{"title":"The Mountain Goats","description":null,"products":[{"product_id":"the-mountain-goats-the-mountain-goats-songs-for-pierre-chuvin-black-vinyl-vinyl","title":"The Mountain Goats Songs For Pierre Chuvin (Black Vinyl) [Vinyl]","description":"The Mountain Goats - The Mountain Goats Songs For Pierre Chuvin (Black Vinyl) [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 673855074412 \u003cbr\u003e\u003cp\u003eDESCRIPTION A surprise cassette released April 2020, Songs for Pierre Chuvin is The Mountain Goats' first all-boombox album since 2002's All Hail West Texas. After selling over 4000 cassettes in a matter of minutes, the avid Mountain Goats fanbase has demanded more and we are happy to acquiesce! Songs for Pierre Chuvin will be available on CD and LP on March 26, 2021. TracksCredits 1 Aulon Raid 2 Until Olympius Returns 3 Last Gasp at Calama 4 For the Snakes 5 The Wooded Hills Along the Black Sea 6 January 31, 438 7 Hopeful Assassins of Zeno 8 Their Gods Do Not Have Surgeons 9 Going to Lebanon 2 10 Exegetic Chains\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 03\/26\/2021\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The Mountain Goats","offers":[{"title":"Default Title","offer_id":41892323491921,"sku":"6HUJZD-5BJW-00","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/The-Mountain-Goats-Songs-For-Pierre-Chuvin-Black-Digital-Download-Card-_PeQaS.jpg?v=1759469849"},{"product_id":"the-mountain-goats-get-lonely-vinyl","title":"Get Lonely (Vinyl)","description":"The Mountain Goats - Get Lonely (Vinyl) \u003cbr\u003eBarcode: 652637261417 \u003cbr\u003e\u003cp\u003eGet Lonely is every bit as assured as its predecessor, \"The Sunset Tree\", but the mood is entirely different. \"Sunset\" chronicled the fraught, violent relationship between John Darnielle and his stepfather and derived its power from an unblinking exorcism of personal demons, while \"Get Lonely\" is the haunted aftermath. It's a reflective, intimate record. The mood is one of bittersweet resignation rather than cathartic release. It's a quiet triumph, murmuring with a modest but entirely surefooted confidence. An uncannily coherent and subtly redemptive record which will come to be seen as Mountain Goats' most resonant, assured, and magical collection of songs so far.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eReleased: 8\/22\/06\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP standard Jacket\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The Mountain Goats","offers":[{"title":"Default Title","offer_id":42023276413009,"sku":"N7SXVN-VBFD-MC","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/the-mountain-goats-get-lonely_gQdfM.jpg?v=1762479517"},{"product_id":"the-mountain-goats-goths-vinyl","title":"GOTHS (Vinyl)","description":"The Mountain Goats - GOTHS (Vinyl) \u003cbr\u003eBarcode: 673855057910 \u003cbr\u003e\u003cp\u003e\"I'm hardcore\/But I'm not that hardcore,\" a young man muses in the early chapters of the Mountain Goats' 2017 album, Goths, and in those seven words, group leader John Darnielle neatly summarizes the album's overriding theme: what it's like not to fit in, even among those folks who don't fit in. Goths is a concept album that ponders episodes in the life of a handful of characters living in the West Coast goth scene of the '80s and '90s. The protagonists range from the young and curious figuring out their place in a community of \"leather and lace and good friends,\" to those confronting the onset of middle age and the knowledge that you may be goth on the inside, but you're a grownup with a job and a house as far as the outside world is concerned. Goths is an album less about the trappings of the goth culture or even the music (though both certainly play a part in the story) than about folks making sense of their role in a subculture (and the larger world, too), and the album lives and dies on John Darnielle's skills as a storyteller. Thankfully, the songwriter and novelist is in superb form here, making his characters human and recognizable, and defining their lives with genuine compassion and wit, even when they're playing gigs for cocaine or trying to remember when the Batcave closed. And musically, Goths sounds fresh and buoyant; the performances have been stripped of guitars, with Darnielle's electric piano and Matt Douglas' woodwind arrangements carrying the weight of the melodies, and in a perverse way the fact the music sounds so decisively un-goth serves the songs better than if Darnielle and company had tried to mimic the Sisters of Mercy or Gene Loves Jezebel (both of whom play key roles in different songs). Just as 2015's Beat the Champ was an album about professional wrestling that you didn't have to care about wrestling to enjoy, Goths is an album about the upsides and downsides of purposefully walking out of step with the world (and \"Check me out -- I can't blend in\/Check me out -- I'm young and ravishing\" in \"Wear Black\" sums up the joys of being a misfit as well as anyone could ask) that doesn't require a familiarity with goth's past or present, and it's smart, fascinating, and tremendously satisfying. After over 20 years of writing fine songs and making great records, John Darnielle and the Mountain Goats are actually getting better and more interesting, and Goths is a genuine triumph. ~ Mark Deming\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 05\/19\/2017\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The Mountain Goats","offers":[{"title":"Default Title","offer_id":42027126620241,"sku":"SMW0YN-GMZM-00","price":28.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/The-Mountain-Goats-GOTHS_eIiMH.jpg?v=1762486877"},{"product_id":"the-mountain-goats-beat-the-champ-vinyl","title":"Beat the Champ (Vinyl)","description":"the Mountain Goats - Beat the Champ (Vinyl) \u003cbr\u003eBarcode: 673855051611 \u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 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Though the Mountain Goats have been making records since the battle of Little Big Horn, All Eternals Deck is their third following the ratification by unanimous vote of their trio lineup (the bill, known as the Jon Wurster Mountain Goats Drummer Act of 2007, passed 2-0 with zero abstentions). Having taken to the open road as soon as the act was signed into law and consolidated their powers into a focused triune weapon, the three spent 2010 making commando raids on studios up the seaboard from Tampa to Boston, recording along the way with producers John Congleton, Brandon Eggleston, Erik Rutan and Scott Solter. Gravitating toward images and stories of doomed people or tribes trying to leave a scratch mark or two on some visible surface before their brief moment in the sun has slipped by forever, All Eternals Deck continues Darnielle's career-long quest to find hard-won moments of joy in the momentary resolve of people who have recognized, in the glare of a train's oncoming head lamp, their fate.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDamn These Vampires\u003c\/li\u003e\n\u003cli\u003eBirth of Serpents\u003c\/li\u003e\n\u003cli\u003eEstate Sale Sign\u003c\/li\u003e\n\u003cli\u003eAge of Kings\u003c\/li\u003e\n\u003cli\u003eThe Autopsy Garland\u003c\/li\u003e\n\u003cli\u003eBeautiful Gas Mask\u003c\/li\u003e\n\u003cli\u003eHigh Hawk Season\u003c\/li\u003e\n\u003cli\u003eProwl Great Cain\u003c\/li\u003e\n\u003cli\u003eSourdoire Valley Song 1\u003c\/li\u003e\n\u003cli\u003eOuter Scorpion Squadron 1\u003c\/li\u003e\n\u003cli\u003eFor Charles Bronson 1\u003c\/li\u003e\n\u003cli\u003eNever Quite Free 1\u003c\/li\u003e\n\u003cli\u003eLiza Forever Minnelli\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 673855040516\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Merge Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.29.11\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"The Mountain Goats","offers":[{"title":"Default Title","offer_id":58253866336337,"sku":"90045","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/1625398-2569821.jpg?v=1759467159"},{"product_id":"the-mountain-goats-jenny-from-thebes-cd","title":"Jenny From Thebes [CD]","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eJenny from Thebes\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e began its life as many albums by the Mountain Goats do, with John Darnielle playing the piano until a lyric emerged. That lyric, “\u003c\/span\u003e\u003cem\u003eJenny was a warrior \/ Jenny was a thief \/ Jenny hit the corner clinic begging for relief,\u003c\/em\u003e\u003cspan\u003e” became “Jenny III,” a song which laid down a challenge he’d never taken up before: writing a sequel to one of his most beloved albums.   The Mountain Goats’ catalog is thick with recurring characters—Jenny, who originally appears in the \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eAll Hail West Texas\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e track bearing her name, as well as in “Straight Six” from \u003c\/span\u003e\u003cem\u003eJam Eater Blues\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eTranscendental Youth\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e side two jam “Night Light,” is one of these, someone who enters a song unexpectedly, pricking up the ears of fans who are keen on continuing the various narrative threads running through the Mountain Goats’ discography before vanishing into the mist. In these songs, Jenny is largely defined by her absence, and she is given that definition by other characters. She is running from something. These features are beguiling, both to the characters who’ve told her story so far and to the listener. They invite certain questions: Who is Jenny, really? What is she running from? Well, she’s a warrior and a thief, and, this being an album by the Mountain Goats, it’s a safe bet whatever she’s fleeing is something bad. Something catastrophically bad.   \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eJenny from Thebes\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e is the story of Jenny, her southwestern ranch style house, the people for whom that house is a place of safety, and the west Texas town that is uncomfortable with its existence. It is a story about the individual and society, about safety and shelter and those who choose to provide care when nobody else will.   This is what a follow-up to \u003c\/span\u003e\u003cem\u003eAll Hail West Texas\u003c\/em\u003e\u003cspan\u003e entails. But if you think about the Mountain Goats as they were in 2001, when Darnielle wrote and recorded that album on his own, mostly into his Panasonic RX-FT500 boombox, and how they are now as the recording and touring outfit of Darnielle, \u003c\/span\u003e\u003cstrong\u003ePeter Hughes\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003eMatt Douglas\u003c\/strong\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cstrong\u003eJon Wurster\u003c\/strong\u003e\u003cspan\u003e, you may find yourself asking how. That occurred to Darnielle, too.   “\u003c\/span\u003e\u003cem\u003eIf we’re going to do a sequel to a record that was recorded almost entirely on a boombox\u003c\/em\u003e\u003cspan\u003e,” he asks, “\u003c\/span\u003e\u003cem\u003ewhy not do the opposite and make it as big as possible?\u003c\/em\u003e\u003cspan\u003e”   Decamping to Tulsa, Oklahoma’s legendary The Church Studio with Grammy-winning producer\/engineer \u003c\/span\u003e\u003cstrong\u003eTrina Shoemaker \u003c\/strong\u003e\u003cspan\u003e(Sheryl Crow’s \u003c\/span\u003e\u003cem\u003eThe Globe Sessions\u003c\/em\u003e\u003cspan\u003e), that is exactly what the Mountain Goats did. \u003c\/span\u003e\u003cem\u003eJenny from Thebes\u003c\/em\u003e\u003cspan\u003e is a lush collection of showtunes, pushing Darnielle as a vocalist and the Mountain Goats as a band, broadening their sonic palette once again by leaning into influences like \u003c\/span\u003e\u003cem\u003eGodspell\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003eJim Steinman\u003c\/strong\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cstrong\u003eThe Cars\u003c\/strong\u003e\u003cspan\u003e. The resulting album cuts a path that is simultaneously full of allusions longtime Mountain Goats fans will spin entire mythologies from while also being their most inviting record for those who’ve yet to be converted to the cause.   Lifted by Matt Douglas’ horn and string arrangements, the dreamy guitar of \u003c\/span\u003e\u003cstrong\u003eBully \u003c\/strong\u003e\u003cspan\u003eleader (and \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eBleed Out\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e producer) \u003c\/span\u003e\u003cstrong\u003eAlicia Bognanno\u003c\/strong\u003e\u003cspan\u003e, and backing vocals from \u003c\/span\u003e\u003cstrong\u003eKathy Valentine\u003c\/strong\u003e\u003cspan\u003e of \u003c\/span\u003e\u003cstrong\u003eThe Go-Go’s\u003c\/strong\u003e\u003cspan\u003e (“Only One Way,” “Same as Cash,” “Going to Dallas”) and\u003c\/span\u003e\u003cstrong\u003e Matt Nathanson\u003c\/strong\u003e\u003cspan\u003e (“Fresh Tattoo”), the album is a widescreen musical in scope, a melodrama of richly detailed characters and sweeping emotions.   Explaining the title of the album, Darnielle notes that Jenny is not unlike a character from Greek literature, someone on the verge of an unimaginable tragedy whose signs and portents will not make themselves known to her until she finds herself amidst the wreckage. “\u003c\/span\u003e\u003cem\u003eThese things never happen in isolation\u003c\/em\u003e\u003cspan\u003e,” he says. \u003c\/span\u003e\u003cem\u003e“One bad event leads to and is the reason for another bad event. Jenny should know that you can’t keep a safehouse in a west Texas town, but she’s too wrapped up in the process and has to go through the loss to understand how it happened.\u003c\/em\u003e\u003cspan\u003e”   Whether or not she comes to understand how it happened, the events of\u003c\/span\u003e\u003cem\u003e Jenny from Thebes \u003c\/em\u003e\u003cspan\u003eset Jenny on the run. 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They have been making music together as a quartet for several years. Three of them live in North Carolina and one has moved back to Rochester. Their songs often seek out dark lairs within which terrible monsters dwell, but their mission is to retrieve the treasure from the dark lair \u0026amp; persuade the terrible monsters inside to seek out the path of redemption. As Axl Rose once memorably asked, in the song “Terrible Monster”: “what’s so terrible about monsters, anyway?” This is the question The Mountain Goats have been doggedly pursuing since 1991. They will never leave off this quest until every option has been exhausted. 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That lyric, “\u003c\/span\u003e\u003cem\u003eJenny was a warrior \/ Jenny was a thief \/ Jenny hit the corner clinic begging for relief,\u003c\/em\u003e\u003cspan\u003e” became “Jenny III,” a song which laid down a challenge he’d never taken up before: writing a sequel to one of his most beloved albums.   The Mountain Goats’ catalog is thick with recurring characters—Jenny, who originally appears in the \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eAll Hail West Texas\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e track bearing her name, as well as in “Straight Six” from \u003c\/span\u003e\u003cem\u003eJam Eater Blues\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eTranscendental Youth\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e side two jam “Night Light,” is one of these, someone who enters a song unexpectedly, pricking up the ears of fans who are keen on continuing the various narrative threads running through the Mountain Goats’ discography before vanishing into the mist. In these songs, Jenny is largely defined by her absence, and she is given that definition by other characters. She is running from something. These features are beguiling, both to the characters who’ve told her story so far and to the listener. They invite certain questions: Who is Jenny, really? What is she running from? Well, she’s a warrior and a thief, and, this being an album by the Mountain Goats, it’s a safe bet whatever she’s fleeing is something bad. Something catastrophically bad.   \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eJenny from Thebes\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e is the story of Jenny, her southwestern ranch style house, the people for whom that house is a place of safety, and the west Texas town that is uncomfortable with its existence. It is a story about the individual and society, about safety and shelter and those who choose to provide care when nobody else will.   This is what a follow-up to \u003c\/span\u003e\u003cem\u003eAll Hail West Texas\u003c\/em\u003e\u003cspan\u003e entails. But if you think about the Mountain Goats as they were in 2001, when Darnielle wrote and recorded that album on his own, mostly into his Panasonic RX-FT500 boombox, and how they are now as the recording and touring outfit of Darnielle, \u003c\/span\u003e\u003cstrong\u003ePeter Hughes\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003eMatt Douglas\u003c\/strong\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cstrong\u003eJon Wurster\u003c\/strong\u003e\u003cspan\u003e, you may find yourself asking how. 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The resulting album cuts a path that is simultaneously full of allusions longtime Mountain Goats fans will spin entire mythologies from while also being their most inviting record for those who’ve yet to be converted to the cause.   Lifted by Matt Douglas’ horn and string arrangements, the dreamy guitar of \u003c\/span\u003e\u003cstrong\u003eBully \u003c\/strong\u003e\u003cspan\u003eleader (and \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eBleed Out\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e producer) \u003c\/span\u003e\u003cstrong\u003eAlicia Bognanno\u003c\/strong\u003e\u003cspan\u003e, and backing vocals from \u003c\/span\u003e\u003cstrong\u003eKathy Valentine\u003c\/strong\u003e\u003cspan\u003e of \u003c\/span\u003e\u003cstrong\u003eThe Go-Go’s\u003c\/strong\u003e\u003cspan\u003e (“Only One Way,” “Same as Cash,” “Going to Dallas”) and\u003c\/span\u003e\u003cstrong\u003e Matt Nathanson\u003c\/strong\u003e\u003cspan\u003e (“Fresh Tattoo”), the album is a widescreen musical in scope, a melodrama of richly detailed characters and sweeping emotions.   Explaining the title of the album, Darnielle notes that Jenny is not unlike a character from Greek literature, someone on the verge of an unimaginable tragedy whose signs and portents will not make themselves known to her until she finds herself amidst the wreckage. “\u003c\/span\u003e\u003cem\u003eThese things never happen in isolation\u003c\/em\u003e\u003cspan\u003e,” he says. \u003c\/span\u003e\u003cem\u003e“One bad event leads to and is the reason for another bad event. Jenny should know that you can’t keep a safehouse in a west Texas town, but she’s too wrapped up in the process and has to go through the loss to understand how it happened.\u003c\/em\u003e\u003cspan\u003e”   Whether or not she comes to understand how it happened, the events of\u003c\/span\u003e\u003cem\u003e Jenny from Thebes \u003c\/em\u003e\u003cspan\u003eset Jenny on the run. 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In these songs, Jenny is largely defined by her absence, and she is given that definition by other characters. She is running from something. These features are beguiling, both to the characters who’ve told her story so far and to the listener. They invite certain questions: Who is Jenny, really? What is she running from? Well, she’s a warrior and a thief, and, this being an album by the Mountain Goats, it’s a safe bet whatever she’s fleeing is something bad. Something catastrophically bad.   \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eJenny from Thebes\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e is the story of Jenny, her southwestern ranch style house, the people for whom that house is a place of safety, and the west Texas town that is uncomfortable with its existence. 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Jenny should know that you can’t keep a safehouse in a west Texas town, but she’s too wrapped up in the process and has to go through the loss to understand how it happened.\u003c\/em\u003e\u003cspan\u003e”   Whether or not she comes to understand how it happened, the events of\u003c\/span\u003e\u003cem\u003e Jenny from Thebes \u003c\/em\u003e\u003cspan\u003eset Jenny on the run. 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