{"title":"The Men","description":null,"products":[{"product_id":"the-men-buyer-beware-vinyl","title":"Buyer Beware (Vinyl)","description":"\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 02\/28\/2025\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The Men","offers":[{"title":"Default Title","offer_id":42189613465681,"sku":"NAAL9N-OIKR-LK","price":28.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/the-men-buyer-beware_4wyIz.jpg?v=1759490050"},{"product_id":"the-men-mercy-cd","title":"Mercy [CD]","description":"\u003cp\u003e\u003cspan\u003eNew York band The Men have always been genre-morphic and unpredictable, but on their eighth album Mercy they have truly done something new as a band. For the first time since forming, they have now created three straight records with the same lineup, and the result is a sound that feels developed and continuous despite running the gamut of mood, in true Men fashion. Having this lineup stability has allowed the band to deepen and finesse the sounds they were exploring on 2017's Drift and produce tracks that have a unique and distinct voice. Mercy was recorded live at Serious Business studio to 2\" tape with Travis Harrison. The band did minimal overdubs, contributing to the urgent feel of the recording. The album is simply the sound of a band that has a deep and unjaded passion for songwriting and creation, working at the peak of their collaborative connection. Founding guitarist and vocalist Nick Chiericozzi described the band's process by way of an anecdote borrowed from Jeff Daniels about his time working with Robert Altman: \"Daniels said, 'Altman will tell you, 'Now walk through that doorway,' but what he doesn't tell you is that he's got three people walking through the door from the other direction.' Doesn't that sound like a Men record? We've got 'Children All Over the World' saying hello to something like 'Fallin' Thru'. Mercy has a place next to Drift and it's now a distant neighbor to New Moon, Devil Music and the others. It's a wholly contained universe that shares the ash, the birth and the memory; the things motion takes with you after bumping into someone. We hope you enjoy the record and what it brings.\" Mercy takes the listener on a cinematic journey throughout it's seven tracks, beginning with the soothing but lonesome country rock opener \"Cool Water.\" This track, like many on the record, feels timeless, illustrating the band's ability to write songs you are convinced you've heard before on the B-side of your favorite record from the '70s. You are then pulled into it's longest song, the 10-and-a-half minute psychedelic blues rock opus of \"Wading in Dirty Water.\" The band explore some new territory on Mercy, and they also revisit the Suicide-style sound they have been working on for a while through Drift and also with one of their side projects Dream Police, resulting in the highlight \"Children All Over the World,\" a song that could stand next to any classic rock hit but with The Men's unique artistic savvy. 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The band’s last album, the self-released Devil Music, was the sound of a band who had been through hell hitting reset and looking to their roots to rediscover themselves. On Drift, The Men return to their longtime label Sacred Bones Records and explore the openness that Devil Music helped them find.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003eThe immediately evident result of that exploration is the experimental quality of much of the material on Drift. Songwriters Mark Perro and Nick Chiericozzi chase their muses down a few dozen thrilling rabbit-holes over the course of the album’s nine tracks. The songs on Drift veer in a number of directions, but notably, almost none of them feature a prominent electric guitar. The lone exception, “Killed Someone,” is a rowdy riff-rocker, worthy of the finest moments of the band’s now-classic Leave Home and Open Your Heart albums. The rest of the album drives down stranger highways. “Secret Light” is an improvisation based on an old piano riff of Perro’s. “Maybe I’m Crazy” is a synth-driven dancefloor stomper for long after last call. “Rose on Top of the World” and “When I Held You in My Arms” are paisley-hued, psyched-out jams with big, beating hearts.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003eThe album was recorded to 2\" tape with Travis Harrison (Guided by Voices) at Serious Business Studios in Brooklyn. A whole pile of instruments was involved — synths, strings, sax, steel, harmonica, tape loops, on top of the usual guitar, bass, and drums. Unlike recent releases from The Men, there aren’t many overdubs on Drift — a reflection of the personalities of its makers becoming less frantic, Chiericozzi suggests. In fact, the band removed a lot of the additional parts they tried adding early on, giving the final product a bit of a ghostly feel. 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DIY lofts and shitty bars littered downtown Manhattan and North Brooklyn. The Acheron had just opened it's doors. Kill Your Idols had broken up. Toxic State Records was just getting started with Crazy Spirit, Dawn of Humans, Hank Wood and Perdition EP's. The city was alive with punk and noise and filth. And right at that time, The Men were the show to be at. Every gig was dripping with sweat. Hallways and sidewalks were packed between sets. Chaos reigned in the pit. The Men hit like a bag of hard cement, a hardcore band with a familiar sound but with an aura of absolute chaos and intensity, like everything was on the brink of going off the rails at every moment of their set, a downhill freight train with no brakes. During these shows one's focus could shoot back and forth between the intimidatingly angry-eyed, bald-headed Chris Hansell (who went on to front Warthog) and the long haired hippie punks Mark Perro, Nick Chiericozzi and Rich Samis, that made up the surrounding band. Just one of the many juxtapositions the band embraced. If The Men were a chapter in Michael Azzerad's Our Band Could Be Your Life, the early EP's and cassettes would obviously be Minor Threat and Black Flag, while Leave Home would likely be... Sonic Youth. It was just before they made the full jump into each record being a smorgasbord of underground genres, from dream pop to folk; before they had tracks called \"Country Song,\" for example. But it was a preview of what was to come. Leave Home was a pivot from pure hardcore punk (some might even call it mysterious guy hardcore), as the band got lost in the groove in a way one couldn't on a straight up punk record. That groove was so strong on \"If You Leave...,\" \",\" and \"Bataille,\" while they spaced out on \"Shitting With The Shaw,\" and stayed as aggro as ever on \"LADOCH.\" But of course, Leave Home had a re-recording of their hardest track to date, \"Think,\" making it clear that they were still the moshers we all had come to know and love. If The Men raised their flag as an important New York punk band with Immaculada, they started waving it in the freakiest way with Leave Home. There is no doubt that Leave Home was one of the most influential records of the last decade. You can hear their mark everywhere from Ty Segal and The Oh Sees to Milk Music and Hank Wood. Few bands have traversed as many genres as The Men and even fewer have done it so well. 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Founding guitarist and vocalist Nick Chiericozzi described the band's process by way of an anecdote borrowed from Jeff Daniels about his time working with Robert Altman: \"Daniels said, 'Altman will tell you, 'Now walk through that doorway,' but what he doesn't tell you is that he's got three people walking through the door from the other direction.' Doesn't that sound like a Men record? We've got 'Children All Over the World' saying hello to something like 'Fallin' Thru'. Mercy has a place next to Drift and it's now a distant neighbor to New Moon, Devil Music and the others. It's a wholly contained universe that shares the ash, the birth and the memory; the things motion takes with you after bumping into someone. 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