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Twelve masterful Afro Soul, Jazz, Funk or Latin nuggets without a ripple for more than fifty years, which are taking us deeply into Manu Dibango’s brilliant dicography.\u003c\/p\u003e\n\u003cp\u003eThe authentic material composing African Voodoo, modestly qualified by the maestro as « a bit spicy mood music », was promised to another destiny before representing one of the most emblematic albums of Manu Dibango’s discography.\u003c\/p\u003e\n\u003cp\u003eRecorded in 1971 at Mondiaphone label studio, this album was not meant for sales. It followed a request of Afro-Urban sounds dedicated to French TV and radio shows seeking atmospheric background music.\u003c\/p\u003e\n\u003cp\u003eBarely entered the studio, the eight musicians recorded it all in three days, without having planned anything!\u003c\/p\u003e\n\u003cp\u003e« It was up to you to play what was coming through your mind, to broaden your imagination! » entrusted Manu to Jacques Denis in 2008.\u003c\/p\u003e\n\u003cp\u003eThe one we call today « The Old Lion » did not take up this challenge lightly, or chose his musicians by chance! The cream of the time formed his Afro-French-Carribean band:\u003c\/p\u003e\n\u003cp\u003eYvan Julien (Trumpet), Slim Pezin (Guitar), Jacques Bolognesi (Trombone), François Jeanneau (Saxophone), Lucien Dobat (Drums), Emile Boza (Percussions), Manfred (Bass Guitar), and Manu at Vibraphone, Marimba, Saxophone, Organ and Piano.\u003c\/p\u003e\n\u003cp\u003eThe same band who played by his side since 1967, in particular in the Television show « Pulsations », in which Manu conducted his very own orchestra. He was moreover the first musician to manage his regular orchestra on TV!\u003c\/p\u003e\n\u003cp\u003eAnd the result of these recordings was mind boggling! The freshness of the sound and groove emanating from it is undeniable, and straightaway makes this album a standard of the genre while listening to the first notes! The very rhythmic Groovy Flute generously opens the album with its solar and constant flute melody. Our ears then savor an African Pop Session with a heavy and imposing rhythmic, or a Ba-Kuba with a slow and mesmerizing tempo. More rhythmic and percussive tunes like the wild Wilderness reminding us Isaac hayes’s shaft, or the swinging Soul Saxes Meeting, one more time show the ingenuity of the composer and the extreme variety of styles he was able to play. The African and Latin tones are almost omnipresent all along the disc. Jungle Riders and its electric guitar and flute solos – as melting as jazzy – supported by Coconut and its very Caribbean rhythmic, or the transcendent Walking to Waza, bear witness.\u003c\/p\u003e\n\u003cp\u003eAs sublime as surprising, African Voodoo perfectly illustrated the « Afro Somethin’ » invented by the maestro during a time interview with Rolling Stone Magazine. Barely published, these words were then used by all medias. Simple description, and undoubtedly efficient, of the genres crossing Manu Dibango embodies through his music and his universal speech; a \u003cspan class=\"caps\"\u003eREAL\u003c\/span\u003e word citizen for whom music has no color.\u003c\/p\u003e \u003cul\u003e\n\t\u003cli\u003eAfrican Voodoo, Manu Dibango’s rare and unknown treasure!\u003c\/li\u003e\n\t\u003cli\u003eRecorded in in 1971 at Mondiaphone studio\u003c\/li\u003e\n\t\u003cli\u003eOriginally used as atmospheric background music for French TV and radio shows\u003c\/li\u003e\n\u003c\/ul\u003e SMV06 -Artist-Manu Dibango\u003cul\u003e\n\u003cli\u003eReleased: 11\/29\/22\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP Black\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: World Music\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Manu Dibango","offers":[{"title":"Default Title","offer_id":42504376811601,"sku":"SLH23K-1LBP-WC","price":25.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/manu-dibango-african-voodoo_T0v6d.jpg?v=1750018524"},{"product_id":"manu-dibango-waka-juju-vinyl","title":"Waka Juju (Vinyl)","description":"\u003cp\u003eReleased in 1982, the album “Waka Juju” represents a return to Afrosound. 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As a most versatile musician, he had played and recorded almost every style of music you care to mention - Soul, Reggae, Jazz, Spirituals, Blues, African, Electro. Etc…Originally trained in classical piano, his musical career began in Brussels and Paris in the 1950s. The 1960s finds him in Congo as a member of African Jazz led by Joseph Kabasele (Le Grand Kalle). He formed his own band in Cameroon in 1963 and then moved to Paris in 1965. For the Manu 76 album we head off to (predictably) the year of 1976, still in Paris. Four years after its international breakthrough with the hit Soul Makossa, Manu actually recorded two studio albums that year. \u003cbr\u003eHere he assembles a supremely talent bunch of musicians including Jo Tongo on bass, Slim Pezin on guitar, Lucien Dobat (from Kassav) on drums, Alex Francfort on piano and even Georgia Dibango, 7 years old, on the guest vocals among many others. This six tracks album is made of straddling series of styles from the Soukouss Beats of Bokilo’s Boogie and Qui est fou de qui? – Chouchou, the Afro Boogie Jazz of the highly catchy Mimbo, the driving Afro Future-Jazz of Mouvement Ewondo, the pensive soundtrack moods of Besoka On Salsa or the bombastic Afro-Funk Soul Angola. Unarguably one of Manu Dibango’s finest album. You’ll be the judge.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003eTracklist\u003cbr\u003e1. Qui est fou de qui ? - Chouchou\u003cbr\u003e4min 1s\u003cbr\u003e2. Bokilo’s Boogie\u003cbr\u003e6min 20s\u003cbr\u003e3. Mimbo\u003cbr\u003e4min 36s\u003cbr\u003e4. 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Embracing the composing for image game, the musician recorded in crazy conditions the tracks that will become Africadelic and African Voodoo, ignoring the destiny and future success of these two wonderful albums.Africadelic is a real groovy gem in echo to James Brown or Isaac Hayes, mixing Afro-Soul, Funk and Jazz, with an undercurrent of latin percussions throughout, shaded by a rock guitar and a soul organ, like African Battle and Africadelic, the eponym track.The opening title, Soul Fiesta, immediatly drops a both dramatic and percussive tension before Manu Dibango starts his killer vibraphone riff. While Africadelic or African Carnaval make the most of a boiling horn section, Manu Dibango's saxophone solos regularly give room for the polyrhythmic percussions breaks. Oriental Sunset also enjoys a thrilling flute melody along with the beautiful Dibango's vibraphone. Monkey Beat and Wa Wa are, for their part, some proud funky soul approaches. 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