{"title":"Grunge","description":"\u003cp\u003eExplore Grunge at Apocalypse Vinyl on vinyl, CD and cassette, built from normalized Rock genre and subgenre data.\u003c\/p\u003e","products":[{"product_id":"silverchair-abuse-me-limited-edition-180-gram-vinyl-colored-vinyl-black-white-and-translucent-red-colored-vinyl-import-vinyl","title":"Abuse Me (Limited Edition, 180 Gram Vinyl, Colored Vinyl, Black, White, and Translucent Red Colored Vinyl) [Import] (Vinyl)","description":"\u003cp\u003e\u003cbr\u003eSIDE A\u003cbr\u003e1. ABUSE ME\t\u003cbr\u003eSIDE B\u003cbr\u003e1. UNDECIDED\u003cbr\u003e2. 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PUNK SONG #2\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Silverchair","offers":[{"title":"Default Title","offer_id":41885091889233,"sku":"G4ECYS-TAU7-00","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Silverchair-Freak-Limited-Edition-180-Gram-Vinyl-Colored-Vinyl-Orange-White-Marbled-Import_cdT5V.jpg?v=1762464838"},{"product_id":"pearl-jam-pearl-jam-ten-vinyl","title":"Pearl Jam Ten [Vinyl]","description":"Pearl Jam - Pearl Jam Ten [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 889853768714 \u003cbr\u003e\u003cp\u003ePearl Jam: Eddie Vedder (vocals); Mike McCreedy, Stone Gossard (guitar); Jeff Ament (bass); Dave Krusen (drums).Additional personnel: Walter Gray (cello); Rick Parashar (piano, organ, percussion).Engineers: Dave Hills, Don Gilmore, Adrian Moore.Recorded at London Bridge Studios, Seattle, Washington from March to April, 1991.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 11\/10\/2017\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Pearl Jam","offers":[{"title":"Default Title","offer_id":41885169942609,"sku":"BW077J-AIJO-00","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Pearl-Jam-Ten_wHj9v.jpg?v=1762464948"},{"product_id":"the-smashing-pumpkins-the-smashing-pumpkins-atum-indie-exclusive-vinyl","title":"The Smashing Pumpkins Atum (Indie Exclusive) [Vinyl]","description":"The Smashing Pumpkins - The Smashing Pumpkins Atum (Indie Exclusive) [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 793888105676 \u003cbr\u003e\u003cp\u003eATUM [Indie Exclusive Limited Edition 4LP w\/ Exclusive Inserts]\u003cbr\u003e\r\nArtist: Smashing Pumpkins\u003cbr\u003e\r\nFormat: Vinyl\u003cbr\u003e\r\nNew 4LP\u003c\/p\u003e\r\n\r\n\u003cp\u003eFormat: Vinyl\u003cbr\u003e\r\nLabel: Martha's Music\u003cbr\u003e\r\nRel. Date: 05\/05\/2023\u003cbr\u003e\r\nUPC: 793888105676\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 04\/21\/2023\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The Smashing Pumpkins","offers":[{"title":"Default Title","offer_id":41885196845137,"sku":"BHZCGC-5G92-00","price":91.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/The-Smashing-Pumpkins-Atum-Indie-Exclusive_pbWlR.png?v=1762465001"},{"product_id":"pearl-jam-pearl-jam-riot-act-vinyl","title":"Pearl Jam RIOT ACT [Vinyl]","description":"Pearl Jam - Pearl Jam RIOT ACT [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 889854091316 \u003cbr\u003e\u003cp\u003ePearl Jam: Eddie Vedder (vocals, guitar); Matt Cameron (guitar, drums, percussion); Mike McCready, Stone Gossard (guitar); Jeff Ament (bass).Additional personnel: Boom Gaspar (Fender Rhodes piano, Hammond B-3 organ); Adam Kasper (piano).Recorded at Studio X, Seattle, Washington.Emerging from a three-year hibernation, Pearl Jam returns with RIOT ACT, a hard-hitting collection of 15 cuts that finds the band leaving behind the experimental nuances of BINAURAL and YIELD. Instead, Eddie Vedder puts on his hair shirt as he takes on both inner and outer conflict amid ambiguity. Hitched to the twin-guitar might of Stone Gossard and Mike McCready, Vedder treats Dubya scornfully on the howling \"Bush Leaguer\" and manages to turn the camera inward on the waltz-flavored chaos of \"I Am Mine.\"The subtle presence of a humming keyboard on the driving \"Get Right\" is the sole concession to incorporating any contemporary nuance, and even then, howling guitars ensure this song remains firmly in the rock \u0026amp; roll camp. Other highlights include the thunderous \"Save You\" along with equally aggressive fret-driven tour de forces like \"Ghost\" and the slightly more ethereal \"You Are.\" As one of the few survivors of the early-'90s grunge movement, (along with the often overlooked Mudhoney), Pearl Jam has managed to weather the choppy seas of pop culture and emerged with musical chemistry as rock-solid as its convictions.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 11\/10\/2017\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Pearl Jam","offers":[{"title":"Default Title","offer_id":41885554311249,"sku":"HO9Q5W-WTSL-00","price":36.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Pearl-Jam-RIOT-ACT_r0xII.jpg?v=1762465161"},{"product_id":"alice-in-chains-alice-in-chains-facelift-2lp-vinyl","title":"Alice in Chains Facelift (2LP) [Vinyl]","description":"Alice in Chains - Alice in Chains Facelift (2LP) [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 194397838619 \u003cbr\u003e\u003cp\u003e\u003cb\u003e\u003cspan\u003eDescription:\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan\u003eTo celebrate the 30th anniversary of Alice In Chains debut studio album, \u003ci\u003eFacelift\u003c\/i\u003e, a standard black vinyl reissue with remastered audio will be released on November 13, 2020.  Not only did the album introduce the world to Layne Staley, Jerry Cantrell, Sean Kinney, and Mike Starr, it was also a pivotal album in the era of grunge music. \u003ci\u003eFacelift\u003c\/i\u003e has sold over 2 million copies in the US alone and includes the hits “Man in the Box,” “Bleed the Freak,” “We Die Young,” and “Sea of Sorrow.”\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan\u003eSide A\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan\u003e1.            We Die Young                  \u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan\u003e2.            Man in the Box                \u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan\u003e3.            Sea Of Sorrow                  \u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan\u003eSide B\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan\u003e4.            Bleed The Freak               \u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan\u003e5.            I Can't Remember                      \u003cwbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan\u003e6.            Love, Hate, Love                          \u003cwbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan\u003eSide C\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan\u003e7.            It Ain't Like That                          \u003cwbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan\u003e8.            Sunshine                      \u003cwbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan\u003e9.            Put You Down                  \u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan\u003eSide D\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan\u003e10.         Confusion                     \u003cwbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan\u003e11.         I Know Somethin (Bout You)       \u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan\u003e12.         Real Thing                         \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 11\/13\/2020\u003c\/li\u003e\n\u003cli\u003eUPC: 194397838619\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eLabel: Legacy\/Sony\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Alice in Chains","offers":[{"title":"Default Title","offer_id":41885586292817,"sku":"AZJW3F-3M8L-00","price":36.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/facelift-150-gram-vinyl-download-insert-2-lps_d4C7s.jpg?v=1762465179"},{"product_id":"alice-in-chains-alice-in-chains-dirt-indie-excl-opaque-yellow-2lp-vinyl","title":"Alice In Chains DIRT (INDIE EXCL. OPAQUE YELLOW 2LP) [Vinyl]","description":"Alice In Chains - Alice In Chains DIRT (INDIE EXCL. OPAQUE YELLOW 2LP) [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 194399867716 \u003cbr\u003e\u003cul\u003e\r\n\u003cli class=\"discnum\"\u003e- Disc 1 -\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e1\u003c\/span\u003e Them Bones\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e2\u003c\/span\u003e Dam That River\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e3\u003c\/span\u003e Rain When I Die\u003c\/li\u003e\r\n\u003cli class=\"discnum\"\u003e \u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e1\u003c\/span\u003e Down in a Hole\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e2\u003c\/span\u003e Sickman\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e3\u003c\/span\u003e Rooster\u003c\/li\u003e\r\n\u003cli class=\"discnum\"\u003e- Disc 2\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e1\u003c\/span\u003e Junkhead\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e2\u003c\/span\u003e Dirt\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e3\u003c\/span\u003e Untitled\u003c\/li\u003e\r\n\u003cli class=\"discnum\"\u003e \u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e1\u003c\/span\u003e Hate to Feel\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e2\u003c\/span\u003e Angry Chair\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e3\u003c\/span\u003e Would?\u003c\/li\u003e\r\n\u003c\/ul\u003e\u003cul\u003e\n\u003cli\u003eReleased: 11\/04\/2022\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Hard Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Alice In Chains","offers":[{"title":"Default Title","offer_id":41885781327953,"sku":"E72U9F-35BC-00","price":38.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Alice-In-Chains-DIRT-INDIE-EXCL-OPAQUE-YELLOW-2LP_0Yt0S.png?v=1759468924"},{"product_id":"pearl-jam-pearl-jam-no-code-1lp150g-vinyl","title":"Pearl Jam No Code (1LP\/150G) [Vinyl]","description":"Pearl Jam - Pearl Jam No Code (1LP\/150G) [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 194398891613 \u003cbr\u003e\u003cp\u003e\u003cstrong\u003e\u003cu\u003ePRODUCT DESCRIPTION:\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eTo celebrate the anniversary of \u003cem\u003eNo Code\u003c\/em\u003e, we are reissuing \u003cem\u003eNo Code\u003c\/em\u003e on 150-gram black vinyl. This is the first time the album has been available on the format since its original release. It features recreations of their original packaging, including the set of nine replica Polaroids\/lyric cards.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eThe 1996 sessions for \u003cem\u003eNo Code\u003c\/em\u003e featured longtime producer Brendan O'Brien (his third consecutive collaboration with the band) and drummer Jack Irons, who’d joined the band at the end of the \u003cem\u003eVitalogy\u003c\/em\u003e sessions. They explored new approaches to writing and recording, developing songs out of jam sessions and eschewing their stadium-grunge style for self-examining ballads, garage rock and even psychedelic sounds. \u003cem\u003eNo Code\u003c\/em\u003e became the band’s third consecutive No. 1 album, with lead single \"Who You Are\" topping Billboard’s Modern Rock chart.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eTRACK LIST:\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eSIDE A\u003cbr\u003e\r\n1. Sometimes\u003c\/p\u003e\r\n\r\n\u003cp\u003e2. Hail, Hail\u003c\/p\u003e\r\n\r\n\u003cp\u003e3. Who You Are\u003c\/p\u003e\r\n\r\n\u003cp\u003e4. In My Tree\u003c\/p\u003e\r\n\r\n\u003cp\u003e5. Smile\u003c\/p\u003e\r\n\r\n\u003cp\u003e6. Off He Goes\u003cbr\u003e\r\n\u003cbr\u003e\r\nSIDE B\u003cbr\u003e\r\n1. Habit\u003c\/p\u003e\r\n\r\n\u003cp\u003e2. Red Mosquito\u003c\/p\u003e\r\n\r\n\u003cp\u003e3. Lukin\u003c\/p\u003e\r\n\r\n\u003cp\u003e4. Present Tense\u003c\/p\u003e\r\n\r\n\u003cp\u003e5. Mankind\u003c\/p\u003e\r\n\r\n\u003cp\u003e6. I’m Open\u003c\/p\u003e\r\n\r\n\u003cp\u003e7. Around The Bend\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 08\/13\/2021\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eLabel: Epic\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Pearl Jam","offers":[{"title":"Default Title","offer_id":41886262984785,"sku":"T406C5-8ADF-00","price":36.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Pearl-Jam-No-Code-1LP150G_MKZan.jpg?v=1762465396"},{"product_id":"chris-cornell-chris-cornell-euphoria-mourninlp-vinyl","title":"Chris Cornell EUPHORIA MOURNIN(LP) [Vinyl]","description":"Chris Cornell - Chris Cornell EUPHORIA MOURNIN(LP) [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 602547408136 \u003cbr\u003e\u003cp\u003ePersonnel: Chris Cornell (vocals, guitar, harmonica); Alain Johannes (guitar, mandolin, clarinet, Theremin, bass, tabla, background vocals); Natasha Shneider (piano, organ, keyboards, bass, tympani, tambourine, background vocals); Ric Markmann, Jason Falkner (bass); Greg Upchurch, Josh Freese, Bill Rieflin, Matt Cameron (drums). Producers: Chris Cornell, Natasha Shneider, Alain Johannes. Principally recorded at 11AD, Los Angeles, California. \"Can't Change Me\" was nominated for the 2000 Grammy Award for Best Male Rock Vocal Performance. On his solo debut, Chris Cornell teamed with two-thirds of Eleven (Nastasha Shneider and Alain Johannes, who both also co-produced the album) for a record that allowed him to hang up the rock-god mantle in favor of more sensitive and experimental pursuits. Self-admittedly striving for the diversity of the Beatles, Cornell has succeeded in making music that breathes the same kind of emotion with a healthy '90s updating. Songs such as \"Follow My Way\" and \"Can't Change Me\" find the former Soundgarden frontman tossing Indian flourishes into the mix while \"When I'm Down\" is delivered with the kind of elan that says even grunge-gods have soul. Elsewhere, Cornell dips a toe into the sounds of his youth by including the murky \"Mission\" and more ethereal \"Pillow of Your Dreams,\" a pair of tracks guaranteed to hearten fans of his former group. 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Out of print in any physical format for 30 years (!), here is their Reprise mini-LP for all to devour in real-time and roll in it's naked glory. Initially recorded by the band as an offering for their fans to devour while they were between full-length albums, the majority of Five Dollar was recorded in one short, inspired burst on August 1, 1993, between the hours of 9:30 and 10:15 PM (with friend and Fastback Kur(d)t Bloch egging them on from the production booth). They smashed this out in just 45 minutes.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIt might be the band at their most 'Stooge-esque' since there is no flowery imagery; nothing to misinterpret; just in-your-face blunt despair (in that department, Black Flag's Damaged LP comes to mind, especially in Mudhoney's gleefully punishing highlight: 'No Song III'). Within two seconds of any of these songs hitting your mind (maybe even within one second), you knew it could only be Mudhoney. 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Nirvana's headlining appearance at the 1992 Reading Festival is one of these shows, a concert that arrived at precisely the right moment and stands as testament to a band at the peak of its powers...and right before things started to turn sour within the Nirvana camp. Despite the happy news of the birth of Frances Bean Cobain a mere 12 days before this August 30 festival, rumors swirled around Nirvana right up until the band hit the stage. Kurt Cobain took full advantage of these scurrilous stories, making his entrance in a hospital gown and wheelchair pushed by journalist Everett True. Cobain feebly reached for the microphone to croak out the opening lines of \"The Rose,\" only to collapse onto the stage, milking the drama for a moment before leading Krist Novoselic and Dave Grohl through a ferocious \"Breed.\" This impish sense of humor has been obscured over the years, lost under the weight of the band's tragic legacy, along with the fact that Nirvana could actually be fun as well as furious. Live at Reading brings all this roaring back. This is Nirvana's purest blast of rock \u0026amp; roll: there's a boundless, invigorating energy here and, just as importantly, there's a sense of joy to the performances, a joy that bubbles to the surface when Kurt laughs during the intro of \"Sliver\" but can be heard throughout the show, as the band rushes in tandem, pushing the tempos on \"Aneurysm\" and \"Territorial Pissings,\" ebbing and flowing as one. Hints of this could be heard on the live comp From the Muddy Banks of the Wishkah, but this is a complete document of Nirvana in full flight and one of the greatest live rock \u0026amp; roll albums ever. ~ Stephen Thomas Erlewine\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 5\/26\/2015\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Nirvana","offers":[{"title":"Default Title","offer_id":41979430469713,"sku":"Q44D8E-DBCD-00","price":42.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Nirvana-LIVE-AT-READING-LP_YMBg3.jpg?v=1762471452"},{"product_id":"nirvana-nirvana-live-on-air-1987-vinyl","title":"Nirvana Live On Air 1987 [Vinyl]","description":"Nirvana - Nirvana Live On Air 1987 [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 8717662574351 \u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 1\/1\/1980\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Nirvana","offers":[{"title":"Default Title","offer_id":41979430928465,"sku":"IX4NL1-N9ES-00","price":21.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Nirvana-Live-On-Air-1987_prGr1.jpg?v=1759470578"},{"product_id":"love-battery-confusion-au-go-go-vinyl","title":"Confusion Au Go Go (Vinyl)","description":"Love Battery - Confusion Au Go Go (Vinyl) \u003cbr\u003eBarcode: 8435008876166 \u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 7\/14\/23\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Love Battery","offers":[{"title":"Default Title","offer_id":41992405909585,"sku":"TFZV53-OLA7-8O","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/love-battery-confusion-au-go-go_zmCph.jpg?v=1762472078"},{"product_id":"lilac-lilac-ep-vinyl","title":"Lilac EP (Vinyl)","description":"\u003cp\u003eFuzzed-out, jangly grunge-pop dreaminess from SF's Lilac, new project from guitarist of local favorites Bridez. Distorted guitars strummed under dual male\/female vocals, distant organ haze fluttering about, amp melting leads sailing over bratty lyrics and pure punk rock attitude, all thrown together into a super catchy 90's ecstasy\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat Detail: Vinyl\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Lilac","offers":[{"title":"Default Title","offer_id":42013169123409,"sku":"PFHFKZ-LT1Y-L3","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/lilac-lilac-ep_yeAkG.jpg?v=1762477824"},{"product_id":"headswim-flood-purple-neon-banana-yellow-vinyl-vinyl","title":"Flood (PURPLE NEON \u0026 BANANA YELLOW VINYL) (Vinyl)","description":"Headswim - Flood (PURPLE NEON \u0026amp; BANANA YELLOW VINYL) (Vinyl) \u003cbr\u003eBarcode: 5055869548328 \u003cbr\u003e\u003cp\u003eFirst time available for the USA. Gatefold 2LP (purple neon vinyl \/ banana yellow bonus disc) with photo lyric insert + special #redux notes\u003c\/p\u003e\u003cp\u003eTrapped Animal is pleased to announce the return of 90's legends Headswim! We present a reissue of their seminal psych-grunge masterpiece, Flood. Pressed on 180G, Double Vinyl Gatefold with photo lyric insert all printed on uncoated card, this is an absolutely stunning package that truly matches the timeless quality of the songs it houses. Flood #Redux - Headswim's seminal 1994 Psych-Grunge masterpiece gets its first reissue since the original 1994 pressing. A highly sought after record and produced with mountains of love between label and artists. \u003c\/p\u003e\u003cp\u003eIncludes previously unreleased BBC sessions, and bonus material from the Flood era.\u003c\/p\u003e\u003cp\u003eA1. Gone To Pot \r A2. Soup \r A3. Try Disappointed \r A4. Crawl \r A5. Dead \r A6. Years On Me\r B1. Apple Of My Eye\r B2. Down \r B3. Stinkhorn \r B4. Safe Harvest \r B5. Beneath A Black Moon\r C1. Rolling Intro \r C2. Gone To Pot (BBC R1 Rock Show) \r C3. Stinkhorn (BBC R1 Rock Show) \r C4. Try Disappointed (BBCR1 Rock Show) \r C5. Beneath a Black Moon (BBC R1 Rock Show) \r C6. The Fear\r D1. Apprenticed to Pain \r D2. Morning Song \r D3. Rotting Tooth \r D4. Proud \r D5. Precipity Flood\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 8\/11\/23\u003c\/li\u003e\n\u003cli\u003eFormat Detail: 2LP 180g Purple Neon \u0026amp; Banana Yellow Vinyl, Gatefold Sleeve, Photo Lyric Insert, #redux Notes\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Headswim","offers":[{"title":"Default Title","offer_id":42026289889361,"sku":"IZH8L3-HHAJ-M6","price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/headswim-flood-purple-neon-banana-yellow-vinyl_l6fSK.jpg?v=1762482007"},{"product_id":"stone-temple-pilots-tiny-music-songs-from-the-vatican-gift-shop-super-deluxe-edition3cd1lp-vinyl","title":"Tiny Music... Songs From The Vatican Gift Shop (Super Deluxe Edition)(3CD)(1LP) (Vinyl)","description":"Stone Temple Pilots - Tiny Music... Songs From The Vatican Gift Shop (Super Deluxe Edition)(3CD)(1LP) (Vinyl) \u003cbr\u003eBarcode: 603497844357 \u003cbr\u003e\u003cp\u003eTiny Music... Songs From The Vatican Gift Shop (Super Deluxe Edition)(3CD)(1LP) - This 3-CD\/1-LP set includes a newly remastered version of the original studio album on both CD and vinyl, plus unreleased early versions, instrumentals, and alternate takes along with a complete concert recording from 1997. - This 3-CD\/1-LP set includes a newly remastered version of the original studio album on both CD and vinyl, plus unreleased early versions, instrumentals, and alternate takes along with a complete concert recording from 1997. 3CD\/1LP. A dominant force in rock music since the early ‘90s, Stone Temple Pilots proved to be one of the most accomplished and iconic bands of their generation, racking up 15 Billboard Top 10 singles - 6 of which hit #1 - and total sales in excess of 35 million albums worldwide. The California-based band went on hiatus in 2002, following the release of the critically acclaimed Shangri-La Dee Da, ultimately reuniting for a massive 2008 concert tour encompassing more than 65 dates across North America. Among their many accolades, Stone Temple Pilots received a \"Best Hard Rock Performance with Vocal\" Grammy Award for their #1 Mainstream Rock smash, \"Plush.\" Other honors bestowed upon the band over the years include additional Grammy award nominations, two American Music Awards, one Billboard Music Award, two Billboard Video Awards, and an MTV Video Music Award. DEETS: Super Deluxe Edition Vinyl LP 3CD Newly Remastered Studio Album (CD \u0026amp; Vinyl) Unreleased Early Versions, Instrumentals, \u0026amp; Alternate Takes Complete Concert Recording - Live At Club la Vela, 1997 TINY MUSIC: SONGS FROM THE VATICAN GIFT SHOP (Super Deluxe Edition)(3CD)(1LP)\u003cbr\u003e\r\nGTIN: 0603497844357\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eRelease-Date: : 07\/21\/2021\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stone Temple Pilots","offers":[{"title":"Default Title","offer_id":42036209713233,"sku":"2T5IP3-2Z61-00","price":87.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Stone-Temple-Pilots-Tiny-Music-Songs-From-The-Vatican-Gift-Shop-Super-Deluxe-Edition3CD1LP_Vhzcm.jpg?v=1759479181"},{"product_id":"the-fluid-the-fluid-clear-black-paper-yellow-vinyl","title":"The Fluid - Clear Black Paper (Yellow) [Vinyl]","description":"The Fluid - The Fluid - Clear Black Paper (Yellow) [Vinyl] \u003cbr\u003eBarcode: 098787162806 \u003cbr\u003e\u003cbr\u003e\u003cp\u003eClear Black Paper is The Fluid's second album, originally released in 1988, and now back on vinyl! The Fluid are arguably the great unsung band from the fertile underground rock scene of the late '80s and early '90s. The Denver five-piece - John Robinson (vocals), James Clower (guitar), Matt Bischoff (bass), Garrett Shavlik (drums), and the dear departed Ricky Kulwicki (guitar) - fused the fire of '80s hardcore with crunching Detroit protopunk, '60s garage rock, and '70s rock swagger. Think MC5, Faces, '70s Stones, all cranked up and really high on Sex Pistols and Black Flag singles. Rising from the ashes of early-'80s Denver bands Frantix (whose \"My Dad's a F***in' Alcoholic\" is a true gem of American punk) and White Trash, The Fluid were the first non-Seattle band to sign to Sub Pop, and Clear Black Paper was the second full-length album the label ever released. The label honchos were fans of Frantix, and happily got involved with The Fluid when the opportunity arose via the label's European licensing partner, Glitterhouse. Witnessing The Fluid's dominant live presence helped - a particularly fiery early show at Seattle's Central Tavern featured The Fluid, Mudhoney, Mother Love Bone, and Soundgarden all trying to outdo one another on stage. The band fit right in on Sub Pop's nascent roster of acts who, wherever they stood on the spectrum of punk\/rock\/metal, shared a commitment to thunderous riffs and explosive live shows. Legendary for their ferocious stage presence, The Fluid toured all over the US and Europe, holding their own and then some on bills with Mudhoney, Nirvana, Soundgarden, Dinosaur Jr., and other powerhouses of the era. From 1986 to 1993, The Fluid put out four albums and a number of EPs and singles, including a split 7\" with Nirvana in 1991, before doing one album for a major label and promptly disbanding. Yet, while their partners-in-crime bulldozed into the mainstream, The Fluid remained something of a cult band, their audience confined to those who got hip during the band's existence, and crate diggers who nabbed original vinyl or CDs, which had quickly become rarities after selling through their original runs. Why? Record industry machinations? The fickle finger of pop culture? Being from Denver, not Seattle? Who the hell knows... and who cares! The point is the band ripped, and the world deserves to hear them again. The Fluid took influences they shared with their contemporaries and ran in their own direction, focused on ass-shaking grooves more than misanthropic sludge. Rock anthems like \"Cold Outside\" sit alongside Stooge-oid rhythmic poundings (\"Black Glove\"), bluesy romps (\"Leave It\"), the occasional grungy dirge (\"Wasted Time\"), and raw punk bangers (\"Is It Day I'm Seeing?\" from the seminal 1988 Sub Pop 200 compilation). The band wasn't shy about their inspiration, either: scattered through their catalog are covers of The Troggs, The Rolling Stones, MC5, Iggy Pop and James Williamson, and Rare Earth. The Fluid stand out as champions of a feral, urgent, exuberant approach to rock 'n roll. As it turns out, that wasn't a recipe for stardom in the era of hyper-slick pop, boomer dinosaurs crying tears in heaven, and hair-metal power-ballads. But someone had to do it. To set things right, Sub Pop, The Fluid, and producer Jack Endino (Nirvana, Soundgarden, High on Fire, Mudhoney) teamed up to refresh and reissue The Fluid's entire indie-label catalog: their 1986 debut, Punch N Judy; 1988's Clear Black Paper; 1989's Roadmouth; the 1990 Glue EP (produced by Butch Vig, of Nevermind fame); and a treasure trove of rarities and previously unreleased material. All the music has been remastered from original tapes by Endino and JJ Golden, and the bulk of it has been meticulously remixed by Endino and the band, righting some sonic quirks that diminished the impact of the original records. 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The Fluid are arguably the great unsung band from the fertile underground rock scene of the late '80s and early '90s. The Denver five-piece - John Robinson (vocals), James Clower (guitar), Matt Bischoff (bass), Garrett Shavlik (drums), and the dear departed Ricky Kulwicki (guitar) - fused the fire of '80s hardcore with crunching Detroit protopunk, '60s garage rock, and '70s rock swagger. Think MC5, Faces, '70s Stones, all cranked up and really high on Sex Pistols and Black Flag singles. Rising from the ashes of early-'80s Denver bands Frantix (whose \"My Dad's a F***in' Alcoholic\" is a true gem of American punk) and White Trash, The Fluid were the first non-Seattle band to sign to Sub Pop, and Clear Black Paper was the second full-length album the label ever released. The label honchos were fans of Frantix, and happily got involved with The Fluid when the opportunity arose via the label's European licensing partner, Glitterhouse. Witnessing The Fluid's dominant live presence helped - a particularly fiery early show at Seattle's Central Tavern featured The Fluid, Mudhoney, Mother Love Bone, and Soundgarden all trying to outdo one another on stage. The band fit right in on Sub Pop's nascent roster of acts who, wherever they stood on the spectrum of punk\/rock\/metal, shared a commitment to thunderous riffs and explosive live shows. Legendary for their ferocious stage presence, The Fluid toured all over the US and Europe, holding their own and then some on bills with Mudhoney, Nirvana, Soundgarden, Dinosaur Jr., and other powerhouses of the era. From 1986 to 1993, The Fluid put out four albums and a number of EPs and singles, including a split 7\" with Nirvana in 1991, before doing one album for a major label and promptly disbanding. Yet, while their partners-in-crime bulldozed into the mainstream, The Fluid remained something of a cult band, their audience confined to those who got hip during the band's existence, and crate diggers who nabbed original vinyl or CDs, which had quickly become rarities after selling through their original runs. Why? Record industry machinations? The fickle finger of pop culture? Being from Denver, not Seattle? Who the hell knows... and who cares! The point is the band ripped, and the world deserves to hear them again. The Fluid took influences they shared with their contemporaries and ran in their own direction, focused on ass-shaking grooves more than misanthropic sludge. Rock anthems like \"Cold Outside\" sit alongside Stooge-oid rhythmic poundings (\"Black Glove\"), bluesy romps (\"Leave It\"), the occasional grungy dirge (\"Wasted Time\"), and raw punk bangers (\"Is It Day I'm Seeing?\" from the seminal 1988 Sub Pop 200 compilation). The band wasn't shy about their inspiration, either: scattered through their catalog are covers of The Troggs, The Rolling Stones, MC5, Iggy Pop and James Williamson, and Rare Earth. The Fluid stand out as champions of a feral, urgent, exuberant approach to rock 'n roll. As it turns out, that wasn't a recipe for stardom in the era of hyper-slick pop, boomer dinosaurs crying tears in heaven, and hair-metal power-ballads. But someone had to do it. To set things right, Sub Pop, The Fluid, and producer Jack Endino (Nirvana, Soundgarden, High on Fire, Mudhoney) teamed up to refresh and reissue The Fluid's entire indie-label catalog: their 1986 debut, Punch N Judy; 1988's Clear Black Paper; 1989's Roadmouth; the 1990 Glue EP (produced by Butch Vig, of Nevermind fame); and a treasure trove of rarities and previously unreleased material. All the music has been remastered from original tapes by Endino and JJ Golden, and the bulk of it has been meticulously remixed by Endino and the band, righting some sonic quirks that diminished the impact of the original records. 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The Fluid are arguably the great unsung band from the fertile underground rock scene of the late '80s and early '90s. The Denver five-piece - John Robinson (vocals), James Clower (guitar), Matt Bischoff (bass), Garrett Shavlik (drums), and the dear departed Ricky Kulwicki (guitar) - fused the fire of '80s hardcore with crunching Detroit protopunk, '60s garage rock, and '70s rock swagger. Think MC5, Faces, '70s Stones, all cranked up and really high on Sex Pistols and Black Flag singles. Rising from the ashes of early-'80s Denver bands Frantix (whose \"My Dad's a F***in' Alcoholic\" is a true gem of American punk) and White Trash, The Fluid were the first non-Seattle band to sign to Sub Pop, and Clear Black Paper was the second full-length album the label ever released. The label honchos were fans of Frantix, and happily got involved with The Fluid when the opportunity arose via the label's European licensing partner, Glitterhouse. Witnessing The Fluid's dominant live presence helped - a particularly fiery early show at Seattle's Central Tavern featured The Fluid, Mudhoney, Mother Love Bone, and Soundgarden all trying to outdo one another on stage. The band fit right in on Sub Pop's nascent roster of acts who, wherever they stood on the spectrum of punk\/rock\/metal, shared a commitment to thunderous riffs and explosive live shows. Legendary for their ferocious stage presence, The Fluid toured all over the US and Europe, holding their own and then some on bills with Mudhoney, Nirvana, Soundgarden, Dinosaur Jr., and other powerhouses of the era. From 1986 to 1993, The Fluid put out four albums and a number of EPs and singles, including a split 7\" with Nirvana in 1991, before doing one album for a major label and promptly disbanding. Yet, while their partners-in-crime bulldozed into the mainstream, The Fluid remained something of a cult band, their audience confined to those who got hip during the band's existence, and crate diggers who nabbed original vinyl or CDs, which had quickly become rarities after selling through their original runs. Why? Record industry machinations? The fickle finger of pop culture? Being from Denver, not Seattle? Who the hell knows... and who cares! The point is the band ripped, and the world deserves to hear them again. The Fluid took influences they shared with their contemporaries and ran in their own direction, focused on ass-shaking grooves more than misanthropic sludge. Rock anthems like \"Cold Outside\" sit alongside Stooge-oid rhythmic poundings (\"Black Glove\"), bluesy romps (\"Leave It\"), the occasional grungy dirge (\"Wasted Time\"), and raw punk bangers (\"Is It Day I'm Seeing?\" from the seminal 1988 Sub Pop 200 compilation). The band wasn't shy about their inspiration, either: scattered through their catalog are covers of The Troggs, The Rolling Stones, MC5, Iggy Pop and James Williamson, and Rare Earth. The Fluid stand out as champions of a feral, urgent, exuberant approach to rock 'n roll. As it turns out, that wasn't a recipe for stardom in the era of hyper-slick pop, boomer dinosaurs crying tears in heaven, and hair-metal power-ballads. But someone had to do it. To set things right, Sub Pop, The Fluid, and producer Jack Endino (Nirvana, Soundgarden, High on Fire, Mudhoney) teamed up to refresh and reissue The Fluid's entire indie-label catalog: their 1986 debut, Punch N Judy; 1988's Clear Black Paper; 1989's Roadmouth; the 1990 Glue EP (produced by Butch Vig, of Nevermind fame); and a treasure trove of rarities and previously unreleased material. All the music has been remastered from original tapes by Endino and JJ Golden, and the bulk of it has been meticulously remixed by Endino and the band, righting some sonic quirks that diminished the impact of the original records. 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The Fluid are arguably the great unsung band from the fertile underground rock scene of the late '80s and early '90s. The Denver five-piece - John Robinson (vocals), James Clower (guitar), Matt Bischoff (bass), Garrett Shavlik (drums), and the dear departed Ricky Kulwicki (guitar) - fused the fire of '80s hardcore with crunching Detroit protopunk, '60s garage rock, and '70s rock swagger. Think MC5, Faces, '70s Stones, all cranked up and really high on Sex Pistols and Black Flag singles. Rising from the ashes of early-'80s Denver bands Frantix (whose \"My Dad's a F***in' Alcoholic\" is a true gem of American punk) and White Trash, The Fluid were the first non-Seattle band to sign to Sub Pop, and Clear Black Paper was the second full-length album the label ever released. The label honchos were fans of Frantix, and happily got involved with The Fluid when the opportunity arose via the label's European licensing partner, Glitterhouse. Witnessing The Fluid's dominant live presence helped - a particularly fiery early show at Seattle's Central Tavern featured The Fluid, Mudhoney, Mother Love Bone, and Soundgarden all trying to outdo one another on stage. The band fit right in on Sub Pop's nascent roster of acts who, wherever they stood on the spectrum of punk\/rock\/metal, shared a commitment to thunderous riffs and explosive live shows. Legendary for their ferocious stage presence, The Fluid toured all over the US and Europe, holding their own and then some on bills with Mudhoney, Nirvana, Soundgarden, Dinosaur Jr., and other powerhouses of the era. From 1986 to 1993, The Fluid put out four albums and a number of EPs and singles, including a split 7\" with Nirvana in 1991, before doing one album for a major label and promptly disbanding. Yet, while their partners-in-crime bulldozed into the mainstream, The Fluid remained something of a cult band, their audience confined to those who got hip during the band's existence, and crate diggers who nabbed original vinyl or CDs, which had quickly become rarities after selling through their original runs. Why? Record industry machinations? The fickle finger of pop culture? Being from Denver, not Seattle? Who the hell knows... and who cares! The point is the band ripped, and the world deserves to hear them again. The Fluid took influences they shared with their contemporaries and ran in their own direction, focused on ass-shaking grooves more than misanthropic sludge. Rock anthems like \"Cold Outside\" sit alongside Stooge-oid rhythmic poundings (\"Black Glove\"), bluesy romps (\"Leave It\"), the occasional grungy dirge (\"Wasted Time\"), and raw punk bangers (\"Is It Day I'm Seeing?\" from the seminal 1988 Sub Pop 200 compilation). The band wasn't shy about their inspiration, either: scattered through their catalog are covers of The Troggs, The Rolling Stones, MC5, Iggy Pop and James Williamson, and Rare Earth. The Fluid stand out as champions of a feral, urgent, exuberant approach to rock 'n roll. As it turns out, that wasn't a recipe for stardom in the era of hyper-slick pop, boomer dinosaurs crying tears in heaven, and hair-metal power-ballads. But someone had to do it. To set things right, Sub Pop, The Fluid, and producer Jack Endino (Nirvana, Soundgarden, High on Fire, Mudhoney) teamed up to refresh and reissue The Fluid's entire indie-label catalog: their 1986 debut, Punch N Judy; 1988's Clear Black Paper; 1989's Roadmouth; the 1990 Glue EP (produced by Butch Vig, of Nevermind fame); and a treasure trove of rarities and previously unreleased material. All the music has been remastered from original tapes by Endino and JJ Golden, and the bulk of it has been meticulously remixed by Endino and the band, righting some sonic quirks that diminished the impact of the original records. Now, with their definitive material sounding better than ever, it's high time The Fluid get their due.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 12\/06\/2024\u003c\/li\u003e\n\u003cli\u003eUPC: 098787156706\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eLabel: Sub Pop\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The Fluid","offers":[{"title":"Default Title","offer_id":42070989766737,"sku":"OWEGQ3-G7HQ-01","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/punch-n-judy-blue_d6kju.jpg?v=1759480416"},{"product_id":"alice-in-chains-facelift-cd","title":"Facelift (CD)","description":"\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 05\/12\/2015\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Alice in Chains","offers":[{"title":"Default Title","offer_id":42087422132305,"sku":"A6XPOI-PA02-00","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Alice-in-Chains-Facelift_Kdf97.jpg?v=1759485068"},{"product_id":"the-fluid-punch-n-judy-blue-vinyl","title":"Punch N Judy (Blue) (Vinyl)","description":"\u003cp\u003ePunch N Judy is The Fluid's debut album, originally released in 1986, and now, finally, back in print on vinyl! The Fluid are arguably the great unsung band from the fertile underground rock scene of the late '80s and early '90s. The Denver five-piece - John Robinson (vocals), James Clower (guitar), Matt Bischoff (bass), Garrett Shavlik (drums), and the dear departed Ricky Kulwicki (guitar) - fused the fire of '80s hardcore with crunching Detroit protopunk, '60s garage rock, and '70s rock swagger. Think MC5, Faces, '70s Stones, all cranked up and really high on Sex Pistols and Black Flag singles. Rising from the ashes of early-'80s Denver bands Frantix (whose \"My Dad's a F***in' Alcoholic\" is a true gem of American punk) and White Trash, The Fluid were the first non-Seattle band to sign to Sub Pop, and Clear Black Paper was the second full-length album the label ever released. The label honchos were fans of Frantix, and happily got involved with The Fluid when the opportunity arose via the label's European licensing partner, Glitterhouse. Witnessing The Fluid's dominant live presence helped - a particularly fiery early show at Seattle's Central Tavern featured The Fluid, Mudhoney, Mother Love Bone, and Soundgarden all trying to outdo one another on stage. The band fit right in on Sub Pop's nascent roster of acts who, wherever they stood on the spectrum of punk\/rock\/metal, shared a commitment to thunderous riffs and explosive live shows. Legendary for their ferocious stage presence, The Fluid toured all over the US and Europe, holding their own and then some on bills with Mudhoney, Nirvana, Soundgarden, Dinosaur Jr., and other powerhouses of the era. From 1986 to 1993, The Fluid put out four albums and a number of EPs and singles, including a split 7\" with Nirvana in 1991, before doing one album for a major label and promptly disbanding. Yet, while their partners-in-crime bulldozed into the mainstream, The Fluid remained something of a cult band, their audience confined to those who got hip during the band's existence, and crate diggers who nabbed original vinyl or CDs, which had quickly become rarities after selling through their original runs. Why? Record industry machinations? The fickle finger of pop culture? Being from Denver, not Seattle? Who the hell knows... and who cares! The point is the band ripped, and the world deserves to hear them again. The Fluid took influences they shared with their contemporaries and ran in their own direction, focused on ass-shaking grooves more than misanthropic sludge. Rock anthems like \"Cold Outside\" sit alongside Stooge-oid rhythmic poundings (\"Black Glove\"), bluesy romps (\"Leave It\"), the occasional grungy dirge (\"Wasted Time\"), and raw punk bangers (\"Is It Day I'm Seeing?\" from the seminal 1988 Sub Pop 200 compilation). The band wasn't shy about their inspiration, either: scattered through their catalog are covers of The Troggs, The Rolling Stones, MC5, Iggy Pop and James Williamson, and Rare Earth. The Fluid stand out as champions of a feral, urgent, exuberant approach to rock 'n roll. As it turns out, that wasn't a recipe for stardom in the era of hyper-slick pop, boomer dinosaurs crying tears in heaven, and hair-metal power-ballads. But someone had to do it. To set things right, Sub Pop, The Fluid, and producer Jack Endino (Nirvana, Soundgarden, High on Fire, Mudhoney) teamed up to refresh and reissue The Fluid's entire indie-label catalog: their 1986 debut, Punch N Judy; 1988's Clear Black Paper; 1989's Roadmouth; the 1990 Glue EP (produced by Butch Vig, of Nevermind fame); and a treasure trove of rarities and previously unreleased material. All the music has been remastered from original tapes by Endino and JJ Golden, and the bulk of it has been meticulously remixed by Endino and the band, righting some sonic quirks that diminished the impact of the original records. 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The Denver five-piece - John Robinson (vocals), James Clower (guitar), Matt Bischoff (bass), Garrett Shavlik (drums), and the dear departed Ricky Kulwicki (guitar) - fused the fire of '80s hardcore with crunching Detroit protopunk, '60s garage rock, and '70s rock swagger. Think MC5, Faces, '70s Stones, all cranked up and really high on Sex Pistols and Black Flag singles. Rising from the ashes of early-'80s Denver bands Frantix (whose \"My Dad's a F***in' Alcoholic\" is a true gem of American punk) and White Trash, The Fluid were the first non-Seattle band to sign to Sub Pop, and Clear Black Paper was the second full-length album the label ever released. The label honchos were fans of Frantix, and happily got involved with The Fluid when the opportunity arose via the label's European licensing partner, Glitterhouse. Witnessing The Fluid's dominant live presence helped - a particularly fiery early show at Seattle's Central Tavern featured The Fluid, Mudhoney, Mother Love Bone, and Soundgarden all trying to outdo one another on stage. The band fit right in on Sub Pop's nascent roster of acts who, wherever they stood on the spectrum of punk\/rock\/metal, shared a commitment to thunderous riffs and explosive live shows. Legendary for their ferocious stage presence, The Fluid toured all over the US and Europe, holding their own and then some on bills with Mudhoney, Nirvana, Soundgarden, Dinosaur Jr., and other powerhouses of the era. From 1986 to 1993, The Fluid put out four albums and a number of EPs and singles, including a split 7\" with Nirvana in 1991, before doing one album for a major label and promptly disbanding. Yet, while their partners-in-crime bulldozed into the mainstream, The Fluid remained something of a cult band, their audience confined to those who got hip during the band's existence, and crate diggers who nabbed original vinyl or CDs, which had quickly become rarities after selling through their original runs. Why? Record industry machinations? The fickle finger of pop culture? Being from Denver, not Seattle? Who the hell knows... and who cares! The point is the band ripped, and the world deserves to hear them again. The Fluid took influences they shared with their contemporaries and ran in their own direction, focused on ass-shaking grooves more than misanthropic sludge. Rock anthems like \"Cold Outside\" sit alongside Stooge-oid rhythmic poundings (\"Black Glove\"), bluesy romps (\"Leave It\"), the occasional grungy dirge (\"Wasted Time\"), and raw punk bangers (\"Is It Day I'm Seeing?\" from the seminal 1988 Sub Pop 200 compilation). The band wasn't shy about their inspiration, either: scattered through their catalog are covers of The Troggs, The Rolling Stones, MC5, Iggy Pop and James Williamson, and Rare Earth. The Fluid stand out as champions of a feral, urgent, exuberant approach to rock 'n roll. As it turns out, that wasn't a recipe for stardom in the era of hyper-slick pop, boomer dinosaurs crying tears in heaven, and hair-metal power-ballads. But someone had to do it. To set things right, Sub Pop, The Fluid, and producer Jack Endino (Nirvana, Soundgarden, High on Fire, Mudhoney) teamed up to refresh and reissue The Fluid's entire indie-label catalog: their 1986 debut, Punch N Judy; 1988's Clear Black Paper; 1989's Roadmouth; the 1990 Glue EP (produced by Butch Vig, of Nevermind fame); and a treasure trove of rarities and previously unreleased material. All the music has been remastered from original tapes by Endino and JJ Golden, and the bulk of it has been meticulously remixed by Endino and the band, righting some sonic quirks that diminished the impact of the original records. Now, with their definitive material sounding better than ever, it's high time The Fluid get their due.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eLabel: Sub Pop\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The Fluid","offers":[{"title":"Default Title","offer_id":42159943286865,"sku":"FKRAUE-E722-00","price":25.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/glue-silver_78TBf_7bd3aa51-b5d9-4519-a894-6bcf875b4071.jpg?v=1759489579"},{"product_id":"the-fluid-clear-black-paper-yellow-vinyl","title":"Clear Black Paper (Yellow) (Vinyl)","description":"\u003cp\u003eClear Black Paper is The Fluid's second album, originally released in 1988, and now back on vinyl! The Fluid are arguably the great unsung band from the fertile underground rock scene of the late '80s and early '90s. The Denver five-piece - John Robinson (vocals), James Clower (guitar), Matt Bischoff (bass), Garrett Shavlik (drums), and the dear departed Ricky Kulwicki (guitar) - fused the fire of '80s hardcore with crunching Detroit protopunk, '60s garage rock, and '70s rock swagger. Think MC5, Faces, '70s Stones, all cranked up and really high on Sex Pistols and Black Flag singles. Rising from the ashes of early-'80s Denver bands Frantix (whose \"My Dad's a F***in' Alcoholic\" is a true gem of American punk) and White Trash, The Fluid were the first non-Seattle band to sign to Sub Pop, and Clear Black Paper was the second full-length album the label ever released. The label honchos were fans of Frantix, and happily got involved with The Fluid when the opportunity arose via the label's European licensing partner, Glitterhouse. Witnessing The Fluid's dominant live presence helped - a particularly fiery early show at Seattle's Central Tavern featured The Fluid, Mudhoney, Mother Love Bone, and Soundgarden all trying to outdo one another on stage. The band fit right in on Sub Pop's nascent roster of acts who, wherever they stood on the spectrum of punk\/rock\/metal, shared a commitment to thunderous riffs and explosive live shows. Legendary for their ferocious stage presence, The Fluid toured all over the US and Europe, holding their own and then some on bills with Mudhoney, Nirvana, Soundgarden, Dinosaur Jr., and other powerhouses of the era. From 1986 to 1993, The Fluid put out four albums and a number of EPs and singles, including a split 7\" with Nirvana in 1991, before doing one album for a major label and promptly disbanding. Yet, while their partners-in-crime bulldozed into the mainstream, The Fluid remained something of a cult band, their audience confined to those who got hip during the band's existence, and crate diggers who nabbed original vinyl or CDs, which had quickly become rarities after selling through their original runs. Why? Record industry machinations? The fickle finger of pop culture? Being from Denver, not Seattle? Who the hell knows... and who cares! The point is the band ripped, and the world deserves to hear them again. The Fluid took influences they shared with their contemporaries and ran in their own direction, focused on ass-shaking grooves more than misanthropic sludge. Rock anthems like \"Cold Outside\" sit alongside Stooge-oid rhythmic poundings (\"Black Glove\"), bluesy romps (\"Leave It\"), the occasional grungy dirge (\"Wasted Time\"), and raw punk bangers (\"Is It Day I'm Seeing?\" from the seminal 1988 Sub Pop 200 compilation). The band wasn't shy about their inspiration, either: scattered through their catalog are covers of The Troggs, The Rolling Stones, MC5, Iggy Pop and James Williamson, and Rare Earth. The Fluid stand out as champions of a feral, urgent, exuberant approach to rock 'n roll. As it turns out, that wasn't a recipe for stardom in the era of hyper-slick pop, boomer dinosaurs crying tears in heaven, and hair-metal power-ballads. But someone had to do it. To set things right, Sub Pop, The Fluid, and producer Jack Endino (Nirvana, Soundgarden, High on Fire, Mudhoney) teamed up to refresh and reissue The Fluid's entire indie-label catalog: their 1986 debut, Punch N Judy; 1988's Clear Black Paper; 1989's Roadmouth; the 1990 Glue EP (produced by Butch Vig, of Nevermind fame); and a treasure trove of rarities and previously unreleased material. All the music has been remastered from original tapes by Endino and JJ Golden, and the bulk of it has been meticulously remixed by Endino and the band, righting some sonic quirks that diminished the impact of the original records. 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The Denver five-piece - John Robinson (vocals), James Clower (guitar), Matt Bischoff (bass), Garrett Shavlik (drums), and the dear departed Ricky Kulwicki (guitar) - fused the fire of '80s hardcore with crunching Detroit protopunk, '60s garage rock, and '70s rock swagger. Think MC5, Faces, '70s Stones, all cranked up and really high on Sex Pistols and Black Flag singles. Rising from the ashes of early-'80s Denver bands Frantix (whose \"My Dad's a F***in' Alcoholic\" is a true gem of American punk) and White Trash, The Fluid were the first non-Seattle band to sign to Sub Pop, and Clear Black Paper was the second full-length album the label ever released. The label honchos were fans of Frantix, and happily got involved with The Fluid when the opportunity arose via the label's European licensing partner, Glitterhouse. Witnessing The Fluid's dominant live presence helped - a particularly fiery early show at Seattle's Central Tavern featured The Fluid, Mudhoney, Mother Love Bone, and Soundgarden all trying to outdo one another on stage. The band fit right in on Sub Pop's nascent roster of acts who, wherever they stood on the spectrum of punk\/rock\/metal, shared a commitment to thunderous riffs and explosive live shows. Legendary for their ferocious stage presence, The Fluid toured all over the US and Europe, holding their own and then some on bills with Mudhoney, Nirvana, Soundgarden, Dinosaur Jr., and other powerhouses of the era. From 1986 to 1993, The Fluid put out four albums and a number of EPs and singles, including a split 7\" with Nirvana in 1991, before doing one album for a major label and promptly disbanding. Yet, while their partners-in-crime bulldozed into the mainstream, The Fluid remained something of a cult band, their audience confined to those who got hip during the band's existence, and crate diggers who nabbed original vinyl or CDs, which had quickly become rarities after selling through their original runs. Why? Record industry machinations? The fickle finger of pop culture? Being from Denver, not Seattle? Who the hell knows... and who cares! The point is the band ripped, and the world deserves to hear them again. The Fluid took influences they shared with their contemporaries and ran in their own direction, focused on ass-shaking grooves more than misanthropic sludge. Rock anthems like \"Cold Outside\" sit alongside Stooge-oid rhythmic poundings (\"Black Glove\"), bluesy romps (\"Leave It\"), the occasional grungy dirge (\"Wasted Time\"), and raw punk bangers (\"Is It Day I'm Seeing?\" from the seminal 1988 Sub Pop 200 compilation). The band wasn't shy about their inspiration, either: scattered through their catalog are covers of The Troggs, The Rolling Stones, MC5, Iggy Pop and James Williamson, and Rare Earth. The Fluid stand out as champions of a feral, urgent, exuberant approach to rock 'n roll. As it turns out, that wasn't a recipe for stardom in the era of hyper-slick pop, boomer dinosaurs crying tears in heaven, and hair-metal power-ballads. But someone had to do it. To set things right, Sub Pop, The Fluid, and producer Jack Endino (Nirvana, Soundgarden, High on Fire, Mudhoney) teamed up to refresh and reissue The Fluid's entire indie-label catalog: their 1986 debut, Punch N Judy; 1988's Clear Black Paper; 1989's Roadmouth; the 1990 Glue EP (produced by Butch Vig, of Nevermind fame); and a treasure trove of rarities and previously unreleased material. All the music has been remastered from original tapes by Endino and JJ Golden, and the bulk of it has been meticulously remixed by Endino and the band, righting some sonic quirks that diminished the impact of the original records. Now, with their definitive material sounding better than ever, it's high time The Fluid get their due.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eLabel: Sub Pop\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The Fluid","offers":[{"title":"Default Title","offer_id":42159944958033,"sku":"80JOIA-IAX4-00","price":25.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/roadmouth-lime_BbaIc_27fadaf9-5d50-4a4e-8ecf-c8101b912510.jpg?v=1759489581"},{"product_id":"the-fluid-overflow-orange-vinyl","title":"Overflow (Orange) (Vinyl)","description":"\u003cp\u003eOverflow is packed with killer outtakes and rarities from two late-'80s studio sessions by The Fluid. The Fluid are arguably the great unsung band from the fertile underground rock scene of the late '80s and early '90s. The Denver five-piece - John Robinson (vocals), James Clower (guitar), Matt Bischoff (bass), Garrett Shavlik (drums), and the dear departed Ricky Kulwicki (guitar) - fused the fire of '80s hardcore with crunching Detroit protopunk, '60s garage rock, and '70s rock swagger. Think MC5, Faces, '70s Stones, all cranked up and really high on Sex Pistols and Black Flag singles. Rising from the ashes of early-'80s Denver bands Frantix (whose \"My Dad's a F***in' Alcoholic\" is a true gem of American punk) and White Trash, The Fluid were the first non-Seattle band to sign to Sub Pop, and Clear Black Paper was the second full-length album the label ever released. The label honchos were fans of Frantix, and happily got involved with The Fluid when the opportunity arose via the label's European licensing partner, Glitterhouse. Witnessing The Fluid's dominant live presence helped - a particularly fiery early show at Seattle's Central Tavern featured The Fluid, Mudhoney, Mother Love Bone, and Soundgarden all trying to outdo one another on stage. The band fit right in on Sub Pop's nascent roster of acts who, wherever they stood on the spectrum of punk\/rock\/metal, shared a commitment to thunderous riffs and explosive live shows. Legendary for their ferocious stage presence, The Fluid toured all over the US and Europe, holding their own and then some on bills with Mudhoney, Nirvana, Soundgarden, Dinosaur Jr., and other powerhouses of the era. From 1986 to 1993, The Fluid put out four albums and a number of EPs and singles, including a split 7\" with Nirvana in 1991, before doing one album for a major label and promptly disbanding. Yet, while their partners-in-crime bulldozed into the mainstream, The Fluid remained something of a cult band, their audience confined to those who got hip during the band's existence, and crate diggers who nabbed original vinyl or CDs, which had quickly become rarities after selling through their original runs. Why? Record industry machinations? The fickle finger of pop culture? Being from Denver, not Seattle? Who the hell knows... and who cares! The point is the band ripped, and the world deserves to hear them again. The Fluid took influences they shared with their contemporaries and ran in their own direction, focused on ass-shaking grooves more than misanthropic sludge. Rock anthems like \"Cold Outside\" sit alongside Stooge-oid rhythmic poundings (\"Black Glove\"), bluesy romps (\"Leave It\"), the occasional grungy dirge (\"Wasted Time\"), and raw punk bangers (\"Is It Day I'm Seeing?\" from the seminal 1988 Sub Pop 200 compilation). The band wasn't shy about their inspiration, either: scattered through their catalog are covers of The Troggs, The Rolling Stones, MC5, Iggy Pop and James Williamson, and Rare Earth. The Fluid stand out as champions of a feral, urgent, exuberant approach to rock 'n roll. As it turns out, that wasn't a recipe for stardom in the era of hyper-slick pop, boomer dinosaurs crying tears in heaven, and hair-metal power-ballads. But someone had to do it. To set things right, Sub Pop, The Fluid, and producer Jack Endino (Nirvana, Soundgarden, High on Fire, Mudhoney) teamed up to refresh and reissue The Fluid's entire indie-label catalog: their 1986 debut, Punch N Judy; 1988's Clear Black Paper; 1989's Roadmouth; the 1990 Glue EP (produced by Butch Vig, of Nevermind fame); and a treasure trove of rarities and previously unreleased material. All the music has been remastered from original tapes by Endino and JJ Golden, and the bulk of it has been meticulously remixed by Endino and the band, righting some sonic quirks that diminished the impact of the original records. Now, with their definitive material sounding better than ever, it's high time The Fluid get their due.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eLabel: Sub Pop\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The Fluid","offers":[{"title":"Default Title","offer_id":42159944990801,"sku":"ETB6CI-7LA1-00","price":25.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/overflow-orange_7kEN4_05ecc82d-2c40-4493-b20d-4bd74c5d1774.jpg?v=1759489582"},{"product_id":"stone-temple-pilots-core-2017-remaster-vinyl-8701","title":"Core (2017 Remaster) (Vinyl)","description":"\u003cp\u003eVinyl LP pressing. When an album peaks at #3 on the Billboard Top 200, amasses a large fanbase worldwide, and quickly becomes certified platinum, it's clear it's something worth plugging into. With their debut album, the socially-charged Core, San Diego's Stone Temple Pilots deliver a hard-hitting grunge record that delves into dark lyrical territory, driven home by Scott Weiland's powerful vocals. With hit singles \"Plush\" and \"Sex Type Thing\" going on to become definitive songs of the 1990s, the band garnered a great deal of media attention - at times incredibly negative - for their whirlwind success. Rolling Stone readers named the group the Best New Band of 1992, whereas it's staff christened them the Worst New Band. Despite their polarizing reception, the Pilots would secure a Grammy Award for Best Hard Rock Performance for \"Plush\" and Core would be certified eight times platinum in 2001. Songwriting, you could say, is the band's definite core.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stone Temple Pilots","offers":[{"title":"Default Title","offer_id":42243033464913,"sku":"I7XRSQ-H6WS-00","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Stone-Temple-Pilots-Core-2017-Remaster-_3ScJz.jpg?v=1762516214"},{"product_id":"mudhoney-every-good-boy-deserves-fudge-30th-anniversary-deluxe-edition-explicit-content-2-cds-cd","title":"Every Good Boy Deserves Fudge (30th Anniversary Deluxe Edition) [Explicit Content] (2 Cd's) (CD)","description":"\u003cp\u003eEvery Good Boy Deserves Fudge (30th Anniversary Deluxe Edition) [Explicit Content] (2 Cd's) is a undefined Music CDs from Mudhoney\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mudhoney","offers":[{"title":"Default Title","offer_id":42243134652497,"sku":"ZGBZTX-PPYK-00","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Mudhoney-Every-Good-Boy-Deserves-Fudge-30th-Anniversary-Deluxe-Edition-Explicit-Content-2-Cds_Buw1X.jpg?v=1762516367"},{"product_id":"pearl-jam-rearviewmirror-greatest-hits-1991-2003-import-2-lps-vinyl","title":"Rearviewmirror (Greatest Hits 1991-2003) [Import] (2 Lp's) (Vinyl)","description":"\u003cp\u003eRearviewmirror (Greatest Hits 1991-2003) [Import] (2 Lp's) is a undefined Records \u0026amp; LPs from Pearl Jam\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 10\/14\/2022\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Pearl Jam","offers":[{"title":"Default Title","offer_id":42243138682961,"sku":"DLCJ9V-H8FF-00","price":36.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Pearl-Jam-Rearviewmirror-Greatest-Hits-1991-2003-Import-2-Lps_DcA3V.jpg?v=1762516388"},{"product_id":"pearl-jam-gigaton-tour-edition-explicit-content-with-bonus-cd-indie-exclusive-2-lps-vinyl","title":"Gigaton: Tour Edition [Explicit Content] (With Bonus CD, Indie Exclusive) (2 Lp's) (Vinyl)","description":"\u003cp\u003eGigaton: Tour Edition [Explicit Content] (With Bonus CD, Indie Exclusive) (2 Lp's) is a undefined Records \u0026amp; LPs from Pearl Jam\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Pearl Jam","offers":[{"title":"Default Title","offer_id":42243511124049,"sku":"QOMFTK-CZMY-00","price":54.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Pearl-Jam-Gigaton-Tour-Edition-Explicit-Content-With-Bonus-CD-Indie-Exclusive-2-Lps_AN7Y4.jpg?v=1762517698"},{"product_id":"candlebox-candlebox-import-180-gram-vinyl-2-lps-vinyl","title":"Candlebox [Import] (180 Gram Vinyl) (2 Lp's) (Vinyl)","description":"\r\nSIDE A\r\n1. DON'T YOU\r\n2. CHANGE\r\n3. YOU\t\r\nSIDE B\r\n1. NO SENSE\r\n2. FAR BEHIND\r\n3. BLOSSOM\r\nSIDE C\r\n1. ARROW\r\n2. RAIN\r\n3. MOTHERS DREAM\t\r\nSIDE D\r\n1. COVER ME\r\n2. HE CALLS HOME\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Candlebox","offers":[{"title":"Default Title","offer_id":42243562930257,"sku":"L8FUB5-EWDM-00","price":37.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Candlebox-Candlebox-Import-180-Gram-Vinyl-2-Lps_RcK90.jpg?v=1762517931"},{"product_id":"pearl-jam-gigaton-2lp-vinyl","title":"Gigaton (2LP) (Vinyl)","description":"\u003cp\u003e\u003cb\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e2LP – Double Vinyl w\/ 3-sides audio and 1-side etched; includes 32-page booklet\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTrack Listing:\u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e1. Who Ever Said\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e2. Superblood Wolfmoon\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e3. Dance of the Clairvoyants\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e4. Quick Escape\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e5. Alright\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e6. Seven O’Clock\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e7. Never Destination\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e8. Take the Long Way\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e9. Buckle Up\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e10. Come Then Goes\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e11. Retrograde\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e12. River Cross\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Pearl Jam","offers":[{"title":"Default Title","offer_id":42243795910737,"sku":"DYKT4P-W612-00","price":44.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Pearl-Jam-Gigaton-2LP_cIIom.jpg?v=1762518858"}],"url":"https:\/\/apocalypsevinyl.com\/collections\/grunge.oembed","provider":"Apocalypse Vinyl","version":"1.0","type":"link"}