{"title":"Calexico","description":null,"products":[{"product_id":"calexico-hot-rail-reissue-vinyl","title":"Hot Rail (Reissue) (Vinyl)","description":"\u003cp\u003eHot Rail (Reissue) is a undefined Records \u0026amp; LPs from Calexico\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Folk\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Calexico","offers":[{"title":"Default Title","offer_id":42244600365137,"sku":"89R4CU-KFDM-00","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Calexico-Hot-Rail-Reissue_EfbnL.jpg?v=1762520577"},{"product_id":"calexico-feast-of-wire-bonus-track-version-lp","title":"Feast Of Wire (Bonus Track Version) [LP]","description":"\u003cp\u003eORIGINAL LP REMASTERED AT 45 RPM WITH BONUS TRACK \"ALONE AGAIN OR\", PACKAGED IN A FULL-COLOR GATEFOLD JACKET WITH METALIC GOLD AND SILVERIn 1996, Joey Burns and John Convertino formed Calexico as a side project to pursue while they had time off from Giant Sand. Calexico eventually grew into a full-time pursuit, recording and releasing multiple excellent full-length albums and EP's for Quarterstick Records. Originally released in 2003, Feast of Wire is their fourth album, and it is a masterpiece of remarkable beauty and diversity. Each song presents a new and evocative vision for the listener, deftly playing across genre lines with startling virtuosity. From the desert-rock guitar interplay of Quattro (World Drifts In), to the expansive, noir-ish sweep of Black Heart, to full-mariachi grandeur on Guero Canelo, Calexico seems to be a band capable of going any direction, and they possess the skill and confidence to make the turns sound easy. Burns' voice sounds richer and more assured than ever, clearly evidenced on tracks like Not Even Stevie Nicks and Woven Birds, where he shows us a range and control never guessed at before. 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The acclaimed collaboration introduced both acts to wider audiences and broadened Beam’s artistic horizons, but it was the shared experience of touring together in the tradition of Bob Dylan’s “Rolling Thunder Revue” that cemented their bond. Their roads diverged in the years that followed, but they kept in touch and cross-pollinated where they could. Although they often talked about rekindling their collaboration in the studio and on the stage, it wasn’t until last year that their schedules aligned. Years to Burn can’t help but be different from In the Reins. Back then, Calexico entered the studio with a long list of previous collaborations (first in Giant Sand, then backing the likes of Victoria Williams and Richard Buckner), but wondering if Beam’s material was so complete and self-contained that it lacked a way in. Beam had been intimidated by Calexico’s virtuosic playing and their deep comfort in an encyclopedic array of styles. Those fears were dispelled quickly. Calexico was bowled over by Beam’s many talents: “The arranging, the writing, his sense of rhythm, the quality of his vocals—and then there’s the experimental side of Sam,” Joey says. “They were the perfect band at the perfect time for me,” Sam adds. “I loved all their different sounds. They’re musical anthropologists, not regurgitating but absorbing what they discover.” Beam, Burns and Convertino reconvened in Nashville for four days of recording in December 2018. Nobody was keen to retread old ground. The change of venue—In the Reins was tracked in Tucson—was one part of the effort. Together with steel guitarist Paul Niehaus, Calexico trumpet player Jacob Valenzuela and frequent Beam cohorts Rob Burger (Tin Hat Trio) on piano and Sebastian Steinberg (Soul Coughing, Fiona Apple) on bass, they settled in at the Sound Emporium, a fabled studio founded in the sixties by Cowboy Jack Clement. 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