{"title":"Fusion","description":null,"products":[{"product_id":"miles-davis-miles-davis-we-want-miles-2xlp-opaque-yellow-vinyl-vinyl","title":"Miles Davis We Want Miles (2xLP Opaque Yellow Vinyl) [Vinyl]","description":"Miles Davis - Miles Davis We Want Miles (2xLP Opaque Yellow Vinyl) [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 664425147018 \u003cbr\u003e\u003ch2\u003eMiles Davis - We Want Miles (2xLP Opaque Yellow Vinyl)\u003c\/h2\u003e\r\n\r\n\u003cp\u003eRemastered From The Original Analog Tapes\u003cbr\u003e\r\n\u003cbr\u003e\r\nThe first live Miles Davis electric band release since 1977’s very dark and heavy Dark Magus. The album features live performances from shows at Boston’s Kix Club. The double vinyl release contains reimagined versions of songs from The Man With the Horn (1981), tunes from the pre-electric Gil Evans collaboration Porgy and Bess (1959), and a dedication to the Boston venue called Kix. While this was one of the first live Miles Davis performances in over half a decade it certainly did not show!!!\u003cbr\u003e\r\n\u003cbr\u003e\r\nThis album features R\u0026amp;B legend Marcus Miller on bass, Mike Stern on guitar, Bill Evans on saxophone, Mino Cinelu on percussion, and electric band alumni Al Foster on drums. Produced and edited by long time Miles collaborator Teo Macero.\"\u003cbr\u003e\r\n\u003cbr\u003e\r\nPRESSED ON OPAQUE YELLOW VINYL WITH JAPANESE STYLIZED INSERT AND DELUXE OBI STRIP\u003cbr\u003e\r\n\u003cbr\u003e\r\nTitle: We Want Miles\u003cbr\u003e\r\nArtist: Miles Davis\u003cbr\u003e\r\nFormat: Vinyl LP\u003cbr\u003e\r\nNumber of Discs: 2\u003cbr\u003e\r\nRelease Date: 8\/12\/2022\u003cbr\u003e\r\nLabel: Get on Down\u003cbr\u003e\r\nUPC: 664425147018\u003cbr\u003e\r\nGenre: Jazz\u003c\/p\u003e\r\n\r\n\u003ch2\u003eTrack List:\u003c\/h2\u003e\r\n\r\n\u003cp\u003eDisc 1\u003cbr\u003e\r\n1 Jean Pierre\u003cbr\u003e\r\n2 Back Seat Betty\u003cbr\u003e\r\n3 Fast Track\u003cbr\u003e\r\n4 Jean Pierre\u003c\/p\u003e\r\n\r\n\u003cp\u003eDisc 2\u003cbr\u003e\r\n1 My Man’s Gone Now\u003cbr\u003e\r\n2 Kix\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 08\/12\/2022\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eLabel: Get on Down\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Miles Davis","offers":[{"title":"Default Title","offer_id":41887041028177,"sku":"4SLEEU-8NBO-00","price":35.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/miles-davis-we-want-miles-2xlp-opaque-yellow-vinyl_qTyXt.jpg?v=1762465904"},{"product_id":"miles-davis-miles-davis-the-man-with-the-horn-clear-vinyl-wobi-aaa-vinyl","title":"Miles Davis The Man With The Horn (Clear Vinyl , W\/OBI, AAA) [Vinyl]","description":"Miles Davis - Miles Davis The Man With The Horn (Clear Vinyl , W\/OBI, AAA) [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 664425147117 \u003cbr\u003e\u003cp\u003ePRESSED ON CRYSTAL CLEAR VINYL WITH JAPANESE\u003cbr\u003e\r\nSTYLIZED INSERT AND DELUXE OBI STRIP\u003cbr\u003e\r\nRemastered From The Original Analog Tapes\u003cbr\u003e\r\nTHE RETURN!!! After a 9 year hiatus from recording studio albums, Miles Davis returned in 1981 with a bang. Continuing the abstract improvisational funk pioneered by the Miles Davis live electric band, Miles  came back with a fresh cast. While there are plenty of new players on this recording it captures the moody long-song format from the mid- 70s live electric band. The album features R\u0026amp;B legend Marcus Miller on bass, Mike Stern on guitar, electric band alumni Al Foster on drums, and many more. Produced and edited by long term Miles Davis collaborator Teo Macero.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 07\/29\/2022\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eLabel: Get on Down\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Miles Davis","offers":[{"title":"Default Title","offer_id":41887069143121,"sku":"TJ2ETW-28E2-00","price":30.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Miles-Davis-The-Man-With-The-Horn-Clear-Vinyl-WOBI-AAA-_SSFEA.jpg?v=1762465983"},{"product_id":"kiyoshi-yamaya-kiyoshi-yamaya-wamono-groove-shakuhachi-koto-jazz-funk-76-vinyl","title":"KIYOSHI YAMAYA Wamono Groove: Shakuhachi \u0026 Koto Jazz Funk ’76 [Vinyl]","description":"KIYOSHI YAMAYA - KIYOSHI YAMAYA Wamono Groove: Shakuhachi \u0026amp; Koto Jazz Funk ’76 [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 5050580774728 \u003cbr\u003e\u003cul\u003e\r\n\t\u003cli\u003e180g heavy vinyl pressing, reverse board jacket\u003c\/li\u003e\r\n\t\u003cli\u003eFully licensed Nippon Columbia masters available for the first time outside of Japan\u003c\/li\u003e\r\n\t\u003cli\u003eMastering and lacquer cut by Jukka Sarapää at Timmion Cutting Lab, Helsinki, Finland\u003c\/li\u003e\r\n\t\u003cli\u003eArtwork by Nker\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eDESCRIPTION\u003c\/p\u003e\r\n\r\n\u003cp\u003eFollowing the already classic Wamono A to Z trilogy, 180g presents an exceptional collection of jazz funk \/ rare groove tunes recorded in the mid-seventies at the Nippon Columbia studios by three giants of Japanese music: arranger Kiyoshi Yamaya, koto legend Toshiko Yonekawa and shakuhachi master Kifu Mitsuhashi.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBorn in 1932 in Tokyo, Kiyoshi Yamaya started his musical career in 1953 when he played in various jazz bands in town. In 1957, Yamaya joined Nobuo Hara’s famous jazz big band Sharps \u0026amp; Flats as a baritone saxophone player and started composing, arranging, and recording for them and other big bands. He became a key jazz figure in Japan in the sixties together with Norio Maeda and Keitaro Miho, both jazz pianists, composers and arrangers, by forming the Modern Jazz Three Association – which aimed at improving the level of Japanese jazz composition and arrangement. In the mid-seventies, his Contemporary Sound Orchestra explored jazz funk fusions with traditional Japanese melodies and instruments such as the shakuhachi, koto, biwa, and shamisen. These works were recorded for a series of panoramic Japanese albums released domestically on Denon and Nippon Columbia, from which the tracks on this compilation are taken from.\u003c\/p\u003e\r\n\r\n\u003cp\u003eToshiko Yonekawa, born 1913 in the city of Himeji, not so far from Osaka, is the eldest daughter of koto and shamisen master Kin’o Yonekawa. She started studying both instruments with her talented father from the age of 3, played in her first concert at 8, and was only 12 years old when she first appeared on national radio. Her unique style of koto playing is widely recognized due to the extreme accuracy of the intonation and rhythm, as well as the unequaled beauty of the instrument’s sonority. After a life decorated with awards and prizes, Toshiko Yonekawa was named a Living National Treasure in 1996.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBorn in Tokyo in 1950, Kifu Mitsuhashi is a great master of Koto style shakuhachi. After completing the NHK Hōgaku Training Program in 1972, Mitsuhashi became a member of Pro Musica Nipponia, a group of leading composers and top-ranking musicians devoted to performing a wide-ranging repertoire of classical and contemporary compositions from both Japan and the West – in which all music is performed by traditional Japanese musical instruments. Mitsuhashi has toured the world for hundreds of recitals, also as a soloist, and has performed his art with the greatest ensembles such as the BBC Symphony Orchestra and the Berliner Philharmoniker. 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A Tribute to Jack Johnson is a studio album and soundtrack by jazz trumpeter, composer, and bandleader Miles Davis. It was released on February 24, 1971. The album was conceived by Davis for Bill Cayton's documentary of the same name, on the life of boxer Jack Johnson. It's two 25-minute-plus tracks were produced from recordings made on February 18 and April 7, 1970, at 30th Street Studio in New York City. Davis was inspired by the political and racial subtext of Johnson's saga as well as the hard rock and funk sounds of his own era, leading a rock-inspired line-up of musicians in the studio: guitarists John McLaughlin and Sonny Sharrock, keyboardists Herbie Hancock and Chick Corea, clarinetist Bennie Maupin, and drummers Jack DeJohnette and Billy Cobham.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 03\/27\/2020\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Miles Davis","offers":[{"title":"Default Title","offer_id":41891617374289,"sku":"Y7RK4H-7ETQ-00","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Miles-Davis-A-Tribute-To-Jack-Johnson-140-Gram-Vinyl-Download-Insert_kERt4.jpg?v=1762466960"},{"product_id":"miles-davis-miles-davis-big-fun-vinyl","title":"Miles Davis Big Fun [Vinyl]","description":"Miles Davis - Miles Davis Big Fun [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 8719262000056 \u003cbr\u003e\u003cp\u003ePersonnel includes: Miles Davis (trumpet); Sonny Fortune (soprano saxophone, flute); Steve Grossman, Wayne Shorter, Carlos Garnett (soprano saxophone); Bennie Maupin (flute, clarinet, bass clarinet); Lonnie Smith, Harold I. Williams (piano); Joe Zawinul (electric piano, Farfisa organ); Herbie Hancock, Chick Corea (electric piano); John McLaughlin (electric guitar); Bihari Sharma (electric sitar, tambura, tabla); Khalil Balakrishna (electric sitar, tambura); Dave Holland (acoustic \u0026amp; electric basses); Harvey Brooks (electric bass); Ron Carter, Michael Henderson (bass); Billy Cobham (drums, triangle); Billy Hart, Al Foster, Jack DeJohnette (drums); Badal Roy (tabla); Airto Moreira (cuica, berimbau, percussion).\u003cbr\u003eRecorded at Columbia Studio E, New York, New York between November 19, 1969 and June 12, 1972. Includes liner notes by Bennie Maupin.\u003cbr\u003eIn the period following Miles Davis' crossover breakthrough, BITCHES BREW, the trumpeter recorded incessantly, trying out new combinations of ideas and musicians. These progressive young musicians went on to forge a new alloy of music from the ore of funk, electric soul, psychedelic blues and progressive rock, with trace elements of classical and jazz. And Miles was the lightning rod for it all.\u003cbr\u003eBIG FUN gathers up some of the trumpeter's choicest experiments in '70s cool, much of it with a profoundly Indian flavor, and Miles' attraction to raga phrasing mirrors his love of flamenco melodies, particularly on \"Lonely Fire\" (a late Miles ballad in the tradition of \"Nefertiti,\" \"Shhh\/Peaceful\" and \"Sanctuary\"). This moody arrangement is distinguished by floating tear drops of tamboura, sitar, tabla and Fender\/Rhodes, as Miles sounds taps, shadowed by soprano sax and bass clarinet, before breaking into tempo over the crossrhythms of Billy Cobham and Jack DeJohnette.\u003cbr\u003eMiles employs twin keyboardists, twin bassists and twin drummers, throughout BIG FUN, and the visceral starts and stops of \"Great Expectations\" highlight the sort of layered, collective polyphony he was trying to develop, his focused melodies acting as a lyric beacon. \"Ife\" is Miles in his ON THE CORNER mode, marked by the arrival of funk bassist Michael Henderson, percussionist Mtume and long-time collaborator Al Foster (plus Billy Hart) on drums. But the real highlight is \"Go Ahead John,\" where Davis and his favorite guitarist surf over the fulminating groove of Jack DeJohnette and Dave Holland in fast funk and slow blues sections.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 9\/5\/2016\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Miles Davis","offers":[{"title":"Default Title","offer_id":41891671507025,"sku":"LVZIEB-KNW1-00","price":40.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Miles-Davis-Big-Fun_iVJru.jpg?v=1762467045"},{"product_id":"miles-davis-miles-davis-youre-under-arrest-crystal-clear-vinyl-obi-strip-vinyl","title":"Miles Davis You're Under Arrest (Crystal Clear Vinyl, Obi Strip) [Vinyl]","description":"Miles Davis - Miles Davis You're Under Arrest (Crystal Clear Vinyl, Obi Strip) [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 664425147315 \u003cbr\u003e\u003cp\u003eTracksCredits\u003cbr\u003e1 One Phone Call\/Street Scenes\u003cbr\u003e2 Human Nature\u003cbr\u003e3 Intro: MD 1\/Somethings on Your Mind\/Md 2\u003cbr\u003e4 Ms. Morrisine\u003cbr\u003e5 Katia Prelude\u003cbr\u003e6 Katia\u003cbr\u003e7 Time After Time\u003cbr\u003e8 You're Under Arrest\u003cbr\u003e9 Medley: Jean Pierre\/You're Under Arrest\/Then There We None\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 09\/16\/2022\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Miles Davis","offers":[{"title":"Default Title","offer_id":41892033953873,"sku":"TIP7XD-CWES-00","price":30.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/miles-davis-youre-under-arrest-crystal-clear-vinyl-obi-strip_WdMZz.jpg?v=1759469527"},{"product_id":"miles-davis-miles-davis-decoy-crystal-clear-vinyl-obi-strip-vinyl","title":"Miles Davis Decoy (Crystal Clear Vinyl, Obi Strip) [Vinyl]","description":"Miles Davis - Miles Davis Decoy (Crystal Clear Vinyl, Obi Strip) [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 664425147216 \u003cbr\u003e\u003cp\u003eTracksCredits\u003cbr\u003e- Disc 1 -\u003cbr\u003e1 Decoy\u003cbr\u003e2 Robot 415\u003cbr\u003e3 Code M.D\u003cbr\u003e4 Freaky Deaky\u003cbr\u003e- Disc 2 -\u003cbr\u003e1 What It Is\u003cbr\u003e2 That's Right\u003cbr\u003e3 That's What Happened\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased:  08\/26\/2022\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Miles Davis","offers":[{"title":"Default Title","offer_id":41892080943185,"sku":"PQNEXR-P2TB-00","price":30.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/miles-davis-decoy-crystal-clear-vinyl-obi-strip_CIoRq.jpg?v=1762467734"},{"product_id":"herbie-hancock-live-at-yumiuri-land-open-east-theatre-2lp-vinyl","title":"Live at Yumiuri Land Open East Theatre (2LP) (Vinyl)","description":"\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat Detail: 2LP\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Herbie Hancock","offers":[{"title":"Default Title","offer_id":41892292657233,"sku":"0RCX8T-M4D5-00","price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/live-at-yumiuri-land-open-east-theatre-2lp_kZkom.jpg?v=1762468576"},{"product_id":"billy-cobham-billy-cobham-spectrum-140gclear-syeor-vinyl","title":"Billy Cobham Spectrum (140G\/CLEAR, SYEOR) [Vinyl]","description":"Billy Cobham - Billy Cobham Spectrum (140G\/CLEAR, SYEOR) [Records \u0026amp; 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George Duke (vocals, trombone, electric piano, organ); Jeff Simmons (vocals, bass); Mark Volman, Howard Kaylan (vocals); Ian Underwood (electric alto saxophone with wah-wah pedal, guitar, piano, electric piano, organ, pipe organ); Sugar Cane Harris (organ); Max Bennett (bass); John Guerin, Aynsley Dunbar (drums).\u003cbr\u003eEngineers include: Dick Kunc, Stan Agoi, Roy Baker.\u003cbr\u003eRecorded at T.T.G. Inc. and The Record Plant, Hollywood, California; Whitney Studios, Glendale, California; Trident Studios, London, England. \"The Nancy \u0026amp; Mary Music\" was recorded live at the Tyronne Guthrie Theater, Minneapolis, Minnesota.\u003cbr\u003eDigitally remastered by Bob Stone.\u003cbr\u003eThis 1970 release finds Zappa and band at the apex of their improvisational powers. CHUNGA'S REVENGE largely eschews both high concept and satire in order to focus on the considerable jamming expertise of Zappa and his cohorts. In its original LP form, the album was divided into two discrete halves. The first side consists of extended, largely instrumental pieces where Zappa and his musicians stretch out and show off their improv chops over relatively simple, often blues-based structures. The keyboard-based instrumental interlude \"Twenty Small Cigars\" provides an interesting semi-classical change of pace.\u003cbr\u003eSide two contains shorter, vocal-oriented numbers, with harmonies that draw on the doo-wop influence of Zappa's youth (a recurrent element in his work). 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Recorded live over the course of a week, there was no splicing of takes, as that would have defeated the concept. On occasion the group performed a live edit where they would take sections from different takes, but the original intention of creating a record where everything was recorded live was maintained. The result is a potent and nuanced record that beguiles as much as it charms. Across six tracks the album moves from the languorous lysergic shuffle of the opening The Last Opium Den (On Earth) to the beatific - almost Balearic - lazy grooves of The Bible Black. Elsewhere, the opening cinematic vistas of Shades of Gemini soon gives way to something far more menacing and whisky-sodden. Finally, the closing Utopia \u0026amp; Visions takes the electronic post-punk visions of Talk Talk into unapologetic cosmic dub territory. So while jazz‚Äôs spirit of wanderlust underpins the record, Machin is defiant that The Quiet Temple is not a jazz album. ‚ÄúI don‚Äôt think it‚Äôs a jazz record,‚Äù he states. ‚ÄúIt‚Äôs got a lot of Krautrocky stuff going on in it as well. For me, as well as the Alice Coltrane influence, it‚Äôs equal parts Velvet Underground and Harmonia. There‚Äôs lots of psyche rock and other elements in there too.‚Äù\u003c\/p\u003e\u003cp\u003e1. The Last Opium Den (On Earth)\r 2. The Bible Black\r 3. Shades Of Gemini\r 4. X Rated\r 5. Noah's Theme\r 6. 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Moving freely between composition and improvisation, the bands spacious, organic sound pitches lyrical melodies from guitar and trumpet over double-drummer polyrhythmic grooves and dub-like basslines.\u003cbr\u003eComing from different musical backgrounds ranging from bebop to electronic, Fazer met while studying jazz at the Academy for Music and Theatre in Munich. The German city has a rich history of improvised music; home to labels ECM (Keith Jarrett, Chick Corea, the Art Ensemble of Chicago, Steve Reich) and Enja (Archie Shepp, Eric Dolphy, Freddie Hubbard, Elvin Jones) and Krautrock icons Embryo. Today much of the scene in Munich revolves around Radio 80000, an online community radio station located in the east of the city. There, dedicated diggers like Karl Hector (Now-Again) or Marvin \u0026amp; Valentino of Public Possession are doing regular shows and its this diversity that drives the bands DNA.\u003c\/p\u003e\u003cp\u003eA1. Ghazal (00:02:15)\r A2. Thea (00:04:52)\r A3. Dezember (00:04:41)\r A4. Grenadier (00:05:15)\r A5. Morning (00:03:33)\r B6. Prague (00:03:49)\r B7. Cuentro (00:06:14)\r B8. Jaculysses (00:04:00)\r B9. Fannie's Theme (00:01:50)\r B10. Cycle (00:04:13)\r B11. Nago (00:03:57)\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat Detail: LP [w\/ download card]\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Fazer","offers":[{"title":"Default Title","offer_id":42012596306001,"sku":"Y679T9-CJZD-02","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/fazer-plex_5dL6u.jpg?v=1759472233"},{"product_id":"lionel-pillay-plum-cherry-vinyl","title":"Plum \u0026 Cherry (Vinyl)","description":"\u003cp\u003eFollowing the April 2022 reissue of the album Shrimp Boats, We Are Busy Bodies presents companion titles Plum and Cherry and Deeper in Black to round out a Lionel Pillay and Basil Mannenberg Coetzee trilogy as part of the labels As-Shams South African jazz archive series. The connection between these three albums is tight as the 1987 release Shrimp Boats compiled unreleased recordings from both the 1979 session for Plum and Cherry and the 1980 session for Deeper in Black. These two rare records have been carefully remastered from their original tapes and are back in print for the very first time in over 40 years.Shrimp Boats and Plum and Cherry capture the extraordinary musical chemistry that existed between pianist Lionel Pillay and tenor saxophonist Basil Coetzee in the late 1970s. The respective album showpieces Shrimp Boats and Cherry each occupy an entire side of vinyl with both exquisite musical journeys clocking in at an epic 25 minutes a piece. While Shrimp Boats was an instrumental reimagining of the popular 1951 song by American singer Jo Stafford, Cherry drew inspiration from Abdullah Ibrahim at the behest of producer Rashid Vally, who wanted to emulate the success of the famous track that had helped launch his independent As-Shams\/The Sun record label in 1974. Ibrahims hit Mannenberg had also featured Basil Coetzee and it was this zeitgeist South African jazz recording that had given rise to his stage name.Capturing the grace and vitality of working-class township life on the city fringe, Cherry channels the type of laid-back Cape groove that Abdullah Ibrahim, recording as Dollar Brand, introduced to South African jazz in the 1970s. On the flip side, Plum appears to take its own simple chord change in the same direction before breaking into a chugging 20-minute romp that verges on proto-electronica and on which Pillay hangs all manner of savage keyboard riffing and experimentation. The two distinct flavours of Plum and Cherry make for a well-rounded platter with an iconic cover featuring the work of abstract expressionist painter and As-Shams\/The Sun collaborator Hargreaves Ntukwana.\u003c\/p\u003e\u003cp\u003eA1: Plum\r A2: Cherry\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat Detail: LP\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Lionel Pillay","offers":[{"title":"Default Title","offer_id":42013537402961,"sku":"71IEUL-S8X2-V3","price":30.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/lionel-pillay-plum-cherry_6Jue4.jpg?v=1762478008"},{"product_id":"chick-corea-elektric-band-the-complete-studio-recordings-1986-1991-10lp-box-set-vinyl","title":"The Complete Studio Recordings 1986-1991 [10LP Box Set] (Vinyl)","description":"Chick Corea Elektric Band - The Complete Studio Recordings 1986-1991 [10LP Box Set] (Vinyl) \u003cbr\u003eBarcode: 708857330119 \u003cbr\u003e\u003cp\u003eLed by the legendary pianist and composer Chick Corea - the venerated 27-time Grammy winner and National Endowment for the Arts Jazz Master - The Elektric Band stormed onto the jazz scene in the mid-1980s, making an immediate and lasting impact on the genre. With their electrifying performances and innovative blend of jazz fusion, the group produced a series of albums that set the bar for excellence in contemporary jazz.\u003cbr\u003e\r\n\u003cbr\u003e\r\nFeaturing a core lineup of virtuosic musicians - John Patitucci on bass, Dave Weckl on drums, Eric Marienthal on saxophone and Frank Gambale on guitar - the group created a dynamic and electrifying sound that came to define the jazz fusion style. Their collective musicianship was on full display on each album, as they seamlessly blended complex compositions with captivating improvisations.\u003cbr\u003e\r\n\u003cbr\u003e\r\nWith each outing, the band explored new sonic territories, incorporating elements of funk, Latin and Afro music, and pop sensibilities. 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Following Melanie Charles formidable Verve album Yall Dont (Really) Care About Black Women and MdCL's lauded 2022 Soul Bank album, Freedom  Celebrating the Music of Pharoah Sanders, the three forward-thinking musicians unite for a sonic exploration across jazz, hip-hop and soulful house.\u003c\/p\u003e\u003cp\u003eA1. The Creator Has a Master Plan (Part I)\r A2. Strings\r A3. MFT\r A4. Bushido\r A5. Interlude (Contorni)\r B1. Kanazawa\r B2. Love is Everywhere\r B3. Interlude (Digestivo)\r B4. 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It‚Äôs their first album since 2015‚Äôs ‚ÄúStarfire‚Äù, their ninth album in a career now spanning four decades, but it marks the group‚Äôs debut on Brainfeeder, the LA-based imprint curated by Flying Lotus. On ‚ÄúPyramid‚Äù, Jaga Jazzist have crafted a suitably cosmic sound to match their new label home, all the while nodding to forebears spanning from Fela Kuti to cult Japanese composer Isao Tomita. 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Fusing R\u0026amp;B, jazz, soul and funk, keyboard maestro Brian Auger created a new breed of music that took the US and the UK by storm. Augers unique experimentation culminated in rhythm-infused jazz funk that united Black and white 70s audiences. The 6 studio albums that make up Complete Oblivion illustrate the groups diverse musical influences and progression, from the 1970 self titled debuts heavy jazz-rock to the jazz fusion, latin and disco tinged Reinforcements from 1975\u003c\/p\u003e\u003cp\u003eA1. Dragon Song\r A2. Total Eclipse\r A3. The Light\r B1. On The Road\r B2. The Sword\r B3. Oblivion Express\r C1. Dawn Of Another Day\r C2. Marai's Wedding\r C3. Trouble\r C4. Women Of The Seasons\r D1. Fill Your Head With Laughter\r D2. On Thinking It Over\r D3. Tomorrow City\r D4. All The Time There Is\r D5. A Better Land\r E1. Truth\r E2. Don't Look Away\r E3. Somebody Help Us\r F1. Freedom Jazz Dance\r F2. Just Me Just You\r F3. Second Wind\r G1. Whenever You're Ready\r G2. 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Its a sound-world which draws on its ancestral echoes as equally as it captures the pulse of a city on the edge of evolution. The twelve-track collaborative record is the product of two magnetised forces who should almost repel: producer, composer and keyboard player Joe Armon-Jones, and producer\/DJ Maxwell Owin. At the fore of the scene south of the river, they draw on different instincts, different disciplines, different strengths - and converge them to make something which is both challenging and startlingly fresh. Guest features on the record include Lex Amor, Shabaka Hutchings, Fatima, Rocks FOE, O the Ghost, Mala, Maysia Osu \u0026amp; YUIS.\u003c\/p\u003e\u003cp\u003eArchetype is caught somewhere between the club and the bedroom, both communal and intimate  something common to Joes world of jazz, soul and improvisation and Maxwells, of the sprawling sounds of hardcore continuum, from jungle to dubstep and drill. 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