{"title":"Jazz","description":"","products":[{"product_id":"kamasi-washington-fearless-movement-2-lps-vinyl","title":"Fearless Movement (2 Lp's) (Vinyl)","description":"\u003cp\u003eTurning his attention to dance for his latest album, Fearless Movement out this May on Young, Kamasi Washington resumes his ongoing study of music as a means of connection. His 2015 album The Epic, as well as 2018‚Äôs Heaven and Earth were received by critics and audiences as a reimagination of modern jazz showcasing Washington‚Äôs larger-than-lift compositions full of celestial grandeur and his distinct blend of jazz, Latin, funk, classical, hip-hop and soul. Fearless Movement, however, offers something different: terrestrial rhythms and collaborations from rappers, musical icons and even Washington‚Äôs own daughter. Features include: Thundercat, Taj Austin, Ras Austin, Patrice Quinn, DJ Battlecat, Brandon Coleman, D-Smoke, George Clinton, Bj the Chicago Kid, and Andre 3000.\u003c\/p\u003e\u003cp\u003eA1. Lesanu  A2. Asha The First (Feat. Thundercat, Taj Austin, Ras Austin)  A3. The Visionary (Feat. Terrace Martin)  A4. Get Lit (Feat. George Clinton, D Smoke)  B1. Computer Love (Feat. Patrice Quinn, DJ Battlecat, Brandon Coleman)  B2. Dream State (Feat. Andre 3000)  B3. Interstellar Peace (The Last Stance)  C1. The Garden Path  C2. Road to Self (KO)  D1. Together  D2. Lines in the Sand  D3. Prologue\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat Detail: 2LP\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kamasi Washington","offers":[{"title":"Default Title","offer_id":41884524118097,"sku":"LMONLK-X8HT-RO","price":38.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/kamasi-washington-fearless-movement-2-lps_9asm7.jpg?v=1759468609"},{"product_id":"floating-points-pharoah-sanders-the-london-symp-promises-gatefold-lp-jacket-vinyl","title":"Promises (Gatefold LP Jacket) (Vinyl)","description":"\u003cp\u003eSam (Floating Points): Pharoah...\u003cbr\u003ePharoah: Huh...?\u003cbr\u003eSam: Were you asleep? I'm sorry...\u003cbr\u003ePharoah: No no... I was listening... and dreaming... and listening to music in my head...\u003cbr\u003eSam: Oh wow... sorry.\u003cbr\u003ePharoah: Many times, people think I might be asleep... but in fact, I am just listening to\u003cbr\u003emusic in my head. I'm always listening... to the sounds around me... and playing, in my\u003cbr\u003emind... and sometimes I dream.\u003cbr\u003eSam: What were you dreaming about?\u003cbr\u003ePharoah: I'm on a ship. In the ocean. Bears coming around smoking cigars. The bears are\u003cbr\u003esinging, ‚ÄòWe have the music. We have what you're looking for.\u003cbr\u003e* * *\u003cbr\u003ePharoah: How you like that take, Sam?\u003cbr\u003eSam: It's cool. I think the bit in the middle, where it stops again...I think you can hear...We\u003cbr\u003ewere both kind of confused. I like it as well because it sounds like two musicians that are\u003cbr\u003etrying to guide each other.\u003cbr\u003ePharoah: I think that's it right there. It came out different. It came out good though.\u003cbr\u003eSam: You happy?\u003cbr\u003ePharoah: Yeah, I'm cool with it.\u003cbr\u003eSam: Okay. Yeah, I think your playing is beautiful.\u003c\/p\u003e\u003cp\u003eMovement 1\r Movement 2\r Movement 3\r Movement 4\r Movement 5\r Movement 6\r Movement 7\r Movement 8\r Movement 9\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 4\/2\/21\u003c\/li\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 72 hours for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eFormat Detail: Gatefold, Die-Cut Jacket with insert\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Floating Points, Pharoah Sanders \u0026 the London Symp","offers":[{"title":"Default Title","offer_id":41884525428817,"sku":"60EKR7-JBEF-00","price":26.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Floating-Points-Pharoah-Sanders-the-London-Symp--Promises-Gatefold-LP-Jacket_p3Fqb.jpg?v=1762464272"},{"product_id":"abbey-lincoln-straight-ahead-180-gram-vinyl-remastered-vinyl","title":"Straight Ahead (180 Gram Vinyl, Remastered) (Vinyl)","description":"\u003cp\u003eTracksCredits\u003cbr\u003e1 Sraight Ahead\u003cbr\u003e2 When Malindy Sings\u003cbr\u003e3 In the Red\u003cbr\u003e4 Blue Monk\u003cbr\u003e5 Left Alone\u003cbr\u003e6 African Lady\u003cbr\u003e7 Retribution\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat Detail: LP\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Abbey Lincoln","offers":[{"title":"Default Title","offer_id":41884527788113,"sku":"EZBJR7-AHLS-00","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Abbey-Lincoln--Straight-Ahead-180-Gram-Vinyl-Remastered_8yOFn.jpg?v=1762464319"},{"product_id":"kamasi-washington-heaven-earth-vinyl","title":"Heaven \u0026 Earth (Vinyl)","description":"\u003cp\u003eKamasi Washington arrived on the international jazz scene from Los Angeles with a bang after the release of 2015's three-disc, three-hour The Epic. While he'd been around for a decade, playing with Snoop Dogg, Kendrick Lamar -- whose To Pimp a Butterfly he arranged and played on -- the mammoth project turned him into jazz's perceived savior almost overnight. But he understood his own mission remarkably well and has remained undaunted by the hype. His second, double-length long-player Heaven and Earth was announced via tweet: \"The Earth side.represents the world as I see it outwardly, the world that I am part of. The Heaven side.represents the world as I see it inwardly, the world that is a part of me.\" Washington reassembled his Next Step band -- which includes bassists Miles Mosely and Stephen \"Thundercat\" Bruner, drummers Ronald Bruner, Jr. and Tony Austin, trombonist Ryan Porter, pianist Cameron Graves, keyboardist Brandon Coleman, and vocalist Patrice Quinn -- supplemented by a jazz orchestra, West Coast Get Down, a symphony orchestra, and choir. Heaven and Earth is a major dose of Afro-Futurism. Earth opens with a killer cover of the theme from Bruce Lee's Fist of Fury, retitled in plural here. Quinn and Dwight Trible duet on lead vocals backed by a soaring, sweeping choir atop a cooking Latin jazz groove complete with montunos from Graves and a raw-boned solo from Washington (who is on fire throughout). The other cover is a funky take on Freddie Hubbard's \"Hub-Tones,\" with layers of propulsive Latin rhythms. Dontae Winslow's jagged trumpet solo cuts across the mix before Washington's tenor answers. Of the originals, \"Connections\" is a space jazz embrace of hard bop and 20th century West Coast jazz, with great solos from Porter and Winslow, while \"Testify\" owes as much to Caribbean grooves and soul as jazz. Heaven commences with the spectral \"The Space Traveler's Lullaby,\" with its gorgeous warm brass and reeds, swelling symphony strings, and soaring wordless chorus sounds like the Gil Evans and Sun Ra orchestras playing together. \"Vi Lua Vi Sol\" features a vocoder vocal from Coleman, with Porter blowing fills and a beefy solo, swooping synth lines atop Afrobeat drumming, and a popping upright bassline. The breaks and future funk of \"Street Fighter Mas\" owes equally to Miles Davis, Lamar, and Earth Wind and Fire as the choir extrapolates on the harmonics before Washington's skittering R\u0026amp;B-drenched solo. \"Song for the Fallen\" weds angular avant-jazz and future funk to wiry fusion and a multivalent rhythmic attack -- with the choir adding a celestial bent. Heaven and Earth is more a refinement of the ideas expressed on The Epic than an entirely new paradigm. There is less wandering, more focus, more inquiry and directed movement, as well as an abundance of colorful tonal and harmonic contrasts. More than anything else, it establishes Washington as a composer and arranger of dizzying potential and still underscores his twin rep as a soloist and jazz conceptualist. [The CD version contains a third, hidden bonus disc in the middle panel (it has to be slit open) containing three more originals -- \"The Secret of Jinsinson,\" \"My Family,\" and \"Agents of Multiverse,\" plus covers of Carole King's \"Will You Love Me Tomorrow\" and Stan Vincent's \"Ooh Child.\"] ~ Thom Jurek\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat Detail: 4LP standard Jacket\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kamasi Washington","offers":[{"title":"Default Title","offer_id":41884534145105,"sku":"Y869X4-BNXV-00","price":67.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Kamasi-Washington-Heaven-Earth_UAqFY.jpg?v=1762464355"},{"product_id":"sun-ra-ra-to-the-rescue-translucent-green-vinyl-vinyl","title":"Ra To The Rescue (TRANSLUCENT GREEN VINYL) (Vinyl)","description":"\u003cp\u003eOne of the rarer albums in the Sun Ra canon, RTTR originally entered our orbit in 1983, mystifying listeners and confounding Ra fanatics with the minimal info on the Saturn pressing. Recorded at several locations over several years (including legendary avant-garde arts enclave, the Squat Theater in NYC), the tracks here include everything from Ra‚Äôs sci-fi synthesizer insanity, Marshall Allen‚Äôs skronking sax, an excellent Arkestra vocal track ‚ÄúThey Plan To Leave,‚Äù and so much more. Reissued for the first time, and pressed on colored vinyl!\u003c\/p\u003e\u003cp\u003eMystery, Mr. Ra\r When Spaceships Appear (Ra To The Rescue Ch. 1)\r Back Alley Blues (Fragile Emotion Blues)\r Drummerlistics\r Children Of The Sun\r Cosmo-Party Blues\r Space Shuttle (Ra To The Rescue Ch. 2)\r Fate In A Pleasant Mood\r They Plan To Leave\r When Lights Are Dark (Back Alley Blues Alternate)\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat Detail: LP Translucent Green Vinyl\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sun Ra","offers":[{"title":"Default Title","offer_id":41884543385681,"sku":"RW1914-MKQU-00","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Sun-Ra-Ra-To-The-Rescue-TRANSLUCENT-GREEN-VINYL_2DZU0.jpg?v=1762464396"},{"product_id":"toshiko-mariano-toshiko-mariano-quartet-remastered-vinyl","title":"Toshiko Mariano Quartet (Remastered) (Vinyl)","description":"\u003cp\u003eToshiko Mariano Quartet is the 1961 album from fourteen time Grammy Nominated pianist and composer Toshiko Akiyoshi - then known as Toshiko Mariano.  Women have long been denied the credit they deserve in jazz.  It must be noted that as a Japanese women in jazz, Akiyoshi had to battle for acceptance on many fronts.  Jazz has been a patriarchy community from the beginning, and even critical praise of her playing could not help but take note of her gender. Leonard Feather, for example, writing at the time in the Encyclopedia of Jazz called out Akiyoshi‚Äôs playing as ‚Äúfiery, powerfully articulated and exceptionally fluent,‚Äù but added that there was ‚Äúnothing delicately feminine.‚Äù  Even today it is still hard for people to see Jazz in any other way. We are pleased to be a part of shifting the narrative and shine a spotlight on this talented artist and this wonderful album.\u003c\/p\u003e\u003cp\u003eWhile she was later to compose using themes, harmonies, and instruments connected to her Japanese heritage, this album captures the pianist early in her career playing a straight ahead, harp bop style.  This was already her 7th album as a band leader, and it is a shining example of her confidence and mastery of her instrument and as a band leader.\u003c\/p\u003e\u003cp\u003eRecorded at the Nola Penthouse Studios in New Your City in December of 1960, the LP includes extraordinary liner notes by Candid A\u0026amp;R man and producer Nat Hentoff giving a context and insight that adds to the experience of hearing these extraordinary performances.\u003c\/p\u003e\u003cp\u003e1. When You Meet Her 6:24 \r 2. Toshiko's Elegy 8:40 \r 3. Little T 13:13 \r 4. Deep River 5:32 \r 5. Long Yellow Road\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat Detail: LP 180g Vinyl, Tip On Style Jacket\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Toshiko Mariano","offers":[{"title":"Default Title","offer_id":41884545515601,"sku":"ERSPD0-RZIO-PT","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/toshiko-mariano-toshiko-mariano-quartet-remastered_hQobn.jpg?v=1759468654"},{"product_id":"kamasi-washington-harmony-of-difference-ep-vinyl","title":"Harmony of Difference [EP] * (Vinyl)","description":"\u003cp\u003eIt's tempting to hear Kamasi Washington's six-track Harmony of Difference suite as a follow-up to his sprawling, justifiably acclaimed three-hour debut The Epic. But this EP, at just over half-an-hour, is, in many ways, a standalone work. It was performed in New York at The Whitney Biennial as part of a show that included a film by director A.G. Rojas and paintings by Washington's sister Amani. According to the artist, it was composed to explore \"the philosophical possibilities of the musical technique known as 'counterpoint.'\" Washington defines it as \"the art of balancing similarity and difference to create harmony between separate melodies.\" That description is, at least in this setting, akin to metaphor in the current socio-political-cultural era where flash point battles over issues of race, gender, sexual orientation, and cultural appropriation are being waged afresh.These six tunes reveal Washington's compositional and arrangement mastery. Five relatively short themes are all standalone tunes but are all embodied in the 13-minute climax \"Truth,\" which embodies tenets from all of the preceding tunes but is an entirely new holistic rainbow of sound. Washington draws heavily on numerous influences from '70s jazz here, as well as the modal influence of John Coltrane. \"Desire\" introduces a melodic theme that emerges from spiritual soul-jazz, but with Matt Haze's electric guitar and a wordless vocal chorus, it touches on everything from Billy Harper's Capra Black (second side) to Santana's Caravanserai and Norman Connors' first three albums -- in four-and-a-half minutes! It opens onto the progressive big band -- ? la Gerald Wilson -- of \"Humility,\" which sports a fleet, knotty piano solo from Cameron Graves, a soulful trumpet break from Dontae Winslow, and Washington's squalling solo above a B-3, and the interplay between two drummers (Tony Austin and Ronald Bruner, Jr.) and bassist Miles Mosely. \"Knowledge\" and \"Perspective\" make full use of CTI's illustrious palette for arrangement with an expansive horn chart. Ryan Porter's trombone solo comes right out of Los Angeles soul (the former) while Kamasi's honk and groove in the latter suggests the fleet funk of Grover Washington, Jr. and adds Thundercat on electric bass. The smooth switch gets flipped on in \"Integrity,\" whose theme and rhythms actively engage Brazilian, Latin jazz, and West African jazz. The sprawling \"Truth\" adds a choir, vibes, and a full string section as it embraces the themes of its predecessors and stretches them to the breaking point, where they seamlessly meld into a wonder of color, tempo, improvisation, and lush exotic form. Harmony of Difference reveals a gentler, more economical, but no less adventurous Washington. It's chock-full of refreshing, sophisticated ideas, all balanced by an empathic, emphatic inclusiveness that engages the listener at both musical and emotional levels. ~ Thom Jurek\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 10\/06\/2017\u003c\/li\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 72 hours for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eFormat Detail: 12\" EP standard Jacket\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kamasi Washington","offers":[{"title":"Default Title","offer_id":41884549382225,"sku":"VBYU31-QSYY-00","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Kamasi-Washington-Harmony-of-Difference-EP-_mQrYa.jpg?v=1762464422"},{"product_id":"juju-live-at-131-prince-street-vinyl","title":"Live At 131 Prince Street (Vinyl)","description":"\u003cp\u003eStrut continue their in-depth archive reissues from the Black Fire label with a definitive edition of JuJus Live At 131 Prince Street, recorded in 1973 at Ornette Colemans gallery in New York.\u003c\/p\u003e\u003cp\u003eA1 AT LEAST WE HAVE A HORIZON NOW (19.04)\r B1 THEMBI (14.56)\r C1 MOZAMBIQUE \/ AZUCAR PA TI (22.55)\r D1 OUT OF THIS WORLD (9.39)\r D2 ROSALIE \/ JUJUS DOOR (13.01)\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat Detail: LP\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"JuJu","offers":[{"title":"Default Title","offer_id":41884643033169,"sku":"VJLFW9-LRNS-00","price":30.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/JuJu-Live-At-131-Prince-Street_zmfdQ.jpg?v=1762464594"},{"product_id":"nala-sinephro-nala-sinephro-space-18-vinyl","title":"Nala Sinephro Space 1.8 [Vinyl]","description":"Nala Sinephro - Nala Sinephro Space 1.8 [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 801061032418 \u003cbr\u003e\u003cp\u003e‘Space 1.8’ is Sinephro’s debut album; each contributing piece is part of a connected, collaborative and deeply personal body of music. Performed and recorded at Pink Bird Recordings in Wanstead and in the comfort of Sinephro’s bedroom, Spaces one through eight allow experimentation to breathe and borrow from jazz, electronic and folk influences. On the LP, Sinephro invites a host of talented musicians to enjoy its confines, providing a quiet place to dissolve the edges of London from the senses. ‘Space 1.8’ is a record for healing which could not have arrived at a more needed time.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 09\/03\/2021\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eLabel: Warp Records\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Nala Sinephro","offers":[{"title":"Default Title","offer_id":41884644606033,"sku":"NH2LUZ-XJXL-00","price":30.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Nala-Sinephro-Space-18--_pN5KB.jpg?v=1759468705"},{"product_id":"bonobo-bonobo-black-sands-2-lps-vinyl","title":"Bonobo Black Sands (2 Lp's) [Vinyl]","description":"Bonobo - Bonobo Black Sands (2 Lp's) [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 5021392584188 \u003cbr\u003e\u003cp\u003eTracksCredits\u003cbr\u003e1 Prelude\u003cbr\u003e2 Kiara\u003cbr\u003e3 Kong\u003cbr\u003e4 Eyesdown (Feat. Andreya Triana)\u003cbr\u003e5 El Toro\u003cbr\u003e6 We Could Forever\u003cbr\u003e7 1009\u003cbr\u003e8 All in Forms\u003cbr\u003e9 The Keeper (Feat. Andreya Triana)\u003cbr\u003e10 Stay the Same (Feat. Andreya Triana)\u003cbr\u003e11 Animals\u003cbr\u003e12 Black Sands\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 04\/6\/2010\u003c\/li\u003e\n\u003cli\u003eFormat Detail: 2xLP\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bonobo","offers":[{"title":"Default Title","offer_id":41884693758033,"sku":"27CVQI-C03V-00","price":37.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/bonobo-black-sands-2-lps_VMyPw.jpg?v=1759468719"},{"product_id":"henry-frankin-the-skipper-remastered-vinyl-edition-vinyl","title":"The Skipper (Remastered Vinyl Edition) (Vinyl)","description":"\u003cp\u003eVinyl LP pressing. Though it's hard to pick a winner among the estimable Black Jazz catalog, this 1972 release from bassist Henry 'The Skipper' Franklin would have to be near the top of the list. Franklin got his start woodshedding with Latin maverick Willie Bobo in the mid-'60s and went on to play with The Three Sounds, but probably his most notable gig prior to this debut album was his stint in Hugh Masekela's band (that's Franklin playing bass with Masekela at the 1967 Monterey Pop Festival). For The Skipper, Franklin assembled a crack outfit that included a horn section of trumpeter\/flugelhornist Oscar Brashear (Bobby Hutcherson, Ry Cooder, Donny Hathaway) and tenor \u0026amp; soprano sax man Charles Owens (Buddy Rich, Horace Tapscott, John Mayall) along with a Masekela bandmate in electric pianist Bill Henderson and ace drummer Michael Carvin (Pharoah Sanders, Lonnie Liston Smith, Freddie Hubbard). This is such a unique, organic recording that it's hard to make comparisons; definitely a little fusion, a little '60s Blue Note feel, and the usual Black Jazz journey to the more lyrical, pop-inspired ('Little Miss Laurie') and funk-infused ('Plastic Creek Stomp') sides of jazz, but perhaps the best comparison is late-'60s Miles before he went electric. In any case, The Skipper is just a joy to listen to from start to finish, beautifully recorded by Black Jazz producer Gene Russell and blessed with some really fine writing, most of it by Franklin himself.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat Detail: LP Includes insert with liner notes\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Henry Frankin","offers":[{"title":"Default Title","offer_id":41884899213393,"sku":"HPSP9G-HQ25-00","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Henry-Frankin-The-Skipper-Remastered-Vinyl-Edition_PY7FV.jpg?v=1762464742"},{"product_id":"miles-davis-miles-davis-kind-of-blue-vinyl","title":"Miles Davis Kind Of Blue [Vinyl]","description":"Miles Davis - Miles Davis Kind Of Blue [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 889397557256 \u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 2\/9\/2015\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Miles Davis","offers":[{"title":"Default Title","offer_id":41885095821393,"sku":"92A3NA-QPTG-00","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Miles-Davis-Kind-Of-Blue_IaB3c.jpg?v=1762464840"},{"product_id":"john-coltrane-john-coltrane-giant-steps-vinyl","title":"John Coltrane Giant Steps [Vinyl]","description":"John Coltrane - John Coltrane Giant Steps [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 889397218577 \u003cbr\u003e\u003cp\u003eThe 1998 reissue of GIANT STEPS contains all the original tracks and liner notes plus additional tracks and rare photos.\u003cbr\u003ePersonnel: John Coltrane (tenor saxophone); Tommy Flanagan, Wynton Kelly, Cedar Walton (piano); Paul Chambers (bass); Art Taylor, Lex Humphries, Jimmy Cobb (drums).\u003cbr\u003eProducer: Nesuhi Ertegun.\u003cbr\u003eReissue producer: Bob Carlton, Patrick Milligan.\u003cbr\u003eRecorded at Atlantic Studios, New York, New York on April 1, May 4 and December 2, 1959. Includes liner notes by Nat Hentoff.\u003cbr\u003eDigitally remastered by Bill Inglot \u0026amp; Dan Hersch (DigiPrep).\u003cbr\u003ePersonnel: John Coltrane (tenor saxophone); Tommy Flanagan, Wynton Kelly, Cedar Walton (piano); Paul Chambers (bass); Art Taylor, Lex Humphries, Jimmy Cobb (drums).\u003cbr\u003eRecorded at Atlantic Studios, New York, New York on April 1, May 4 and December 2, 1959. Includes liner notes by Nat Hentoff.\u003cbr\u003eJohn Coltrane's maiden voyage for Atlantic Records was the fulfillment of all the potential he'd demonstrated with Miles, Monk and on his own Prestige recordings. Recorded in May 1959 (one month after completing Davis' KIND OF BLUE), GIANT STEPS is Coltrane's first recital to feature nothing but his own original compositions, and is the culmination of his obsessive foray into harmony. By taking all of the notes in a chord--and trying to find every possible inversion and relevant substitution--the saxophonist was forced to develop a complex new form of melodic phrasing that enabled him to rhythmically crowd every permutation into a single phrase.\u003cbr\u003eThe effect is not only technically impressive, but an emotional marvel as well. On equestrian events such as the up-tempo title tune and \"Countdown,\" Coltrane blazes through the changes with a torrential effusion of ideas, each phrase connected to the next with unerring logic and a sublime sense of symmetry. Every note in the lower, middle and upper register of his horn is articulated with power, precision and a variety of expressive timbres. His manipulation of overtones and multiphonics imparts a hair-raising vocal immediacy to his cry, and each solo culminates in a stirring emotional catharsis. This is bebop to the tenth power.\u003cbr\u003eBut the joy of Coltrane's art is not predicated on its intellectual dexterity. The charming stop-time cadences of \"Syeeda's Song Flute\" depict an upbeat, child-like disposition, inspiring a particularly celebratory Coltrane solo. The vamping figures of \"Cousin Mary\" and \"Mr. P.C.\" lead to solos permeated with blues fervor. And of course, there's \"Naima\" (written for John's first wife), one of the saxophonist's tenderest, most enduring themes, with a melody that floats above Tommy Flanagan's serene chordal colors like a solitary cloud at dusk.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 02\/16\/18\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"John Coltrane","offers":[{"title":"Default Title","offer_id":41885122068561,"sku":"6UNYFZ-Y0RL-00","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/John-Coltrane-Giant-Steps_1tLsv.jpg?v=1762464856"},{"product_id":"bill-evans-trio-bill-evans-trio-waltz-for-debby-vinyl","title":"Bill Evans Trio Waltz For Debby [Vinyl]","description":"Bill Evans Trio - Bill Evans Trio Waltz For Debby [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 889397218621 \u003cbr\u003e\u003cp\u003eThe 2002 edition of this CD (JVC catalog #XRC 220) is a sonically improved version which replaces JVC catalog #XRCD 60141.WALTZ FOR DEBBY, along with SUNDAY AT THE VILLAGE VANGUARD, contains material from Scott LaFaro's final recording session with the Bill Evans Trio. He died 10 days later.Bill Evans Trio: Bill Evans (piano); Scott LaFaro (bass); Paul Motian (drums).Recorded live at the Village Vanguard, New York, New York on June 25, 1961. Originally released on Riverside (9399). Includes liner notes by Joe Goldberg.Digitally remastered by JVC using XRCD (Extended Resolution Compact Disc) technology.WALTZ FOR DEBBY, along with SUNDAY AT THE VILLAGE VANGUARD, contains material from Scott LaFaro's final recording session with the Bill Evans Trio. He died 10 days later.Bill Evans Trio: Bill Evans (piano); Scott LaFaro (bass); Paul Motian (drums).Recorded live at the Village Vanguard, New York, New York on June 25, 1961. Originally released on Riverside (9399). 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Beginning with his early work for Columbia, his artistically rich mid-period with Capitol, and his later years with Reprise, this set offers signature tracks like \"I've Got the World on a String,\" \"One for My Baby (And One More for the Road),\" \"Theme from New York, New York,\" and many more.  Ultimate Sinatra is a great place to start understanding Old Blue Eyes' musical legacy. ~ Timothy Monger\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 06\/09\/2015\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Frank Sinatra","offers":[{"title":"Default Title","offer_id":41885206904913,"sku":"4MQXI1-PLL6-00","price":42.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Frank-Sinatra-Ultimate-Sinatra_vzs3A.jpg?v=1762465023"},{"product_id":"art-blakey-the-jazz-messengers-art-blakey-the-jazz-messengers-art-blakey-the-jazz-messengers-vinyl","title":"Art Blakey \u0026 The Jazz Messengers Art Blakey \u0026 The Jazz Messengers [Vinyl]","description":"Art Blakey \u0026amp; The Jazz Messengers - Art Blakey \u0026amp; The Jazz Messengers Art Blakey \u0026amp; The Jazz Messengers [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 889397218805 \u003cbr\u003e\u003cp\u003eFull performer name: Art Blakey \u0026amp; The Jazz Messengers. 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Originally released on Blue Note (81577). Includes liner notes by Robert Levin and Bob Blumenthal.This Enhanced-CD version of BLUE TRAIN features audio tracks from BLUE TRAIN, interviews with jazz musicians (including Curtis Fuller, who played trombone on BLUE TRAIN), still pictures and video clips from the period, and a multimedia biography of Coltrane.Personnel includes: John Coltrane (tenor saxophone); Lee Morgan (trumpet); Curtis Fuller (trombone); Kenny Drew (piano); Paul Chambers (bass); \"Philly\" Joe Jones (drums).Producer: Alfred Lion.Reissue producer: Michael Cuscuna.Recorded at Van Gelder Studios, Hackensack, New Jersey. Includes liner notes by Michael Cuscuna.Digitally remastered by Ron McMaster.Personnel: John Coltrane (alto \u0026amp; tenor saxophones); Gene Ammons, Paul Quinichette (tenor saxophone); Pepper Adams (baritone saxophone); Donald Byrd (trumpet); Jerome Richardson (flute); Tommy Flanagan, Red Garland, Mal Waldron (piano); Kenny Burrell (guitar); Paul Chambers, George Joyner, Earl May (bass); Jimmy Cobb, Arthur Taylor (drums).Producer: Bob Weinstock.Compilation producer: Ed Michel.Recorded at the Ven Gelder Studios, Hackensack, New Jersey between August 16, 1957 and May 23, 1958. Includes liner notes by Stuart Kremsky.Digitally remastered by Joe Tarantino (1996, Fantasy Studios, Berkeley, California).Recorded in 1957, BLUE TRAIN is considered by the artist himself to be his finest work. In the mid-50's, Trane played with Miles Davis and Thelonius Monk, and he used the experience to propel himself to new heights of improvisational hard bop. The elements that comprise BLUE TRAIN would come to influence every generation of musicians that followed.The bluesy title track kicks in with an extended Coltrane tenor sax solo. Four years later Coltrane would also adopt soprano sax into his fold. This leads into solos by Lee Morgan on trumpet, Curtis Fuller on trombone, Kenny Drew on piano and Paul Chambers brings it home on the bass. Philly Joe Jones keeps the beat impeccably throughout, with a slight shuffle. \"Moment's Notice\" quickens the pace and showcases Jones' more intricate drumming. \"Locomotion\" takes an almost rock 'n' roll pace with the sax and trumpet playing in perfect tandem. 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Smith at Sterling Sound From Original Analog Tapes!\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith this 1964 album, John Coltrane firmly established himself as a most formative composer. The genius of John Coltrane literally rushes forth with his playing of these five compositions featuring McCoy Tyner, Jimmy Garrison and Elvin Jones.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSeeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. in high-quality gatefold sleeves with tip-on jackets.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eCRESCENT (VERVE ACOUSTIC SOUNDS SERIES) - John Coltrane Quartet\u003c\/h3\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 01\/14\/2022\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eLabel: Impulse\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"John Coltrane Quartet","offers":[{"title":"Default Title","offer_id":41886970871889,"sku":"87ZUY0-LA0D-00","price":40.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/John-Coltrane-Quartet-Crescent-Verve-Acoustic-Sounds-Series-LP_6ikHo.jpg?v=1762465811"},{"product_id":"dave-brubeck-quartet-time-out-vinyl","title":"Time Out (Vinyl)","description":"\u003cp\u003eDave Brubeck Quartet: Dave Brubeck (piano); Paul Desmond (alto saxophone); Eugene Wright (bass); Joe Morello (drums).Recorded at Columbia 30th Street Studios, New York, New York on June 25, July 1 \u0026amp; August 18, 1959. Includes liner notes by Dave Brubeck and Steve Race.Dave Brubeck's TIME OUT ranks alongside Miles Davis' KIND OF BLUE as one of the few advanced jazz masterpieces to achieve great commercial success. In fact, the widespread popularity of TIME OUT, with its cool-toned ambience, smooth style, and elements borrowed from classical music, helped make modern jazz a mainstream phenomenon.The ubiquitous \"Take Five\" may be overplayed, but that doesn't diminish the joy of its complex melodic hooks, its perfectly executed solos, or the swinging slink of its 5\/4 signature. \"Blue Rondo a la Turk\" collages Mozart, cool swing, and Brubeck's own classically oriented piano style, and the airy, delicate \"Everybody's Jumpin'\" showcases the lyrical splendor of saxophonist Paul Desmond. With bassist Gene Wright and drummer Joe Morello keeping the tricky rhythms agile and swift, the Dave Brubeck Quartet blended complexity and accessibility for pure jazz pleasure on TIME OUT, an album everyone should own.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 09\/08\/2017\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dave Brubeck Quartet","offers":[{"title":"Default Title","offer_id":41887033098321,"sku":"0XCQMW-W6MH-00","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Dave-Brubeck-Quartet-Time-Out_UbuB9.jpg?v=1762465884"},{"product_id":"miles-davis-miles-davis-we-want-miles-2xlp-opaque-yellow-vinyl-vinyl","title":"Miles Davis We Want Miles (2xLP Opaque Yellow Vinyl) [Vinyl]","description":"Miles Davis - Miles Davis We Want Miles (2xLP Opaque Yellow Vinyl) [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 664425147018 \u003cbr\u003e\u003ch2\u003eMiles Davis - We Want Miles (2xLP Opaque Yellow Vinyl)\u003c\/h2\u003e\r\n\r\n\u003cp\u003eRemastered From The Original Analog Tapes\u003cbr\u003e\r\n\u003cbr\u003e\r\nThe first live Miles Davis electric band release since 1977’s very dark and heavy Dark Magus. The album features live performances from shows at Boston’s Kix Club. The double vinyl release contains reimagined versions of songs from The Man With the Horn (1981), tunes from the pre-electric Gil Evans collaboration Porgy and Bess (1959), and a dedication to the Boston venue called Kix. While this was one of the first live Miles Davis performances in over half a decade it certainly did not show!!!\u003cbr\u003e\r\n\u003cbr\u003e\r\nThis album features R\u0026amp;B legend Marcus Miller on bass, Mike Stern on guitar, Bill Evans on saxophone, Mino Cinelu on percussion, and electric band alumni Al Foster on drums. 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Day Breaks, released four years after the atmospheric adult alternative pop of the Danger Mouse-produced Little Broken Hearts, finds Jones returning home to an extent: it, like her 2002 debut Come Away with Me, is a singer\/songwriter album with roots in pop and jazz, divided between originals and sharply selected covers. Such similarities are immediately apparent, but Day Breaks is much slyer than a mere revival. That term suggests a slight air of desperation, but Jones comes from a place of confidence on Day Breaks, happy to demonstrate everything she's learned over the years. 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After a 9 year hiatus from recording studio albums, Miles Davis returned in 1981 with a bang. Continuing the abstract improvisational funk pioneered by the Miles Davis live electric band, Miles  came back with a fresh cast. While there are plenty of new players on this recording it captures the moody long-song format from the mid- 70s live electric band. The album features R\u0026amp;B legend Marcus Miller on bass, Mike Stern on guitar, electric band alumni Al Foster on drums, and many more. 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LPs] \u003cbr\u003eBarcode: 4251804143813 \u003cbr\u003e\u003cul\u003e\r\n\t\u003cli\u003ePart of Be With x KPM Library Reissue Campaign\u003c\/li\u003e\r\n\t\u003cli\u003e2024 first-time vinyl reissue\u003c\/li\u003e\r\n\t\u003cli\u003e140g vinyl\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eIt's the pair you've all been waiting for! FINALLY!\u003c\/p\u003e\r\n\r\n\u003cp\u003eAlan Tew's Drama Suite Part II. What can we really say? Honestly? We guess the first thing that strikes you is how clean the drums are. Almost impossibly slick but dripping so, so heavy with the neck-snapping funk you'd expect from perhaps the most sought-after library funk set of them all! The cheapest on Discogs is, currently, £1300+. Now's your chance to remedy that. If you know, you know. And we think you know...\u003c\/p\u003e\r\n\r\n\u003cp\u003e\"The Rub\" is a cool, low-slung heavy-funk roller with relaxed brass and alto flute phrases. Up next, \"Money Runner\" is another edgy funk glider, its easy-tempo moving in harmony with slinky rhythmic riffs and featuring a seemingly ad-libbed electric piano solo. Strutting along after, \"White Elephant Walk\" is another laconic, deeply stoned walking theme with electric piano and alto flutes. There follows a couple of brief \"walking\" links before the brilliantly tense \"Master Plan\" slowly builds. Expectancy grows to the main theme around a minute in and then a melodic theme builds slightly to the 3-minute mark before floating down gradually and elegantly to its climax. It's utterly fantastic. The smoky, after-hours \"Night Watch\" is a slow, cool gem featuring alto flutes and synths.\u003c\/p\u003e\r\n\r\n\u003cp\u003eNow we're talking, \"The Fence (a)\" is just sensational and worth buying this album all on its own. It's likely the reason you're here, anyway. Another impossibly funky, slow and easy tempo with a bass riff to die for, dramatic guitar with gorgeous electric piano and alto flute phrases. It was sampled for \"Action Satisfaction\" by J5, way way back. \"The Fence (b)\" is a slower, more deliberate version of the previous heater, but it's no less essential. Indeed, it's absolutely jaw-drooping. Closing out this remarkable side, \"Surveillance\" is another horizontal masterpiece of relaxed yet dramatic jazz-funk. Vibes ad-lib in the center section and give you an idea of how Roy Ayers making library funk in the mid-late 70s might've sounded. Sensational.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFlip over for \"Total Silence\", a near-beatless and understated scene-setter featuring neat interplay of guitar and synthesizer themes over bass and hi-hats. The slow \"Eyes\" follows, a brief gem with subdued electric piano solo and a light climax. The fantastic \"Drama Backcloth (1a)\" is up next, a repetitive piano and bass refrain with guitar figures over the top. Its creeping crime-funk vibe was pilfered for \"Outta Town Shit\" by Ghostface Killah in 2006. \"Drama Backcloth (1b)\" is a short, subdued version without the guitar figure. \"Drama Backcloth (2)\" features an expectant, background marimba figure over light rhythm whilst the cool \"Drama Backcloth (3)\" centers around a relaxed riff and the angular \"Drama Backcloth (4)\" presents eerie progressions with piano interjections. It's decidedly non-rhythmic!\u003c\/p\u003e\r\n\r\n\u003cp\u003eWe're then onto 14 (!) different half-minute \"Scenechanges\", all jazzy and funky, some cool and dramatic, some slow and rhythmic. All ace and groove-fueled. The aptly-titled \"Final Statement\" closes proceedings, a slow, pensive theme on guitar joined by cool brass and a solo trumpet to its climax.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAs with all of our KPM re-issues, the audio for Drama Suite Part II comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. And as usual, the sleeve reproduction duties were handed over to Richard Robinson, the current custodian of KPM’s brand identity. 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Mixing soft psych, vocal jazz, and sunshine soul, Shira Small and her high school music teacher Lars Clutterham created a peerless artifact of outsider magic. Imagination, wonder, the existential dread of Vietnam and math class and getting caught smoking weed in Nixon’s America… it’s all here. Is your life alright?\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 08\/18\/2023\u003c\/li\u003e\n\u003cli\u003eUPC: 825764626194\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eLabel: Numero Group\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Shira Small","offers":[{"title":"Default Title","offer_id":41891543056465,"sku":"CL2XI5-EKHW-00","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/the-line-of-time-and-the-plane-of-now-white-w-black-splatter_uneZ7.jpg?v=1762466772"},{"product_id":"alan-tew-alan-tew-drama-suite-part-1-vinyl","title":"Alan Tew Drama Suite Part 1 [Vinyl]","description":"Alan Tew - Alan Tew Drama Suite Part 1 [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 4251804143806 \u003cbr\u003e\u003cul\u003e\r\n\t\u003cli\u003ePart of Be With x KPM Library Reissue Campaign\u003c\/li\u003e\r\n\t\u003cli\u003e2024 first-time vinyl reissue\u003c\/li\u003e\r\n\t\u003cli\u003e140g vinyl\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eIt's the pair you've all been waiting for! FINALLY\u003c\/p\u003e\r\n\r\n\u003cp\u003eAlan Tew's driving jazz-rock, sleuth-funk masterpiece, Drama Suite Part I is finally reissued to sate your appetites for arguably the very best library two-parter in existence. If you don’t know, get to know. Originally released in 1976 but wonderfully timeless, Drama Suite Part I is at the top of every library funk collectors' list. It's easy to see why...\u003c\/p\u003e\r\n\r\n\u003cp\u003eRacing out the gate, the gritty crime funk of \"The Detectives\" makes for a thrilling, wild ride. A dramatic action theme, it's packed with strident playing and bags of attitude. There follows 10 (ten!) drama-tinged, horn-heavy, wah-wah-laced, conga-enhanced, synth-riddled links for neat segues and maximum funk fever. \"Helicop\" is another fast-paced and energetic dramatic action background with great breaks and horns. \"The Big One (Prelude)\" has an ace bassline and creeps along superbly to create expectation and contains an amazing rolling piano loop that just stops you dead in your tracks. It's all building to \"The Big One\", a driving, dramatic, full-band action with fantastic funk breaks, heavy horns, and *that* piano refrain. It was sampled by Jay-Z, and you can't really blame him, can you? The brief, tense \"Headlights\" and (even briefer) burner \"The Burn\" add some - you guessed it - deep drama over insistent rhythms to close out Side A.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFlip over for \"The Detectives (Slow Version)\", a relaxed, thoughtful version featuring synths. You might recognize it as being sampled by Domo Genesis and Evidence for \"Tallulah\" from their brilliant collaboration a few years ago. \"The Detectives (Interlude)\" is another slow, pensive version featuring electric piano and a trombone solo in the center section. There follows 6 further links, Detectives versions essentially, with guitars, electric pianos, flugelhorns - all very cool and relaxed rhythms. The strutting majesty of big-time highlight \"The Build Up\" is next. It's a medium-slow drama background with occasional light statements of The Detectives theme peppered throughout. Nice. The fantastically-titled \"Snout\" is a slow, tense background theme that features a repetitive guitar figure with alto flutes over the top. The tense, stabby funk of \"The Prowler\" rounds out proceedings, with nervous figures over a slow, insistent cymbal beat.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAs with all of our KPM re-issues, the audio for Drama Suite Part I comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. And as usual, the sleeve reproduction duties were handed over to Richard Robinson, the current custodian of KPM’s brand identity. 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Half a century later, it still conveys the freshness and excitement of discoveries being made. The album signaled the arrival of four Norwegian improvisers – Jan Garbarek, Terje Rypdal, Arild Andersen and Jon Christensen – at the fledgling ECM label. 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Known as much for his wild on-stage persona as his innovative compositions, Sun Ra was the avant-garde bleeding edge of the jazz genre, introducing modal composition and electronic instrumentation before almost anyone else -- not to mention bringing the space age to life with his obsession with all things extraterrestrial. Across more than 100 LPs released in his lifetime, Sun Ra charted a course to space and far, far beyond.\u003cbr\u003e\r\n\u003cbr\u003e\r\nModern Harmonic proudly presents The Space Age Is Here To Stay, the very first collection of Sun Ra’s vocal tracks — two albums’ worth of mind-blowing tunes from the mind of the Man from Saturn himself. Your choice of CD or 2LPs wrapped in a gorgeous package featuring artwork by the king of space-age art himself, Chesley Bonestell. Includes extensive liner notes from Charles Blass of Sun Radio. 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The album Nuclear War has over 60 minutes of music by Georgia Anne Muldrow, Irreversible Entanglements, Angel Bat Dawid and Malcolm Jiyane Tree-o who all cover and reinterpret Sun Raâ€™s 1981 song protesting the meltdown at the Three Mile Island Nuclear Power Plant near Philadelphia, where Ra and the Arkestra lived. 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In 1957, Yamaya joined Nobuo Hara’s famous jazz big band Sharps \u0026amp; Flats as a baritone saxophone player and started composing, arranging, and recording for them and other big bands. He became a key jazz figure in Japan in the sixties together with Norio Maeda and Keitaro Miho, both jazz pianists, composers and arrangers, by forming the Modern Jazz Three Association – which aimed at improving the level of Japanese jazz composition and arrangement. In the mid-seventies, his Contemporary Sound Orchestra explored jazz funk fusions with traditional Japanese melodies and instruments such as the shakuhachi, koto, biwa, and shamisen. These works were recorded for a series of panoramic Japanese albums released domestically on Denon and Nippon Columbia, from which the tracks on this compilation are taken from.\u003c\/p\u003e\r\n\r\n\u003cp\u003eToshiko Yonekawa, born 1913 in the city of Himeji, not so far from Osaka, is the eldest daughter of koto and shamisen master Kin’o Yonekawa. She started studying both instruments with her talented father from the age of 3, played in her first concert at 8, and was only 12 years old when she first appeared on national radio. Her unique style of koto playing is widely recognized due to the extreme accuracy of the intonation and rhythm, as well as the unequaled beauty of the instrument’s sonority. After a life decorated with awards and prizes, Toshiko Yonekawa was named a Living National Treasure in 1996.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBorn in Tokyo in 1950, Kifu Mitsuhashi is a great master of Koto style shakuhachi. After completing the NHK Hōgaku Training Program in 1972, Mitsuhashi became a member of Pro Musica Nipponia, a group of leading composers and top-ranking musicians devoted to performing a wide-ranging repertoire of classical and contemporary compositions from both Japan and the West – in which all music is performed by traditional Japanese musical instruments. 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A Tribute to Jack Johnson is a studio album and soundtrack by jazz trumpeter, composer, and bandleader Miles Davis. It was released on February 24, 1971. The album was conceived by Davis for Bill Cayton's documentary of the same name, on the life of boxer Jack Johnson. It's two 25-minute-plus tracks were produced from recordings made on February 18 and April 7, 1970, at 30th Street Studio in New York City. Davis was inspired by the political and racial subtext of Johnson's saga as well as the hard rock and funk sounds of his own era, leading a rock-inspired line-up of musicians in the studio: guitarists John McLaughlin and Sonny Sharrock, keyboardists Herbie Hancock and Chick Corea, clarinetist Bennie Maupin, and drummers Jack DeJohnette and Billy Cobham.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 03\/27\/2020\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Miles Davis","offers":[{"title":"Default Title","offer_id":41891617374289,"sku":"Y7RK4H-7ETQ-00","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Miles-Davis-A-Tribute-To-Jack-Johnson-140-Gram-Vinyl-Download-Insert_kERt4.jpg?v=1762466960"},{"product_id":"miles-davis-miles-davis-big-fun-vinyl","title":"Miles Davis Big Fun [Vinyl]","description":"Miles Davis - Miles Davis Big Fun [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 8719262000056 \u003cbr\u003e\u003cp\u003ePersonnel includes: Miles Davis (trumpet); Sonny Fortune (soprano saxophone, flute); Steve Grossman, Wayne Shorter, Carlos Garnett (soprano saxophone); Bennie Maupin (flute, clarinet, bass clarinet); Lonnie Smith, Harold I. Williams (piano); Joe Zawinul (electric piano, Farfisa organ); Herbie Hancock, Chick Corea (electric piano); John McLaughlin (electric guitar); Bihari Sharma (electric sitar, tambura, tabla); Khalil Balakrishna (electric sitar, tambura); Dave Holland (acoustic \u0026amp; electric basses); Harvey Brooks (electric bass); Ron Carter, Michael Henderson (bass); Billy Cobham (drums, triangle); Billy Hart, Al Foster, Jack DeJohnette (drums); Badal Roy (tabla); Airto Moreira (cuica, berimbau, percussion).\u003cbr\u003eRecorded at Columbia Studio E, New York, New York between November 19, 1969 and June 12, 1972. Includes liner notes by Bennie Maupin.\u003cbr\u003eIn the period following Miles Davis' crossover breakthrough, BITCHES BREW, the trumpeter recorded incessantly, trying out new combinations of ideas and musicians. These progressive young musicians went on to forge a new alloy of music from the ore of funk, electric soul, psychedelic blues and progressive rock, with trace elements of classical and jazz. And Miles was the lightning rod for it all.\u003cbr\u003eBIG FUN gathers up some of the trumpeter's choicest experiments in '70s cool, much of it with a profoundly Indian flavor, and Miles' attraction to raga phrasing mirrors his love of flamenco melodies, particularly on \"Lonely Fire\" (a late Miles ballad in the tradition of \"Nefertiti,\" \"Shhh\/Peaceful\" and \"Sanctuary\"). This moody arrangement is distinguished by floating tear drops of tamboura, sitar, tabla and Fender\/Rhodes, as Miles sounds taps, shadowed by soprano sax and bass clarinet, before breaking into tempo over the crossrhythms of Billy Cobham and Jack DeJohnette.\u003cbr\u003eMiles employs twin keyboardists, twin bassists and twin drummers, throughout BIG FUN, and the visceral starts and stops of \"Great Expectations\" highlight the sort of layered, collective polyphony he was trying to develop, his focused melodies acting as a lyric beacon. \"Ife\" is Miles in his ON THE CORNER mode, marked by the arrival of funk bassist Michael Henderson, percussionist Mtume and long-time collaborator Al Foster (plus Billy Hart) on drums. But the real highlight is \"Go Ahead John,\" where Davis and his favorite guitarist surf over the fulminating groove of Jack DeJohnette and Dave Holland in fast funk and slow blues sections.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 9\/5\/2016\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Miles Davis","offers":[{"title":"Default Title","offer_id":41891671507025,"sku":"LVZIEB-KNW1-00","price":40.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Miles-Davis-Big-Fun_iVJru.jpg?v=1762467045"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/collections\/4469118-3471420.jpg?v=1762094235","url":"https:\/\/apocalypsevinyl.com\/collections\/jazz.oembed?page=39","provider":"Apocalypse Vinyl","version":"1.0","type":"link"}