{"title":"Superchunk","description":null,"products":[{"product_id":"superchunk-superchunk-wild-loneliness-greenyellow-indie-exclusive-digital-dl-vinyl","title":"Superchunk Wild Loneliness (Green\/Yellow, Indie Exclusive, Digital DL) [Vinyl]","description":"Superchunk - Superchunk Wild Loneliness (Green\/Yellow, Indie Exclusive, Digital DL) [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 673855078007 \u003cbr\u003e\u003cp\u003eTracksCredits 1 City of the Dead 2 Endless Summer 3 On the Floor 4 Highly Suspect 5 Set It Aside 6 This Night 7 Wild Loneliness 8 Refracting 9 Connection 10 If You're Not Dark\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 02\/25\/2022\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Superchunk","offers":[{"title":"Default Title","offer_id":41886236246097,"sku":"FRFT8M-LJ1L-00","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Superchunk-Wild-Loneliness-Green-Yellow-Colored-Vinyl-Green-Yellow-Indie-Exclusive-Digital-Download-Card_qZddX.jpg?v=1759468967"},{"product_id":"superchunk-superchunk-endless-summer-bw-when-i-laugh-7-inch-indie-exclusive-variant-vinyl","title":"Superchunk \"Endless Summer\" b\/w \"When I Laugh\" 7-inch INDIE EXCLUSIVE VARIANT [Vinyl]","description":"Superchunk - Superchunk \"Endless Summer\" b\/w \"When I Laugh\" 7-inch INDIE EXCLUSIVE VARIANT [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 673855077703 \u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 12\/10\/2021\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Superchunk","offers":[{"title":"Default Title","offer_id":41892292853841,"sku":"7GW4RE-H4AY-00","price":9.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Superchunk--Endless-Summer-bw-When-I-Laugh-7-inch-INDIE-EXCLUSIVE-VARIANT_M69iJ.jpg?v=1762468580"},{"product_id":"superchunk-songs-in-the-key-of-yikes-orange-vinyl","title":"Songs In The Key Of Yikes (Orange) (Vinyl)","description":"\u003cp\u003e\"Bruised Lung.\" \"No Hope.\" \"Care Less.\" \"Climb the Walls.\" \"Everybody Dies.\" Scanning the tracklist of Songs in the Key of Yikes, one is given to wonder: Is Superchunk okay? In a world that's arguably darker than the one that greeted Wild Loneliness in 2022 or What a Time to Be Alive in 2018, are any of us okay? \"It's always been the case that everyone is going through something that you may not be aware of,\" notes Mac McCaughan. \"This is currently more true than ever-but also the case that we are all going through some things together. In the face of that, what good is art and where is happiness found? (Spoiler alert: I don't know.)\" In seeking an answer, Songs in the Key of Yikes unleashes a sound that is triumphant and bright in the darkness, Majesty Shredding in overdrive. Lead single \"Is It Making You Feel Something\" sets the tone early with the band-McCaughan, Laura Ballance, Jim Wilbur, and Laura King-building an anthem out of the potential for joy, diving into slop-polluted waters (\"now fakes are faking everything \/ that once made your poor heart sing\") and emerging with a pearl. \"No Hope\" is similarly resilient, McCaughan's lyrics painting a crushing scene before entering it's titular refrain. He repeats the phrase nine times, pauses a beat, and transforms it's sentiment entirely, breaking the chant with the line \"and here we are singing.\" The lyric is sharp, at once a simple observation and a profound statement of being, the song's crushing nights and endless days no less so on it's account, but McCaughan's voice finds a certain sweetness in having endured, and continuing to do so. Paradoxically, the energy of Songs in the Key of Yikes borders on and sometimes spills into euphoria, as in \"Stuck in a Dream\" which emerges like a mirage-born oasis between \"Everybody Dies\" and \"Train on Fire,\" a full-sprint crowd pleaser suitable for pogoing in the pit. \"Care Less\" is a dark, comic mirror to that energy, a garage-y jam in which an acid-tongued McCaughan seeks refuge from the storm by pretending it's not raging right outside his door. This strategy doesn't work. Of course it doesn't. It's a song on a Superchunk album, and Superchunk albums are arguments against insularity, parties large enough to host everyone. This one, in addition to welcoming Laura King into the fold after two years as their touring drummer, features contributions from Rosali Middleman (\"Bruised Lung\" and \"Everybody Dies\"), Bella Quinlan and Holly Thomas of Quivers (\"Cue\"), and touring bassist Betsy Wright (\"Care Less\"). The album was engineered by Paul Voran (The Menzingers, Hurray for the Riff Raff) and Eli Webb, and mixed by Mike Montgomery (The Breeders, Protomartyr). Together, they reach no conclusions on what good art is in the face of crisis. They also make great art. 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In a world that's arguably darker than the one that greeted Wild Loneliness in 2022 or What a Time to Be Alive in 2018, are any of us okay? \"It's always been the case that everyone is going through something that you may not be aware of,\" notes Mac McCaughan. \"This is currently more true than ever-but also the case that we are all going through some things together. In the face of that, what good is art and where is happiness found? (Spoiler alert: I don't know.)\" In seeking an answer, Songs in the Key of Yikes unleashes a sound that is triumphant and bright in the darkness, Majesty Shredding in overdrive. Lead single \"Is It Making You Feel Something\" sets the tone early with the band-McCaughan, Laura Ballance, Jim Wilbur, and Laura King-building an anthem out of the potential for joy, diving into slop-polluted waters (\"now fakes are faking everything \/ that once made your poor heart sing\") and emerging with a pearl. \"No Hope\" is similarly resilient, McCaughan's lyrics painting a crushing scene before entering it's titular refrain. He repeats the phrase nine times, pauses a beat, and transforms it's sentiment entirely, breaking the chant with the line \"and here we are singing.\" The lyric is sharp, at once a simple observation and a profound statement of being, the song's crushing nights and endless days no less so on it's account, but McCaughan's voice finds a certain sweetness in having endured, and continuing to do so. Paradoxically, the energy of Songs in the Key of Yikes borders on and sometimes spills into euphoria, as in \"Stuck in a Dream\" which emerges like a mirage-born oasis between \"Everybody Dies\" and \"Train on Fire,\" a full-sprint crowd pleaser suitable for pogoing in the pit. \"Care Less\" is a dark, comic mirror to that energy, a garage-y jam in which an acid-tongued McCaughan seeks refuge from the storm by pretending it's not raging right outside his door. This strategy doesn't work. Of course it doesn't. It's a song on a Superchunk album, and Superchunk albums are arguments against insularity, parties large enough to host everyone. This one, in addition to welcoming Laura King into the fold after two years as their touring drummer, features contributions from Rosali Middleman (\"Bruised Lung\" and \"Everybody Dies\"), Bella Quinlan and Holly Thomas of Quivers (\"Cue\"), and touring bassist Betsy Wright (\"Care Less\"). The album was engineered by Paul Voran (The Menzingers, Hurray for the Riff Raff) and Eli Webb, and mixed by Mike Montgomery (The Breeders, Protomartyr). Together, they reach no conclusions on what good art is in the face of crisis. They also make great art. 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Includes coupon for full download.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAfter the shocking, and for many, demoralizing result of the 2016 election, “I didn’t buy the silver lining some were promoting that ‘well, at least art and music will be great now!’,” says \u003c\/span\u003e\u003cstrong\u003eSuperchunk\u003c\/strong\u003e\u003cspan\u003e co-founder and frontman Mac McCaughan. “Obviously, any sane person would gladly trade four to eight years of terrible music for not having our country dismantled to satisfy the whims of a vengeful child and his enablers.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThat said, good music and art still have a lot to say, and the urgency of current events gave Mac, Laura, Jim, and Jon the momentum to make something new sooner than later. “It would be strange to be in a band, at least our band, and make a record that completely ignored the surrounding circumstances that we live in and that our kids are going to grow up in.” Enter \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eWhat a Time to Be Alive\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e, Superchunk’s first album in over four years, out February 16, 2018, on Merge Records. 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In a world that's arguably darker than the one that greeted Wild Loneliness in 2022 or What a Time to Be Alive in 2018, are any of us okay? \"It's always been the case that everyone is going through something that you may not be aware of,\" notes Mac McCaughan. \"This is currently more true than ever-but also the case that we are all going through some things together. In the face of that, what good is art and where is happiness found? (Spoiler alert: I don't know.)\" In seeking an answer, Songs in the Key of Yikes unleashes a sound that is triumphant and bright in the darkness, Majesty Shredding in overdrive. Lead single \"Is It Making You Feel Something\" sets the tone early with the band-McCaughan, Laura Ballance, Jim Wilbur, and Laura King-building an anthem out of the potential for joy, diving into slop-polluted waters (\"now fakes are faking everything \/ that once made your poor heart sing\") and emerging with a pearl. \"No Hope\" is similarly resilient, McCaughan's lyrics painting a crushing scene before entering it's titular refrain. He repeats the phrase nine times, pauses a beat, and transforms it's sentiment entirely, breaking the chant with the line \"and here we are singing.\" The lyric is sharp, at once a simple observation and a profound statement of being, the song's crushing nights and endless days no less so on it's account, but McCaughan's voice finds a certain sweetness in having endured, and continuing to do so. Paradoxically, the energy of Songs in the Key of Yikes borders on and sometimes spills into euphoria, as in \"Stuck in a Dream\" which emerges like a mirage-born oasis between \"Everybody Dies\" and \"Train on Fire,\" a full-sprint crowd pleaser suitable for pogoing in the pit. \"Care Less\" is a dark, comic mirror to that energy, a garage-y jam in which an acid-tongued McCaughan seeks refuge from the storm by pretending it's not raging right outside his door. This strategy doesn't work. Of course it doesn't. It's a song on a Superchunk album, and Superchunk albums are arguments against insularity, parties large enough to host everyone. This one, in addition to welcoming Laura King into the fold after two years as their touring drummer, features contributions from Rosali Middleman (\"Bruised Lung\" and \"Everybody Dies\"), Bella Quinlan and Holly Thomas of Quivers (\"Cue\"), and touring bassist Betsy Wright (\"Care Less\"). 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Includes coupon for full download.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003eLike every record Superchunk has made over the last thirty-some years, Wild Loneliness is unskippably excellent and infectious. It’s a blend of stripped-down and lush, electric and acoustic, highs and lows, and I love it all. On Wild Loneliness I hear echoes of Come Pick Me \u003cspan\u003eUp, Here’s to Shutting Up, and Majesty Shredding\u003c\/span\u003e. After the (ahem, completely justifiable) anger of What a Time to Be Alive, this new record is less about what we’ve lost in these harrowing times and more about what we have to be thankful for. (I know something about gratitude. I’ve been a huge Superchunk fan since the 1990s, around the same time I first found my way to poetry, so the fact that I’m writing these words feels like a minor miracle.)\u003cbr\u003e\u003cbr\u003eOn Wild Loneliness, it feels like the band is refocusing on possibility, and possibility is built into the songs themselves, in the sweet surprises tucked inside them. I say all the time that what makes a good poem—the “secret ingredient”—is surprise. Perhaps the same is true of songs. Like when the sax comes in on the title track, played by Wye Oak’s Andy Stack, adding a completely new texture to the song. Or when Owen Pallett’s strings come in on “This Night.” But my favorite surprise on Wild Loneliness is when the harmonies of Norman Blake and Raymond McGinley of Teenage Fanclub kick in on “Endless Summer.” It’s as perfect a pop song as you’ll ever hear—sweet, bright, flat-out gorgeous—and yet it grapples with the depressing reality of climate change: “Is this the year the leaves don’t lose their color \/ and hummingbirds, they don’t come back to hover \/ I don’t mean to be a giant bummer but \/ I’m not ready \/ for an endless summer, no \/ I’m not ready for an endless summer.” I love how the music acts as a kind of counterweight to the lyrics.\u003cbr\u003e\u003cbr\u003eBecause of COVID, Mac, Laura, Jim, and Jon each recorded separately, but a silver lining is that this method made other long-distance contributions possible, from R.E.M.’s Mike Mills, Sharon Van Etten, Franklin Bruno, and Tracyanne Campbell of Camera Obscura, among others. Some of the songs for the record were written before the pandemic hit, but others, like “Wild Loneliness,” were written from and about isolation.\u003cbr\u003e\u003cbr\u003eI’ve been thinking of songs as memory machines. Every time we play a record, we remember when we heard it before, and where we were, and who we were. Music crystallizes memories so well: listening to “Detroit Has a Skyline,” suddenly I’m shout\u003cspan\u003esinging \u003c\/span\u003ealong with it at a show in Detroit twenty years ago; listening to “Overflows,” I’m transported back to whisper-singing a slowed-down version of it to my young son, that year it was his most-requested lullaby.\u003cbr\u003e\u003cbr\u003eWild Loneliness is becoming part of my life, part of my memories, too. And it will be part of yours. 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