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But alone, Copeland has found places one can only find alone: small inner dialogues and isolated mind caves where the idea may only last a moment, but he captures and tweaks it into a fragment of many memories; a deja vu record deja vu record. Funny characters drop in and out. Songs come and go. 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Joke in the Hole also marks Copeland's return to DFA, where Black Dice released their seminal 2002 debut Beaches \u0026amp; Canyons - the label's first-ever full-length. In search of the essential feel-good Psychedelic noise record for the summer? 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Nimble, persuasive, and brisk, these ten songs bounce along with a charm and directness that's entirely unprec- edented in Eric's 20+ year career. The evocative, carnival loops that have defined his solo work for the past decade are joined here by the organic warmth of a nylon string guitar and breezy vocals that make no attempt to hide the laughter behind the words. It's captivating, and Eric's sense of catching and holding attention has truly never been stronger than on this record-he's chatty and sly, direct yet never exposed. An interviewer once asked Eric what his lyrics were about. \"You know,\" he replied, \"like the blues.\" The unprecedented clarity of \"Dumb It Down\" proves it true. Rooted in everyday life, these songs dart between enthusiasm and resignation, a deeply relatable contradiction of spirit. While this tension could derail a lesser record, Eric uses it to his advantage, con- structing songs that feel casual and unrelenting in equal measure. It's the balance found in \"Louie Louie\" and \"Sex Bomb\" and really only two or three others. 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Eric Copeland of Black Dice returns to DFA with 'Masterbater,' 11+ minutes of skronking gyrations and prickly samples. Throughout the track, radio-static intrusions and snatches of glossolalic R\u0026amp;B give the impression that Copeland is stuck inside his car, flicking impatiently from channel to channel while a hailstorm pelts the enclosing steel. 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While there are similarities with Copeland's earlier work in the drum patterns, major scales and vocals, Black Bubblegum moves away from his trademark psychedelic dub towards strange and fantastical pop; imagine Arthur Russell going into the studio with the Ramones. Wanting to take a more \"hands-on\" approach to these recordings, Copeland exchanged sample-driven tech and hardware for keyboards, guitars and effect pedals, creating a new sound that is oddly easy to digest despite its rejection of melody in favour of discord and dissonance. Eric Copeland has been sound clashing at full volume for over twenty years, first carving out a named for himself as one third of the legendary NY-via-Providence band Black Dice. A wildly prolific solo artist, Copeland has played shit houses, party palaces and seemingly everything in between all over the world. A long time Brooklyn, resident, Eric recently relocated to where the L Train does not run - Palma de Mallorca, Spain. 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Where 2017's Goofballs was the first album recorded in it's entirety in Eric's current home of Palma de Mallorca, Spain, and the result of countless hours spent working in the studio, last fall's Trogg Modal Vol. 1 pushed his 'Freakbeat 4\/4' agenda even further, with a sense of humor that bubbles over and out through the speakers. Rife with chunky percussive layers and tweaked loopy vocals, these frenzied, self-described \"rippers\" are practically designed to be remixed. Parris (Trilogy Tapes, Hemlock) and RAMZi (RVNG, 12th Isle) both take on the singsongy rhythms of \"Heads.\" Parris' take pares down the track, giving it room to glisten and expand, while RAMZi's paddles along in a characteristically murky, laid-back manner. Lokier (Days Of Being Wild, Spirits) goes in for the jugular with an acidic rework of \"321 Contact,\" repurposing vocal samples as spooky EBM. Closing out the record is Gerry Read (Aus, Accidental Jnr), who pits the heavy stomp of \"Electric Mud\" against whizzing frequencies. 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The former Black Dice member's 'Freakbeat 4\/4' agenda gets further refined here -Vol. 2 is more laid-back than the first, but still highly danceable. Self-described as \"late Night Flight proto tekno,\" the tracks pulse with thick layers of percussion, melodic fever dreams, and riffs wrung through a taffy puller. Eric's textured, off-the-cuff approach to dance music adds a refreshing element of spontaneity and 'jamming' to a climate of uncanny smoothness and Polish. Where Vol. 1 was composed of \"rippers,\" Vol. 2 travels at it's own pace, continuing to showcase Eric's ability to recontextualize 4\/4 tracks as psychedelic contortions, from the squelchy vibrations of \"BS Dropout\" to the blithe, video arcade soundtrack \"High Score Zed.\" Taken together, the two volumes of Trogg Modal showcase the versatility of one of the most continuously exciting experimental artists of the past twenty years - arriving in 2019 with his mischievous sense of adventure firmly intact.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBeat It\u003c\/li\u003e\n\u003cli\u003eHigh Score Zed\u003c\/li\u003e\n\u003cli\u003eUnited Banana\u003c\/li\u003e\n\u003cli\u003ePay Off\u003c\/li\u003e\n\u003cli\u003eBS Dropout\u003c\/li\u003e\n\u003cli\u003eLight Fantastic\u003c\/li\u003e\n\u003cli\u003eBlazin\u003c\/li\u003e\n\u003cli\u003eFalo\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 829732261516\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dfa Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.29.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Eric Copeland","offers":[{"title":"Default Title","offer_id":58291877773393,"sku":"258724","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/3895847.jpg?v=1760735807"},{"product_id":"goofballs-lp","title":"Goofballs [LP]","description":"\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 829732255317\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dfa Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.22.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Eric Copeland","offers":[{"title":"Default Title","offer_id":58292578811985,"sku":"494544","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/3245350-2475655.jpg?v=1760743999"},{"product_id":"panda-bear-anthony-naples-remixes-limited-edition","title":"Panda Bear \/ Anthony Naples Remixes [Limited Edition]","description":"\u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCheap Treat (Panda Bear Remix)\u003c\/li\u003e\n\u003cli\u003eGrapes (lLarry Gus Remix)\u003c\/li\u003e\n\u003cli\u003eCheap Treat (Fhloston Paradigm Remix)\u003c\/li\u003e\n\u003cli\u003eBobby Strong (Anthony Naples Remix)\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 829732242911\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dfa Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.23.15\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Eric Copeland","offers":[{"title":"Default Title","offer_id":58293059649617,"sku":"654796","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/3709233.jpg?v=1760748480"},{"product_id":"limbo-lp-1","title":"Limbo [LP]","description":"\u003cp\u003eEric Copeland is an experimental musician based in New York City. 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