{"title":"DEERHOOF","description":null,"products":[{"product_id":"deerhoof-holdypaws-remastered-color-vinyl-vinyl","title":"Holdypaws (Remastered) (COLOR VINYL) (Vinyl)","description":"\u003cp\u003eBrand New Sealed | Deerhoof | Holdypaws | Remastered | Color Vinyl | Vinyl | Release Date: 11\/22\/2019 | Record Label: Kill Rock Stars\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat Detail: 12\" Vinyl Black\/white splatter with clear base vinyl, printed innersleeves, gatefold LP jacket [w\/ d\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DEERHOOF","offers":[{"title":"Default Title","offer_id":41884600959057,"sku":"G41OX9-G2XO-00","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/DEERHOOF-Holdypaws-Remastered-COLOR-VINYL_vsHFy.jpg?v=1762464534"},{"product_id":"deerhoof-deerhoof-actually-you-can-olive-green-vinyl-vinyl","title":"Deerhoof Actually, You Can (Olive Green Vinyl) [Vinyl]","description":"Deerhoof - Deerhoof Actually, You Can (Olive Green Vinyl) [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 753936908604 \u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 02\/25\/2022\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Deerhoof","offers":[{"title":"Default Title","offer_id":41892323131473,"sku":"S07MH5-G9RM-00","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Deerhoof-Actually-You-Can-Olive-Green-Vinyl_AlPup.jpg?v=1762468732"},{"product_id":"deerhoof-friend-opportunity-cd","title":"Friend Opportunity (CD)","description":"\u003cp\u003eFor some reason, feels like this one feels like it's trying to find a solution to the past several albums to me. like they were all asking questions, and this one is trying to find an answer to the question. 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Remastered audio, new packaging.\u003c\/p\u003e\u003cp\u003eMilk Man\r Giga Dance\r Desaparecer√©\r Rainbow Silhouette of the Milky Rain\r Dream Wanderer's Tune\r Milking\r C\r Dog on the Sidewalk\r That Big Orange Sun Run Over Speed Light\r Song of Sorn\r New Sneakers\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat Detail: CD\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Deerhoof","offers":[{"title":"Default Title","offer_id":42027242160209,"sku":"7NH7FM-PG76-M3","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/deerhoof-milk-man-remastered_vXny7.jpg?v=1759474892"},{"product_id":"deerhoof-offend-maggie-cd","title":"Offend Maggie (CD)","description":"\u003cp\u003eSay what you will about Deerhoof, but they know how to write a beautiful song. And \"Offend Maggie\" is all the more beautiful for the fact that it seems to come out of nowhere. For all its sparkling musicanship, it sounds casually tossed off like it was nothing at all. It's a new sound for the band as much as it's a new sound for pop music. While John Dieterich's acoustic guitar seems to channel Malian guitarist Ali Farka Toure, Ed Rodriguez's electric conjures classic Townsend. Singer\/bassist Satomi Matsuzaki (with drummer Greg Saunier on harmony vocal) tells a plaintive story in which telemarketing calls are a metaphor for unrequited love. The bittersweet magic of this short song promises a major thrill ride when its 14-track namesake is released next month. For those who have been following their remarkable career, \"Offend Maggie\" represents another Deerhoofian high-water mark, even as it shows another abrupt shift in direction. With these master gamesters, you can never guess their next move, but once they've made it, it somehow seems inevitable. One listen and you'll know \"Offend Maggie\" could only be Deerhoof. Two listens and you'll be in love.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Deerhoof","offers":[{"title":"Default Title","offer_id":42027445715025,"sku":"O0VU7Q-91ES-LB","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/deerhoof-offend-maggie_bLDj0.jpg?v=1759475088"},{"product_id":"deerhoof-the-runners-four-cd","title":"The Runners Four (CD)","description":"\u003cp\u003eAll I can picture is the practice space! Gray and lots of rain outside. We spent months together. Muted with bursts of technicolor.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 72 hours for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eReleased: 5\/1\/09\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Deerhoof","offers":[{"title":"Default Title","offer_id":42203140292689,"sku":"U84U03-EP06-E8","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/deerhoof-the-runners-four_Icc1e.jpg?v=1762514707"},{"product_id":"deerhoof-noble-and-godlike-in-ruin-green-vinyl","title":"Noble and Godlike in Ruin (Green) (Vinyl)","description":"\u003cp\u003eThough Deerhoof long ago established itself as one of the greatest rock groups ever to stride the earth-and if you think that's hyperbole, you haven't spent enough time listening to Deerhoof-they once again discover previously unknown combinations of candy-coated riffs, sideways pop hooks, free-jazz freakouts, and surrealist humor. Joyful and foreboding, cybernetic and deeply human, carrying an implicit note of defiant optimism in their refusal to bow to convention or received wisdom. A firecrackers-for-breakfast, intercontinental-ballistic-blockparty, household-chemicals-that-should-never-be-mixed, electric-jolt-to-body-parts-and-brain-chemistry, combustible love-letter to the human race. Featuring special guest Saul Williams on one track.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 04\/25\/2025\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eLabel: Joyful Noise Records\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Deerhoof","offers":[{"title":"Default Title","offer_id":42398920933457,"sku":"Y6SRSK-8119-00","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/noble-and-godlike-in-ruin-green_0pajF.jpg?v=1745631534"},{"product_id":"friend-opportunity-hot-pink-vinyl","title":"Friend Opportunity (Hot Pink) (Vinyl)","description":"\u003cp _ngcontent-c10=\"\"\u003eIn his sparkly white jumpsuit days, Elvis would sometimes be moved so deeply by music that he’d strike the Inverted Claw—a gesture of pure exultation. That’s the spirit Deerhoof channels. Their music lifts you, surprises you, and drops you into moments of pure joy.On previous albums, one of Deerhoof's main weapons was negative space – the stunning silences between beats and chords hit harder than any clang and clash of guitars and cymbals. Deerhoof were like painters who'd leave bare patches of canvas to highlight their strokes. On Friend Opportunity, however, they're inclined to fill in every square inch, inviting us to revel in every brilliant corner. Songs like \"Perfect Me,\" \"Believe in E.S.P.\" and \"Choco Fight\" are vastly more groove-oriented — and yeah, sexy — than anything they've ever done. There's the towering, odd-metered guitar riffarama of Chavez, the heavy metal thunder of Stravinsky, the damaged curlicues of Gastr del Sol, the klang und schtomp of Led Zeppelin, Japan's illustrious line of breathtakingly innovative female-dominated bands like Ex-Girl and Melt Banana. Friend Opportunity is a feat of reinvention that could only come from artists willing to rethink everything. \"It's like being a kid again,\" Saunier once told Pitchfork, \"because that's what kids do all the time. Every day they're learning new things that they didn't know that they could do.\" Man, talk about sonic youth — Deerhoof's springs eternal.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 11\/07\/2025\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eLabel: Joyful Noise Recordings\u003c\/li\u003e\n\u003cli\u003eGenre: Indie \u0026amp; Alternative\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Deerhoof","offers":[{"title":"Default Title","offer_id":58196934164561,"sku":"LHK880-CY1R-00","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/friend-opportunity-hot-pink_TKiIW.jpg?v=1757709318"},{"product_id":"deerhoof-future-teenage-cave-artists-color-vinyl-lp","title":"Future Teenage Cave Artists (Color Vinyl) [LP]","description":"\u003cp\u003eOver the past couple of years while making their new album, Deerhoof have been asking themselves if there was any music they could create that expressed how our rapidly emerging future might actually feel. The band envisioned an album about people haunted by memory of a lost world and of every failed attempt to save it. People already living outside the system, already having practiced new ways of life required for survival-these hopeful heroes are Deerhoof's inspiration. These are the Future Teenage Cave Artists. Faithful listeners will recognize a certain alienated but transformational figure who shows up in Deerhoof songs going back to their earliest days. Take the narrator of \"The Perfect Me\" from 2007's Friend Opportunity: an orphaned but eager soul attempting to entice other wounded wanderers who might lack a home, a clan, a family, a history. But on Future Teenage Cave Artists our protagonist is threatened by terror lurking around every corner. Add to that the fact that our 'cast-off queen,' our 'maniac,' our 'terrible daughter' is watching themselves get orphaned in real time, by an older generation in power that would seemingly rather see life on Earth destroyed than let go of archaic systems of capital. Like a lot of the music they have released over the last quarter-century, the Deerhoof of Future Teenage Cave Artists (Satomi Matsuzaki on bass and vocals, Ed Rodriguez and John Dieterich on guitars, and Greg Saunier on drums, vocals and piano) stitches together fragments of 'r\u0026amp;b' and 'classic rock' and transforms them into a new language of revolution, forgoing verse-chorus structures for dream logic and blind intuition. But what makes this album different is it's intimacy-the blues riffs and slide guitars are joined by rusty pianos and whispered three-part harmonies.In this sense, FTCA inverts the formula of Deerhoof's last album, Mountain Moves, which invited a wide community of collaborators to band together in an open celebration of solidarity. The new one, on the other hand, is borne of self-isolation and deprivation. It's the sound of a sparkling, manic musical intelligence being disconnected from a nourishing public and devouring itself inside it's own cocoon, attempting metamorphosis.At times FTCA indeed sounds as if the band had in fact retreated to the caves, recording with unreliable electricity and insecure food supplies. Guitar pedals malfunction mid-take, reverbs chop off mid-tail, drum fills get abandoned mid-phrase. Some musical moments, as gorgeous and touching as anything Deerhoof has ever written, stop short for no apparent reason, giving way to queasy smudges of sound. Many of the instruments and voices were recorded with nothing more than the built-in mic of a laptop. Harsh splices make no effort to hide the seams. Hard panning leaves many of these imperfections weirdly naked in the mix. In this way FTCA joins a long and storied lineage of pop records that expose the insular and reclusive nature of the recording process itself. Like Let It Be, There's a Riot Goin' On, or Sister Lovers, this record is it's own \"making-of.\" Absence is a central character in the drama. For every heartwarming melody or pile-up of parade drums or shard of loopy guitar noise, there is musical acknowledgement of the toll that constant threat of cataclysm takes on mental health. These are sonic and lyric funerals for a way of life that is never coming back. There are raucous toasts to the departed in high style, as sassy and spasmodic as anything they've done-see Side A; there are moments of profound sadness, maximally small, descending into madness, shrieking with loss-see Side B. All funerals remind us that life goes on, somehow. In that time after the end times, it's not only the food systems, energy systems, and political systems that will have to be rebuilt. Myths, stories, and rituals we use to make sense of the world are up for revision, too. The music of Future Teenage Cave Artists asks: How does one adapt-mentally, emotionally, physically, spiritually-to an increasingly threat-filled and rapidly shifting world? Might our networks of mutual aid be our best example of civilization? Our DIY basement shows the real high art?One answer might be found in the two-and-a-half decades that this improbable combination of personalities and backgrounds we call Deerhoof has spent on stage, cultivating agility, quick-wittedness, and a loose approach to improvisation. This is a record about resilience and the persistence of hope in a future beyond any reasonable justification for it. Like so many young people today, Deerhoof seems to be already living in that future.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFuture Teenage Cave Artists\u003c\/li\u003e\n\u003cli\u003eSympathy for the Baby Boo\u003c\/li\u003e\n\u003cli\u003eThe Loved One\u003c\/li\u003e\n\u003cli\u003eO Ye Saddle Babes\u003c\/li\u003e\n\u003cli\u003eNew Orphan Asylum for Spirited Deerchildren\u003c\/li\u003e\n\u003cli\u003eZazeet\u003c\/li\u003e\n\u003cli\u003eFraction Anthem\u003c\/li\u003e\n\u003cli\u003eFarewell Symphony\u003c\/li\u003e\n\u003cli\u003eReduced Guilt 1\u003c\/li\u003e\n\u003cli\u003eDamaged Eyes Squinting Into the Beautiful Overhot Sun 1\u003c\/li\u003e\n\u003cli\u003eI Call on Thee\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 753936905399\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Joyful Noise Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.19.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Deerhoof","offers":[{"title":"Default Title","offer_id":58253768097873,"sku":"7944","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/3810097-2561683.jpg?v=1759466046"},{"product_id":"deerhoof-miracle-level-white-lp","title":"Miracle-Level [White LP]","description":"\u003cp\u003e\u003cspan\u003eDid you know that miracles happen every day? We don’t alwayssee it that way. We look at the state of the world and think, “It’ll be a miracle if we make it out alive.” But miracles are what humans do. We’re Earth’s most inventive and unpredictablespecies, when we’re allowed to be. Also the most destructive. \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eMiracle-Level\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is Deerhoof’s mystical manifesto on creativity andtrust. It celebrates the infinite small wonders of existence that spontaneously present themselves, when not obstructed by our death-driven masters.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMusically, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eMiracle-Level\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is vulnerable, brave, and brimming with spicy surprises. Deerhoof’s 19th album is also their their first tobe recorded and mixed in a recording studio. Production was entrusted to Mike Bridavsky, at No Fun Club in Winnipeg, Manitoba. This is also their first album written entirely in Satomi’s native language. 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The band envisioned an album about people haunted by memory of a lost world and of every failed attempt to save it. People already living outside the system, already having practiced new ways of life required for survival-these hopeful heroes are Deerhoof's inspiration. These are the Future Teenage Cave Artists. Faithful listeners will recognize a certain alienated but transformational figure who shows up in Deerhoof songs going back to their earliest days. Take the narrator of \"The Perfect Me\" from 2007's Friend Opportunity: an orphaned but eager soul attempting to entice other wounded wanderers who might lack a home, a clan, a family, a history. But on Future Teenage Cave Artists our protagonist is threatened by terror lurking around every corner. Add to that the fact that our 'cast-off queen,' our 'maniac,' our 'terrible daughter' is watching themselves get orphaned in real time, by an older generation in power that would seemingly rather see life on Earth destroyed than let go of archaic systems of capital. Like a lot of the music they have released over the last quarter-century, the Deerhoof of Future Teenage Cave Artists (Satomi Matsuzaki on bass and vocals, Ed Rodriguez and John Dieterich on guitars, and Greg Saunier on drums, vocals and piano) stitches together fragments of 'r\u0026amp;b' and 'classic rock' and transforms them into a new language of revolution, forgoing verse-chorus structures for dream logic and blind intuition. But what makes this album different is it's intimacy-the blues riffs and slide guitars are joined by rusty pianos and whispered three-part harmonies.In this sense, FTCA inverts the formula of Deerhoof's last album, Mountain Moves, which invited a wide community of collaborators to band together in an open celebration of solidarity. The new one, on the other hand, is borne of self-isolation and deprivation. It's the sound of a sparkling, manic musical intelligence being disconnected from a nourishing public and devouring itself inside it's own cocoon, attempting metamorphosis.At times FTCA indeed sounds as if the band had in fact retreated to the caves, recording with unreliable electricity and insecure food supplies. Guitar pedals malfunction mid-take, reverbs chop off mid-tail, drum fills get abandoned mid-phrase. Some musical moments, as gorgeous and touching as anything Deerhoof has ever written, stop short for no apparent reason, giving way to queasy smudges of sound. Many of the instruments and voices were recorded with nothing more than the built-in mic of a laptop. Harsh splices make no effort to hide the seams. Hard panning leaves many of these imperfections weirdly naked in the mix. In this way FTCA joins a long and storied lineage of pop records that expose the insular and reclusive nature of the recording process itself. Like Let It Be, There's a Riot Goin' On, or Sister Lovers, this record is it's own \"making-of.\" Absence is a central character in the drama. For every heartwarming melody or pile-up of parade drums or shard of loopy guitar noise, there is musical acknowledgement of the toll that constant threat of cataclysm takes on mental health. These are sonic and lyric funerals for a way of life that is never coming back. There are raucous toasts to the departed in high style, as sassy and spasmodic as anything they've done-see Side A; there are moments of profound sadness, maximally small, descending into madness, shrieking with loss-see Side B. All funerals remind us that life goes on, somehow. In that time after the end times, it's not only the food systems, energy systems, and political systems that will have to be rebuilt. Myths, stories, and rituals we use to make sense of the world are up for revision, too. The music of Future Teenage Cave Artists asks: How does one adapt-mentally, emotionally, physically, spiritually-to an increasingly threat-filled and rapidly shifting world? Might our networks of mutual aid be our best example of civilization? Our DIY basement shows the real high art?One answer might be found in the two-and-a-half decades that this improbable combination of personalities and backgrounds we call Deerhoof has spent on stage, cultivating agility, quick-wittedness, and a loose approach to improvisation. This is a record about resilience and the persistence of hope in a future beyond any reasonable justification for it. 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The contrast of Satomi's ever-catchy, ever-charmingmelodiousness with John and Greg's noisy, cinematic bombast stillhas the power to thrill and tickle and upset, more than 20 yearsafter it's initial release.Includes reimagined cover art with the faint morning glow the bandhad always envisioned, pressed on clear sun-colored vinyl.Complete lyrics included for the first time, written by Satomi on thecenter labels.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSound the Alarm\u003c\/li\u003e\n\u003cli\u003eThis Magnificent Bird Will Rise\u003c\/li\u003e\n\u003cli\u003eThe Eyebright Bugler\u003c\/li\u003e\n\u003cli\u003ePunch Buggy Valves\u003c\/li\u003e\n\u003cli\u003eNo One Fed Me So I Stayed\u003c\/li\u003e\n\u003cli\u003eFrenzied Handsome, Hello!\u003c\/li\u003e\n\u003cli\u003eDays ; Nights in the Forest\u003c\/li\u003e\n\u003cli\u003eTop Tim Rubies\u003c\/li\u003e\n\u003cli\u003eHark the Umpire\u003c\/li\u003e\n\u003cli\u003eOur Angel's Ululu\u003c\/li\u003e\n\u003cli\u003eThe Last Trumpeter Swan\u003c\/li\u003e\n\u003cli\u003eTuning a Stray\u003c\/li\u003e\n\u003cli\u003eHoly Night Fever\u003c\/li\u003e\n\u003cli\u003eAll Rise\u003c\/li\u003e\n\u003cli\u003eCooper\u003c\/li\u003e\n\u003cli\u003eHallelujah Chorus\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602309898946\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Joyful Noise Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.8.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Deerhoof","offers":[{"title":"Default Title","offer_id":58293009547345,"sku":"609054","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/4295026-3097726.jpg?v=1760747741"},{"product_id":"the-man-the-king-girl-colored-vinyl-download-included","title":"The Man  The King  Girl [Colored Vinyl] [Download Included]","description":"\u003cp\u003eTo celebrate their 25th(!!) anniversary of being a band, Deerhoof are pulling out all the stops - releasing three of their earliest records on vinyl for the first time via three labels that have supported the group throughout their career. 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Deerhoof love music, so it comes as no surprise that they'd follow up their polygenre Polyvinyl debut Deerhoof vs. Evil with another album of distinct songs containing music. Other bands in their cultural position have found alternate methods of keeping the public's interest - visually stunning Tumblr accounts, promotional fonts, salvia grinders, skulls containing snuff films - but Deerhoof are still having too many melodic dreams to ride the storm. 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