{"title":"Iron And Wine","description":null,"products":[{"product_id":"iron-and-wine-shepherds-dog-cd","title":"Shepherd's Dog [CD]","description":"\u003cp\u003eIron and Wine's most ambitious and accomplished recording to date, and also the most satisfying. While many of US learned of Iron and Wine by way of the tender and spare rendering of the Postal Service's \"Such Great Heights\" on the GARDEN STATE soundtrack, those who dug deeper discovered a classic American tunesmith with a precocious musical signature. This whole album breathes, It's seductive rhythms percolate and unulate. THE SHEPHERD'S DOG is informed by a sensuality that brings a dreamscape to life.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePagan Angel and a Borrowed Car\u003c\/li\u003e\n\u003cli\u003eWhite Tooth Man\u003c\/li\u003e\n\u003cli\u003eLovesong of the Buzzard\u003c\/li\u003e\n\u003cli\u003eCarousel\u003c\/li\u003e\n\u003cli\u003eHouse by the Sea\u003c\/li\u003e\n\u003cli\u003eInnocent Bones\u003c\/li\u003e\n\u003cli\u003eWolves (Song of the Shepherd's Dog)\u003c\/li\u003e\n\u003cli\u003eResurrection Fern\u003c\/li\u003e\n\u003cli\u003eBoy with a Coin\u003c\/li\u003e\n\u003cli\u003eDevil Never Sleeps, The\u003c\/li\u003e\n\u003cli\u003ePeace Beneath the City\u003c\/li\u003e\n\u003cli\u003eFlightless Bird, American Mouth\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 098787071023\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sub Pop\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.25.07\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Iron And Wine","offers":[{"title":"Default Title","offer_id":58253948649553,"sku":"141791","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/1128739.jpg?v=1759468092"},{"product_id":"iron-and-wine-beast-epic-lp","title":"Beast Epic [LP]","description":"\u003cp\u003e\"I can whine about it all but I won't.\" -Samuel E. Beam The first Iron \u0026amp; Wine song that I ever remember hearing was “Dead Man's Will,” originally featured on the Yeti 1 compilation CD. Its hushed eloquence and unadorned beauty lent it a sort of soft power*, a triumph of instinct over overstatement. That was in 2001. In 2017, Beast Epic, Iron \u0026amp; Wine’s fourth album of new material for Sub Pop and it's sixth overall, recasts soft power as a series of vignettes, observations and regular old songs that redeem through joy and a certain expectation of grace. Even the instant classic, “Bitter Truth”, with a lyric as pained and direct as any I've heard from Iron \u0026amp; Wine, is leavened with background vocals recalling The Jordanaires. Sam Beam has called Beast Epic his \"most personal\" album to date. It is the first Iron \u0026amp; Wine album that he's produced since The Creek Drank The Cradle, though the results are vastly different. This album brims with surprise flourishes, classic touches and an appealing confidence that is evident on songs like “Call It Dreaming.\" After a decade and a half of prodigious expression and exploration, recording as both Iron \u0026amp; Wine and eponymously, Sam Beam confessed that he has finally figured out how to make records. He had me fooled all along. Beast Epic will be available worldwide through Sub Pop Records on August 25th. It's my favorite Iron \u0026amp; Wine album by a mile. - Jonathan Poneman Iron \u0026amp; Wine’s Beast Epic was written and produced by Sam Beam, and recorded and engineered by Tom Schick at the Loft in Chicago in July 2016 and January 2017. The musicians who played on Beast Epic include longtime Iron \u0026amp; Wine collaborators Robert Burger (keys), Joe Adamik (percussion), and Jim Becker (guitar, banjo, violin, mandolin), along with bassist Sebastian Steinberg (Soul Coughing and Fiona Apple), and Chicagoan Teddy Rankin Parker (cello). Beast Epic was mastered by Richard Dodd in Nashville, Tennessee. *The term \"soft power\" was cribbed from author and Harvard professor Joseph Nye, but used in a different context.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eClaim Your Ghost\u003c\/li\u003e\n\u003cli\u003eThomas County Law\u003c\/li\u003e\n\u003cli\u003eBitter Truth\u003c\/li\u003e\n\u003cli\u003eSong in Stone\u003c\/li\u003e\n\u003cli\u003eSummer Clouds\u003c\/li\u003e\n\u003cli\u003eCall It Dreaming\u003c\/li\u003e\n\u003cli\u003eAbout a Bruise\u003c\/li\u003e\n\u003cli\u003eLast Night\u003c\/li\u003e\n\u003cli\u003eRight for Sky\u003c\/li\u003e\n\u003cli\u003eThe Truest Stars We Know\u003c\/li\u003e\n\u003cli\u003eOur Light Miles\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 098787117011\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sub Pop\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.25.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Iron And Wine","offers":[{"title":"Default Title","offer_id":58253959135313,"sku":"149297","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/3658107.jpg?v=1759468179"},{"product_id":"iron-and-wine-weed-garden-cd","title":"Weed Garden [CD]","description":"\u003cp\u003e\u003cspan\u003eIron \u0026amp; Wine follow up their 2018 Grammy-nominated full-length Beast Epic with Weed Garden, a collection of material that began about three years ago. The six-song EP features songs that were part of the writing phase for Beast Epic, but went unfinished. They were part of a larger narrative for principal songwriter Sam Beam, who ran out of time to get them where they needed to be for inclusion on Beast Epic. Weed Garden also includes the fan favorite “Waves of Galveston.” While on tour last fall, the final pieces of material took shape and a sense of urgency prevailed in bringing these characters full circle. To resolution. To completion. In January, Beam and company hunkered down in Chicago at The Loft recording studio to capture these six songs. No more, no less. Weed Garden joins the good company of previous Iron \u0026amp; Wine EP’s – The Sea and Rhythm, Woman King, In the Reins – and in 2018’s attention-span challenged world that's not a bad thing.\u003c\/span\u003e\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWhat Hurts Worse\u003c\/li\u003e\n\u003cli\u003eWaves of Galveston\u003c\/li\u003e\n\u003cli\u003eLast of Your Rock 'n' Roll Heroes\u003c\/li\u003e\n\u003cli\u003eMilkweed\u003c\/li\u003e\n\u003cli\u003eAutumn Town Leaves\u003c\/li\u003e\n\u003cli\u003eTalking to Fog\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 098787125528\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sub Pop\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.31.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Iron And Wine","offers":[{"title":"Default Title","offer_id":58254007697489,"sku":"178961","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/3808182.jpg?v=1759468705"},{"product_id":"iron-and-wine-the-sea-and-the-rhythm-lp","title":"The Sea and The Rhythm [LP]","description":"\u003cp\u003eOn vinyl for the first time, this record was Sam Beam's second release on Sub Pop. Thus far, the CD version has scanned nearly 50,000 copies. 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Beam The first Iron \u0026amp; Wine song that I ever remember hearing was “Dead Man's Will,” originally featured on the Yeti 1 compilation CD. Its hushed eloquence and unadorned beauty lent it a sort of soft power*, a triumph of instinct over overstatement. That was in 2001. In 2017, Beast Epic, Iron \u0026amp; Wine’s fourth album of new material for Sub Pop and it's sixth overall, recasts soft power as a series of vignettes, observations and regular old songs that redeem through joy and a certain expectation of grace. Even the instant classic, “Bitter Truth”, with a lyric as pained and direct as any I've heard from Iron \u0026amp; Wine, is leavened with background vocals recalling The Jordanaires. Sam Beam has called Beast Epic his \"most personal\" album to date. It is the first Iron \u0026amp; Wine album that he's produced since The Creek Drank The Cradle, though the results are vastly different. This album brims with surprise flourishes, classic touches and an appealing confidence that is evident on songs like “Call It Dreaming.\" After a decade and a half of prodigious expression and exploration, recording as both Iron \u0026amp; Wine and eponymously, Sam Beam confessed that he has finally figured out how to make records. He had me fooled all along. Beast Epic will be available worldwide through Sub Pop Records on August 25th. It's my favorite Iron \u0026amp; Wine album by a mile. - Jonathan Poneman Iron \u0026amp; Wine’s Beast Epic was written and produced by Sam Beam, and recorded and engineered by Tom Schick at the Loft in Chicago in July 2016 and January 2017. The musicians who played on Beast Epic include longtime Iron \u0026amp; Wine collaborators Robert Burger (keys), Joe Adamik (percussion), and Jim Becker (guitar, banjo, violin, mandolin), along with bassist Sebastian Steinberg (Soul Coughing and Fiona Apple), and Chicagoan Teddy Rankin Parker (cello). Beast Epic was mastered by Richard Dodd in Nashville, Tennessee. *The term \"soft power\" was cribbed from author and Harvard professor Joseph Nye, but used in a different context.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eClaim Your Ghost\u003c\/li\u003e\n\u003cli\u003eThomas County Law\u003c\/li\u003e\n\u003cli\u003eBitter Truth\u003c\/li\u003e\n\u003cli\u003eSong in Stone\u003c\/li\u003e\n\u003cli\u003eSummer Clouds\u003c\/li\u003e\n\u003cli\u003eCall It Dreaming\u003c\/li\u003e\n\u003cli\u003eAbout a Bruise\u003c\/li\u003e\n\u003cli\u003eLast Night\u003c\/li\u003e\n\u003cli\u003eRight for Sky\u003c\/li\u003e\n\u003cli\u003eThe Truest Stars We Know\u003c\/li\u003e\n\u003cli\u003eOur Light Miles\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 098787117028\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sub Pop\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.25.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Iron And Wine","offers":[{"title":"Default Title","offer_id":58254147321937,"sku":"293160","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/3658108.jpg?v=1759470385"},{"product_id":"iron-and-wine-around-the-well-vinyl","title":"Around the Well [Vinyl]","description":"\u003cp\u003eThis double CD\/triple LP collects songs ranging from out-of-print to never-before-released and spans Iron And Wine's earliest sessions which yielded the band's debut (2002's \"The Creek Drank The Cradle\") through material recorded for 2007's \"The Shepherd's Dog\". The double disc is broken into two sections. 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The songs on \"Volume No. 1\" came to life at the same times as those selected for Iron And Wine's debut album, \"The Creek Drank The Cradle\" (Sub Pop, 2002). 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Recorded at the famed Sam Phillips Studios (Memphis, TN) with producer Matt Ross-Spang, Beam takes on four of his favorite McKenna tracks with help from Sima Cunningham and Macie Stewart, known collectively for their work in the indie-art-pop band Finom (formerly known as Ohmme.)\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLike Patsy Would\u003c\/li\u003e\n\u003cli\u003eHalfway Home\u003c\/li\u003e\n\u003cli\u003eThat's How You Know\u003c\/li\u003e\n\u003cli\u003eShake\u003c\/li\u003e\n\u003cli\u003eLike Patsy Would\u003c\/li\u003e\n\u003cli\u003eHalfway Home\u003c\/li\u003e\n\u003cli\u003eThat's How You Know\u003c\/li\u003e\n\u003cli\u003eShake\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 036172614219\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Black Cricket Record\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.24.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 12\" Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Iron And Wine","offers":[{"title":"Default Title","offer_id":58254534803537,"sku":"636791","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/4176064-2937597.jpg?v=1759475908"},{"product_id":"iron-and-wine-who-can-see-forever-original-soundtrack-cd","title":"Who Can See Forever Original Soundtrack [CD]","description":"\u003cp\u003e\u003cspan\u003eIron \u0026amp; Wine's Who Can See Forever is an accompanying live record to the film of the same name. Captured at Haw River Ballroom in Saxapahaw, North Carolina, the soundtrack features nineteen songs from the twenty plus year career of singer-songwriter Sam Beam. Having found inventive ways to re-invent his catalog live over the years, Who Can See Forever offers new and fresh versions of Iron \u0026amp; Wine songs including \"The Trapeze Swinger\", \"Boy With a Coin\" and \"Naked As We Came.\" The film - initially intended as a live concert film - evolved into a visual portrait capturing Beam during a creative outburst that earned him four Grammy nominations in four years. Like his music, the film touches on universally personal themes as Beam juggles being an artist, husband and father. Taken as one, the soundtrack and film are a fascinating first-time glimpse behind-the-scenes of Iron \u0026amp; Wine.\u003c\/span\u003e\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Trapeze Swinger\u003c\/li\u003e\n\u003cli\u003eBoy with a Coin\u003c\/li\u003e\n\u003cli\u003eWoman King\u003c\/li\u003e\n\u003cli\u003eThomas County Law\u003c\/li\u003e\n\u003cli\u003eHouse By the Sea\u003c\/li\u003e\n\u003cli\u003eAbout a Bruise\u003c\/li\u003e\n\u003cli\u003eSodom, South Georgia\u003c\/li\u003e\n\u003cli\u003eLast Night\u003c\/li\u003e\n\u003cli\u003eMonkeys Uptown\u003c\/li\u003e\n\u003cli\u003eWolves (Song of the Shepherd's Dog)\u003c\/li\u003e\n\u003cli\u003eGrace for Saints and Ramblers\u003c\/li\u003e\n\u003cli\u003eDearest Forsaken\u003c\/li\u003e\n\u003cli\u003eGlad Man Singing\u003c\/li\u003e\n\u003cli\u003eOn Your Wings\u003c\/li\u003e\n\u003cli\u003ePassing Afternoon\u003c\/li\u003e\n\u003cli\u003ePagan Angel and a Borrowed Car\u003c\/li\u003e\n\u003cli\u003eNaked As We Came\u003c\/li\u003e\n\u003cli\u003eCall Your Boys\u003c\/li\u003e\n\u003cli\u003eMuddy Hymnal\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 098787160123\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sub Pop\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.17.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Iron And Wine","offers":[{"title":"Default Title","offer_id":58254561443921,"sku":"666884","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/4250224-3042862.jpg?v=1759476285"},{"product_id":"iron-and-wine-archive-series-volume-no-5-tallahassee-recordings-lp","title":"Archive Series Volume No 5: Tallahassee Recordings [LP]","description":"\u003cp\u003eArchive Series Volume No. 5: Tallahassee is the lost-in-time debut album from Iron \u0026amp; Wine. A collection of songs recorded three years prior to his official Sub Pop debut, The Creek Drank the Cradle (2002). A period before the concept of Iron \u0026amp; Wine existed and principal songwriter Sam Beam was studying at Florida State University with the intent of pursuing a career in film. Tallahassee documents the very first steps on a journey that would lead to a career as one of America's most original and distinctive singer-songwriters. Creek arrived like a thief in the night with it's lo-fi, hushed vocals and intimate nature, while almost inversely Tallahassee comes with a strange sense of confidence. Perhaps an almost youthful discretion that likely comes from being too young to know better and too naÃ¯ve to give a shit. The recordings themselves are more polished than Creek and give a peak into what a studio version of that record might have offered up. Tallahassee was recorded over the course of 1998-1999 when Beam and future bandmate EJ Holowicki moved into a house together. Beam had not been performing publicly, however he was known for playing an original song or two in the early morning glow of a long night. Holowicki also in the film program and who would go onto a career as a sound designer at Skywalker Sound, had a mobile recording device and after some prodding convinced his friend to record these late-night meditations. Together they would record close to twenty-four songs, ideas and sketches, with EJ on bass and Sam on vocals, guitar, harmonica and drums. The recordings - all captured in the house where they lived - have a \"live in the room\" feel akin to say Neil Young's Harvest or Nick Drake's Five Leaves Left, rather than the homespun lo-fi 4-track home recording experiment taking place at the time. These recordings, minus one track, have never been made available and were instead left preserved on a hard drive for the last twenty years. The one track that floated out there, called \"In Your Own Time\" was shared without a title to childhood friend Ben Bridwell (Band of Horses) at some point. The song became known as the \"Fuck Like A Dog\" song and Ben shared it with more than a few folks during the golden era of mix CD's. Two of those folks were Jonathan Poneman from Sub Pop and journalist Mike McGonigal, who included it on his best songs of 2001 mix CD, passed out to friends and acquaintances. And for many that is where the Iron \u0026amp; Wine story begins, until now... Tallahassee is the foreword to your favorite book that you've somehow skipped over time and time again. It's an alternative history mixed with some revisionist history told over the course of eleven songs. 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