{"title":"Mobile Fidelity","description":"","products":[{"product_id":"grateful-dead-grateful-dead-workingmans-dead-mofi-ltd-180g-vinyl","title":"Grateful Dead Workingman's Dead [MoFi Ltd 180g] [Vinyl]","description":"Grateful Dead - Grateful Dead Workingman's Dead [MoFi Ltd 180g] [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 821797242813 \u003cbr\u003e\u003cp\u003eSublime, Stripped-Down 1970 Americana Classic Steeped in Country, Blues, and Folk You've Never Heard This Roots-Based Marvel Sound Better: Mastered from the Original Master Tapes and Given Extra-Wide Grooves on 45RPM LP Ranked #264 on Rolling Stone's List of the 500 Greatest Albums of All Time: Airy Harmonies, Simple Structures, Concise Arrangements, and Burnished Tones Anchor Songs Bookend to 1970's American Beauty, Also Available on 180g 45RPM 2 LP from Mobile Fidelity Workingman's Dead defies the erroneous belief that the Grateful Dead never attained brilliance in the recording studio. Forever prized for natural sonics, Workingman's Dead attains audiophile reference status courtesy of this first-ever 45RPM version. As flawless as any rustic album ever releases, the 1970 set now brims with soaring harmonies, organic execution, intertwined textures and uncomplicated structures that furnish the songs a transcendence associated with timeless American music. Colorful, relatable characters seemingly torn from working-class histories and old-time fables inhabit the narratives. Mastered from the original master tapes and pressed on 180g LPs at RTI, Mobile Fidelity's numbered limited edition of this period-defining recording renders the stripped-down fare with immense detail, rich airiness, and reach-out-and touch-it realism. Longtime Deadheads and newcomers alike will hear significantly more information, experience wider and deeper soundstages, and become swept away by incredible tonal and vocal balances - traits made possible by the format's wider grooves. Instrumental melds and refined accents, such as guest David Nelson's nimble fills on \"Cumberland Blues,\" are part of a larger whole that gives the impression you are witness to the world's coziest campfire session. Frontier tales and refined performances further this feeling. The first Grateful Dead album to eschew cosmic jams and complex signatures, Workingman's Dead stakes it's existence to great songs, homespun warmth, and bare essentials. It's wistful, relaxed state - immediately apparent via the innocent album-opening invitation 'Will you come with me?\" on \"Uncle John's Band\" - owes to the circumstances and conditions surrounding it's creation. At the time, the Dead owed a considerable financial debt to Warner Bros. And were hobbled by a recent drug bust and financial scandal. Most significantly, the band was recovering from - and reacting to - the tragic events of the Altamont Music Festival and symbolic end of the peace and love era. As such, Workingman's Dead acts as a retreat from chaos and uncertainty, it's songs emblems of simpler times and pleas for compassion in the face of hardship. Lyricist Robert Hunter said he aimed to capture the vintage elements of late 1940s country-and-western jukebox singles as well as old blues classics. In that vein, fare such as the the Bakersfield-leaning \"Cumberland Blues,\" pastoral ballad \"Dire Wolf,\" and bluesy \"Easy Wind\" hit the mark. Leader Jerry Garcia's occasional pedal-steel underpinnings arrive as a bonus. Of course, aside from the economical concision and thematic consistency, the genius of Workingman's Dead resides in the group's expressive harmonies. Taught by Crosby, Stills and Nash, the Dead produce live \"air blends\" of multi-part vocal harmonies that provide the foundations of nearly ever track. \"Uncle John's Band,\" \"High Time,\" \"New Speedway Boogie\" (with the iconic refrain \"One way or another\/This darkness has got to give\" referencing the ill wind that greeted the new decade), and the radio favorite \"Casey Jones\" practically float on the ensemble's communal vocal beds. Mobile Fidelity's 45RPM edition renders these invigorating, refreshing, and engaging characteristics in three-dimensional sound that transports you to the event. Recordings don't get more lifelike. Workingman's Dead - an iconic, ageless record that drew countless listeners to the band's unique style because of it's accessibility and charm - deserves nothing less. Neither do you.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 11\/25\/2014\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eLabel: MOFI\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Grateful Dead","offers":[{"title":"Default Title","offer_id":41892088905809,"sku":"0F11O6-ITWO-00","price":69.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/workingmans-dead-mofi-ltd-180g_WSu4M.jpg?v=1762467816"},{"product_id":"cannonball-adderley-cannonball-adderley-somethin-else-mofi-ltd-iex-slp-vinyl","title":"Cannonball Adderley Somethin' Else [MoFi, Ltd, IEX sLP] [Vinyl]","description":"Cannonball Adderley - Cannonball Adderley Somethin' Else [MoFi, Ltd, IEX sLP] [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 821797202220 \u003cbr\u003e\u003cp\u003eMASTERED FROM THE ORIGINAL MASTER TAPES AND LIMITED TO 10,000 NUMBERED COPIES\u003c\/p\u003e\r\n\r\n\u003cp\u003eJulian Cannonball Adderley's only Blue Note album, Somethin' Else, would likely forever be famous in music lore if just for the presence of Miles Davis. The iconic composer\/trumpeter steps into the role of sideman on the 1958 set, one of just a handful of times he'd make such a move after the calendar passed the mid-1950s. Yet evaluating Somethin' Else strictly on Davis' involvement misses the big picture. Plain and simple, Adderley's jubilant work remains a jazz landmark due to the chemistry of it's Hall of Fame personnel, enthusiasm of it's participants, and sophistication of it's arrangements - not to mention the reference-grade production and inclusion of the definitive renditions of two all-time jazz standards. Strictly limited to 10,000 numbered copies, pressed on dead-quiet MoFi SuperVinyl at RTI, and mastered from the original master tapes, Mobile Fidelity's ultra-hi-fi UltraDisc One-Step 180g 45RPM 2LP collector's edition pays tribute to the record's merit and enhances the intimate program for generations to come. Offering reference-caliber sonics, this spectacular collector's version provides a clear, transparent, ultra-dynamic, and up-close view of a cornerstone effort that witnesses Adderley and Davis sharing horn duty alone for the only time in their fabled careers - an arrangement that occurred as a result of Adderley having joined Davis' majestic sextet a year prior. The premium packaging and beautiful presentation of the UD1S Somethin' Else pressing befit it's extremely select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this UD1S reissue exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art - and everything involved with the album, from the iconic photos to the gorgeous finishes. The vibrant potency reveals itself openly on an analog set that provides full-range reproduction of an ensemble that also includes pianist Hank Jones, bassist Sam Jones, and drummer Art Blakey. Each and every snare hit, downbeat, and cymbal splash registered by the latter take on realistic proportions, blooming and decaying as they would right in front of you on a stage. Jones' foundational bass lines register with uncommon depth and palpability, the litheness of the strings and fullness of the instrument epitomizing the definition of rhythm. Stellar, too, are the surefooted 88s. Sublime in scale, tonality, and attack, with the delineation such you can practically separate the white and black keys in your mind. As for that liquid interplay between Adderley and Davis? Breathtakingly lifelike in timbre, naturalism, purity, and presence. This collector's version takes you there - there being Rudy Van Gelder's legendary New Jersey studio in March 1958 to witness it all unfold, again and again.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 10\/06\/2023\u003c\/li\u003e\n\u003cli\u003eUPC: 821797202220\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eLabel: MOFI\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Cannonball Adderley","offers":[{"title":"Default Title","offer_id":41892099752017,"sku":"I7KWJX-GIBH-00","price":158.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/cannonball-adderley-somethin-else-mofi-ltd-iex-slp_nWR7r.jpg?v=1759469622"},{"product_id":"eagles-eagles-the-long-run-mofi-supervinyl-numbered-ltd-vinyl","title":"Eagles The Long Run (Mofi, Supervinyl, Numbered, LTD) [Vinyl]","description":"Eagles - Eagles The Long Run (Mofi, Supervinyl, Numbered, LTD) [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 821797202923 \u003cbr\u003e\u003cp\u003e\u003cbr\u003e\r\n2 × Vinyl, LP, 45 RPM, Album, Reissue, Remastered, Stereo, 180g, SuperVinyl\u003cbr\u003e\r\nBox Set, Limited Edition, Numbered, Special Edition\u003c\/p\u003e\r\n\r\n\u003cp\u003eTracklist: A1. The Long Run, A2. I Can't Tell You Why, A3. In The City, B1. The Disco Strangler, B2. King Of Hollywood, C1. Heartache Tonight, C2. Those Shoes, D1. Teenage Jail, D2. The Greeks Don't Want No Freaks, D3. The Sad Cafe\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 03\/29\/2024\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 03\/15\/2024\u003c\/li\u003e\n\u003cli\u003eUPC: 821797202923\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eManufacturer: Mofi\u003c\/li\u003e\n\u003cli\u003eLabel: MOFI\u003c\/li\u003e\n\u003cli\u003eBox Set: Boxset\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Eagles","offers":[{"title":"Default Title","offer_id":41892114792529,"sku":"FRW3ZU-92YP-00","price":158.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/the-long-run-mofi-supervinyl-numbered-ltd_rGne6.jpg?v=1759469663"},{"product_id":"run-dmc-run-dmc-raising-hell-mofi-180-g-ltd-vinyl","title":"RUN-DMC Raising Hell [MoFi 180 g Ltd] [Vinyl]","description":"RUN-DMC - RUN-DMC Raising Hell [MoFi 180 g Ltd] [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 196588114519 \u003cbr\u003e\u003cp\u003eAmong the Most Influential, Inventive, Invigorating Records Ever Released: Run- D.M.C.'s Raising Hell Brought Hip-Hop to the Mainstream, Includes Crossover Smash 'Walk This Way'\u003c\/p\u003e\r\n\r\n\u003cp\u003eSourced from the Original Master Tapes and Pressed on MoFi SuperVinyl: Mobile Fidelity Numbered-Edition 180g 33RPM SuperVinyl LP Heightens Rick Rubin's Pioneering Production 1\/2' \/ 30 IPS analog master to DSD 256 to analog console to lathe. Run-D.M.C.'s Raising Hell remains the turning point at which hip-hop crashed through mainstream barriers and never left. Anchored by the crossover smash 'Walk This Way,' the 1986 blockbuster still sounds like a revolution unfolding in real time. It has everything - hard-rock riffs, turntable scratching, itchy rhythms, hit singles - not the least of which are the trio's invigorating raps and inseparable chemistry. And now it's the first rap record afforded audiophile treatment, courtesy of Mobile Fidelity's simply illin' edition. Sourced from the original master tapes and pressed on MoFi SuperVinyl, the reissue label's numbered-edition 180g 33RPM SuperVinyl LP elevates Raising Hell to sonic heights on par with it's musical and cultural significance. Ranked the 123rd Greatest Album of All Time by Rolling Stone, 43rd on Pitchfork's Greatest Albums of the 1980s, one of the Top 100 Albums of All Time by TIME - and included on 'Best of' lists by Spin, Paste, XXL, Entertainment Weekly, and basically every other significant media outlet - the triple-platinum effort rocks the house. Benefitting from the ultra-low noise floor and groove definition of SuperVinyl, Raising Hell unleashes a torrent of massive dynamics and tsunami of frequency-plumbing details underlined by Rick Rubin's taut, crisp, albeit raw and streetwise production. Just as the Queens-based group both defined what hip-hop could represent - and displayed just how big it could get - Rubin's work melded ear-worm hooks, savvy drum loops, metal-leaning guitars, and, of course, Run and D.M.C.'s cross-fire lyrical interplay into watertight frameworks bursting with ideas, tones, samples, and beats. Heard anew on Mobile Fidelity vinyl, Raising Hell is in every regard the aural equivalent of a direct-to-console 1970s classic. And it sounds as fresh as hell. As for the music, it ranks among the most influential, inventive, and invigorating ever released - rap or otherwise. Vanguard artists such as Ice-T, Eminem, Jay-Z, and Public Enemy's Chuck D - who declared it his all-time favorite and 'the first record that made me realize this was an album-oriented genre' - have testified on behalf of it's brilliance. And never mind the presence of the Top 5 single 'Walk This Way,' whose power helped make Aerosmith's Steven Tyler and Joe Perry relevant for the first time in nearly a decade - and literally put Run-D.M.C. in bedrooms ranging from the Bronx to Bartlett to Bad Axe. Look instead to the rest of the entirely filler-free set, be it the corkscrew turns, slippery wordplay, and 'My Sharona'-meets-'Mickey' mixology of the boisterous 'It's Tricky,' the fat-but-minimized bass grooves and warped turntable wobble of the hysterical 'You Be Illin',' chimes-accented inertia and boombox-on- shoulder thunder of the now-iconic 'Peter Piper,' or voice-as-percussion attack of the funky 'Is It Live.' With Raising Hell, the answer to the question is always affirmative - a sensation bolstered by the fact the group always had something to say. The definition of Golden Age Hip-Hop in every way, Run-D.M.C. avoids the negativity and misogyny that later plagued the style, spinning assertive tales about identity (the biographical and culture-changing 'My Adidas'), work ethics ('Perfection'), and, most notably, pride (the Harriet Tubman- and Malcom X.-referencing 'Proud to Be Black'). Pavement-packed inner cities, tree-lined suburbs, and cornfield-rimmed rural areas would never again be the same. And rocking a rhyme that's right on time would become trickier than ever. Peter Piper It's Tricky My Adidas Walk This Way Is It Live Perfection Hit It Run Raising Hell You Be Illin' Dumb Girl Son of Byford Proud to Be Black\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 08\/18\/2023\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eLabel: MOFI\u003c\/li\u003e\n\u003cli\u003eGenre: Rap\/Hip Hop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RUN-DMC","offers":[{"title":"Default Title","offer_id":41892200415313,"sku":"3BRRN3-W36U-00","price":69.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/raising-hell-mofi-180-g-ltd_ByDZQ.jpg?v=1762468446"},{"product_id":"lou-reed-lou-reed-berlin-mofi-180g-33rpm-vinyl","title":"Lou Reed Berlin (MOFI, 180g 33RPM) [Vinyl]","description":"Lou Reed - Lou Reed Berlin (MOFI, 180g 33RPM) [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 196588772214 \u003cbr\u003e\u003ch2\u003eAN INTENSE JOURNEY INTO TOXIC RELATIONSHIPS BALANCED WITH GORGEOUS ARRANGEMENTS AND DARK HUMOR: LOU REED’S CONCEPTUAL BERLIN FEATURES A-LIST CAST AND BOB EZRIN PRODUCTION\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eSourced from the Original Master Tapes: Mobile Fidelity’s Numbered-Edition 180g Vinyl LP Presents the Singer-Songwriter’s 1973 Album in Audiophile Quality for the First Time\u003c\/h3\u003e\r\n\r\n\u003ch3\u003e1\/4\" \/ 15 IPS \/ Dolby A analog master to DSD 256 to analog console to lathe\u003c\/h3\u003e\r\n\r\n\u003cp\u003eLike the records he made with his first band, Berlin finds Lou Reed decades ahead of the times. Though dismissed upon its original release in 1973, the former Velvet Underground member’s third solo effort ultimately landed on Rolling Stone’s 500 Greatest Albums of All Time and remains one of his most lauded works.\u003c\/p\u003e\r\n\r\n\u003col\u003e\r\n\t\u003cli\u003eBerlin\u003c\/li\u003e\r\n\t\u003cli\u003eLady Day\u003c\/li\u003e\r\n\t\u003cli\u003eMen of Good Fortune\u003c\/li\u003e\r\n\t\u003cli\u003eCaroline Says I\u003c\/li\u003e\r\n\t\u003cli\u003eHow Do You Think It Feels\u003c\/li\u003e\r\n\t\u003cli\u003eOh, Jim\u003c\/li\u003e\r\n\t\u003cli\u003eCaroline Says II\u003c\/li\u003e\r\n\t\u003cli\u003eThe Kids\u003c\/li\u003e\r\n\t\u003cli\u003eThe Bed\u003c\/li\u003e\r\n\t\u003cli\u003eSad Song\u003c\/li\u003e\r\n\u003c\/ol\u003e\r\n\r\n\u003cp\u003e\u003cbr\u003e\r\n \u003c\/p\u003e\r\n\r\n\u003cp\u003eAddressing mature issues in stark fashion, the rock opera blends autobiographical reality, poetic license, and ambitious arrangements to tell the story of a couple’s toxic relationship and its fallout. Produced by Bob Ezrin and featuring an array of ace musicians, Berlin is an emotionally harrowing and sonically eclectic journey into the many of the worst tendencies of the human condition.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSourced from the original master tapes, housed in a Stoughton jacket, and pressed at Fidelity Record Pressing, Mobile Fidelity’s numbered-edition 180g LP of Berlin presents the landmark recording in audiophile quality for the first time. The scope, balance, and reach of Ezrin’s explosive production comes to the fore. As does the ample spaciousness and separation that help give the songs breathing room even when the music builds to an orchestral pitch.\u003c\/p\u003e\r\n\r\n\u003cp\u003eReed’s distinctive voice — central to every track — sounds direct, immediate, centered. The realism and clarity of his tone make it appear as if he’s entered the room. You can trace his breath control, reserved coolness, and commanding phrasing. And sense the implied violence, delusion, and sorrow in the questions and statements he issues in the persona of the protagonist Jim — as well as the empathy, fatigue, confusion, and frustration he projects in his guise as Caroline.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMobile Fidelity’s reissue also puts into a new, improved light the brilliant contributions of the standout session players. Steve Winwood (Hammond organ), Michael Brecker (tenor saxophone), Randy Brecker (trumpet), and Procol Harum drummer B.J. Wilson play key roles. The core band assisting Reed and Ezrin on a majority of Berlin — Alice Cooper guitarists Dick Wagner and Steve Hunter, drum maven Aynsley Dunbar, Cream bassist Jack Bruce — turn in a collective performance for the ages. None more so than Bruce, whose bass lines resonate on this LP with a roundedness, fatness, tautness, and control that give songs added depth and foundation. Ezrin’s restrained piano, full of body and decay, performs a similar function.\u003c\/p\u003e\r\n\r\n\u003cp\u003eExpanding on the gritty themes he explored with the Velvet Underground, and arranging them into a conceptual tale, Reed transforms Berlin into a candid report of what was happening behind closed doors everywhere. Deemed by the Chicago Tribune as “a spare, understated song cycle of nearly suicidal intensity about a crumbling marriage,” it deals head-on with heavyweight topics such as domestic abuse, drug addiction, mental illness, custodial rights, prostitution, and depression. Reed’s purple narratives detail issues that would attract mainstream attention many years later — and which continue to spur vital conversations.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAkin to a classic film noir or hardboiled novel, Berlin skirts any attempt to varnish its rough interiors. Functioning as both a contrast and counterweight, the record's beautiful, symphonic-leaning exteriors somehow both heighten and lessen the severity of the vignettes. The theatrical swells of woodwinds, strings, and brass feature the same streaks of black humor that inform Reed’s writing. That edginess and eccentricity, and Reed’s investment in the album’s three characters and situations, function as magnets that draw us in even when the sadness, meanness, and darkness prompt us to look away.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSave for the opening romance of the title track and false hope of the damning (and downright nasty) “Sad Song,” Berlin largely trades in doom and depression. A record that starts off with a muted celebration and fond recollection ends with motherless children, slashed-wrists suicide, and a callous partner who feels no remorse for his brutal actions but professes gratitude for what becomes an unmitigated disaster.\u003c\/p\u003e\r\n\r\n\u003cp\u003e“Life is meant to be more than this,” Reed sings in combination protest and resignation on the ironically gorgeous “Caroline Says II.” Before the next song finishes — a bleak chronicle of behaviors and decisions relayed with intentional misogyny, hatred, and shaming, and whose subdued tenor gets fractured by the sounds of wailing children crying for their mother — that life has gotten far worse. Minutes later, when Reed and company shape the swirling fever dream called “The Bed,” that life is snuffed out. Oh, oh, what a feeling, indeed.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 08\/30\/2024\u003c\/li\u003e\n\u003cli\u003eUPC: 196588772214\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eManufacturer: Mofi\u003c\/li\u003e\n\u003cli\u003eLabel: MOFI\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Lou Reed","offers":[{"title":"Default Title","offer_id":41892301144145,"sku":"3NUTOJ-1283-00","price":52.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/berlin-mofi-180g-33rpm_vSfjj.png?v=1762468663"},{"product_id":"bob-dylan-bob-dylan-good-as-i-been-to-you-mofi-ltd-to-5000-vinyl","title":"Bob Dylan Good As I Been To You (MOFI, Ltd to 5000) [Vinyl]","description":"Bob Dylan - Bob Dylan Good As I Been To You (MOFI, Ltd to 5000) [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 196587247119 \u003cbr\u003e\u003cp\u003eBob Dylan's First Solo Acoustic Album in Nearly 30 Years Remains an Overlooked Gem: Good As I Been to You Serves as a Prelude to His Celebrated Late-Career Arc\u003c\/p\u003e\r\n\r\n\u003cp\u003eSourced from the Original Master Tapes and Presented in Audiophile Sound for the First Time: Mobile Fidelity's Numbered-Edition 180g SuperVinyl LP and Hybrid SACD Play with Riveting Detail Centuries-Spanning Cover Songs Punctuated with Strange Mystery, Common Circumstance, and Epic Adventure Three decades before he released The Philosophy of Modern Song - an insightful book devoted to 66 tunes that both impacted his career and the music world at large - Bob Dylan issued Good As I Been to You. The under-heralded 1992 album, Dylan's first solo acoustic album in nearly 30 years and first all-covers effort in nearly 20 years, can be seen as a prophetic prelude to what has become the Nobel Laureate's celebrated late-career arc. It's also an absorbing continuation of the custom Dylan has embraced since he first picked up a guitar. Resonating with the same originality, honesty, resolve, and age- and timedefying relevance as the seminal Anthology of American Folk Music that fired Dylan's imagination as a kid in small-town Minnesota, this record contains the type of music the maverick singer-songwriter was playing during his acoustic sets at his period Never Ending Tour shows. Sourced from the original master tapes, pressed at RTI, and housed in a Stoughton jacket, Mobile Fidelity's numbered-edition 180g SuperVinyl LP as well as the companion hybrid SACD of Good As I Been to You reveal the immediacy, detail, and stripped down nature of recording sessions that took place in Dylan's garage studio in California. Simple, raw, and unplugged, the effort presents Dylan in peak form - and showcases a diversity of vocal phrasing, soulful chording, harmonica accents, and closeup ambience that on these reissues emerge like never before. As the first-ever audiophile editions of this almost-lost classic, these collectible versions also benefit from natural tones, superb balances, and visceral directness. Good As I Been to You? Dylan has seldom been better. 1\/2' \/ 30 IPS analog master to DSD 256 to analog console to lathe Numbered 180g 33RPM SuperVinyl LP NUMBERED LIMITED EDITION OF 5,000 Tracklist: Side One: 1. Frankie \u0026amp; Albert 2. Jim Jones 3. Blackjack Davey 4. Canadee-I-O 5. Sittin' on Top of the World 6. Little Maggie 7. Hard Times Side Two: 1. Step It Up and Go 2. Tomorrow Night 3. Arthur McBride 4. You're Gonna Quit Me 5. Diamond Joe 6. 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Ranked by countless sources as one of the greatest records of all time, the 1968 work transcends styles, trends, and generations. Mastered on MoFi's renowned system at the label's California studio, housed in a Stoughton jacket, pressed at Fidelity Record Pressing, and strictly limited to 4,000 numbered copies, Mobile Fidelity's 180g SuperVinyl 33RPM LP of Bookends presents the duo's timeless effort in reference-quality sound. Benefitting from the inherent properties of the SuperVinyl formula - a nearly inaudible noise floor, superb groove definition, dead-quiet surfaces - this collectible reissue magnifies the brilliance of the extended production sessions that took place over the course of 18 months at Columbia's iconic 52nd Street Studio. Simon himself said that Bookends possesses 'the most use of the studio' of any Simon \u0026amp; Garfunkel effort. The plain truth of his observation comes to fore on this audiophile LP. The full bloom and natural decay of notes; weight and impact of low-end frequencies; lushness, breathiness, and air of the omnipresent harmonies; separation and imaging of the wood, string, and brass instruments; timbres and in-the-room realism of Simon's lead vocals - these critical traits and more are rendered with elevated accuracy, detail, and presence. Bookends has never sounded more transparent, lifelike, or balanced. And that's exactly what Simon, Garfunkel, and producer Roy Halee intended while taking as many as 50 hours to nail a single track. Envisioned from the start by Simon as a way to capture the age's zeitgeist, and inspired by the broad strokes of the Beatles' Sgt. Pepper's Lonely Hearts Club Band and Bob Dylan's Blonde on Blonde, Bookends pairs it's sonic flair - and diverse arrangements that incorporate folk, rock, jazz, pop, and baroque elements - with arresting lyrics that address restlessness, uncertainty, alienation, love, and heritage. The first half of Bookends traces the cycle of life from beginning to end, with the final words to 'Bookends Theme' - a call to 'preserve your memories\/they're all that's left you' - echoing as the overarching and recurring theme of the album. Before the pair lands on that advice, Simon \u0026amp; Garfunkel use irony ('Save the Life of My Child'), metaphor ('America'), suggestion ('Overs'), field recordings ('Voices of Old People'), and descriptive imagery ('Old Friends') to cover everything from the loss of innocence to institutional hypocrisy and fears of loneliness. Released amid a tumultuous political and cultural climate, Bookends retains enormous significance and relevance more than five decades later in a 21st century facing many of the same issues. It's central motifs - searching for meaning and identity; dealing with loss and disappointment; negotiating the split between authenticity and ersatz; reconciling with what one sacrifices over a lifetime; confronting life stages that involve sadness, bewilderment, and disappointment - are universal concerns. And the 'America' Simon \u0026amp; Garfunkel pursues remains more elusive than ever. As does our collective want for a lasting hero ('Mrs. Robinson'), tendency toward affectation ('Fakin' It'), and inclination to wishfully insert ourselves into circumstances rooted in whimsical fantasy ('Punky's Dilemma'), particularly when we need an escape. Though the songs on the album's second half were not devised as part of a unified narrative, they speak a related language steeped in disillusionment, anxiety, and doubt. None more so than on the grayscale 'A Hazy Shade of Winter.' 'Simply pretend,' Simon sings,' that you can build [hopes] again,' knowing full well he's not even fooling himself. Like few albums before or since, Bookends exposes the human condition from the inside-out amid an environment that isn't what it often appears - or what we originally sought. 1\/4' \/ 15 IPS analog copy to DSD 256 to analog console to lathe Numbered 180g 33RPM SuperVinyl LP STRICTLY LIMITED TO 4,000 COPIES Track List Side One: 1. Bookends Theme 2. Save the Life of My Child 3. America 4. Overs 5. Voices of Old People 6. Old Friends 7. Bookends Theme Side Two: 1. Fakin' It 2. Punky's Dilemma 3. Mrs. Robinson 4. A Hazy Shade of Winter 5. 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Additional personnel: Nile Rodgers (guitar); Tommy Mandell, Philippe Saisse, Richard Hilton (keyboards); Sara Lee (bass, background vocals); Steve Ferrone, Sonny Emory, Charlie Drayton, Leroy Clouden (drums). The Uptown Horns: Chris Cioe, Paul Literal, Arno Hecht, Bob Funk, Carl Beatty. 1986's BOUNCING OFF THE SATELLITES found the B-52s in the throes of mourning (they'd lost guitarist Ricky Wilson). But they returned in 1989 with COSMIC THING, a corker that set up the band for '90s success. This is a glorious party of a collection and an album that should stand up to time and scrutiny. The B-52s benefit from the production of Nile Rodgers and Don Was. Numerous guest musicians, including ubiquitous bassist Sara Lee, only add to the fullness of this release. The southern swank of \"Dry Country\" marks the first B-52s song to pay homage to the band's Georgia roots. Cindy Wilson and Kate Pierson feature heavily on the comely slacker anthem \"Deadbeat Club\". COSMIC THING's big hit, the fantastic \"Love Shack,\" compels listeners to perform embarrassing and involuntary dance moves. But the album's true highlight is \"Roam,\" a Wilson showcase with a lovely a cappella choir intro, a driving beat, and infectious handclaps. 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While the Cars never took a rosy-eyed view of romance, the songs here impart a newfound sense of sympathy, regret, limbo, and reservation. The beauty of the Cars – and all ten tunes here – is that the music suggests something else entirely. Such subliminal emotions and dynamic contrasts act as a magnet, and the band plays as if it's in on the secret.\u003c\/p\u003e\r\n\r\n\u003cp\u003eApart from the party vibe of the title cut, the Cars aim for deeper targets and smarter undertones. \u003ci\u003eShake It Up\u003c\/i\u003e is defined by an urban edginess and modern feel that comes alive on tunes such as \"Cruiser\" and circular \"I'm Not the One,\" a pop gem laded with stacked vocals and keyboard lines that double as a horn section. The band's arrangements have never been better – or more involved. Absent the cheesiness that would mar the group's late-period work, the songs ride on the strength of keyboard-heavy lines and layered harmonies. 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Originally released in 1966, Miles Smiles is largely responsible for the feat. The piles of evidence lay within the thrills, adventurousness, and curiosities staked to every composition. At once accessible and unpredictable, songs reflect an ever-changing mentality, an edgy mood, and a triumphant will-with each corner the band rounds serving as a new opportunity to integrate and interact, anticipate and respond, investigate open spaces and establish if not fully lock into contagious, broad, striding grooves. Music would never again be the same. Neither will experiencing Miles Smiles once you hear this definitivesounding analog reissue. Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180g 33RPM SuperVinyl LP takes the landmark effort into rarified sonic territory. Davis and company play against coal-black backgrounds that serve to illuminate every detail, texture, and nuance. 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Everything co-producers Buckingham and Richard Dashut sought to instill in the music - the exacting tones, gauzy textures, plush atmospherics, shifted harmonics, unique pitches, pristine acoustics, biting rhythms - can now be heard with elevated accuracy, range, depth, and detail. Made under challenging circumstances, Tango in the Night is as much a universe of sound as it is an album. This reissue conveys that sonic spectrum in exhaustive manners that go beyond prior editions by playing with a combination of transparency, imaging, openness, and dynamics that provides uncanny insight into the meticulously layered vocal and instrumental tracks. Equally important, it also amplifies your connection to the elaborate melodies, contagious hooks, and airy highs that account for the album's ageless pop brilliance. As for the wondrous array of percussive accents, synthesizer elements, interlaced guitars, and lush chrouses - all seemingly occupying the exact right place amid the soundstages and taking on shapes and forms that lend them a living, breathing quality? If your audio system is up to the task, the realism, presence, and warmth of Mobile Fidelity's collectible edition will have you considering Tango in the Night from a new perspective - one that puts it's lavish, gorgeous creations on a par with those from Rumours and Tusk. Unlike those records, Tango in the Night began from a more individualistic perspective in that it sprang from what originally was intended to become a Buckingham solo effort. 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Mastered from the original analog tapes, pressed on MoFi SuperVinyl, and strictly limited and numbered, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP set of the triple-platinum effort ensures demand for the 1980 record has never been higher.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eLabel: MOFI\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Van Halen","offers":[{"title":"Default Title","offer_id":42160402137169,"sku":"WX49H9-85GV-01","price":134.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/women-and-children-first-mofi-supervinyl-2lp-180g-limited-edition_Xc6w6.jpg?v=1762513762"},{"product_id":"miles-davis-my-funny-valentine-mofi-supervinyl-numbered-vinyl","title":"My Funny Valentine (Mofi Supervinyl, Numbered) (Vinyl)","description":"\u003ch3\u003eMiles Davis Turns Balladic on My Funny Valentine: Live Set Is Distinguished with Deep Emotions, Spontaneous Brilliance, Poetic Elegance, and Sensitive Beauty\u003c\/h3\u003e\n\u003ch3\u003eMastered at MoFi’s Studio and Pressed on MoFi SuperVinyl in Honor of Album’s 60th Anniversary: Strictly Limited to 3,000 Numbered Copies, Mobile Fidelity’s 180g 33RPM SuperVinyl LP of 1965 Set Plays with Lifelike Clarity\u003c\/h3\u003e\n\u003ch3\u003e1\/4\" \/ 15 IPS analog copy to DSD 64 to analog console to lathe\u003c\/h3\u003e\n\u003cp\u003eMy Funny Valentine: Miles Davis in Concert marks several historic turning points. 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Originally issued in 1974, the triple LP contains exhilarating performances of the band recorded at two shows in early July 1973 at the 2400-seat Osaka Kosei Nenkin Kaikan concert hall. It bears witness to the eight-piece collective playing with a chemistry, inventiveness, cohesiveness, and soulfulness no other Santana lineup would ever surpass. Featuring seven previously unreleased tracks as well as remarkable renditions of material from Santana's first four albums and the Carlos Santana-John McLaughlin collaboration Love Devotion Surrender, Lotus simultaneously suggests and inspires, dreams and delivers. Transferred by original engineer Tomoo Suzuki, strictly limited to 3,000 numbered copies, and housed in deluxe trifold packaging faithful to that of the original pressing, Lotus benefits from reference audiophile treatment on Mobile Fidelity's 180g 3LP set. Featuring rich tones, smooth dynamics, excellent separation, deep soundstages, and involving presence, this reissue pays tribute to both the virtuosic lineup and the magnetic fusion of Latin- and Afro-Cuban-influenced jazz, rock, psychedelia, R\u0026amp;B, and blues. The complexity of the spiritual passages, demands of the crescendos, delicacy of the calm transitions, electricity of the solos: everything is rendered with superb balance and free of the harshness, compression, and fatiguing peaks that would otherwise distract from the presentations at hand. 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'Everybody wants some!,' he declares before immediately querying, 'Baby, how 'bout, you?' Roth and the rest of Van Halen already knew the answer. The quartet further confirmed it's status as America's leading rock band and principal party starters on Women and Children First while heading in harder, heavier directions with thrilling songs that Rolling Stone scribe David Fricke rightly deemed 'works of high-volume art.' Mastered from the original analog tapes, pressed on MoFi SuperVinyl, and strictly limited and numbered, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP set of the triple-platinum effort ensures demand for the 1980 record has never been higher.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 01\/10\/2025\u003c\/li\u003e\n\u003cli\u003eReleased: 02\/28\/2025\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 02\/07\/2025\u003c\/li\u003e\n\u003cli\u003eReleased: 02\/07\/2025\u003c\/li\u003e\n\u003cli\u003eReleased: 03\/28\/2025\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eLabel: MOFI\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Van Halen","offers":[{"title":"Default Title","offer_id":42324134985809,"sku":"WX49H9-85GV-00","price":135.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/women-and-children-first-mofi-supervinyl-2lp-180g-limited-edition_Xc6w6_9469b525-59ee-4fc5-b20d-0c7133036d28.jpg?v=1762524000"},{"product_id":"miles-davis-black-beauty-miles-davis-at-fillmore-westmfsl-2xvinyl-vinyl","title":"Black Beauty (Miles Davis At Fillmore West)(MFSL 2xVINYL) (Vinyl)","description":"\u003cp\u003eTracklist: A. 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For their final act, they created Sketches of Spain, a peak moment in each legend's legacy. The transformative record weds Spanish themes, lush orchestrations, romantic timbres, and Davis' lyrical methods in a tender ceremony. Seldom, if ever, did Davis ever so expressively and liberally paint with color. And in Evans, he has a like-minded partner to help draw out tones, shades, and textures. Ranked #358 on Rolling Stone's 500 Greatest Albums of All Time, deemed 'a work of unparalleled grace and lyricism' by noted scribe J.D. Considine, bestowed a five-star review from DownBeat, and noted by Q to have taken 'jazz in a new direction,' Sketches of Spain remains universallyrenowned. Part of Mobile Fidelity's Miles Davis restoration series, the 1960 landmark has been afforded the ultimate white-gloves treatment for it's 65th anniversary. Sourced from the original master tapes, strictly limited to 5,000 numbered copies, and pressed at Fidelity Record Pressing, this UltraDisc One-Step 33RPM 180g LP set dramatically expands the soundstages and eradicates a prior dryness that many critics found inhibitive to the record's enjoyment. You'll hear the full-range extension of woodwinds, strings, and percussion, all of which come alive with superior definition and detail amid ultra-quiet backgrounds. Sonically, the results are as breathtaking as the music, and a personal invitation to pull up a chair and enjoy what went down at Columbia 30th Street Studio decades ago in New York City. 1\/4' \/ 15 IPS ANALOG MASTER DSD 64 ANALOG CONSOLE LATHE Numbered Limited Edition UD1S 180g 33RPM LP Box Set NUMBERED LIMITED EDITION OF 5,000 Track List Side One: 1. Concierto de Aranjuez 2. Will o' the Wisp Side Two: 1. The Pan Piper 2. Saeta 3. 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As the original working title for Bitches Brew, the instruction and invitation resonates to this day as the best way to approach a record that shattered conventions, altered music history, and, more than 50 years later, still sounds far ahead of it's time. The aural Mount Rushmore of jazz fusion, Bitches Brew is rightly ranked by virtually every significant press outlet among the 100 greatest albums ever made. Sewn together with vibrant colors, voodoo textures, and ethereal moods, the 1970 landmark emerges with supreme detail and nonpareil feeling on Mobile Fidelity's UltraDisc One-Step 180g 2LP vinyl box set. Mastered from the original master tapes, pressed on MoFi SuperVinyl at RTI, and strictly numbered and limited, this definitive reissue enhances every element of a double album that established new possibilities for studio recording techniques. You'll hear wider and deeper soundstages, more separation between instruments, and a drastically broadened dynamic range. If ever a jazz album can be said to have gone to outer space and back, this is it. Davis conceived Bitches Brew by having the musicians stand in a semi-circle, where he pointed at them with vague directions for tempo, solos, and cues. The collective improvisation and interplay spawned a galaxy of melodies and grooves that were later spliced together by producer Ted Macero. Here, these distinct creations take shape with utmost realism. Compositions stretch across jet-black backgrounds and paint abstract canvases on par with those of Axis: Bold As Love and Abraxas. Juxtaposed percussion, loose jams, and melodic segues explode with impressionistic verve. Bitches Brew also boasts visionary artwork. By design, the lavish packaging and gorgeous presentation of the UD1S Bitches Brew pressing befit such extremely select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. 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The instruction that begins Parliament's Mothership Connection prepares you for an ecstatic journey and establishes the setting for a cosmic trip into galaxies populated with galactic grooves, joyous vibes, cheeky humor, and streetwise slang. This is nearly 39 minutes of some of the best, sweatiest, most enthusiastic funk devised — all laid down by an all-star band bolstered by Bernie Worrell, Bootsy Collins, Fred Wesley, and Maceo Parker. A perfect storm of creativity, chemistry, and composition overseen by leader George Clinton, the 1975 effort ties together Parliament's then-burgeoning blend of bulbous funk, psychedelic soul, rule-breaking rock, science-fiction fantasy, and Afrofuturism themes in seamless fashion. Having spawned three iconic singles, the record later proved a massive influence on the West Coast hip-hop movement that swept through popular culture in the '90s.\u003cbr\u003e\r\n\u003cbr\u003e\r\nSourced from the original analog master tapes, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity's numbered-edition 180g 45RPM 2LP presents Mothership Connection in audiophile sound for the first time. Parliament's benchmark benefits from the wide groove space by playing with tauter bass, enhanced definition, and more realistic presence than prior editions. Everything from the brassiness of the horns to the crisp slap of the snare to the fleshy snap of handclaps comes across in full-range perspective. On this reissue, the band's dynamics, hooks, and hip-shaking verve practically explode. No matter where you turn, Mothership Connection grabs and holds your attention. A whole lotta rhythm goin' 'round, indeed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eVarious Original Masters:\u003cbr\u003e\r\nRecord One, Sides One\/Two: 1\/4'' 30 IPS analog master to DSD 256 to analog console\u003cbr\u003e\r\nRecord Two, Sides Three\/Four: 1\/4'' 15 IPS analog master to DSD 256 to analog console\u003cbr\u003e\r\n\u003cbr\u003e\r\nNumbered 180g 45RPM Vinyl 2LP\u003cbr\u003e\r\nNUMBERED SPECIAL EDITION\u003c\/b\u003e\u003cbr\u003e\r\n\u003cbr\u003e\r\n\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003cbr\u003e\r\nSide One:\u003cbr\u003e\r\nP. 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Though true for a majority of his film-related outings, the traditional notion is forever disproved by his Blue Hawaii set. Originally released in 1961 in support of the film in which he starred, the triple-platinum LP spent nearly five months at the top of the Billboard album charts; outsold his two prior studio efforts; and ultimately, remains the second-best-selling soundtrack of the musical-dominant 1960s. And now, it has received sonic treatment befitting rock royalty. Mastered from the original master tapes and numbered copies, Mobile Fidelity's 180g Vinyl LP of Blue Hawaii transports listeners to both the carefree innocent escapism of the early '60s and calming, breezy atmospherics of the famous Pacific Islands. If you've ever wondered what it might be like to have Presley inhabit your room, this collectible reissue makes it happen via lifelike presence, clarity, immediacy, and transparency. Recorded before the King started to burn out on soundtracks and go into a creative tailspin, Blue Hawaii presents him in tremendous voice. The newly uncovered layers of detail, body, emotionalism, and tonality on this 180g Vinyl LP bring that treasured element - as well as the brilliance of the arrangements and accompaniment - to light like never before. Presley's warm crooning alone warrants unmitigated attention. It's not for nothing that this record - replete with panache, whimsy, romance, and seriousness - forever altered the course of his career. Much like the film itself, the music on Blue Hawaii subscribes to a feel-good aesthetic. Presley plunges into a stylistic deep end with equal parts fearlessness and fun. He delves into early rock 'n' roll ('Rock-A-Hula Baby'); touching balladry ('Hawaiian Wedding Song'); playful rumba ('Beach Boy Blues'); relaxing luaus ('Hawaiian Sunset'); and naturally, island-inspired fare ('Ku-U-I-Po'). It becomes immediately evident that the King is enjoying himself and committed to the mission. Is Blue Hawaii all serious art? No, but it was never intended to be. Rather, it serves as a showcase of Presley's outgoing personality and chameleon-like ability - like that of Frank Sinatra - to inhabit different roles and entertain.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 10\/21\/2022\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eLabel: MOFI\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Elvis Presley","offers":[{"title":"Default Title","offer_id":58219404886097,"sku":"ALYTRH-NGUC-00","price":72.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/elvis-presley-blue-hawaii-soundtrack-mofi-2lp-numbered_dSuBI.jpg?v=1758134457"},{"product_id":"sex-machine-vinyl","title":"Sex Machine (Vinyl)","description":"\u003ch2\u003eGet Up, Give It Up, and Turn It Loose: James Brown and His Bands Deliver Electrifying Performances on the Funky \u003cem\u003eSex Machine\u003c\/em\u003e, Ranked Among the 500 Greatest Albums of All Time by\u003cem\u003e Rolling Stone\u003c\/em\u003e\n\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eMonster 1970 Double Album Presented in Audiophile Sound for the First Time: Mobile Fidelity’s Numbered-Edition 180g 33RPM 2LP Set Plays with Explosive Dynamics and Vibrant Immediacy\u003c\/h3\u003e\r\n\r\n\u003ch3\u003e1\/4\" \/ 15 IPS analog master to DSD 256 to analog console to lathe\u003c\/h3\u003e\r\n\r\n\u003cp\u003eJames Brown wants to know one thing before he and his band begin \u003cem\u003eSex Machine\u003c\/em\u003e. “Can I get into the thing, really?,” he asks. His cohorts enthusiastically respond in the affirmative. And for the next hour and change, Mr. Dynamite gets into it and more, turning in a sweat-soaked, feet-moving, hip-swiveling, emotion-purging, in-the-red, drop-everything-you’re-doing-and-dance performance for the ages. Ranked by \u003cem\u003eRolling Stone\u003c\/em\u003e among the 500 Greatest Albums of All Time, the sweeping 1970 effort towers as a testament to Brown’s inimitable legacy as well as the peak powers of his voice, vibrancy, and bands.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSourced from the original master tapes, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s numbered-edition 180g 33RPM 2LP set presents \u003cem\u003eSex Machine\u003c\/em\u003e in audiophile sound for the first time. It explodes with the energy the lightning-strike music demands. Dynamic, immediate, present, airy: Everything from the brassiness and fluidity of the horns to the snap and decay of the snare to the swell and carry of the organ comes across in full-range perspective. \u003c\/p\u003e\r\n\r\n\u003cp\u003eThen there’s Brown’s superhuman singing, which here emerges with a purity, naturalism, and transparency that ensure you feel everything. Screeching, shouting, pleading, moaning, preaching, stinging, commanding, testifying, crooning, humming: The Godfather of Soul contributes one of the finest vocal performances known to man. This definitive 55th anniversary reissue of Brown’s monster funk statement further exhibits a combination of clarity, solidity, separation, and imaging that helps bring to light what he and his crack ensembles committed to tape. Both in the studio and on the stage. \u003c\/p\u003e\r\n\r\n\u003cp\u003eJust how lifelike does this reissue sound? Senior Mobile Fidelity Sound Lab engineer Krieg Wunderlich, who handled the remaster, notes: “There were some artifacts that sounded a bit like mistracking. But they turned out to be breath blasts on the vocal microphone. That is part of history. JB was workin' hard, and breathin' hard. And there was an edit the timing of that was truly strange. Again, a part of history.”\u003c\/p\u003e\r\n\r\n\u003cp\u003eOriginally marketed as a live album, \u003cem\u003eSex Machine\u003c\/em\u003e contains six songs recorded in the studio and later overdubbed with canned crowd noise and reverberation. Save for “Low Down Popcorn,” the tracks on the latter half stem from a phenomenal performance captured in October 1969 at Bell Auditorium in Brown’s adopted hometown of Augusta, GA. The special relationship between the singer, the audience, and the location is palpable. \u003c\/p\u003e\r\n\r\n\u003cp\u003eAs the 1960s gave way to a new decade, Brown experienced immense success and dealt with unexpected change. Soul Brother Number One soon expanded his idea for an official live album captured in Augusta when the ensemble that backed him on that date morphed into the original version of the world-famous J.B.’s just months after the show. The virtuosic abilities, sticky chemistry, and rhythm-forward nature of the J.B.’s prompted him to book a one-off session in Cincinnati, OH, on a late July night. \u003c\/p\u003e\r\n\r\n\u003cp\u003eAnchored by brothers William “Bootsy” Collins and Phelps “Catfish” Collins, the group  — as well as two different drummers —  laid down a nearly 11-minute rendition of “Get Up I Feel Like Being Like a Sex Machine” and a thrilling medley of “Bewildered,” “I Got the Feeling,” and “Give It Up or Turnit a Loose.” A pair of then-recent studio singles cut in separate locations in 1969, “Brother Rapp” and “Low Down Popcorn,” each featuring his prior group, took care of the second LP worth of material that complements the originally planned live set. \u003c\/p\u003e\r\n\r\n\u003cp\u003eComplicated? Somewhat. Unusual? Definitely. But just as he elevated the expectations for all present and future R\u0026amp;B artists, Brown not only makes it all work. 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Recorded at AIR Studios in London and produced by Dire Straits leader Mark Knopfler, it features all of the band's sonic hallmarks - wide instrumental separation, visceral textures, seemingly limitless air, broad soundstages, atmospherics that you can almost reach out and feel. Each element is made more vibrant, physical, and lifelike on this collectible reissue, which marks the first time this 60-minute work has been available at 45RPM speed.Afforded generous groove space and black backgrounds, the songs from On Every Street burst with nuanced details and vibrant colors. Dire Straits' playing appears to float, their intricate performances organized amid hypnotic, fluid, three-dimensional arrangements. Mobile Fidelity's definitive-sounding set also brings into transparent view Knopfler's finely sculpted guitar lines, expressive tones, and laid-back vocals - as well as the balanced accompaniment from his band mates. 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Painstakingly restored by Mobile Fidelity Sound Lab, and the first of a multi-album series in an exciting partnership between the famous reissue label and Van Halen, Van Halen delivers feel-good thrills and hormonally charged desires like never before.Limited to 15,000 numbered copies, pressed on dead-quiet MoFi SuperVinyl at RTI, and mastered from the original analog master tapes, Mobile Fidelity's ultra-hi-fi UltraDisc One-Step 180g 45RPM 2LP collector's edition pays tribute to the record's merit and allows fans to experience Van Halen's original blend of raw power, Hollywood flair, and vaudeville fun for generations to come. Playing with reference-setting sonics that elevate a 10-times-platinum landmark whose importance cannot be quantitatively measured, this definitive version provides a clear, clean, transparent, balanced, and turn-the-volume-up-to-11 view of an album that birthed entirely new styles. Since MoFi's unique SuperVinyl compound allows you to crank the decibels to your wildest desires without risking noise-floor interference, prepare to not only hear but feel Van Halen in your chest, no fifth-row concert seat necessary.The premium packaging and gorgeous presentation of the UD1S Van Halen pressing befit it's extremely select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this UD1S reissue exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art - and everything involved with the album, from the iconic cover art to the meticulous finishes and, yes, of course, Eddie Van Halen's pioneering fretwork and his brother Alex's double-bass percussion.Indeed, could a piece of music that transformed how countless guitarists approached their instrument be more fittingly named than 'Eruption'? Likely not, and in just 102 seconds, Eddie Van Halen rewrote, reimagined, and reconfigured a vocabulary last significantly updated a decade earlier by fellow six-string wizard Jimi Hendrix. Akin to the Washington State legend, Eddie Van Halen developed his own techniques and tones all the while making his seismic accomplishments seem effortless. Devoid of the pretense, ego, and showiness that infected many of his imitators, the Dutch native sticks to a straightforward approach that underlines the authority, prowess, and visionary scope of his playing and then-unheard-of finger-tapping skills. 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While that take is true - Ann and Nancy Wilson practically stood alone amid a commercial age dominated by testosterone - it undersells the appeal, scope, and craftsmanship of an album that deserves to be revered strictly because of it's merit, not because of the gender of the group's principal members. Mastered at MoFi's California studio and housed in mini-LP-style packaging, Mobile Fidelity's numbered-edition hybrid SACD puts the record's artistic significance in proper perspective. It invites you to hear with stellar clarity the diverse architecture, passionate playing, and fervent emotions that help make Dreamboat Annie an all-time classic. This 50th anniversary edition also marks the first time Heart's opening salvo has been available in audiophile quality on disc in more than a decade.Press 'play' and experience the textures of the guitars, full range of Ann Wilson's voice, spacious backdrops of the arrangements, and rhythmic momentum - crucial components of Heart's songs - free of veiled tones and artificial ceilings. Ample separation between instruments and black backgrounds bring the music into detailed focus, whether it's the full decay of percussive accents, layered stacking of group harmonies, or depth of the bass lines. Helmed by Mike Flicker, Dreamboat Annie features advanced production that belies that of most independent releases of the time. The dynamics alone on this reissue confirm that fact. Although the passage of time, as well as Heart's Hall of Fame career, have nearly caused the historical tidbit to fade into obscurity, Dreamboat Annie was originally issued by the tiny label Mushroom Records after major imprints inexplicably took a flyer on the album. Released in Canada in September '75, it hit shelves in the States in February of the following year. By the fall of 1976, Heart had a platinum LP and three hit singles. As well as an upcoming battle with Mushroom Records that, while another story entirely, further underlined the Wilson sisters' toughness and determination. Those traits resonate throughout Dreamboat Annie, which kicks off with the spellbinding 'Magic Man.' Released in advance of the LP as the quartet's second single, the Wilson sisters' anthem partially doubles as an autobiographical tale based on Ann Wilson's then-relationship with band manager Michael Fisher. 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Not to be overlooked, the declarative 'Sing Child' and strutting 'White Lightning \u0026amp; Wine' contain similarly aggressive elements, with the latter combining boogie riffs, cowbell-driven beats, and blustery vocals to remind anyone paying attention that Heart means business. The band further separated itself from it's rock contemporaries via a trove of lighter material. Eclipsing the six-minute mark, 'Soul of the Sea' depicts Heart's ambitious interest in psychedelia, blues, and folk. Heart's tender side also emerges on the misty ballad 'How Deep It Goes,' a prime example of Ann Wilson's penchant to deliver softness with the same penchant she does heaviness - and a standout for Nancy Wilson's prowess on guitar. Both sisters similarly shine on the crossover '(Love Me Like Music) I'll Be Your Song,' whose mix of vulnerability, strings, and handclaps signal the extraordinary vision Heart had from the start. Decades later, it all sounds better than ever. 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A transliterate reference to the migration of the prophet Mohammad in the seventh century, the term to Mitchell symbolized the sensation of 'leaving the dream, no blame' - or, 'running away, honorably.' Largely written as Mitchell traveled alone across the United States and came to terms with her own mental, emotional, and physical health, the sparsely arranged Hejira is the sound of starting over; embracing change; meditating on the divide between free will and possession; channeling the colors, looks, and feelings of landscapes seen and imagined. The 1976 work - deemed the 133rd Greatest Album of All Time by Rolling Stone - also features Mitchell diving into the deep end of the jazz spectrum and partnering on several songs with virtuosic bassist and fellow sonic cosmonaut Jaco Pastorius. 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Or the typical wounded singer wallowing in self pity. Morissette, and both the lead single from and her entire American major-label debut - the profoundly personal Jagged Little Pill - represented a sea change. They kickstarted a movement, one whose impact continues to echo throughout the mainstream nearly three decades later. Ranked the 69th Greatest Album of All Time by Rolling Stone, Jagged Little Pill has sold more than 17 million copies in the U.S. and 33 million units worldwide. It's a statement, an attitude, a soundtrack for anyone seeking inspiration, an outlet, or permission to be themselves.Sourced from the original master tapes, pressed on MoFi SuperVinyl, and strictly limited to 4,000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP box set of Jagged Little Pill presents the landmark effort in audiophile-grade sound for the first time. Enhanced by SuperVinyl's nearly inaudible noise floor and superior groove definition, Glen Ballard's smooth production comes through with an openness, presence, and dynamic explosiveness that make the vocalist's songs that much more visceral. The singer's mezzo-soprano deliveries resonate with full-range ardor. And Morissette's confessional words take center stage like never before. If you're seeking to experience every facet about the 17th-best-selling LP in history, this is the definitive way to do it on vinyl. Consider that a fact that you oughta know.1\/2' \/ 30 IPS ANALOG MASTER DSD 256 ANALOG CONSOLE LATHENumbered Limited Edition UD1S180g 45RPM 2LP SuperVinyl Box SetSTRICTLY LIMITED TO 4,000 COPIESTrack ListSide One:1. All I Really Want2. You Oughta Know3. PerfectSide Two:1. Hand in My Pocket2. Right Through You3. ForgivenSide Three:1. You Learn2. Head over Feet3. Mary JaneSide Four:1. Ironic2. Not the Doctor3. 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A reference to the migration of the prophet Mohammad in the seventh century, the term to Mitchell symbolized the sensation of 'leaving the dream, no blame' - or, 'running away, honorably.' Largely written as Mitchell traveled alone across the United States and came to terms with her own mental, emotional, and physical health, the sparsely arranged Hejira is the sound of starting over; embracing change; meditating on the divide between free will and possession; channeling the colors, looks, and feelings of landscapes seen and imagined. The 1976 work - deemed the 133rd Greatest Album of All Time by Rolling Stone - also features Mitchell diving into the deep end of the jazz spectrum and partnering on several songs with virtuosic bassist and fellow sonic cosmonaut Jaco Pastorius. 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Yet the emotional highs came to a screeching halt shortly thereafter when bassist Scott LaFaro died in a car accident. Devastated, Evans refrained from playing for nearly a year. If not for an inspirational collaboration of tremendous creative outpouring, one wonders what fate may have befallen Evans. Undercurrent, the outcome of two studio sessions with guitarist Jim Hall, is that project.Mastered on Mobile Fidelity's world-renowned mastering system and pressed at RTI, this Silver Label LP edition bursts forth with brilliant textures, you-are-there realism, and extraordinary tonalities. No other version outside of this analog copy brings you face-to-face with these two jazz giants' sonic communion, a kind of spiritual musical summit on which Evans' deft keyboard touches and Hall's reliably subtle phrasings seamlessly mesh and wonderfully dance, the compositions streaked with natural instrumental decay, full-frequency extensions, and poignant emotionalism that, on this LP, you can feel.While Evans managed to sit down for a few one-off takes between LaFaro's passing and these April-May 1962 dates, he largely remained on hiatus and abstained from recording. Whether it owes to the intimate pairing, he and Hall's brotherly chemistry, or the exquisite selection of program material, the results consistently come across as the equivalent of a private meditation - such is the level of introspective depth and quietly shaded interplay throughout. For Evans, the duet clearly functions as therapy, a healing episode in which his partner patiently lays back, shadowing moves and suggesting others, neither musician interested in the spotlight but each striving for (and achieving) transcendent beauty.In tackling standards such as Rodgers and Hart's 'My Funny Valentine' and the Broadway classic 'Darn That Dream,' as well as the Hall original 'Romain,' the pair traverses complex harmonies with the astute elegance of a figure skater. At times, Evans and Hall go for broke on a hard-swinging romps, yet it's their implied melancholy and drifting, softly struck melodic refrains on waltzes and ballads that bestows Undercurrent with a nuanced romanticism and whispered atmosphere befitting the record's title. 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The enhanced sonics extend not only to Carlos Santana's six-string wizardry, but to the rhythmic, melodic, and vocal elements coursing through both the studio and live cuts: the grip and depth of the bass lines; the wash of the organ; the scope and carry of the vocals; and much more. So whether you fall for the sidewinding spell of a spicy rendition of 'Black Magic Woman\/Gypsy Queen,' lose your head to the momentum of 'Soul Sacrifice\/Head, Hands \u0026amp; Feet,' or keep dropping the needle on the savory grace of the brilliant reading of 'Europa (Earth's Cry Heaven's Smile),' this pressing of Moonflower puts you in good hands.1\/4' \/ 15 IPS ORIGINAL ANALOG NON-DOLBY MASTER DSD 256 ANALOG CONSOLE LATHENumbered 180g 33RPM 2LPLIMITED EDITION OF 3,000Track ListSide One:1. Dawn\/Go Within2. Carnaval3. Let the Children Play4. Jugando5. I'll Be Waiting6. ZuluSide Two:1. Bahia2. Black Magic Woman\/Gypsy Queen3. Dance Sister Dance (Baila Mi Hermana)4. 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Home to three Top 10 singles and a diverse array of pop music in step with the era's exploratory creativity, the set belongs alongside the Beatles' Sgt. Peppers' Lonely Hearts Club Band, Love's Forever Changes, Jefferson Airplane's Surrealistic Pillow, and 1967's other pioneering recordings. Look no further than 'A Girl Like You,' commandeered by confident singing and skated along by peppy jazz-rock architecture marked by exuberant horns, lilting piano lines, and splashing rhythms. Or 'How Can I Be Sure,' on which Eddie Brigati takes the vocal lead over a waltzing pattern that conveys hopefulness, rumination, and the rollercoaster ups\/downs that accompany the initial stages of a relationship.Mastered from the original monaural master tapes, Mobile Fidelity's hybrid mono SACD (limited to 2,500 numbered copies) captures the deep-seated personality and effortless melodies that seemingly occupy every passage. Reflecting the playfulness of the cover art, the members demonstrate a cohesiveness, chemistry, and charm made apparent via the newly uncovered detail, airiness, and tonalities. The painstakingly produced restoration also includes 'A Beautiful Morning,' a million-selling hit that reached the third spot on the Billboard Hot 100 chart in 1968 and debuted as the first release under the band's then-newly truncated Rascals name. Blue-eyed soul and innocuous optimism have rarely sounded more contagious than on this audiophile-grade reissue.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA Girl Like You\u003c\/li\u003e\n\u003cli\u003eFind Somebody\u003c\/li\u003e\n\u003cli\u003eI'm So Happy Now\u003c\/li\u003e\n\u003cli\u003eSueno\u003c\/li\u003e\n\u003cli\u003eHow Can I Be Sure\u003c\/li\u003e\n\u003cli\u003eGroovin'\u003c\/li\u003e\n\u003cli\u003eIf You Knew\u003c\/li\u003e\n\u003cli\u003eI Don't Love You Any More\u003c\/li\u003e\n\u003cli\u003eYou Better Run\u003c\/li\u003e\n\u003cli\u003eA Place in the Sun\u003c\/li\u003e\n\u003cli\u003eIt's Love\u003c\/li\u003e\n\u003cli\u003eA Beautiful Morning\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e*** Indie Exclusive ***\u003cbr\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797222563\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mobile Fidelity\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.3.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Young Rascals","offers":[{"title":"Default Title","offer_id":58254339801169,"sku":"484597","price":47.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/4092242-2825427.jpg?v=1759472820"},{"product_id":"elvis-presley-hybr-blue-hawaii-o-s-t-indie-exclusive-hybr","title":"Blue Hawaii - O.S.T. 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Originally released in 1961 in support of the film in which he starred, the triple-platinum LP spent nearly five months at the top of the Billboard album charts; outsold his two prior studio efforts; and ultimately, remains the second-best-selling soundtrack of the musical-dominant 1960s. And now, it has received sonic treatment befitting rock royalty.Mastered from the original master tapes and strictly limited to 3,000 numbered copies, Mobile Fidelity's hybrid SACD of Blue Hawaii transports listeners to both the carefree innocent escapism of the early '60s and calming, breezy atmospherics of the famous Pacific Islands. If you've ever wondered what it might be like to have Presley inhabit your room, this collectible reissue makes it happen via lifelike presence, clarity, immediacy, and transparency.Recorded before the King started to burn out on soundtracks and go into a creative tailspin, Blue Hawaii presents him in tremendous voice. The newly uncovered layers of detail, body, emotionalism, and tonality on this SACD bring that treasured element - as well as the brilliance of the arrangements and accompaniment - to light like never before. Presley's warm crooning alone warrants unmitigated attention. It's not for nothing that this record - replete with panache, whimsy, romance, and seriousness - forever altered the course of his career.Much like the film itself, the music on Blue Hawaii subscribes to a feel-good aesthetic. Presley plunges into a stylistic deep end with equal parts fearlessness and fun. He delves into early rock 'n' roll ('Rock-A-Hula Baby'); touching balladry ('Hawaiian Wedding Song'); playful rumba ('Beach Boy Blues'); relaxing luaus ('Hawaiian Sunset'); and naturally, island-inspired fare ('Ku-U-I-Po'). It becomes immediately evident that the King is enjoying himself and committed to the mission. Is Blue Hawaii all serious art? No, but it was never intended to be. 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Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180g 45RPM 2LP set of Making Movies breathes with reference-caliber airiness, spaciousness, dynamics, and separation. Produced by Jimmy Iovine and Knopfler, the record - which contains many Springsteen-esque elements - features the cleanliness and clarity that have long been Dire Straits trademarks. The extra-wide 45RPM grooves on this edition provide previously unattainable detail, information, and soundstaging. This is what audiophile recordings are all about. You know you're in the presence of sonic greatness as soon as the first few seconds of the opening 'Tunnel of Love' pass, as the introductory passage built on organ and piano - new additions to Dire Straits' palette - intertwine with the unmistakable coil-spring twang of Knopfler's guitar. The three-dimensional, full-bodied presentation of the latter instrument on this Mobile Fidelity LP is alone worth the price of admission. Crisp, rich, and balanced, the analog sound brings Knopfler's Fender Vibrolux and Music Man HD130 amplifiers into your room. The romanticism of Bittan's piano, precision timekeeping of drummer Pick Withers, and steady roll of bassist John Illsley come across with similar potency, scale, and verve. Always more about the whole than the sum of their individual parts, Dire Straits demonstrate that while Knopfler is the lynchpin, this record is a true band effort. Bittan's role cannot be overstated. His melodicism poetically complements Knopfler's subtle staccato rhythms and more than makes up for the exit of David Knopfler. Expansive and cinematic, the aptly titled Making Movies puts a premium on interrelated subjects (love, relationships, heartbreak) and deep-seated emotions that play out in heartfelt lyrics, intense singing, and epic frameworks. Everything clicks. The album's power isn't lost on Iovine, who later told Rolling Stone: 'The right people were in the room together. It really was making a record in the pure sense of the term. The whole thing sounds like one song. But you what that is? That's the writing, the guy who wrote it. He wrote the album like that; he wanted to make the album like that.' Indeed, the first five tracks - 'Tunnel of Love,' 'Romeo and Juliet,' 'Skateaway,' 'Expresso Love,' 'Hand in Hand' - comprise a mini-suite united by theme, harmony, and spirit. Every member of the newly configured Dire Straits has a say in the shaping of the material. There's not a note out of place. 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Named one of the 500 Greatest Albums of All Time by Rolling Stone, the white-soul landmark features backing by 'The 'Memphis Boys' and teems with rhythm-heavy country, gospel, R\u0026amp;B, and blues. Lauded for it's natural, open sonics, the 1969 set now comes across with remarkable clarity, presence, and warmth courtesy of a premium restoration befitting a king.Mastered from the original master tapes, pressed on MoFi SuperVinyl at RTI, and strictly limited to 10,000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP box set of From Elvis in Memphis unearths the ravishing inner detail, sticky rhythms, and brilliant arrangements of Chips Moman's inspired production. In short, this unparalleled reissue unlocks the spirit and gestalt of the recording and takes you inside American Sound Studio. It also brings you up close and personal with Presley's singing - widely considered by many to represent the finest of his career - located dead-center amidst the instrumental hurricane. Equally impressive are the contributions of the aforementioned Boys, and how their Southern-brewed playing - a balance of leisure with swiftness, grandiosity with concision, freedom with control - dovetails with Presley's vernacular.The lavish packaging and gorgeous presentation of the UD1S From Elvis in Memphis pressing befit it's extremely select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this UD1S reissue exists as a curatorial artifact meant to be preserved, pored over, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art - and everything involved with the album, from the images to the finishes.Sharing much in common with the full, rich, orchestrated Stax Records sound, From Elvis in Memphis oozes with choice nuances and distinctive flourishes that on this ultra-hi-fi edition not only arise with previously unheard transparency and sharpness, but complement and serve the whole. Take the specific tonalities and blending of violas, cellos, and horns that communicate mood and serve as counterpoints. Or lively performances of the backing quintet, and how the piano and Hammond organ trace the lines of the melodies and Presley's lead. 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The powerhouse vocalist had kicked her addictions, teamed with a crack band, and partnered with a producer who knew how to best showcase her voice on record. She came to the sessions with an armload of astonishing songs, and a burst of creative energy that mirrored her rejuvenated emotional state and undeniable spirit. You can hear it on every note of the 1971 record.\u003cbr\u003e\u003cbr\u003e \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-size:12pt\"\u003eWhile Joplin's electrifying vocal prowess is universally lauded, her mix of compassion, confidence, and charm play as large a role. And on Pearl, she burrows into deeper stylistic veins, teasing out sides of her persona and craft she'd never previously displayed. 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While most artists follow their breakthrough with an album that closely parallels the approaches that helped make them famous, the singer-songwriter stayed true to herself. As much as the preceding Jagged Little Pill put her on the global radar, Supposed Former Infatuation Junkie confirmed her role as a generational voice. Notable for it's balance, sophistication, and richness, the 1998 smash finds Morissette pausing, taking a breath, and learning how to navigate life in a healthy manner after enduring one of the most exhausting stretches any musician ever experienced. It's the sonic equivalent of a spiritual awakening, a call to betterment, a brave assessment of the self and humanity as a whole.Sourced from the original master tapes and strictly limited to 3,000 numbered copies, Mobile Fidelity's hybrid SACD presents the triple-platinum LP in audiophile sound. Benefitting from an enhanced coherence and clarity that befit the album's nearly 72-minute length, this reissue plays with richer detail, sharper focus, and broader dynamics than prior versions. Those traits are key given Morissette's use of more atmospheric soundscapes, not to mention her evolution into a more nuanced singer. Similarly, the scale and reach of David Campbell's string arrangements come across as orchestrations should. Ditto the synth-based architecture shaped by producer Glen Ballard. All in all, this collectible edition simply delivers more information via transparent means.Numbered Hybrid Stereo SACDLIMITED EDITION OF 3,000Track List1. Front Row2. Baba3. Thank U4. Are You Still Mad5. Sympathetic Character6. That I Would Be Good7. The Couch8. Can't Not9. UR10. I Was Hoping11. One12. Would Not Come13. Unsent14. So Pure15. Joining You16. Heart of the House17. 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