{"title":"Cipher Crate Essentials","description":"\u003cp data-start=\"282\" data-end=\"647\"\u003eThis collection brings together the artists that shape The Cipher Crate — golden-age architects, underground icons, sample-heavy beatmakers, left-field lyricists, and modern visionaries pushing hip-hop forward without losing the roots. These are the records built on grit, flow, soul, and craft — the kind of wax that rewards headphones, volume, and full attention.\u003c\/p\u003e\n\u003cp data-start=\"649\" data-end=\"891\"\u003eIt’s not an exhaustive list — just a tight glimpse into the sounds this crate pulls from: dusty loops, low-end thump, jazz-wrapped verses, experimental edges, raw storytelling, and deep cuts that matter more than anything climbing the charts.\u003c\/p\u003e\n\u003cp data-start=\"893\" data-end=\"981\"\u003eA primer for new heads. A playground for lifers. A snapshot of hip-hop at its strongest.\u003c\/p\u003e","products":[{"product_id":"j-dilla-donuts-shop-cover-vinyl","title":"Donuts (Shop Cover) (Vinyl)","description":"\u003cp\u003eCompleted during a year in which J Dilla spent mostly in a hospital bed at Cedars-Sinai Medical Center in Los Angeles, Donuts would gain particular poignancy when, only three days after its release, February 10, 2006, the artist passed away, losing his battle with a rare blood disease.\u003cbr\u003e\r\n\u003cbr\u003e\r\nThe original LP pressing of Donuts had the \"Donut\" album cover, illustrated by Jeff Jank. The vinyl was later reissued with the \"Smile\" photograph cover, and the version with the drawing sleeve slowly went out of print. For the 10th anniversary of Donuts, the album was reissued with the original 'Donut' cover, for a limited run with a gatefold sleeve that includes liner notes about the making of the album from the book Donuts 33 1\/3, written by Jordan Ferguson.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eTracksCredits - Disc 1 - 1 Donuts (Outro) 0:12 2 Workinonit 2:57 3 Waves 1:38 4 Light My Fire 0:35 5 The New 0:49 6 Stop 1:39 7 People 1:24 8 The Diff'rence 1:52 - Disc 2 - 1 Mash 1:31 2 Time: The Donut Of The Heart 1:38 3 Glazed 1:21 4 Airworks 1:44 5 Lightworks 1:55 6 Stepson Of The Clapper 1:01 7 The Twister (Huh, What) 1:16 - Disc 3 - 1 One Eleven 1:11 2 Two Can Win 1:47 3 Don't Cry 1:59 4 Anti-American Graffiti 1:53 5 Geek Down 1:19 6 Thunder 0:54 7 Gobstopper 1:05 - Disc 4 - 1 One For Ghost 1:18 2 Dilla Says Go 1:16 3 Walkinonit 1:15 4 The Factory 1:23 5 U-Love 1:00 6 Hi. 1:16 7 Bye. 1:27 8 Last Donut Of The Night 1:39 9 Donuts (Intro) 1:11\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 10\/4\/11\u003c\/li\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 72 hours for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eFormat Detail: 2LP Alternate Cover\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rap\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"J Dilla","offers":[{"title":"Default Title","offer_id":41884524970065,"sku":"A6FPS3-EJK3-00","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/J-Dilla-Donuts-Shop-Cover_AP2ss.jpg?v=1762464256"},{"product_id":"danny-brown-atrocity-exhibition-vinyl","title":"ATROCITY EXHIBITION (Vinyl)","description":"\u003cp\u003eDanny Brown's first Warp release is named after a Joy Division song inspired by writer J.G. Ballard's collection of the same title. \"Notes Towards a Mental Breakdown,\" one of the chapters in the Ballard book, would have been just as apt an inscription on an album that looks more like a mid-'80s 12\" designed by Neville Brody than anything classified as hip-hop. Old comrade Paul White produces two-thirds of the tracks, lending gnarled, sometimes clanging and blasting rhythms that complement Brown's elevated levels of dread and anxiety and slightly reduced amount of vulgar mischief. Brown spends most of his time looking darkly inward. In that berserk yet lucid high pitch, he raps about being more desperate to score than his clients: \"Slice your tomato if you owe us for the lettuce\/Runnin' through the D sorta like Jerome Bettis.\" He depicts himself as a vice-addled, teeth-grinding paranoiac with no soul or hope, and that summarizes only the first three cuts. The outward-looking material is just as biting. In \"Today,\" the track that most exemplifies the album's title, Brown pithily specifies observed struggles and atrocities -- hustling to pay for diapers, the dodging of bullets from murderous civilians and authority, the prison-industrial complex -- as he references OutKast. No such dread is in \"Dance in the Water,\" the album's only true break from the hellscapes. Over the brawling tribal Pulsallama rhythm that it takes to dance to what he has to live through, Brown paraphrases Parliament's \"Aqua Boogie\" as he outlines a new workout plan -- minus a proposition, one technically clean enough to be applied by youngsters. Guest appearances are kept to a judicious few. Kendrick Lamar provides a verse and the hook on \"Really Doe,\" a knocking Black Milk production that also features Ab-Soul and Earl Sweatshirt. Brown's meeting with Cypress Hill's B-Real is expectedly pinched and faded. Most symbiotic is \"From the Ground Up,\" decaying funk with Kelela in dreamlike Janet Jackson mode. 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His profile has grown since Atrocity and now armed with a cable TV show and a co-sign from one of rap‚Äôs icons, we will look to solidify his positioning as a ubiquitous entertainer, independent rap hero, and one of the essential cultural voices of this era, while still retaining the edgy, maverick style that makes him a fan-favorite. \u003c\/p\u003e\u003cp\u003eThe album is executive produced by Q-Tip, and features production by Q-Tip, JPEGMAFIA, Flying Lotus, Paul White, Standing on the Corner and more.\u003c\/p\u003e\u003cp\u003eA1. Change Up\r A2. Theme Song\r A3. Dirty Laundry\r A4. 3 Tearz (feat. Run The Jewels)\r A5. Belly of The Beast (feat. Obongjayar)\r A6. Savage Nomad\r B1. Best Life\r B2. uknowhatimsayin√Ǭø (feat. Obongjayar)\r B3. Negro Spiritual (feat. JPEGMAFIA)\r B4. Shine (feat. Blood Orange)B5. Combat\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat Detail: 1LP in printed inner, printed outer \u0026amp; obi strip. 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A postscript, it's (artfully) artless in presentation -- not even basic credits appear on the Army green liner card in the compact disc edition -- yet it's almost as lyrically and musically rich as To Pimp a Butterfly. The dates indicate that the majority of the material was made during the sessions for that album, and the presence of many of its players and vocalists is unmistakable. This was assembled with a high level of care that is immediately evident, its components sequenced to foster an easy listen. Track-to-track flow, however, is about the only aspect of this release that can be called smooth. After an intimate spoken intro from Bilal, the set segues into an urgent judgment-day scenario with squealing strings and a resounding bassline as Lamar confronts mortality and extinction with urgent exasperation. He observes terrifying scenes all the while sensing possible relief (\"No more running from world wars,\" \"No more discriminating the poor\"). untitled unmastered. offers this and other variations on the connected themes of societal ills, faith, and survival that drove the output it follows, with Lamar at his best when countering proudly materialistic boasts with ever-striking acknowledgments of the odds perilously weighted against his people. Remarkably, this hits its stride in the second half. The stretch involves a rolling, ornamented retro-contemporary production from Adrian Younge and Ali Shaheed Muhammad (with vocal assists from Bilal and Cee Lo Green), a stitched suite that is alternately stern and humorously off the cuff (featuring Egypt, five-year-old son of Alicia Keys and Swizz Beatz, as co-producer and vocalist), and a finale of Thundercat-propelled funk. 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The People were angry and isolated and restless. i leaned into the chaos cause it was apparent that it wasnt going anywhere. these songs are what happened when i would come up for air. peace and love to zelooperz the enigma, the armand hammer, and my good friends alchemist and black noi$e. peace and love to u.\" UPC 093624868279\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\u003c\/ul\u003e","brand":"Earl Sweatshirt","offers":[{"title":"Default Title","offer_id":41885151297617,"sku":"O5R4RZ-HWH5-00","price":30.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/earl-sweatshirt-sick-indie-exclusive-_n4C3k.jpg?v=1762464909"},{"product_id":"freddie-gibbs-freddie-gibbs-oul-old-eparately-standard-black-includes-flexi-disc-with-one-extra-track-vinyl","title":"Freddie Gibbs $oul $old $eparately (Standard Black, includes flexi disc with one extra track) [Vinyl]","description":"Freddie Gibbs - Freddie Gibbs $oul $old $eparately (Standard Black, includes flexi disc with one extra track) [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 093624870708 \u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 03\/24\/2023\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Freddie Gibbs","offers":[{"title":"Default Title","offer_id":41885159325777,"sku":"SJ0V9N-SNN4-00","price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/freddie-gibbs-oul-old-eparately-standard-black-includes-flexi-disc-with-one-extra-track_ZXbu2.jpg?v=1762464935"},{"product_id":"wu-tang-clan-wu-tang-clan-enter-the-wu-tang-36-chambers-gold-marble-colored-vinyl-import-vinyl","title":"Wu-Tang Clan Enter The Wu-Tang (36 Chambers) (Gold Marble Colored Vinyl) [Import] [Vinyl]","description":"Wu-Tang Clan - Wu-Tang Clan Enter The Wu-Tang (36 Chambers) (Gold Marble Colored Vinyl) [Import] [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 196588199516 \u003cbr\u003e\u003cp\u003eTrack Listings\u003cbr\u003eDisc 1\u003cbr\u003e1Bring Da Ruckus\u003cbr\u003e2Shame On a Nigga\u003cbr\u003e3Clan in Da Front\u003cbr\u003e4Wu-Tang: 7th Chamber\u003cbr\u003e5Can It Be All So Simple\/Intermission\u003cbr\u003e6Protect Ya Neck\u003cbr\u003e7Da Mystery of Chessboxin'\u003cbr\u003e8Wu-Tang Clan Ain't Nuthing Ta F' Wit\u003cbr\u003e9C.R.E.A.M\u003cbr\u003e10Method Man\u003cbr\u003e11Tearz\u003cbr\u003e12Wu-Tang: 7th Chamber Part II\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 10\/13\/2023\u003c\/li\u003e\n\u003cli\u003eReleased: 10\/13\/2023\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Wu-Tang Clan","offers":[{"title":"Default Title","offer_id":41885234888785,"sku":"JE64T7-293A-00","price":35.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/wu-tang-clan-enter-the-wu-tang-36-chambers-gold-marble-colored-vinyl-import_zHwSB.jpg?v=1762465036"},{"product_id":"drake-drake-scorpion-explicit-vinyl","title":"Drake SCORPION (EXPLICIT) [Vinyl]","description":"Drake - Drake SCORPION (EXPLICIT) [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 602567874942 \u003cbr\u003e\u003cp\u003eDrake's fifth album Scorpion is a double-length broken into two sides; rap and R\u0026amp;B. On over 25 tracks, he delves deep into familiar subjects including exes, his rap skills, and feeling bummed while broaching new areas like becoming a father and responding to Pusha T's epic diss track. Using spare melodies and slow trap beats, the rapper and his production team create a suffocating, introspective sound that allows him plenty of opportunity to explore and expunge his feelings and lay them out in typically melancholy fashion. Jay-Z, Ty Dolla $ign, and BOYSNEXTDOOR all have features, there's a ghostly Michael Jackson sample lurking on the second record, and the bouncy R\u0026amp;B track \"Nice for What\" gives the set a momentary pop feel. 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Additional personnel: The 4th Disciple (scratches). Recorded at Firehouse Studio, New York. The Wu-Tang Clan seemed to come out of nowhere when they released their first independent single, \"Protect Ya Neck.\" To the industry's surprise, it sold over 10,000 copies and enabled this conceptually innovative crew to land a deal with RCA. ENTER THE WU-TANG (36 CHAMBERS) is the first effort to \"take you on\" the full \"lyrical high\" of the Wu-Tang--eight \"killer bees\" who stem from that forgotten borough of New York City, Staten Island. Prince Rakeem \"The RZA\" may dominate the loosely-based group's production chamber, but the success of the Wu-Tang should be credited to all. \"Clan In Da Front\" gives The Genius (aka \"The GZA\") the opportunity to prove to critics of his former solo career that he's far from played out. 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Kodak Black\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e13\u003c\/span\u003e Savior (Interlude)\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e14\u003c\/span\u003e Savior Ft. Baby Keem \u0026amp; Sam Dew\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e15\u003c\/span\u003e Auntie Diaries\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e16\u003c\/span\u003e Mr. Morale Ft. Tanna Leone\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e17\u003c\/span\u003e Mother I Sober Ft. 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The album also features an impressive guest list, with appearances by Rihanna, Future, and, from Drake's OVO Sound label, dvsn and PartyNextDoor. ~ Tim Sendra\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 10\/28\/2016\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Hip Hop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Drake","offers":[{"title":"Default Title","offer_id":41886919426129,"sku":"WLQ0R5-OPH2-00","price":42.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Drake-VIEWS-EX_ZGFNF.jpg?v=1759469081"},{"product_id":"gang-starr-gang-starr-one-of-the-best-yet-2-lp-vinyl","title":"Gang Starr One Of The Best Yet [2 LP] [Vinyl]","description":"Gang Starr - Gang Starr One Of The Best Yet [2 LP] [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 192641066726 \u003cbr\u003e\u003cp\u003eBrand New Sealed | Gang Starr | One Of The Best Yet [2 LP] | Vinyl | Release Date: 12\/06\/2019\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 12\/06\/2019\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Gang Starr","offers":[{"title":"Default Title","offer_id":41887063441489,"sku":"9Y3DYY-6JW7-00","price":27.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Gang-Starr-One-Of-The-Best-Yet-2-LP_XCc7h.jpg?v=1762465943"},{"product_id":"madlib-madlib-rock-konducta-pt-2-vinyl-1xlp-smoke-vinyl","title":"Madlib Rock Konducta Pt. 2 - Vinyl - 1xLP Smoke [Vinyl]","description":"Madlib - Madlib Rock Konducta Pt. 2 - Vinyl - 1xLP Smoke [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 989327002150 \u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 08\/04\/2023\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Madlib","offers":[{"title":"Default Title","offer_id":41887065669713,"sku":"5CLXRF-ANSD-00","price":29.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/rock-konducta-pt-2-vinyl-1xlp-smoke_CKUq0.png?v=1762465956"},{"product_id":"the-roots-the-roots-undun-lp-vinyl","title":"The Roots Undun [LP] [Vinyl]","description":"The Roots - The Roots Undun [LP] [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 602567889281 \u003cbr\u003e\u003cp\u003eJust weeks after releasing their full-length collaboration with Miami soul legend Betty Wright (Betty Wright: The Movie), the Roots keep firing with Undun, their 13th studio album. 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Ceelo Green\u003cbr\u003e2 Shed Tears Feat. Mozzy \u0026amp; Lena Byrd Miles\u003cbr\u003e3 Run Feat. Young Thug\u003cbr\u003e4 Nrich Feat. 6Lack \u0026amp; Eryn Allen Kane\u003cbr\u003e5 Talk'n That Shit!\u003cbr\u003e- Disc 2 -\u003cbr\u003e1 Slummer Feat. Jagged Edge\u003cbr\u003e2 Scientists \u0026amp; Engineers Feat. André 3000, Future, \u0026amp; Eryn Allen Kane\u003cbr\u003e3 Two Days Feat. Ty Dolla $Ign\u003cbr\u003e4 Spaceship Views Feat. Curren$Y, 2 Chainz \u0026amp; Kaash Paige\u003cbr\u003e- Disc 3 -\u003cbr\u003e1 Exit 9 Feat. BLXST\u003cbr\u003e2 Something for Junkies Feat. Fabo\u003cbr\u003e3 Motherless Feat. Eryn Allen Kane\u003cbr\u003e4 Don't Let the Devil Feat. El-P \u0026amp; Thankugoodsir\u003cbr\u003e5 High \u0026amp; Holy Feat. 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Real, Sen-Dog, DJ Muggs.\u003cbr\u003eProducers: DJ Muggs, T-Ray.\u003cbr\u003e\"I Ain't Goin' Out Like That\" was nominated for Best Rap Performance\u003cbr\u003eBy A Duo Or Group in the 37th Annual Grammy Awards.\u003cbr\u003eRecorded at 38 Fresh And Image Recording, Hollywood, California; Soundtrack Studios, Baby Monster Studios, Green Street Studios, Chung King Studios, New York, New York; Studio 4 Recording, Philadelphia, Pennsylvania.\u003cbr\u003eThe BLACK SUNDAY booklet contains 19 historical and scientific facts pertaining to the useage and safety as well as the medical and commercial benefits of marijuana and the hemp plant.\u003cbr\u003eCypress Hill: B. Real, Sen-Dog, DJ Muggs.\u003cbr\u003eProducers: DJ Muggs, T-Ray.\u003cbr\u003eRecorded at 38 Fresh And Image Recording, Hollywood, California; Soundtrack Studios, Baby Monster Studios, Green Street Studios, Chung King Studios, New York, New York; Studio 4 Recording, Philadelphia, Pennsylvania.\u003cbr\u003e\"I Ain't Goin' Out Like That\" was nominated for Best Rap Performance\u003cbr\u003eBy A Duo Or Group in the 37th Annual Grammy Awards.\u003cbr\u003eUp to SKULL \u0026amp; BONES, 1993's BLACK SUNDAY had been Cypress Hill's greatest commercial success, and it's no wonder. The album's funky grooves and mellow but danceable rhythms helped to expand Cypress Hill's audience, hooking fans of alternative rock as well as earning Cypress Hill props from hip-hop die-hards.\u003cbr\u003eFourteen solid grooves make up this album from the West Coast trio, beginning with the dope anthem \"I Wanna Get High.\" \"Insane in the Brain\" and \"I Ain't Goin' Out Like That\" are already hip-hop classics, each featuring the signature rolling bass hooks that defined Cypress Hill's sound before the group began experimenting with heavy metal. Deftly culled soul and Latin jazz samples provide a smooth backdrop for the intricate rhythms featured here. Refreshingly intelligent social concerns also find expression, with a tolerance that's rare indeed in the isolationism of rap. 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Whether you're simply sightseeing, enjoying temporary flights of fancy or considering a more permanent relocation, the all-new Spirit World Field Guide offers twenty-one insightful chapters of firsthand know-how into the terrain, wildlife, and social customs of our parallel universe. The narrator's vast expertise of multiple global entry points and various modes of interdimensional transport informs a rich tapestry of tips, tricks and tools to unfailingly aid in your ultimate survival. If you are among the countless individuals who find themselves feeling both dead and alive at the same time, the information contained within may serve as an invaluable asset to your journey. Godspeed and good luck.\" Those are the words of the album's narrator - an attempt to prepare listeners, both old and new, for a safe entry into the Spirit World. It's been a long road for Aesop Rock to get here, releasing a steady stream of impressive albums, singles, and collaborative projects that have continued to invigorate, solidify and grow his diverse fan base, but he shows no signs of slowing down or deviating from his path, constantly pushing his creative limits. Last year saw the release of Malibu Ken, a joint effort featuring the psychedelic and trippy sounds of producer Tobacco, providing a different type of intrigue for Aesop's descriptive, compelling, and often humorous, writing. Then, he kicked 2020 off with a hard-driving single, \"Rogue Wave\", followed not long after by Freedom Finger, which found Aesop immersing himself in the video game world that the music was written and produced for. And this year still has a few exciting releases on the horizon yet, including the infinite heroics of \"Long-Legged Larry\", a 20-year anniversary vinyl release of his debut album, Float, and now his brand new album, Spirit World Field Guide. Since his debut in the late nineties, Aesop Rock's writing has been of the highest caliber, but one thing that has continually evolved is his near-flawless and diverse flow, now perfectly infused with his personality and a gift for visual imagery. On Spirit World Field Guide, characters, inanimate objects, and their surrounding environments vividly come to life as Aesop describes each passing moment throughout the album's twenty-one chapters. Welcome to the Spirit World. Explore with intention. 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Produced by Ant. Additional cuts by Plain Ole Bill.\u003cbr\u003e\r\n•Guest features include: Stage One, St. Paul Slim, Muja Messiah, YZ, Brother Ali,\u003cbr\u003e\r\nToki Wright \u0026amp; Blueprint.\u003cbr\u003e\r\n•Re-issued after many years out of print.\u003cbr\u003e\r\n•First time available for worldwide distribution.\u003cbr\u003e\r\n•Catalog sales history over 2 million units.\u003cbr\u003e\r\n•Catalog streaming history over 1 billion streams.\u003cbr\u003e\r\n•Over 100 million views on official Atmosphere videos on YouTube.\u003c\/p\u003e\r\n\r\n\u003cp\u003eStrictly Leakage was a 2007 Christmas gift to fans in the form of a free download. The title was a nod to both leaking their own music as well as to the golden era hip-hop that inspired them. It sounded uniquely different from Atmosphere's recordings around this time. Ant was back digging into the funk \u0026amp; soul crates, producing sample driven tracks that sounded as if they were birthed alongside early hip-hop classics. Slug was rapping with a renewed passion, yet somehow sounded more casual and carefree, delivering endless wordplay with more technical rhyme patterns than their recent releases. Together, they created 13 exclusive songs that sounded as if they were having fun flexing different creative muscles without the pressure of any official album expectations – undoubtedly as rewarding an exercise for themselves as it was for the listeners. Soon after release, Strictly Leakage was briefly pressed on a limited run of vinyl and CD, but it wasn't long before they sold out, and fans were left chasing streams and digital files in order to hear it. 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If Kendrick Lamar felt pressure to continue living up to his previous output, there's no evidence on DAMN. He's too occupied tracing the spectrum of his mental states, from \"boxin' demons\" to \"flex on swole,\" questioning and reveling in his affluence, castigating and celebrating his bloodline, humble enough to relate his vulnerabilities, assured enough to proclaim \"Ain't none of y'all fuckin' with the flow.\" Throughout, he intensely examines most of the seven deadly sins, aware all along that his existence is threatened by anyone who objects to the color of his skin or clothes -- or, in the case of the blind stranger who shoots him during the album's opener, nothing that is apparent. Compared to the maximum-capacity, genre-twisting vastness and winding narratives of Good Kid, M.A.A.D. City and To Pimp a Butterfly, DAMN. on the surface seems like a comparatively simple rap album that demands less from the listener. There's relative concision in the track titles and material, and a greater emphasis on commercial sounds -- such as Mike WiLL's lean and piano-laced trap beat for the strong-arming \"HUMBLE.,\" Lamar's first Top Ten pop hit, and a couple productions that are merely functional backdrops lacking distinction. In a way, however, DAMN. is just as lavish and singular as the preceding albums, its quantity and weight of thoughts and connected concepts condensed into a considerably tighter space. It contains some of Lamar's best writing and performances, revealing his evolving complexity and versatility as a soul-baring lyricist and dynamic rapper. Although it's occasionally distorted, stretched, smeared, and reversed to compelling and imagination-fueling effect, his voice is at its most affecting in its many untreated forms. Take \"FEAR.,\" in which he switches between echoing hot-blooded parental threats to enumerating, with a 40-acre stare, various death scenarios. 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A series of killer mixtapes displayed his talent for thought-provoking street lyrics delivered with an attention-grabbing flow, and then there was his membership in the Black Hippy crew with his brethren Ab-Soul, Schoolboy Q, and Jay Rock all issuing solo releases that pleased the \"true hip-hop\" set, setting the stage for a massive fourth and final. Top it off with a pre-release XXL Magazine cover that he shared with his label boss and all-around legend Dr. Dre, and the \"biggest debut since Illmatic\" stuff starts to flow, but Good Kid, M.A.A.D. City would be a milestone even without the back-story, offering cool and compelling lyrics, great guests (Drake, Dr. Dre, and MC Eiht) and attractive production (from Pharrell, Just Blaze, Tabu, and others). Here, Kendrick is living his life like status and cash were extra credit. It is what makes this kid so \"good\" as he navigates his \"mad\" city (Compton) with experience and wisdom beyond his years (25). He's shamelessly bold about the allure of the trap, contrasting the sickness of his city with the universal feeling of getting homesick, and carrying a Springsteen-sized love for the home team. Course, in his gang-ruled city, N.W.A. was the home team, but as the truly beautiful, steeped-in-soul, biographic key track \"The Art of Peer Pressure\" finds a reluctant young Kendrick and his friends feeding off the life-force of Young Jeezy's debut album, it's something Clash, Public Enemy, and all other rebel music fans can relate to. Still, when he realizes that hero Jeezy must have risen above the game -- because the real playas are damned and never show their faces -- it spawns a kind of elevated gangsta rap that's as pimp-connectable as the most vicious Eazy-E, and yet poignant enough to blow the dust off any cracked soul. Equally heavy is the cautionary tale of drank dubbed \"Swimming Pools,\" yet that highlight is as hooky and hallucinatory as most Houston drank anthems, and breaks off into one of the chilling, cassette-quality interludes that connect the album, adding to the documentary or eavesdropping quality of it all. Soul children will experience d?j? vu when \"Poetic Justice\" slides by with its Janet Jackson sample -- sounding like it came off his Aunt's VHS copy of the movie it's named after -- while the closing \"Compton\" is an anthem sure to make the Game jealous, featuring Dre in beast mode, acting pre-Chronic and pre-Death Row. This journey through the concrete jungle of Compton is worth taking because of the artistic richness within, plus the attraction of a whip-smart rapper flying high during his rookie season. Any hesitation about the horror of it all is quickly wiped away by Kendrick's mix of true talk, open heart, open mind, and extended hand. 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You cannot begin to discuss New York rap lineage without drawing a line through the first decade of Gang Starr. Should history be corrected to appropriately acknowledge Gang Starr’s influence and brilliance, it will need an origin story. No More Mr. Nice Guy is that saga. It’s a hard ridge in a changing landscape, the sound of everything shifting, the kernel of greatness germinating. It is Guru and Preemo. Preemo and Guru. An essential title not just for what it would lead to, but because of what it is.\"\u003cbr\u003eTracks\u003cbr\u003e1 Premier \u0026amp; the Guru\u003cbr\u003e2 Jazz Music\u003cbr\u003e3 Gotch U\u003cbr\u003e4 Manifest\u003cbr\u003e5 Gusto\u003cbr\u003e6 DJ Premier in Deep Concentration\u003cbr\u003e7 Positivity\u003cbr\u003e8 Manifest\u003cbr\u003e9 Conscience Be Free\u003cbr\u003e10 Cause and Effect\u003cbr\u003e11 Knowledge\u003cbr\u003e12 Positivity\u003cbr\u003e13 Knowledge\u003cbr\u003e14 Positivity\u003cbr\u003e15 Her's the proof\u003cbr\u003e16The lesson\u003cbr\u003e17 Dedication\u003cbr\u003e18 Positivity (Remix)\u003cbr\u003e19 Manifest (Remix)\u003cbr\u003e20 Dedication (Dub Version)\u003cbr\u003e21Gusto (Instrumental)\u003cbr\u003e22 So What (Dub version)\u003cbr\u003eNo more Mr. nice guy (Return of the bass Version)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 12\/13\/2022\u003c\/li\u003e\n\u003cli\u003eReleased: 12\/13\/2022\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Gang Starr","offers":[{"title":"Default Title","offer_id":41901939163217,"sku":"JQZ1WO-OY59-AJ","price":30.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/gang-starr-no-more-mr-nice-guy-limited-edition-bonus-tracks-red-white-colored-vinyl-2-lp_d1xWV.png?v=1762470165"},{"product_id":"a-tribe-called-quest-a-tribe-called-quest-the-low-end-theory-vinyl","title":"A Tribe Called Quest THE LOW END THEORY [Vinyl]","description":"A Tribe Called Quest - A Tribe Called Quest THE LOW END THEORY [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 012414141811 \u003cbr\u003e\u003cp\u003eA Tribe Called Quest: Q-Tip, Phife (vocals); Ali Shaheed Muhammed (DJ).\u003cbr\u003eAdditional personnel includes: Ms. Vinia, Diamond D., Busta Rhymes, Charlie Brown, Brand Nubian, Lord Jammar, Sadat X (vocals); Ron Carter (bass).\u003cbr\u003eProducers: Skeff Anselm, A Tribe Called Quest.\u003cbr\u003eEngineers include: Bob Power, A Tribe Called Quest, Pete Christensen.\u003cbr\u003eRecorded at Greene Street Studios and Soundtrack Studios, New York, New York.\u003cbr\u003eWith their second album in 1991, they became serious contenders for Public Enemy's (until then) undisputed crown as hip-hop's cultural leaders. However, where their debut was propelled by a disparate array of samples, The Low-End Theory was built on a stricter musical doctrine - its spine provided by bebop jazz. Though jazz-rap crossover would become a staple of popular music in the mid-90s (Gang Starr, Jazzmatazz, etc.), this album played a substantial part in breaking down barriers between genres. 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Producers: DJ Premier, L.E.S., Pete Rock, Q-Tip, The Large Professor. Engineers include: Eddie Sancho, Jason Vogel, Jamey Staub. Recorded at Chung King Studios, D \u0026amp; D Recording and Battery Studios, New York, New York. Personnel: Nas, A.Z. (rap vocals); Olu Dara (trumpet). Producers: DJ Premier, L.E.S., NAS, Pete Rock, The Large Professor, Q-Tip. Engineers include: Eddie Sancho, Jamey Staub, Kevin Reynolds. Includes a bonus disc with select remixes. Personnel includes: Nas, AZ. Producers include: The Large Professor, Pete Rock, L.E.S., DJ Premier, Q-Tip. Out of a seemingly endless array of hip hop albums, every now and again something fresh and powerful rises to the top of the pile. Hailing from the Queensbridge Housing Projects in Long Island City (home to Marley Marl among others), 20-year old Nasir \"Nas\" Jones is less concerned with being an impersonator than with being an originator, bypassing adolescent fantasies and B-boy braggadocio in favor of jazzy beats, rap noir realism and new answers to urban despair. ILLMATIC is his story, a cautionary tale of the inner-city streets, and as Nas makes plain on his opener, \"The Genesis,\" this is what he does, with or without a record contract, and it's going to be served up straight, no chaser. And because Nas has the courage to transcend popular trends, to separate himself from the ranks of wannabes and me-toos, he may be on the verge of inaugurating some stylistic changes of his own. Production-wise, Nas has gathered together some of the superstars of the hip hop underground, producers the likes of Q-Tip, Pete Rock, L.E.S., DJ Premier and The Large Professor, but it is Nas's unique rhythmic cadences, his idiomatic sense of on-the-street wordplay, his disrespect for the high time and the empty rhyme that distinguishes ILLMATIC. When Nas rocks the mic, it's not a hedonist's wet dream, but a depiction of urban hope and despair, and thanks to Nas's poetic insights, he soon transports you there (in a manner seldom seen in black pop since the days of Stevie's INNERVISIONS and Marvin Gaye's WHAT'S GOIN' ON?).\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 04\/15\/2014\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Nas","offers":[{"title":"Default Title","offer_id":41917783801937,"sku":"8PLB8L-VLDB-00","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Nas-Illmatic-Xx_82WV0.jpg?v=1762470409"},{"product_id":"atmosphere-atmosphere-sevens-travels-vinyl","title":"Atmosphere Seven's Travels [Vinyl]","description":"Atmosphere - Atmosphere Seven's Travels [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 826257004611 \u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 09\/20\/2019\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Atmosphere","offers":[{"title":"Default Title","offer_id":41917787865169,"sku":"UC1V44-PW5O-00","price":35.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Atmosphere-Sevens-Travels_rG30y.jpg?v=1762470483"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/collections\/mf-doom-mmfood-20th-anniversary-edition-explicit-content_uH7N7.jpg?v=1764296545","url":"https:\/\/apocalypsevinyl.com\/collections\/cipher-crate-essentials.oembed?page=2","provider":"Apocalypse Vinyl","version":"1.0","type":"link"}