{"title":"Oliver Triendl","description":null,"products":[{"product_id":"pre-order-oliver-triendl-hans-bronsart-von-schellendorf-pno-con-pno-trio-cd","title":"Hans Bronsart Von Schellendorf: Pno Con: Pno Trio [CD]","description":"\u003cp\u003eUntil recently, Bronsart von Schellendorf's career as a composer has been almost completely overlooked. But Liszt was aware of Bronsart's prowess, referring to his orchestral work Fruhlings-Fantasie as \"beautiful and invaluable\" and later declaring, \"I value him as a character and a musician.\" Even a cursory listen to the Piano Concerto reveals a composer working in ambitious dimensions and an extrovert musical language. Rich in melodic and emotional content, Bronsart's piano writing gives ample opportunity for virtuoso display while delivering Bronsart's musical arguments with power and precision. Bronsart's good friend Hans von Bulow, another pupil of Liszt, had toured the work from 1870 onwards. He took the concerto abroad, giving a concert in Manchester under the baton of Charles Halle in 1877, by which time the work had secured a temporary foothold in the repertory.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 845221054834\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capriccio\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.7.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Oliver Triendl","offers":[{"title":"Default Title","offer_id":58254662041681,"sku":"13429972","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/4454959-3445269.jpg?v=1759477248"},{"product_id":"pre-order-pno-quartets-string-trio-cd","title":"Pno Quartets \u0026 String Trio [CD]","description":"\u003cp\u003eThere are such defining moments in life. On the path towards one's own calling, there is an encounter with one of the greats, and everything is suddenly different. For the young Robert Kahn, the moment came on one day in 1886 when he met Johannes Brahms. The maestro from Northern Germany was apparently able to put many sympathetic strings in motion upon meeting the young composer from Mannheim. This resulted in an oeuvre in which his chamber music from duo to quintet often strikes a tone that we recognise from his role model. Without ever copying his mentor, Kahn thrives on his full-bodied and opulent voice leading, which gives the three piano quartets in particular a symphonic dimension. Next to these is the spirited transparency of the Serenade for string trio from 1933, when the music world congratulated Johannes Brahms on his 100th birthday. 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Like his friend Antonin Dvorak; who trained him; Novak was a composition teacher and later rector of the Prague Conservatory. He left behind a wide-ranging oeuvre that extends from chamber music to ballet and opera. Clear influences from national folk music; a humorous approach to \"exotic\" elements and a refined sense of sound characterise the language of this artist who began as a fervent post-Romantic. The juxtaposition of the piano concerto; composed in 1895; and the two ballet pantomimes; written some 35 years later; creates a field of tension that compels the listener to engage with this fascinating luminary.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePiano Concerto in E minor-Allegro Energico\u003c\/li\u003e\n\u003cli\u003ePiano Concerto in E minor-Andante Con Sentimento\u003c\/li\u003e\n\u003cli\u003ePiano Concerto in E minor-Allegro Giusto\u003c\/li\u003e\n\u003cli\u003eSuite from Signorina Gioventu-First Scene\u003c\/li\u003e\n\u003cli\u003eSuite from Signorina Gioventu-Third Scene: Mandarins's and Sorcerer's Dance\u003c\/li\u003e\n\u003cli\u003eSuite from Signorina Gioventu-Fourth Scene: Tempo Di Valse\u003c\/li\u003e\n\u003cli\u003eSuite from Signorina Gioventu-Sixth Scene: Dance\u003c\/li\u003e\n\u003cli\u003eSuite from Nikotina-I\u003c\/li\u003e\n\u003cli\u003eSuite from Nikotina-II\u003c\/li\u003e\n\u003cli\u003eSuite from Nikotina-III\u003c\/li\u003e\n\u003cli\u003eSuite from Nikotina-IV\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 761203535927\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Cpo Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.30.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Oliver Triendl","offers":[{"title":"Default Title","offer_id":58320550887505,"sku":"44127462","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/4467010-3467565.jpg?v=1761579616"},{"product_id":"pre-order-leokadiya-kashperova-pno-con-symphony-cd","title":"Leokadiya Kashperova: Pno Con: Symphony [CD]","description":"\u003cp\u003eShe was Igor Stravinsky's piano teacher and studied herself with Anton Rubinstein. But to this day, her compositions have remained in the shadow of the great male masters. A fate that many women of this era share with her. Although her oeuvre is nowhere near as comprehensive as that of her composing colleagues, these few works still demonstrate incredible talent, mature skill and a deeply romantic Russian sound language that is so typical of this time.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eKonzert für Klavier und Orchester a-Moll, Op. 2 \/ Concerto for piano and orchestra in A minor, Op. 2~I. Allegro maestoso - Molt\u003c\/li\u003e\n\u003cli\u003eKonzert für Klavier und Orchester a-Moll, Op. 2 \/ Concerto for piano and orchestra in A minor, Op. 2~II. Adagio\u003c\/li\u003e\n\u003cli\u003eKonzert für Klavier und Orchester a-Moll, Op. 2 \/ Concerto for piano and orchestra in A minor, Op. 2~III. Allegro con anima\u003c\/li\u003e\n\u003cli\u003eSinfonie h-Moll, Op. 4 \/ Symphony in B minor, Op. 4~I. Andante\u003c\/li\u003e\n\u003cli\u003eSinfonie h-Moll, Op. 4 \/ Symphony in B minor, Op. 4~II. Allegretto scherzando\u003c\/li\u003e\n\u003cli\u003eSinfonie h-Moll, Op. 4 \/ Symphony in B minor, Op. 4~III. Andante\u003c\/li\u003e\n\u003cli\u003eSinfonie h-Moll, Op. 4 \/ Symphony in B minor, Op. 4~IV. Finale. 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He settled in Wurzburg as a professor of counterpoint and composition and served as director of the Royal Conservatory of Music until his retirement in 1920. During his lifetime, 114 works were published, primarily smaller forms such as choral works, songs, and piano pieces. Through his studies in Weimar and Munich, Meyer-Olbersleben was familiar with both the traditionalist and the new German musical language of that era, and thus the chamber music gems recorded here for the first time bear witness to profound Romantic sensibility and the spirit of a new musical awakening.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTrio for Piano, Violin and Cello in E Major, Op. 7-I. Gehend\u003c\/li\u003e\n\u003cli\u003eTrio for Piano, Violin and Cello in E Major, Op. 7-II. Langsam Und Mit Ausdruck\u003c\/li\u003e\n\u003cli\u003eTrio for Piano, Violin and Cello in E Major, Op. 7-III. Menuett\u003c\/li\u003e\n\u003cli\u003eTrio for Piano, Violin and Cello in E Major, Op. 7-IV. Sehr Frisch\u003c\/li\u003e\n\u003cli\u003eSonata for Viola, Cello and Piano in D minor, Op. 113 \"Elegiac Sonata\"-I. Vergänglichkeit\u003c\/li\u003e\n\u003cli\u003eSonata for Viola, Cello and Piano in D minor, Op. 113 \"Elegiac Sonata\"-II. Ergebung\u003c\/li\u003e\n\u003cli\u003eSonata for Viola, Cello and Piano in D minor, Op. 113 \"Elegiac Sonata\"-III. Hoffnung\u003c\/li\u003e\n\u003cli\u003eSonata for Viola and Piano in C Major, Op. 14-I. Mit Leidenschaft\u003c\/li\u003e\n\u003cli\u003eSonata for Viola and Piano in C Major, Op. 14-II. Langsam Und Sehr Gesangvoll\u003c\/li\u003e\n\u003cli\u003eSonata for Viola and Piano in C Major, Op. 14-III. 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His compositions are traditionally non-radical, atmospherically unconstructed, and creates an ambience deeply rooted in the natural landscape of his homeland. 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The student of Ernst Rudorff, Friedrich Kiel and Woldemar Bargiel, who became court conductor in Meiningen, went in a considerably more conservative direction than contemporaries such as Richard Strauss. Soon after his death, he was no longer en vogue and due to their similarity in names, he was for decades obscured by the Swede Wilhelm Peterson-Berger. In terms of their music, they were nothing alike and could not be confused with one another. Whether in his orchestral works, vocal music or chamber music, Berger's style always strikes a familiar tone, yet one that goes beyond his models. Johannes Brahms served as an inspiration in many respects (not least in the instrumentation of the works recorded here); yet neither the youthful, rapturous sonata nor the exceptionally beautiful trio, composed some two decades later, leave the slightest doubt that Wilhelm Berger was able to make the most of his own talents.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 761203547128\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Cpo Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.6.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Oliver Triendl","offers":[{"title":"Default Title","offer_id":60197829214289,"sku":"363405192","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/4537620-3701424.jpg?v=1787761687"},{"product_id":"pre-order-hermann-gradener-mathilde-kralik-von-meyrswalden-cd","title":"Pre-Order: Hermann Gradener - Mathilde Kralik Von Meyrswalden [CD]","description":"\u003cp\u003eThis recording offers us the pleasure of discovering previously unearthed musical gems from a period that is actually very familiar to us.Hermann Gradener was a contemporary of Antonin Dvorák and Edvard Grieg and worked mainly in Vienna. 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They were written during what might be called Schelb's middle period, the ten years between 1948 and 1958; Horn and Wind Concertos were both composed in the year 1953. 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