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If, for instance, some magic happened while Spencer added drums to a tune he'd never heard, or while Elkington tinkered behind a piano, the tape was rolling. Indeed, half of these songs are first takes. \"The first time is always the best. That's when everyone's on the edge of their seats, listening to not mess it up,\" Shelley adds. \"They're depending on each other to get through it.\" It's fitting that the resulting set is self-titled. These are, after all, Shelley's most assured and complete thoughts to date, with lyrics as subtle and sensitive as her peerless voice and a band that offers support through restraint and nuance. 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A million bright blue crystals - the fractal branching of the lungs - drift back to earth. Radiant, refracting. Clear notes melt like perfect soft snow. Straight lines curve and curve again. Much of this album was recorded in Iceland, but Joan Shelley wrote these songs in Kentucky. That's the dirt clinging to their roots. The wind blowing through Osage orange and pine trees is the joy and ache and urgency of these songs. It's the silence and the music. It's the space between time and words and the stillness in Joan's voice. The world spins more slowly. Moss overtakes a fallen tree. Kentucky is where we plant seeds of regret and stay to watch them flower. Maybe Mark Twain said that Kentucky (always five years behind the times) was the perfect place to ride out the apocalypse. Maybe it's twenty years. Maybe it's apocryphal. That doesn't mean it isn't true. \"And oh, Kentucky Stays in my mind it's sweet to be five years behind That's where I'll be When the seas rise Holding my dear friends and drinking wine...\" Maybe the world outside has already vaporized. Maybe we're already living on borrowed time. Nathan Salsburg's guitar pours out clean as water through his fingers, turning over every smooth stone. Bonnie \"Prince\" Billy's harmonies stretch time tight enough to break without breaking. Joan's voice calls us back. Birds are singing outside. Insistent. Don't miss what's right in front of you. Joan Shelley's new record: Like The River Loves The Sea. 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Spencer Tweedy, home from college, joined on drums, while James Elkington (a collaborator to both Tweedy and Salsburg) shifted between piano and resonator guitar. Jeff added electric accents and some bass, but mostly, he helped the band stay out of it's own way. \"He was protecting the songs. He was stopping us before we went too far,\" Shelley says. The Loft proved essential for that approach, as it was wired to capture every musical moment, so no take was lost. If, for instance, some magic happened while Spencer added drums to a tune he'd never heard, or while Elkington tinkered behind a piano, the tape was rolling. Indeed, half of these songs are first takes. \"The first time is always the best. That's when everyone's on the edge of their seats, listening to not mess it up,\" Shelley adds. \"They're depending on each other to get through it.\" It's fitting that the resulting set is self-titled. These are, after all, Shelley's most assured and complete thoughts to date, with lyrics as subtle and sensitive as her peerless voice and a band that offers support through restraint and nuance. 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Her 7th album, recorded in Toronto with producer Ben Whiteley (The Weather Station), the 13-tracks feature many guests from the city's fertile music scene (Tamara Lindenman, Doug Paisley). Shelley has toured the world with Richard Thompson, Patty Griffin, Wilco and others. 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She with the \"Mood Ring\" EP, her first new music in almost three years. The full set of 5 songs bookends a period of immense personal change for Shelley: the birth of her daughter, and moving from the place where she was raised in rural Kentucky. She finished mixing these songs at Louisville studio End of an Ear with the U-Haul parked and waiting, and listened to the mixes on the drive to her new home. This 1-sided 12\" is limited to 1,000 copies worldwide. 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Features duets with Bonnie “Prince” Billy, Julia Purcell, Doug Paisley and Daniel Martin Moore. Limited to 1,000 copies worldwide.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 843563110171\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e No Quarter\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.13.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Joan Shelley","offers":[{"title":"Default Title","offer_id":58292684128337,"sku":"547867","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/3900593.jpg?v=1760744832"},{"product_id":"the-spur-lp","title":"The Spur [LP]","description":"\u003cp\u003e\u003cspan\u003eJoan Shelley returns with \"The Spur\" her first new album in three years. The twelve song set is a profound meditation on light and darkness, recorded in the spring of 2021 at Earthwave Farm in the Kentucky countryside. 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