the critically-lauded eponymous debut LP alongside a surprise performance on The Late Show with Stephen Colbert.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe heart at Bright Eyes’ songwriting still looms culturally, in films and TV shows and through re-imaginings by other artists. Mac Miller covered both “Lua” and “First Day of My Life”; Lorde’s version of the penultimate The People’s Key track, the funereal-waltz “Ladder Song,” was a focal point of The Hunger Games’ soundtrack; The Killers covered “Four Winds” for their Spaceman EP; and Lil Peep’s “Worlds Away” samples “Something Vague” while Young Thug’s “Me Or Us” samples “First Day of My Life.”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBright Eyes’ expansive catalog has traversed genre, sound, and countless players; unpolished demos or fuzzy folk, electrified rock or country twang. The sharp songwriting and musicianship is all anchored in Bright Eyes’ singular ability to flip deep intimacy into something universal. For so many, for so long, listening to Bright Eyes has been like hearing yourself in someone else’s song – a moment of understanding or illumination, knowing you’re on the same team looking for a way to move through of all this shit.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAnd while 2020 is a year of milestones for the band, it’s also the year Bright Eyes returns, newly signed to indie label Dead Oceans. Amidst the current overwhelming uncertainty and upheaval of global and personal worlds, Oberst, Mogis, and Walcott reunited under the moniker as both an escape from, and a confrontation of, trying times. Getting the band back together felt right, and necessary, and the friendship at the core of the band has been a longtime pillar of Bright Eyes’ output. For Bright Eyes, this long-awaited re-emergence feels like coming home.\u003c\/span\u003e\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePageturners Rag\u003c\/li\u003e\n\u003cli\u003eDance and Sing\u003c\/li\u003e\n\u003cli\u003eJust once in the World\u003c\/li\u003e\n\u003cli\u003eMariana Trench\u003c\/li\u003e\n\u003cli\u003eOne and Done\u003c\/li\u003e\n\u003cli\u003ePan and Broom\u003c\/li\u003e\n\u003cli\u003eStairwell Song\u003c\/li\u003e\n\u003cli\u003ePersona Non Grata\u003c\/li\u003e\n\u003cli\u003eTilt-A-Whirl\u003c\/li\u003e\n\u003cli\u003eHot Car in the Sun\u003c\/li\u003e\n\u003cli\u003eForced Convalescence\u003c\/li\u003e\n\u003cli\u003eTo Death’s Heart (In Three Parts)\u003c\/li\u003e\n\u003cli\u003eCalais to Dover\u003c\/li\u003e\n\u003cli\u003eComet Song\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605151021\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.21.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Bright Eyes","offers":[{"title":"Default Title","offer_id":58254427586641,"sku":"566174","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/3833255-2578021.jpg?v=1759474233"},{"product_id":"bright-eyes-down-in-the-weeds-where-the-world-once-was-2lp","title":"Down in the Weeds, Where the World Once Was [2LP]","description":"\u003cp\u003e\u003cspan\u003eSometimes it feels like you hear a Bright Eyes song with your whole body. From Conor Oberst’s early recordings in an Omaha basement in 1995 all the way up to 2020, Bright Eyes’ music tries to unravel the impossible tangles of dissent: personal and political, external and internal. It’s a study of the beauty in unsteadiness in all its forms – in a voice, beliefs, love, identity, and what fills up the spaces in-between. And in so many ways, it’s just about searching for a way through.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe year 2020 is full of significant anniversaries for Bright Eyes. Fevers and Mirrors was released 20 years ago this May, while Digital Ash in a Digital Urn and I’m Wide Awake It’s Morning both turned 15 in January. The latter, a singer-songwriter tour-de-force released amidst the Bush presidency and Iraq war, wades through incisive anti-war rhetoric and micro, intimate calamities. On the title track and throughout the record, Oberst sings about body counts in the newspaper, televised wars, the bottomless pit of American greed, struggling to understand the world alongside one’s own turmoil. In its own way, I’m Wide Awake It’s Morning carved out its place in the canon of great anti-war albums by being both present and prophetic, its urgency enduring 15 years later.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIn 2011 the release of The People’s Key, Bright Eyes’ ninth and most recent album, ushered in an unofficial hiatus for the beloved project. In the time since, the work of the band’s core members – Oberst, multi-instrumentalist Mike Mogis, and multi-instrumentalist Nathaniel Walcott – has remained omnipresent, through both the members’ original work and collaboration.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIn recent years, Mogis produced records for beloved folk acts First Aid Kit and Joseph, among others, as well as mixed the fine-spun ennui of Phoebe Bridgers’ breakthrough 2017 debut, Stranger in the Alps. Mogis and bandmate Walcott also teamed up to write the original scores for The Fault in Our Stars, Stuck in Love, and Lovely Still, and Walcott worked as a solo composer scoring number of independent feature-length films. Walcott spent extensive time on collaboration; in addition to his arrangement work for Mavis Staples, First Aid Kit, and M. Ward, he contributed studio work to artists ranging from U2 to jazz guitarist Jeff Parker, and also toured heavily as a member of the Red Hot Chili Peppers. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOberst, who’s nearly 30 years into a prolific musical career, spent the last decade in similarly productive fashion. Across three years he released a string of solo albums: Salutations (2017), Ruminations (2016), and Upside Down Mountain (2014), as well as guested on records by First Aid Kit, Phoebe Bridgers, and Alt-J. His punk band, Desaparecidos, emerged from a 13-year hiatus in 2015 with the thunderous sophomore LP, Payola, a white-knuckled disarray of hollered political fury. And at the top of 2019, Oberst and Bridgers debuted their new band, Better Oblivion Community Center, digitally dropping the critically-lauded eponymous debut LP alongside a surprise performance on The Late Show with Stephen Colbert.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe heart at Bright Eyes’ songwriting still looms culturally, in films and TV shows and through re-imaginings by other artists. Mac Miller covered both “Lua” and “First Day of My Life”; Lorde’s version of the penultimate The People’s Key track, the funereal-waltz “Ladder Song,” was a focal point of The Hunger Games’ soundtrack; The Killers covered “Four Winds” for their Spaceman EP; and Lil Peep’s “Worlds Away” samples “Something Vague” while Young Thug’s “Me Or Us” samples “First Day of My Life.”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBright Eyes’ expansive catalog has traversed genre, sound, and countless players; unpolished demos or fuzzy folk, electrified rock or country twang. The sharp songwriting and musicianship is all anchored in Bright Eyes’ singular ability to flip deep intimacy into something universal. For so many, for so long, listening to Bright Eyes has been like hearing yourself in someone else’s song – a moment of understanding or illumination, knowing you’re on the same team looking for a way to move through of all this shit.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAnd while 2020 is a year of milestones for the band, it’s also the year Bright Eyes returns, newly signed to indie label Dead Oceans. Amidst the current overwhelming uncertainty and upheaval of global and personal worlds, Oberst, Mogis, and Walcott reunited under the moniker as both an escape from, and a confrontation of, trying times. Getting the band back together felt right, and necessary, and the friendship at the core of the band has been a longtime pillar of Bright Eyes’ output. For Bright Eyes, this long-awaited re-emergence feels like coming home.\u003c\/span\u003e\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePageturners Rag\u003c\/li\u003e\n\u003cli\u003eDance and Sing\u003c\/li\u003e\n\u003cli\u003eJust once in the World\u003c\/li\u003e\n\u003cli\u003eMariana Trench\u003c\/li\u003e\n\u003cli\u003eOne and Done\u003c\/li\u003e\n\u003cli\u003ePan and Broom\u003c\/li\u003e\n\u003cli\u003eStairwell Song\u003c\/li\u003e\n\u003cli\u003ePersona Non Grata\u003c\/li\u003e\n\u003cli\u003eTilt-A-Whirl\u003c\/li\u003e\n\u003cli\u003eHot Car in the Sun\u003c\/li\u003e\n\u003cli\u003eForced Convalescence\u003c\/li\u003e\n\u003cli\u003eTo Death’s Heart (In Three Parts)\u003c\/li\u003e\n\u003cli\u003eCalais to Dover\u003c\/li\u003e\n\u003cli\u003eComet Song\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605151014\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.21.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Bright Eyes","offers":[{"title":"Default Title","offer_id":58254449180753,"sku":"584131","price":28.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/3833254-2578020.jpg?v=1759474551"},{"product_id":"bright-eyes-im-wide-awake-its-morning-a-companion-opaque-gold-vinyl","title":"Bright Eyes - I'm Wide Awake, It's Morning: A Companion [Opaque Gold Vinyl]","description":"\u003cp\u003e\"The first three are innocent in a way, because we didn't have an audience when we were making them,\" Oberst says. \"But from Lifted on, I was definitely aware of an audience. Lifted was well-received right away, and then everything happened with Wide Awake and Digital Ash.\" Those two albums came out simultaneously. And their lead singles - \"Take It Easy (Love Nothing),\" from the austere, remote Digital Ash, and \"Lua,\" from the warm, folky Wide Awake - debuted in the top two slots on the Billboard Hot 100. \"First Day of My Life,\" also from Wide Awake, would later be voted the Number One love song of all time by NPR Music's reader's poll.  Bright Eyes had officially broken through. It was a heady, exciting time, but also fraughtand tense, both because of the band's careening new fame, and because of the state of the world. When Bright Eyes made their Tonight Show debut in 2006, they chose to perform none of their shiny new hits, instead delivering a searing, harrowing rendition of their caustic anti-Bush anthem, \"When The President Talks To God.\"  These days, Oberst is still amusing himself by messing with the extremes Bright Eyes baked into this era's releases, extremes that reflected the polar, with-us-or-against-us, fractious feel of the times. The reworked Digital Ash tracks, originally so clean and elegant, are, on the companion EP, full of \"harmonica and mandolins - folky vibes,\" Oberst says. 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Lifted was well-received right away, and then everything happened with Wide Awake and Digital Ash.\" Those two albums came out simultaneously. And their lead singles - \"Take It Easy (Love Nothing),\" from the austere, remote Digital Ash, and \"Lua,\" from the warm, folky Wide Awake - debuted in the top two slots on the Billboard Hot 100. \"First Day of My Life,\" also from Wide Awake, would later be voted the Number One love song of all time by NPR Music's reader's poll.  Bright Eyes had officially broken through. It was a heady, exciting time, but also fraughtand tense, both because of the band's careening new fame, and because of the state of the world. When Bright Eyes made their Tonight Show debut in 2006, they chose to perform none of their shiny new hits, instead delivering a searing, harrowing rendition of their caustic anti-Bush anthem, \"When The President Talks To God.\"  These days, Oberst is still amusing himself by messing with the extremes Bright Eyes baked into this era's releases, extremes that reflected the polar, with-us-or-against-us, fractious feel of the times. The reworked Digital Ash tracks, originally so clean and elegant, are, on the companion EP, full of \"harmonica and mandolins - folky vibes,\" Oberst says. While the analogue sweetness of the Wide Awake songs have been put through a detached nihilism filter.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Big Picture (Companion Version)\u003c\/li\u003e\n\u003cli\u003eYou Will. You? Will. You? Will. You? Will. 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Lifted was well-received right away, and then everything happened with Wide Awake and Digital Ash.\" Those two albums came out simultaneously. And their lead singles - \"Take It Easy (Love Nothing),\" from the austere, remote Digital Ash, and \"Lua,\" from the warm, folky Wide Awake - debuted in the top two slots on the Billboard Hot 100. \"First Day of My Life,\" also from Wide Awake, would later be voted the Number One love song of all time by NPR Music's reader's poll.  Bright Eyes had officially broken through. It was a heady, exciting time, but also fraughtand tense, both because of the band's careening new fame, and because of the state of the world. When Bright Eyes made their Tonight Show debut in 2006, they chose to perform none of their shiny new hits, instead delivering a searing, harrowing rendition of their caustic anti-Bush anthem, \"When The President Talks To God.\"  These days, Oberst is still amusing himself by messing with the extremes Bright Eyes baked into this era's releases, extremes that reflected the polar, with-us-or-against-us, fractious feel of the times. The reworked Digital Ash tracks, originally so clean and elegant, are, on the companion EP, full of \"harmonica and mandolins - folky vibes,\" Oberst says. 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Not sonically, of course, but conceptually. This last wave contains, in\u003c\/span\u003e\u003cem\u003e Noise Floor\u003c\/em\u003e\u003cspan\u003e, early Bright Eyes songs so raw Oberst never even released them back in the day, as well as, in Cassadaga and The People’s Key, the band’s most polished and sophisticated albums. When Bright Eyes toured Cassadega they performed an epic 7 sold-out nights at NYC’s Town Hall. What’s more grown-up rock-star than that? And yet ...“Thematically those early songs are not that different than the songs I make now,” Oberst says, shaking his head. “There’s something affirming and disheartening about it. It’s like, have I really changed or grown? But maybe it’s just that I knew what I wanted to write about from the beginning.\"\u003c\/span\u003e\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNunca Seré Feliz Otra Vez (Companion Version)\u003c\/li\u003e\n\u003cli\u003eThe Vanishing Act (Companion Version)\u003c\/li\u003e\n\u003cli\u003eSoon You Will Be Leaving Your Man (Companion Version)\u003c\/li\u003e\n\u003cli\u003eBlue Angels Air Show (Companion Version)\u003c\/li\u003e\n\u003cli\u003eI Will Be Grateful for this Day (Companion Version)\u003c\/li\u003e\n\u003cli\u003eMotion Sickness (Companion Version)\u003c\/li\u003e\n\u003cli\u003eI Won’t Ever Be Happy Again (Companion Version)\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 656605161334\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dead Oceans\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.16.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 12\" Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Rock Band Merch","offers":[{"title":"Default Title","offer_id":59536843046993,"sku":"72770","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/4205422-2971053.jpg?v=1779151111"},{"product_id":"bright-eyes-the-peoples-key-a-companion-ep-opaque-gold-vinyl","title":"Bright Eyes - The People's Key: A Companion EP [Opaque Gold Vinyl]","description":"\u003cp\u003e\u003cspan\u003eOne of the things that struck Oberst as he and the band went through twenty-plus years of music is that he may in fact have been writing the same song this whole time. Not sonically, of course, but conceptually. This last wave contains, in \u003c\/span\u003e\u003cem\u003eNoise Floor,\u003c\/em\u003e\u003cspan\u003e early Bright Eyes songs so raw Oberst never even released them back in the day, as well as, in \u003c\/span\u003e\u003cem\u003eCassadaga\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cem\u003eThe People’s Key\u003c\/em\u003e\u003cspan\u003e, the band’s most polished and sophisticated albums. When Bright Eyes toured \u003c\/span\u003e\u003cem\u003eCassadega\u003c\/em\u003e\u003cspan\u003e they performed an epic 7 sold-out nights at NYC’s Town Hall. What’s more grown-up rock-star than that? And yet ...“Thematically those early songs are not that different than the songs I make now,” Oberst says, shaking his head. “There’s something affirming and disheartening about it. It’s like, have I really changed or grown? 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