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Discover the complete October 1969 recordings from Studio Charcot in Paris, never before released in their entirety. This historic session features John Lee Hooker, accompanied by renowned blues musicians Lowell Fulson, Carey Bell, and S. P. Leary, as they craft an electrifying collection of blues and boogie tracks during a one-night-only recording at the iconic French studio. These recordings capture the essence of John Lee Hooker's natural country blues, showcasing why he earned the title of 'The King of Boogie. 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On 'Burnin' Hell', Hooker pounds out a rhythmic chord pattern while singing lyrics that reveal his mama and daddy telling him to go ask \"Deacon Jones\" to pray for him: \"Ain't no burnin' hell... where I go, nobody [can] tell... \" Like a jazz saxophonist, he's improvising the lyric as he's telling a story - repeating the phrases, describing his feelings, grunting, agreeing, cajoling, using words to create verbal tension before the rhythmic vocal thrust explodes into instrumental ecstasy that inevitably follows. Listen to how he weaves his way through the lyrics of 'Tease Me Baby (aka Tease Me Over Baby)'. Hooker never uses a pick on his right hand - only his bare fingers to get the sound that creates such propulsive energy in every one of his performances. His thumb is his bass player, which he uses exclusively to play amazing walking bass lines and low-register countermelodies, while his index finger does the heavy lifting for all the single-note solo lines, as can be heard on 'Grinder Man'. His middle and ring-fingers are his simultaneous harmony-keepers and rhythm makers. Often, he combines them together in a pattern using fast-flickering alternation between thumb and index finger, as demonstrated in 'Black Cat Blues'. Hooker can hit a chord and ring it to death with that intense, repetitious wrangling that is the most joyful blues noise ever heard. He generally uses two primary tuning setups - one is a normal E tuning (E-A-D-G-B-E, from low string to high string); 'Walkin' This Highway' is a one-chord blues vamp in the key of E. 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In a moment rarely captured on tape, Hooker does a bit of scat-singing on 'The Story of a Married Woman' after he exclaims, \"I'm in love with the woman, scared to call her name, she's a married woman may get somebody killed. \" Also rare is the piano accompaniment (by James Watkins) on 'Let Your Daddy Ride', one of the few recorded tracks that doesn't solely feature Hooker's guitar work. 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