{"title":"Math Rock","description":"\u003cp dir=\"ltr\"\u003eMath rock built from odd time signatures, finger-tapped guitar lines and drummers who count in sevens, where post-hardcore picked up jazz chops and decided the rules were optional. 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Four years to be exact. And, oh my, are they back with a vengeance. Trash Generator, the trio‚Äôs third full length, is an astonishing blast of confidence and rejuvenation. It sounds as if the downtime has recharged the band with an entirely new sense of purpose. The performances are brilliant and sharp, the songs concise yet intricately detailed, and the album production deftly captures the band‚Äôs strength as a live unit. Their dalliances with mellower psychedelic phrases on their previous two albums, X‚Äôed Out (2013) and Patagonian Rats (2010) are significantly trimmed and instead utilized as colorations within a swirling maelstrom of righteous aggro punk-jazz abandon. As such, it sounds like Tera Melos has fully metabolized their pop tendencies and found a way they can coexist with the band‚Äôs iconoclast origins. Tera Melos ‚Äî guitarist\/vocalist Nick Reinhart, bassist Nathan Latona and drummer John Clardy ‚Äî have learned to stop worrying and just be Tera Melos. ‚ÄúWe toured consistently for 19 months after X‚Äôed Out was released in 2013,‚Äù Latona explains. ‚ÄúWe did two full US headliners, three full US support tours, a Japanese tour, a month in Europe, and a run of shows in the UK and Ireland. When we finished, we were pretty exhausted and frustrated.‚Äù It had seemed that after all of that work, not much had changed for the band. Tera Melos took a short holiday break, which eventually turned into two years as each of them pursued other interests. ‚ÄúI found myself at ease with the idea of not worrying about ticket sales, strategic tours, units moved, likes, clicks, views, and the short-fused moodiness of living in a van with two other people,‚Äù Latona says. In that downtime, Reinhart remained active in multiple endeavors: contributing guitar to Death Grips‚Äô The Powers That B album + the I.L.Y.‚Äôs (Zach Hill and Andy Morin‚Äôs other band), Big Walnuts Yonder (with Mike Watt, Nels Cline and Greg Saunier), Goblin Cock, Portugal.the man and many others. Latona completed a college degree he‚Äôd put off for 11 years. Clardy became an integral faculty member at the School of Rock in Dallas\/Ft. Worth, inspiring young musicians with his real-world approach to learning music. For every touring band there‚Äôs a subtle pressure ‚Äî from fans, industry, promoters, family ‚Äî that the band is supposed to be on a constantly rising trajectory of success. 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It was recorded on weekdays between festival appearances over the summer of 2010 during July and August in Start Together Studios, Belfast with producer Rocky O'Reilly. 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Like the referenced album's cover, there are\u003cbr\u003e  multiple color palettes present to create an overall picture that feels less\u003cbr\u003e  two dimensional and more of a colorful celebration of the layers of music\u003cbr\u003e  within. Animals Acoustic features musical contributions from the TTNG's\u003cbr\u003e  friends and contemporaries. Nate Kinsella (Birthmark, American Football, Make\u003cbr\u003e  Believe) recorded string arrangements found throughout the new release. The\u003cbr\u003e  Kraken Quartet are featured on some of the band's fan favorites: 'Chinchilla'\u003cbr\u003e  'Baboon' and 'Gibbon'. Yvette Young of Covet turns 'Crocodile'¬ù into a\u003cbr\u003e  delicate piano ballad. The Mivos Quartet, Vicky Tremain and Andy Hume\u003cbr\u003e  contribute even more depth to an album of reassembled songs.\u003c\/p\u003e\u003cp\u003e1. Chinchilla\r 2. Baboon\r 3. Lemur\r 4. Badger\r 5. Quetzal\r 6. Panda\r 7. Elk\r 8. Pig\r 9. Gibbon\r 10. Dog\r 11. Crocodile\r 12. 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The performances are brilliant and sharp, the songs concise yet intricately detailed, and the album production deftly captures the band‚Äôs strength as a live unit. Their dalliances with mellower psychedelic phrases on their previous two albums, X‚Äôed Out (2013) and Patagonian Rats (2010) are significantly trimmed and instead utilized as colorations within a swirling maelstrom of righteous aggro punk-jazz abandon. As such, it sounds like Tera Melos has fully metabolized their pop tendencies and found a way they can coexist with the band‚Äôs iconoclast origins. Tera Melos ‚Äî guitarist\/vocalist Nick Reinhart, bassist Nathan Latona and drummer John Clardy ‚Äî have learned to stop worrying and just be Tera Melos. ‚ÄúWe toured consistently for 19 months after X‚Äôed Out was released in 2013,‚Äù Latona explains. ‚ÄúWe did two full US headliners, three full US support tours, a Japanese tour, a month in Europe, and a run of shows in the UK and Ireland. When we finished, we were pretty exhausted and frustrated.‚Äù It had seemed that after all of that work, not much had changed for the band. Tera Melos took a short holiday break, which eventually turned into two years as each of them pursued other interests. ‚ÄúI found myself at ease with the idea of not worrying about ticket sales, strategic tours, units moved, likes, clicks, views, and the short-fused moodiness of living in a van with two other people,‚Äù Latona says. In that downtime, Reinhart remained active in multiple endeavors: contributing guitar to Death Grips‚Äô The Powers That B album + the I.L.Y.‚Äôs (Zach Hill and Andy Morin‚Äôs other band), Big Walnuts Yonder (with Mike Watt, Nels Cline and Greg Saunier), Goblin Cock, Portugal.the man and many others. Latona completed a college degree he‚Äôd put off for 11 years. Clardy became an integral faculty member at the School of Rock in Dallas\/Ft. Worth, inspiring young musicians with his real-world approach to learning music. For every touring band there‚Äôs a subtle pressure ‚Äî from fans, industry, promoters, family ‚Äî that the band is supposed to be on a constantly rising trajectory of success. Regardless of the group‚Äôs own potentially esoteric goals, if you‚Äôre not reaching for the ‚Äúnext level‚Äù at every turn, you‚Äôre supposedly not doing it right. ‚ÄúWith this record it was 100% let‚Äôs not concern ourselves with what we should be doing at this point in the band‚Äôs lifespan, and just fully focus on what makes us happy,‚Äù Reinhart says. ‚ÄúMaking a new record seemed like a fun act of defiance,‚Äù Latona adds. ‚ÄúThe odds are against bands like us, but despite all the negativity involved in trying to struggle and survive as an artist, we made Trash Generator because we just wanted to get\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat Detail: CD 6 panel digipak with lyric insert\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tera Melos","offers":[{"title":"Default Title","offer_id":42032241999953,"sku":"BY1ZY6-RTRE-OU","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/tera-melos-trash-generator_D7ktA.jpg?v=1762496010"},{"product_id":"elephant-gym-dreams-cd","title":"Dreams (CD)","description":"\u003cp\u003e\"A mysterious object is revealed; the drum sound of the rite arouses; flares are blazing; the soul slides through water‚Äôs surface; the breath lights up the air; the body as a sacrifice, I hear myself, in this dream.\"\u003c\/p\u003e\u003cp\u003eThe 12 songs that constitute Dreams, the third full-length from the Kaohsiung trio Elephant Gym, explore the deep spacetime continuum that consciousness cannot capture. Beyond the trio‚Äôs staple instrumentation of guitar, bass, and drumset, Dreams blends in wind instruments, traditional drums, and Taiwanese narrative. Through collaboration with Hakka singer-songwriter Lin Sheng Xiang and pop musician 9m88, notable for their accomplishments in jazz, soul, and R\u0026amp;B, Dreams is a sweeping narrative about a fantastical dream that crosses the boundary. After pressing play, please do close your eyes, and enjoy the dream.\u003c\/p\u003e\u003cp\u003eAnima\r Go Through the Night\r Shadow (feat. 9m88)\r Witches\r Dreamlike\r Wings (feat. KCWO)\r Happy but Sad\r Deities' Party (feat. Chio Tian Folk Drums And Art Troupe)\r Dear Humans\r Gaze at Blue (Album Version)\r Fable\r Dream of You (feat. 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Heirs is both the band‚Äôs most painstakingly created album as well as its most personal an meaningful.  ‚ÄúIts central theme is about the inheritance of ideas,‚Äù the band says.  ‚ÄúIn that we‚Äôre all heirs to other people‚Äôs passion, which in turn inspires ourselves.‚Äù\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eRelease-Date: : 5\/5\/15\u003c\/li\u003e\n\u003cli\u003eFormat Detail: Digipak\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"And So I Watch You From Afar","offers":[{"title":"Default Title","offer_id":42033772167249,"sku":"FE30LU-DYKY-MR","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/and-so-i-watch-you-from-afar-heirs_cTkC4.jpg?v=1762498371"},{"product_id":"elephant-gym-balance-cd","title":"Balance (CD)","description":"Elephant Gym - Balance (CD) \u003cbr\u003e Barcode: 634457851924 \u003cbr\u003e\u003cp\u003eThe debut EP from Taiwanese instrumental math rock band Elephant Gym. 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(CD) \u003cbr\u003e Barcode: 759656048620 \u003cbr\u003e\u003cp\u003e\"A lot of people think everything has to do with luck and timing, and I just don't think that's true,\" says Marnie Stern, pounding a bar counter to punctuate the word don't. \"There are actors that work for 20 years and fade in and out of fame. Keeping in there is the important part.\"Don't worry; Stern hasn't dropped her trusted Electra guitar or \"bitchin'\" double-neck Epiphone for a steady regiment of self-help seminars. The New York Times-endorsed, Pitchfork-approved (one reviewer called her \"pure Technicolor in a glutted, black-and-white scene\") vocalist\/guitarist knows what she's talking about, though. After all, she dealt with nothing but blank faces in the early '00s, as the New York native struggled to get noticed among the Strokes\/Yeah Yeah Yeahs explosion in the Lower East Side and Brooklyn.\"Developing my own style took years of taking risks,\" says Stern. \"I know my voice is high, but singing like Yoko Ono was unbelievably embarrassing for me at first. I didn't even want my best friend to hear it. She was like, 'Come on, Marnie! Show people your silly side!' And I was like, 'Are you kidding? Do you know how annoying that sounds?'\"Kelefa Sanneh of The New York Times (now at The New Yorker) was one of the first critics to celebrate the Stern's quirkiness and the carpe diem cuts of her debut, In Advance of the Broken Arm, writing, \"Yes! It's hard to muster a more nuanced response to Marnie Stern, a previously obscure shredder and yawper who has just released the year's most exciting rock 'n' roll album.\"While her first full-length had the focus of a bullet train from New York to Boston, Stern's second LPthe endlessly-titled This Is It (blame an Alan Watts essay) is a pop record for an alternate dimension, where hooks and choruses are sent careening through a cracked kaleidoscope. That includes everything from the chirping chorus line of \"Ruler\" to the luscious riff-raking leads of \"Crippled Jazzer.\"Stern's new one is also deeply personal compared to the conceptual leanings of her previous work. 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What may at first sound chaotic and unplanned reveals itself on repeated listening as meticulously structured: rhythms gather, flicker, melt (down) and emerge as something different; splenetic episodes give way to passages of hymnal calm which in turn are shattered as language breaks down into strobe-like stuttering and is tugged back into line by Sam Scrantons insistent drumming; silvery shards of controlled static ride high above everything. Melodies are stretched to and beyond breaking point, Aaron Withs guitar shifts between a ragged, feverish dissonance and bright spaciousness. 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She's a better guitar player than you, or me, or probably 99% of the people who have ever looked at a guitar. There. That's done.Marnie came out of nowhere, or the Upper East Side of Manhattan to be exact. She didn't listen to \"good\" music (her words) until she was 23. The first thing she heard that made her head spin was Sleater-Kinney, followed a few years later by Hella, Boredoms, Melt Banana, etc. A Don Caballero video introduced her to the finger-tapping technique she now uses expertly. For the last several years she has played guitar for \"at least\" three hours a day because she feels guilty when she doesn't play. Marnie is one of the rare artists who was signed to KRS after sending in a demo tape.Her debut record, In Advance of the Broken Arm, is culled from songs written by herself in her bedroom over a two-year period, with production and drum work by Hella's Zach Hill. Her songs are of the earth, birthed in an organic process where the finished product is much more striking than the individual parts: created in solitude, the songs contain a staggering number of layers, each one winding its way around the others, then counterpointed by Marnie's feminine, echoing, powerful vocals. Despite the artful pretensions of some of her influences, Marnie's lyrics are her secret weapon... every line has an understated elegance floating above the mindnumbingly complex guitar work.What makes Marnie better than any of the other hundreds of nameless and faceless tech guitar wizards is her uncanny ability to somehow transform the most complicated guitar acrobatics into beautiful and concise 3 minute pop songs. Hers is an inspired, forward-moving art that you can take home to mom, and play for your kid sister. 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The band teamed up with Keith Souza (Battles) from Machines With Magnets for mixing and Heba Kadry (The Mars Volta) from Timeless Mastering to master to \"Cubic\". FFO: TTNG, Mylets, toe\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eRelease-Date: : 12\/2\/16\u003c\/li\u003e\n\u003cli\u003eFormat Detail: CD Eco Wallet\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Lite","offers":[{"title":"Default Title","offer_id":42036242710609,"sku":"MFRFC5-KZ1Y-MD","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/lite-cubic_G2BQL.jpg?v=1762501991"},{"product_id":"black-midi-hellfire-vinyl-6422","title":"Hellfire (Vinyl)","description":"\u003cp\u003eOn Monday May 9th we kick off our next black midi campaign for the band's sophomore album Hellfire, with the single \u0026amp; Gustaf Holten√§s (\"Slow\") directed video \"Welcome To Hell\". Hellfire will be out on July 15th. The album was written in London 2021 and produced by Marta Salogni and black midi, with additional production from Max Goulding. Artwork was created by David Rudnick (who's done the artwork for all previous black midi albums as well), using AI technology into which he fed lyrics from the album to generate imagery which was then printed, cut up and reconfigured into a detailed and complex collage.\u003c\/p\u003e\u003cp\u003eNo band can quite build their own universe like¬†black¬†midi. Hellfire, their third album and second in two years sees the London three piece at their most direct. \"Welcome To Hell\" tells the story of a debauched soldier's excess and military discharge, soundtracked by funky guitar sections, driving horns and a progressively snarling vocal.¬†Premiered by Steve Lamacq on 6 Music. 2022 live dates incl Coachella, Glastonbury, Somerset House, more to be announced.¬†\u003c\/p\u003e\u003cp\u003eVol Side Track Artist Title Sub-Title\r 1 11black midi Hellfire     \r 1 1 2 black midi Sugar\/Tzu \r 1 1 3 black midi Eat Men Eat \r 1 1 4 black midi Welcome To Hell \r 1 1 5 black midi Still \r 1 2 1 black midi The Race Is About To Begin \r 1 2 2 black midi Dangerous Liaisons \r 1 2 3 black midi The Defence \r 1 2 4 black midi 27 Questions\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat Detail: LP Standard Black Vinyl in a gatefold jacket\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Indie \u0026amp; Alternative\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Black Midi","offers":[{"title":"Default Title","offer_id":42053340135505,"sku":"9X03PH-H9HJ-QT","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/black-midi-hellfire_7vcWC.jpg?v=1759479586"},{"product_id":"toe-new-sentimentality-tan-clear-color-in-color-vinyl-vinyl","title":"New Sentimentality (TAN \u0026 CLEAR COLOR-IN-COLOR VINYL) (Vinyl)","description":"\u003cp\u003etoe is a Japanese music group long revered in post-rock circles, while their song structures and dynamics have taken on elements from all styles of music, ranging from math-rock, jazz, pop, and R\u0026amp;B.\u003c\/p\u003e\u003cp\u003etoe is composed of Kashikura Takashi on drums, Mino Takaaki on guitar, Yamane Satoshi on bass guitar, and Yamazaki Hirokazu on guitar. The band has formally played with this lineup since their inception in 1998.\u003c\/p\u003e\u003cp\u003eThe vast majority of the music is instrumental and features the swift, agile drumming of Takashi. The band is also known for melodic, clean guitar, often employing the juxtaposition of electric and acoustic. While the compositions feature the repetition of typical rock motifs, the subtle changes in beat and rhythm form a unique rhythmic dialect. The band has consistently expanded their sound throughout their musical tenure by incorporating singing, rhodes piano, mallet percussion, and electronic production elements.\u003c\/p\u003e\u003cp\u003e1. Áπã„Åå„ÇãÈÅ•„ÅãÂΩºÊñπ  2. 1 21  3. New Sentimentality  4. „Ç∞„ÉÉ„Éâ„Éê„ǧ\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat Detail: LP, Tan \u0026amp; Clear Color-In-Color Vinyl, Custom Die-cut Jacket w\/ 4 Inserts [w\/ download card]\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Indie \u0026amp; Alternative\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"toe","offers":[{"title":"Default Title","offer_id":42072030216273,"sku":"TE5K6P-Q640-3S","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/toe-new-sentimentality-tan-clear-color-in-color-vinyl_6KM2O.jpg?v=1759480445"},{"product_id":"american-football-american-football-covers-clear-colored-vinyl-digital-download-card-vinyl","title":"American Football (Covers) (Clear Colored Vinyl, Digital Download Card) (Vinyl)","description":"\u003cp\u003eDescription\u003cbr\u003eAfter quietly releasing their self-titled debut album in 1999 while still in college, American Football disbanded after the album's release to focus on other projects, only to reunite 15 years later to a fanbase that had been consistently growing throughout the underground \/ emo scene. The album later appeared on Rolling Stone's \"40 Greatest Emo Albums of All Time\" list at #6, with Pitchfork giving it's deluxe reissue the \"Best New Reissue\" title, calling it the \"most influential album in the genre.\"\u003c\/p\u003e\u003cp\u003eTo celebrate the 25th anniversary of the album's release, Polyvinyl is thrilled to announce American Football (Covers), a genre-spanning covers album that highlights the importance and wide-ranging influence of the band's debut. The album features covers of each song by critically acclaimed acts such as Iron \u0026amp; Wine, Ethel Cain, Blondshell, Manchester Orchestra, Novo Amor, Lowswimmer, Yvette Young, and others. Each cover wonderfully highlights the beauty and importance of this noteworthy debut while affirming the continued interest in this unexpected groundswell of cultural prominence.\u003cbr\u003e \u003cbr\u003eTracks\u003cbr\u003e1 Never Meant (Iron \u0026amp; Wine)\u003cbr\u003e2 The Summer Ends (Blondshell)\u003cbr\u003e3 Honestly? (Novo Amor \u0026amp; Lowswimmer)\u003cbr\u003e4 For Sure (Ethel Cain)\u003cbr\u003e5 You Know I Should Be Leaving Soon (Yvette Young)\u003cbr\u003e6 But the Regrets Are Killing Me (Girl Ultra)\u003cbr\u003e7 I'll See You When We're Both Not So Emotional (M.A.G.S.)\u003cbr\u003e8 Stay Home (Manchester Orchestra)\u003cbr\u003e9 The One with the Wurlitzer (John McEntire)\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 10\/18\/2024\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"American Football","offers":[{"title":"Default Title","offer_id":42159942959185,"sku":"84QNV8-73WJ-VY","price":30.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/american-football-american-football-covers-clear-colored-vinyl-digital-download-card_lge7R.jpg?v=1759489574"},{"product_id":"american-football-american-football-25th-anniversary-edition-silver-colored-vinyl-gatefold-lp-jacket-remastered-2-lps-vinyl","title":"American Football (25th Anniversary Edition) (Silver Colored Vinyl, Gatefold LP Jacket, Remastered) (2 Lp's) (Vinyl)","description":"\u003cp\u003eDescription\u003cbr\u003eAfter quietly releasing their self-titled debut album in 1999 while still in college, American Football disbanded after the album's release to focus on other projects, only to reunite 15 years later to a fanbase that had been consistently growing throughout the underground \/ emo scene. The album later appeared on Rolling Stone's \"40 Greatest Emo Albums of All Time\" list at #6, with Pitchfork giving it's deluxe reissue the \"Best New Reissue\" title, calling it the \"most influential album in the genre.\" To celebrate the 25th anniversary of the album's release, Polyvinyl is thrilled to announce a new remastered edition of the album with re-imagined artwork and packaging.\u003cbr\u003eTracks\u003cbr\u003e1 Never Meant\u003cbr\u003e2 The Summer Ends\u003cbr\u003e3 Honestly?\u003cbr\u003e4 For Sure\u003cbr\u003e5 You Know I Should Be Leaving Soon\u003cbr\u003e6 But the Regrets Are Killing Me\u003cbr\u003e7 I'll See You When We're Both Not So Emotional\u003cbr\u003e8 Stay Home\u003cbr\u003e9 The One with the Wurlitzer\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/01\/2024\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/01\/2024\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"American Football","offers":[{"title":"Default Title","offer_id":42175231361105,"sku":"2NOYUY-HY1A-AR","price":40.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/american-football-american-football-25th-anniversary-edition-silver-colored-vinyl-gatefold-lp-jacket-remastered-2-lps_9UXpW.jpg?v=1759489828"},{"product_id":"black-midi-hellfire-cd","title":"Hellfire (CD)","description":"\u003cp\u003eOn Monday May 9th we kick off our next black midi campaign for the band's sophomore album Hellfire, with the single \u0026amp; Gustaf Holten√§s (\"Slow\") directed video \"Welcome To Hell\". Hellfire will be out on July 15th. The album was written in London 2021 and produced by Marta Salogni and black midi, with additional production from Max Goulding. Artwork was created by David Rudnick (who's done the artwork for all previous black midi albums as well), using AI technology into which he fed lyrics from the album to generate imagery which was then printed, cut up and reconfigured into a detailed and complex collage.\u003c\/p\u003e\u003cp\u003eNo band can quite build their own universe like¬†black¬†midi. Hellfire, their third album and second in two years sees the London three piece at their most direct. \"Welcome To Hell\" tells the story of a debauched soldier's excess and military discharge, soundtracked by funky guitar sections, driving horns and a progressively snarling vocal.¬†Premiered by Steve Lamacq on 6 Music. 2022 live dates incl Coachella, Glastonbury, Somerset House, more to be announced.¬†\u003c\/p\u003e\u003cp\u003eVol Side Track Artist Title Sub-Title \r 1 1 1 1 black midi Hellfire \r 2 1 1 2 black midi Sugar\/Tzu \r 3 1 1 3 black midi Eat Men Eat \r 4 1 1 4 black midi Welcome To Hell \r 5 1 1 5 black midi Still \r 6 1 1 6 black midi Half Time \r 7 1 1 7 black midi The Race Is About To Begin \r 8 1 1 8 black midi Dangerous Liaisons \r 9 1 1 9 black midi The Defence \r 10 1 1 10 black midi 27 Questions\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat Detail: CD digipak with a booklet\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eLabel: Fire Records\u003c\/li\u003e\n\u003cli\u003eGenre: Indie \u0026amp; Alternative\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Black Midi","offers":[{"title":"Default Title","offer_id":42181872713809,"sku":"DO0GGD-22MX-F2","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/black-midi-hellfire_9rf8i.jpg?v=1759489993"},{"product_id":"braid-frame-canvas-25th-anniversary-edition-silver-gatefold-lp-jacket-digital-download-card-vinyl","title":"Frame \u0026 Canvas: 25th Anniversary Edition (Silver, Gatefold LP Jacket, Digital Download Card) (Vinyl)","description":"TracksCredits\r\n1 The New Nathan Detroits\r\n2 Killing a Camera\r\n3 Never Will Come for Us\r\n4 First Day Back\r\n5 Collect from Clark Ken\r\n6 Milwaukee Sky Rocket\r\n7 A Dozen Roses\r\n8 Urbana's Too Dark\r\n9 Consolation Prizefighter\r\n10 Ariel\r\n11 Breathe in\r\n12 I Keep a Diary\u003cul\u003e\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\u003c\/ul\u003e","brand":"Braid","offers":[{"title":"Default Title","offer_id":42243569516625,"sku":"SYZB49-K3AA-00","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/braid-frame-canvas-25th-anniversary-edition-silver-gatefold-lp-jacket-digital-download-card_cJqgT.jpg?v=1762517996"}],"url":"https:\/\/apocalypsevinyl.com\/collections\/math-rock.oembed?page=2","provider":"Apocalypse Vinyl","version":"1.0","type":"link"}