{"title":"Minus The Bear","description":null,"products":[{"product_id":"minus-the-bear-menos-el-oso-20th-anniversary-deluxe-edition-2xlp-translucent-magenta-vinyl","title":"Menos el Oso (20th Anniversary Deluxe Edition) (2xLP - Translucent Magenta) (Vinyl)","description":"\u003cp\u003eBack in 2005, Seattle quintet Minus the Bear were riding the wave of a swift upward trajectory with their blend of ‘90s mathrock fretboard savvy, early ‘00s electro-indie textural depth, and the wistful melodicism of the more mature strain of Midwest emo. So it was an interesting time for the band to undergo a stylistic sea change. Looking beyond their fellow guitar slingers, Minus the Bear instead found inspiration in the more adventurous pop producers of the era and went full steam ahead with a revamped sound of glitchy guitar loops, modern R\u0026amp;B rhythms, and swirling electronic tapestries on their 2005 sophomore album Menos el Oso. The stylistic shift was a gamble in the waning years of indie rock orthodoxy, but the risk paid off and Minus the Bear’s popularity exploded. Twenty years later, Menos el Oso still sounds fresh and vibrant while simultaneously capturing the essence of a specific era where the rules and formulas of guitar-forward music were breaking down. To celebrate the album’s anniversary, Suicide Squeeze Records and Minus the Bear are offering up Menos el Oso (Deluxe 20th Anniversary Edition), featuring an expanded tracklist including five previously unreleased demos. The eleven tracks comprising the original Menos el Oso remain untouched for this deluxe edition. From the moment the needle hits on “The Game Needed Me,” the listener is reminded that there’s no need to mess with keyboardist Matt Bayles’ air-tight engineering and production on the album. The template is established right away: David Knudson’s staccato guitar samples and pedal modulations, Erin Tate’s souped-up club beats, Cory Murchy’s syncopated backbeat basslines, Bayles’s heady synth hooks, and guitarist\/vocalist Jake Snider’s soulful guitar lines and trademark croon. There’s an element of revelry and melancholy across the entire album as Snider casually describes vignettes from the band’s first overseas tour—a six-date tour of Spain. These lyrical scenes drape the album in the excitement, yearning, aimlessness, and exoticness Hemingway captured in his rendering of The Lost Generation in The Sun Also Rises, achieving a similar dichotomous fusion of celebration and reflection. The centerpiece of the album—“Pachuca Sunrise”—encapsulates this duality with such enduring and profound power that one cannot talk about indie rock in the first decade of the new millennium without including it in the pantheon. Songs like “Drilling” and “The Fix” further reinforce the lyrical and musical themes of the album as they describe an American contemplating the distance between their home country and the foreign shores of the Mediterranean Sea against a backdrop of chirping guitars and drum patterns that fuse the poptimist pulse of the era with the sweaty subterranean rock embedded in the band’s pedigree.Menos el Oso (Deluxe 20th Anniversary Edition) expands the original LP into a double album featuring five demos mastered by Ed Brooks at Resonant Mastering on side C and an etching by Cory Murchy on side D. These early incarnations of four Menos el Oso tracks and “I’m Totally Not Down With Rob’s Alien” from the They Make Beer Commercials Like This EP showcase how razor-sharp and sonically satisfying Minus the Bear were even when their songs were still being workshopped. As companion pieces to the album, these alternate takes shine a light on the creative process of a band undergoing a sonic evolution while also just being solid standalone tracks. In addition to the expanded tracklist and side D etching, the vinyl version of Menos el Oso (Deluxe 20th Anniversary Edition) features updated artwork in a gatefold jacket with a matte gloss and spot UV varnish, a 24-page photo booklet, and a vinyl cut by Bernie Grundman.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 08\/22\/2025\u003c\/li\u003e\n\u003cli\u003eAvailability : Pre-Order\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eLabel: Suicide Squeeze Records\u003c\/li\u003e\n\u003cli\u003eGenre: Alternative\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Minus The Bear","offers":[{"title":"Default Title","offer_id":42465341472849,"sku":"T2JAH4-IU8J-00","price":36.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/menos-el-oso-20th-anniversary-deluxe-edition-2xlp-translucent-magenta_TPc3x.jpg?v=1748540217"},{"product_id":"minus-the-bear-infinity-overhead-indie-exclusive-limited-edition-neon-pink-lp","title":"Infinity Overhead [Indie Exclusive Limited Edition Neon Pink LP]","description":"\u003cdiv data-bt-autogen\u003e\u003cp\u003e*** Indie Exclusive ***\u003cbr\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 842803009084\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dangerbird\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.15.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Minus The Bear","offers":[{"title":"Default Title","offer_id":58254296252497,"sku":"426417","price":25.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/4088635-3173896.jpg?v=1759472131"},{"product_id":"minus-the-bear-voids-indie-exclusive-limited-edition-splatter-vinyl","title":"Voids [Indie Exclusive Limited Edition Splatter Vinyl]","description":"\u003cp\u003eOn their sixth album VOIDS, Minus the Bear started with a blank slate, and inadvertently found themselves applying the same starting-from-scratch strategies that fueled their initial creative process. Album opener \"Last Kiss\" immediately establishes the band's renewed fervor. An appropriately dizzying guitar line plunges into a propulsive groove before the chorus unfolds into a multi-tiered pop chorus. From there the album flows into \"Give \u0026amp; Take\", a tightly wound exercise in syncopation that recalls the celebratory pulse of early Bear classics like \"Fine + 2 Pts\" while exploring new textures and timbres. \"Invisible\" is arguably the catchiest song of the band's career, with Jake Snider's vocal melodies and Knudson's imaginative guitar work battling for the strongest hooks. \"What About the Boat?\" reminds us of the \"math-rock\" tag that followed the band in their early years, with understated instrumentation disguising an odd-time beat. \"Erase,\" recalls the merging of forlorn indie pop and electronica that the band dabbled with on their early EPs, but demonstrates the Bear's ongoing melodic sophistication and tonal exploration. By the time the band reaches album closer \"Lighthouse,\" they've traversed so much sonic territory that the only appropriate tactic left at their disposal is a climactic crescendo, driven at its peak by Cory Murchy's thunderous bass. Not since Planet of Ice's \"Lotus\" has the Bear achieved such an epic finale. All in all, it’s an album that reminds us of everything that made us fall in love with Minus the Bear in the first place, and a big part of that appeal is the sense that the band is heading into uncharted territories.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e*** Indie Exclusive ***\u003cbr\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 803238099316\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Suicide Squeeze\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.3.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Minus The Bear","offers":[{"title":"Default Title","offer_id":58254376763473,"sku":"493921","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/3534903.jpg?v=1759473407"},{"product_id":"minus-the-bear-lost-loves-lp","title":"Lost Loves [LP]","description":"\u003cp\u003eDANGERBIRD - Minus the Bear \/ LOST LOVES - The follow up to 'Infinity Overhead', 'Lost Loves' lives up to it's title quite literally as a collection of hard to let go songs pulled from the band's past seven odd years of writing, recording and releasing records. \"Inevitably some of your favorite songs are going to be cut in the necessity of creating the right sequence for that particular time,\" says bassist Cory Murchy. \"Regardless of the reason they weren't included, it wasn't for lack of love and appreciation of the songs themselves. \" Somewhat by chance the black sheep that didn't quite fit in with Planet of Ice, OMNI, and Infinity Overhead coalesce among their once regretfully forsaken peers. \"Perhaps it's because they didn't make the past albums that they fit so seamlessly together,\" muses Murchy. That each song was out of place on more conceptual releases is a harbinger of what to expect from 'Lost Loves' as a collection of compositions that channel the essential essence of Minus the Bear's songwriting. Over the years the band \"has made a name for itself creating music as ear-catching as it is resonant with fans of guitar athletics and progressive structures,\" wrote 'Consequence of Sound', and 'Lost Loves' more than delivers on that promise. 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Album opener \"Last Kiss\" immediately establishes the band's renewed fervor. An appropriately dizzying guitar line plunges into a propulsive groove before the chorus unfolds into a multi-tiered pop chorus. From there the album flows into \"Give \u0026amp; Take\", a tightly wound exercise in syncopation that recalls the celebratory pulse of early Bear classics like \"Fine + 2 Pts\" while exploring new textures and timbres. \"Invisible\" is arguably the catchiest song of the band's career, with Jake Snider's vocal melodies and Knudson's imaginative guitar work battling for the strongest hooks. \"What About the Boat?\" reminds us of the \"math-rock\" tag that followed the band in their early years, with understated instrumentation disguising an odd-time beat. \"Erase,\" recalls the merging of forlorn indie pop and electronica that the band dabbled with on their early EPs, but demonstrates the Bear's ongoing melodic sophistication and tonal exploration. By the time the band reaches album closer \"Lighthouse,\" they've traversed so much sonic territory that the only appropriate tactic left at their disposal is a climactic crescendo, driven at its peak by Cory Murchy's thunderous bass. Not since Planet of Ice's \"Lotus\" has the Bear achieved such an epic finale. All in all, it’s an album that reminds us of everything that made us fall in love with Minus the Bear in the first place, and a big part of that appeal is the sense that the band is heading into uncharted territories.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLast Kiss\u003c\/li\u003e\n\u003cli\u003eSilver\u003c\/li\u003e\n\u003cli\u003eGive ; Take\u003c\/li\u003e\n\u003cli\u003eTame Beasts\u003c\/li\u003e\n\u003cli\u003eCall the Cops\u003c\/li\u003e\n\u003cli\u003eErase\u003c\/li\u003e\n\u003cli\u003eInvisible\u003c\/li\u003e\n\u003cli\u003eRobotic Heart\u003c\/li\u003e\n\u003cli\u003eLighthouse 1\u003c\/li\u003e\n\u003cli\u003eWhat About the Boat?\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 803238015217\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Suicide Squeeze\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.3.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Minus The Bear","offers":[{"title":"Default Title","offer_id":58291901005905,"sku":"269747","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/3141586-3014628.jpg?v=1760736202"},{"product_id":"fair-enough-ep-vinyl","title":"Fair Enough EP [Vinyl]","description":"\u003cp\u003e\u003cspan\u003eMinus the Bear is a product of the first two decades of this century. From their first show in 2001 to their impending dissolution at the end of 2018, the Seattle band thrived on the musical awakening in the era of the mp3, the internet, poptimism, and the crosspollinations generated from an expanded consciousness of new music forms. With their final EP, Fair Enough, Minus the Bear closes the book on their hybrid of art-rock, indie pop, and warehouse party appeal. The opening track “Fair Enough” went through a variety of permutations before the band found new meaning in its lyrical lament of lost passions and finding “the exact moment we turned it off”. The other songs of Fair Enough are a continuation and culmination of Minus the Bear’s diverse sounds. The up-tempo drumbeats, lush electronics, and nimble guitar work that initially set them apart are on full display during “Viaduct”. “Dinosaur” has the groove of early hits of “Fine + 2 PTS”, but crafted with the understated Steely Dan-eque delivery of their more current slow jams. 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'Inevitably some of your favorite songs are going to be cut in the necessity of creating the right sequence for that particular time says bassist Cory Murchy. 'Regardless of the reason they weren't included, it wasn't for lack of love and appreciation of the songs themselves.' Somewhat by chance the black sheep that didn't quite fit in with Planet of Ice, OMNI, and Infinity Overhead coalesce among their once regretfully forsaken peers. 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From their first show in 2001 to their impending dissolution at the end of 2018, the Seattle band thrived on the musical awakening in the era of the mp3, the internet, poptimism, and the crosspollinations generated from an expanded consciousness of new music forms. With their final EP, Fair Enough, Minus the Bear closes the book on their hybrid of art-rock, indie pop, and warehouse party appeal. The opening track “Fair Enough” went through a variety of permutations before the band found new meaning in its lyrical lament of lost passions and finding “the exact moment we turned it off”. The other songs of Fair Enough are a continuation and culmination of Minus the Bear’s diverse sounds. The up-tempo drumbeats, lush electronics, and nimble guitar work that initially set them apart are on full display during “Viaduct”. “Dinosaur” has the groove of early hits of “Fine + 2 PTS”, but crafted with the understated Steely Dan-eque delivery of their more current slow jams. 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The veteran Seattle-based fivesome reunited with former member and longtime producer Matt Bayles (Mastadon, Isis, Cursive) to create a guitar-laden 10-track record that is heavy both on technicality and pop songcraft and showcases the band doing what they do best - interesting, guitar-based big sounding rock.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 842803009091\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Dangerbird\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.29.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Minus The Bear","offers":[{"title":"Default Title","offer_id":58293259468881,"sku":"675157","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/4110028-3173897.jpg?v=1760750938"},{"product_id":"pre-order-bands-like-it-when-you-yell-yar-at-them-colored-vinyl","title":"Bands Like It When You Yell Yar At Them [Colored Vinyl]","description":"\u003cp\u003eThere was an immediate buzz surrounding This Is What I Know About Being Gigantic, the 2001 debut EP by Seattle indie phenomenon Minus the Bear. It wasn't the kind of viral interest that translated into a string of sold-out tour dates, but it meant that the tuned-in crowd eagerly anticipated their next move. To help stir up the excitement for their first proper full-length, the band followed up Gigantic with a promo CD featuring two tracks from their upcoming album, a short instrumental interlude, an exclusive new song, and a demo version of another album track. Packaged in a cardboard slipcase, it was the kind of cheaply manufactured promotional item that could be handed out for free at shows or thrown in as a bonus in online orders-a relic of the final years of the CD age before the advent of the iPod and mp 3. The sampler CD was christened Bands Like It When You Yell \"\"YAR!\"\" At Them in a nod to the upcoming album Highly Refined Pirates.Opening with the driving beat, chirping guitars, and funky low-end of \"\"Spritz!!! Spritz!!!, \"\" Bands Like It When You Yell \"\"YAR!\"\" At Them quickly cements Minus the Bear's foundation of sophisticated revelry, a spirit further emphasized in the Highly Refined Pirates title choice. Part of the Bear's lore involves them playing their first show three days after 9\/11, and just as New York City's indie rock scene took a sharp turn towards nightclub debauchery and a rejection of '90s rock's dour fatalism in the wake of the World Trade Center tragedy, so did the Bear turn away from the Seattle's scene's penchant for gloom and angst towards a cerebral after-hours pop sound. The inclusion of \"\"Women We Haven't Met Yet\"\" helped elevate what could have otherwise been seen as an album deep cut into a lead track. The fact that these first two songs essentially served as preview singles over future Pirates hits like \"\"Monkey!!!Knife!!!Fight!!!\"\" and \"\"Absinthe Party At The Fly Honey Warehouse\"\" speaks to the high quality of every song the band cranked out in their early years. The EP's exclusive track \"\"Drop It Like It's Hot\"\" presaged Snoop Dogg's mega-hit single of the same name by two years, but whereas Snoop leaned into restrained minimalism, the Bear unleashes some of their fiercest work here, building off of interwoven riffs and electronic layers to a climax of stabbing guitars and hollered vocals.Much like Nirvana's Hormoaning EP, Minus the Bear's Bands Like It When You Yell \"\"YAR!\"\" At Them was initially more of a marketing gimmick than a proper release, but given the popularity of the pivotal studio albums that stemmed from the same recording sessions, these extended plays serve as compelling companion pieces that have earned a special spot in their respective fanbases' hearts. Suicide Squeeze is proud to offer Bands Like It When You Yell \"\"YAR!\"\" At Them on vinyl on September 18, 2026, nearly 25 years after the band's first show. 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