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Featuring lavish string arrangements, vocal contributions from Cacie Dalager (Now, Now), Kinsella's iconic guitar \u0026amp; drumming styles, and even a spoken word vignette, the album is an exciting departure from Kinsella's previous work, while still retaining what makes Owen albums so fascinating and replayable. Mike Kinsella's work over the years with his various musical endeavors has been nothing short of foundational, from early days with Cap'n Jazz right up until recently with American Football's unforeseen and excellent second act. 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Owen is the solo project of Chicago's Mike Kinsella. As a departure from over a decade of work playing in a variety of bands - Cap'n Jazz, American Football, and T\/T\/T to name a few - Owen became Kinsella's way of finally exercising complete creative control over all aspects of a project, including songwriting, recording, and overall artistic direction. Owen's musical output as evolved from sparse acoustic offerings to lush, string-filled arrangements. 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Though the trio - Mike Kinsella (Cap'n Jazz, Owen, Owls), Steve Lamos, and Steve Holmes - only played a few shows and released just one other record (a three-song EP that preceded this full-length), their influence and legacy has steadily continued to grow in the time after they disbanded. From it's now iconic artwork to the band's unique songwriting approach (highlighted by an emphasis on shifting time signatures and sincere lyrics), American Football proves a record doesn't become a true classic through flashiness or catering to trends, but rather the deep emotional connection it forges between the music and the listener. After guitarist Steve Holmes discovered a set of cassette tapes containing a variety of unreleased recordings, the band curated an album's worth of these rare live recordings, demos, and practice sessions (in which the group rehearsed material they never recorded elsewhere) to complement the original record. 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