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The EP also features reworked versions of \"Feds In My Rearview\" and \"Red Or Blue,\" pulling unreleased MC Homeless verses from the Legends Recordings archives. The massive posse cut \"Red Or Blue\" assembles an impressive roster of West Coast talent including Breeze, C.O.C., Freddie Demarco, Glasses Malone, King Tee, M Dot Taylor, and Young Ham. \"This project represents raw, unfiltered hip-hop,\" says a representative from the label. \"Marc Live's production provides the perfect foundation for these artists to showcase their craft.\"\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGoons and Goblins (Marc Live Mix)\u003c\/li\u003e\n\u003cli\u003eFeds in My Rearview (Marc Live Mix)\u003c\/li\u003e\n\u003cli\u003eRed or Blue (Feat. 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In 2013, John Speight wrote his Soliloquy (track 7 and 8) at my request. Two more recent commissions are on the album, both from composers who play the violin: Fragile Stillness by Lilja Maria asmundsdottir and Aria by Maria Huld Markan. Iceland has a long tradition of violin playing and according to folklore every farmer in certain valleys up north was a fiddler. Ea Fantasia (track 4), my own composition, is inspired by the opening track Alia Fantasia by Nicola Matteis Jr. He was the London-born son of the Italian composer Nicola Matteis, who wrote Ayers and Grounds. Nicola Junior was a violinist like his father and lived in Vienna, where he composed numerous ballets for the imperial opera. His bariolage (arpeggios over four strings) remind me of the opening of Fratres by Arvo Part and Bach's Chaconne-key works in the violin repertoire-both of which have been a great inspiration to me. In Fragile Stillness (track 2), Lilja Maria asmundsdottir experiments with textures. Or as she puts it: \"The piece is inspired by a weather condition called froststillur. It is characterized by an intense calmness where there is no wind and a crisp, frozen atmosphere.Karolina wrote Meditation (track 3) in 1996 for violinist Hlif Sigurjonsdottir, who premiered the piece in June 1997. Meditation is in one movement, built on ideas which change and develop, and the composer describes it as \"variations without a theme.Aria (track 5) by Maria Huld Markan was written for me in 2023. Her solo piece is written under the influence of Maria Callas and her romanticism and lontano as she sings Puccini. Maria is reflecting on the concept of the genius, and motifs are flowing from all the fountains contemplating the romantic violin repertoire. On his Adagio (track 6), composer Tryggvi Baldvinsson writes: \"This small Adagio can be seen as a short play in which three distinct characters appear. Each has it's own traits, it's own personality. The encounter between these characters is bound to have a profound and lasting impact on them. As for the actual course of events, I leave that entirely to the listener's imagination. The piece was composed for Rut Ingolfsdottir, who premiered it in 1997.John Speight is an English-Icelandic singer and composer I got to know through working with the Reykjavik Chamber Orchestra, playing and recording his works. He wrote Soliloquy (track 7 and 8) in 2012 and it is the only piece on the album in two movements. The first movement is slow and thoughtful, while the second is crazy and furious. Tranquility (track 10) by Sveinn Ludvik Bjornsson is possibly the shortest piece I have ever played. The story of it is longer than the piece itself-and too good to omit. Sveinn Ludvik, who is visually impaired, was renting a studio in an old banana storage in Brautarholt, Reykjavik. To enter his studio he had to walk through the studio of artist Helgi Valgeirsson. Above the door there was a painting by Helgi which inspired Sveinn Ludvik deeply; he had the sense it was very somber in it's mood-a naked woman with her back turned. Moved by the scene he wrote Tranquility. Later, when discussing the piece with Helgi and admiring the tragic impact of the naked woman in the picture, Sveinn was shocked to discover that the painting, in fact, was of bananas and oranges.Veronique Vaka Jacques, a Canadian-Icelandic composer and trained classical cellist, grounds her work in the geology and topography of Iceland. In Ofdune (track 9), a map of North Iceland serves as groundwork, with the geographical details of a descending river abstractly translated into the work's time progression, using the river's path through hills and valleys as a loose blueprint. This concept of descent is echoed in the title, Ofdune, which is derived from the Old English meaning \"downwards\" or \"off the hill\".Jon Nordal's Hvert orstutt spor (Each Tiny Step, track 11) is from the play Silfurtunglid by Icelandic Nobel Prize-winning author Halldor Laxness. This is a famous Icelandic song, here in my gospel music influenced arrangement for solo violin. I tried to stay true to the beautiful and simple melody and the text of the poem filled with nostalgic longing. - Una SveinbjarnardottirRecorded in Reykholtskirkja West Iceland January 24. - 25. 2025Una Sveinbjarnardottir, ViolinRagnheidur Jonsdottir, TonmeisterDan Shores, Recording, Editing, Mixing, \u0026amp; Mastering EngineerEva Schram, PhotographyUna Sveinbjarnardottir, Liner Notes\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 053479228802\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sono Luminus\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.30.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Una Sveinbjarnardottir","offers":[{"title":"Default Title","offer_id":59191982260305,"sku":"123381632","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/4498183-3540753.jpg?v=1773348207"},{"product_id":"pre-order-they-are-born-under-rules-of-the-darkness-broz-lp","title":"They Are Born Under Rules Of The Darkness (Broz) [LP]","description":"\u003cp\u003eTorchia - They Are Born Under Rules Of The Darkness (Marble Bronze Vinyl) They Are Born Under Rules Of The Darkness is the fourth studio album from Finland's Torchia, a nine-track statement of blackened melodic death metal sharpened to it's most focused and authoritative form. Emerging from Tampere's formidable metal lineage, the band advances beyond it's thrash-inflected roots into a darker, structurally refined sound shaped by gothic horror aesthetics, occult symbolism, and infernal thematic continuity. Musically, the album is driven by precision riff construction, tight rhythmic interplay, and commanding vocal delivery. 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Almost Waking: \"I had known about Bill's music for a while: since his 2017 release under his own name. I connected a lot with his music and I had no idea that years later we would be collaborating! It was a total surprise that we started chatting on the internet of collaborating!-we bounced ideas back and forth, all starting with a series of guitar solo stuff that Bill sent me. I had a great time with the pieces and in some of them had the honor to collaborate with I. La Catolica in the studio here in Mexico as well where we were trying to decipher the harmonic possibilities of Bill's ideas and very carefully develop some good melodies that followed correctly the guitar. The vocal melodies followed also the same principle of trying to get tight with Bill's iniciatives. The idea was to leave a lot of space but in only one of the tracks I just went on with the idea of harmonizing shamelessly the vocals. The album ended up having this nostalgic vibe to it. 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With a unique guitar style blending blues, swing, and the dance rhythm of his region, the \"\"Didadi,\"\" he delivers a striking and subtle production. 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Heartfelt and vibrant, it is a must for lovers of rural African blues.\"\"With her weathered timbre and mature voice, Diefadima KantÃ© sings an art deeply rooted in the earth...\"\" - LibÃ©ration, Bouziane Daoudi.\"\"Accompanied simply by three guitarists and a balafon, Diefadima KantÃ© sings slices of life with a calm and reassuring voice.\"\" - World, Squaaly.\"\"Diefadima KantÃ© introduces us to the intimate atmospheres of Manding societies in West Africa.\"\" - Amina, Luigi Elongui.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSaokaba\u003c\/li\u003e\n\u003cli\u003eDudyaya\u003c\/li\u003e\n\u003cli\u003eTissidiba\u003c\/li\u003e\n\u003cli\u003eNanibali\u003c\/li\u003e\n\u003cli\u003eMana Mana Kouma\u003c\/li\u003e\n\u003cli\u003eDenon\u003c\/li\u003e\n\u003cli\u003eKara\u003c\/li\u003e\n\u003cli\u003eSienkoiowani\u003c\/li\u003e\n\u003cli\u003eDiarabi\u003c\/li\u003e\n\u003cli\u003eToro\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 0826596017525\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Diggers Factory\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.30.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Diefadima Kante","offers":[{"title":"Default Title","offer_id":59766687694929,"sku":"264941103","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/4526670-3651170.jpg?v=1783459566"},{"product_id":"pre-order-siran-digipak","title":"Siran [Digipak]","description":"\u003cp\u003eFilifin's debut album, featuring the young kamÃ©lÃ© n'goni player (a six-string traditional instrument), is an extraordinary blend of rural Malian blues and the heroic chants of bush hunters. 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