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But think about it like this: Something “tween” is in the process of becoming something else, and there’s a very specific kind of beauty in that becoming. There’s something rewarding in recognizing and celebrating it—in meeting it halfway. Now, before I start spouting clichés about the journey being more important than the destination—which isn’t true when it comes to all music except jazz, and let’s leave jazz out of this—let me introduce Tween, the new not-album by Wye Oak. If we’re putting it simply,Tween is a collection of eight songs born, raised, and almost abandoned for various reasons during the years between 2011’s breakthrough Civilian and 2014’s reinvention-of-sorts, Shriek. Jenn Wasner and Andy Stack—the band’s two halves—described these songs as “not emblematic of a step forward, but a step sideways in time.” In other words, they just didn’t make sense for album number five—which will happen at some point in the future. But just because they didn’t belong there doesn’t mean they don’t belong anywhere. To wedge them onto Shriek would’ve been dishonest; to orphan them would’ve been somewhere on the line between criminal and just plain silly. Now that your expectations are lowered, let’s build them back up, because Tween is full of gorgeous Wye Oak songs whose only crime was timing and context, made by two people at the height of their game. At first these songs sounded too disparate to me to be called an album, but the more Tween sank in, the more it made sense: One minute Jenn and Andy are embracing their floatiest Cocteau Twins instinct (“If You Should See”), the next they’re back in Civilian territory a bit (“No Dreaming”), and later they’re slinky and electronic and gorgeously ‘80s (“On Luxury”). The common thread: These are no castaways or cutouts. In fact, pound for pound, Tween might actually be more directly accessible than Shriek. It should join the pantheon of amazing not-albums of history whose names try to downplay how good they actually are, like R.E.M.’s Dead Letter Office, The Who’s Odds and Sods, maybe even Dinosaur Jr.’s Whatever’s Cool With Me. Who knows what an album is at this point, anyway? Here’s what Jenn and Andy had to say: “We rejoice in being free to make what we like and release it in a way that feels true, and you are free to enjoy it or dismiss it as it suits you. We hope, of course, for the former. 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For a few seconds, piano, drums, and a playful keyboard loop gather momentum; then, all at once, they burst, enormous bass flooding the elastic beat. \"Suffering, I remember suffering,\" sings Jenn Wasner, her voice stretched coolly across the tizzy. \"Feeling heat and then the lack of it, but not so much what the difference is.\" The moment declares the second coming of Wye Oak, a band that spent more than a decade preparing to write this record-their most gripping and powerful set of songs to date, built with melodies, movement, and emotions that transcend even the best of their catalogue.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e(tuning)\u003c\/li\u003e\n\u003cli\u003eThe Instrument\u003c\/li\u003e\n\u003cli\u003eThe Louder I Call, The Faster It Runs\u003c\/li\u003e\n\u003cli\u003eLifer\u003c\/li\u003e\n\u003cli\u003eIt Was Not Natural\u003c\/li\u003e\n\u003cli\u003eSymmetry\u003c\/li\u003e\n\u003cli\u003eMy Signal\u003c\/li\u003e\n\u003cli\u003eSay Hello\u003c\/li\u003e\n\u003cli\u003eOver and Over\u003c\/li\u003e\n\u003cli\u003eYou Of All People\u003c\/li\u003e\n\u003cli\u003eJoin\u003c\/li\u003e\n\u003cli\u003eI Know It's Real\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e*** Indie Exclusive ***\u003cbr\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 673855061504\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Merge Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.6.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Wye Oak","offers":[{"title":"Default Title","offer_id":58254421098577,"sku":"567283","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/3771369.jpg?v=1759474131"},{"product_id":"wye-oak-shriek-variations-bonus-tracks-colored-vinyl-gate","title":"Shriek + Variations (Bonus Tracks) [Colored Vinyl] (Gate)","description":"\u003cp\u003eIn 2014, Wye Oak released Shriek. It was a necessary departure for Jenn Wasner and Andy Stack, who found themselves on uncertain ground after two years of constant touring for 2011's Civilian, living on opposite ends of the country and trying to revitalize their creative partnership. Wasner set aside her guitar for a bass. Stack took on the band's upper register, playing syncopated, meditative keyboard parts that interacted with Wasner's voice. During that period, Wasner and Stack were introduced to composer William Brittelle, the Metropolis Ensemble, and the Brooklyn Youth Chorus. 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