{"title":"New Wave","description":"\u003cp\u003eNew wave where punk energy meets pop hooks, synthesizers, angular guitars and the adventurous production of the late 1970s and 1980s.\u003c\/p\u003e\u003cp\u003eShop New Wave on vinyl, CD and cassette at Apocalypse Vinyl, including new releases, reissues, catalog favorites and harder-to-find titles.\u003c\/p\u003e","products":[{"product_id":"nick-lowe-pinker-prouder-than-previous-vinyl","title":"PINKER \u0026 PROUDER THAN PREVIOUS (Vinyl)","description":"\u003cp\u003eProducers: Colin Fairley, Dave Edmunds, Nick Lowe.No chance of anyone else coming up with an album title such as this. These eleven songs were recorded during five different session in varying locations and with varying personnel in '86 and '87, but due to Lowe's topnotch songs and his inspired choices of covers, this album plays like a nicely unified whole. Fabulous Thunderbirds Kim Wilson and Jimmie Vaughan join in on the bristling opener, \"(You're My) Wildest Dream.\"  Many of his usual bandmates are on board (Paul Carrack, Martin Belmont, etc), and with Terry Williams snapping snare drum, especially on John Hiatt's \"Love Gets Strange,\" it sounds almost like the second coming of Rockpile. This is an unassuming album by a consummate artist, comfortable with a healthy range of musical genres.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat Detail: LP w\/ download code\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Nick Lowe","offers":[{"title":"Default Title","offer_id":41884636151889,"sku":"ZZ9BX2-TGHW-00","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Nick-Lowe-PINKER-PROUDER-THAN-PREVIOUS_3gTVN.jpg?v=1762464578"},{"product_id":"cindy-wilson-change-vinyl","title":"Change (Vinyl)","description":"\u003cp\u003eTracksCredits\u003cbr\u003e1 People Are Asking\u003cbr\u003e2 Stand Back Time\u003cbr\u003e3 Mystic\u003cbr\u003e4 No One Can Tell You\u003cbr\u003e5 Change\u003cbr\u003e6 Things I'd Like to Say\u003cbr\u003e7 Sunrise\u003cbr\u003e8 On the Inside\u003cbr\u003e9 Brother\u003cbr\u003e10 Memory\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat Detail: LP\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Cindy Wilson","offers":[{"title":"Default Title","offer_id":41884767846481,"sku":"FNYEGW-TDPJ-00","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/cindy-wilson-change_2RyWC.jpg?v=1762464655"},{"product_id":"talking-heads-name-of-this-band-is-talking-heads-vinyl","title":"NAME OF THIS BAND IS TALKING HEADS (Vinyl)","description":"\u003cp\u003eThis live album was originally released as a double LP in 1982, when the Talking Heads were still extremely active. Twenty-two years later, the bonus-laden, two-CD reissue serves as a fascinating in-concert document of the phases the band went through during its first five years. The late-'70s tracks on the first disc show the early version of the band in all its geeky glory, mixing spastic New Wave quirkiness, funk rhythms, and art-school lyrics. It's intriguing to hear the difference between some of the songs' inception and their eventual recorded versions, such as a relatively straightforward \"Electricity (Drugs),\" which would turn ominous and atmospheric on FEAR OF MUSIC. The second disc captures the expanded, early-'80s version of the band, with extra musicians and backing vocalists in tow, tackling the fugue-like art-funk masterpieces of the aforementioned album and REMAIN IN LIGHT. It's all the more impressive to hear the interlocking of the guitars, keyboards, and percussion achieved without the benefit of studio overdubbing, and David Byrne's near-manic intensity is even more focused and affecting in the live setting. Even vinyl freaks\/Heads maniacs who hung on to the original LP for two decades will need to get this, if only for the wealth of indispensable bonus tracks.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Talking Heads","offers":[{"title":"Default Title","offer_id":41885048078417,"sku":"WDJOD8-Y0GF-00","price":43.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Talking-Heads-NAME-OF-THIS-BAND-IS-TALKING-HEADS_9BHk9.jpg?v=1762464804"},{"product_id":"talking-heads-talking-heads-more-songs-about-buildings-food-vinyl","title":"Talking Heads MORE SONGS ABOUT BUILDINGS \u0026 FOOD [Vinyl]","description":"Talking Heads - Talking Heads MORE SONGS ABOUT BUILDINGS \u0026amp; FOOD [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 081227963583 \u003cbr\u003e\u003cp\u003eAlso available with TALKING HEADS '77 on 1 cassette. Talking Heads: David Byrne (vocals, guitar, percussion); Jerry Harrison (guitar, keyboards, background vocals); Tina Weymouth (bass, background vocals); Chris Frantz (drums, percussion). Additional personnel: Brian Eno (various instruments, background vocals). Recorded at Compass Point Studio, New Providence, The Bahamas in March and April 1978. The Heads' second album found them building on the twitchy \"new wave\" sound they established with their debut while using that approach as a springboard for new lyrical and musical innovations. The band's sonic pallette is a bit wider here; the interplay between the guitars of David Byrne and Jerry Harrison is more fully developed here, are Harrison's keyboard contributions (he was, after all, strictly a keys man in the Modern Lovers, one of the Heads' primary influences). The band displays diversity with their first recorded cover tune, Al Green's \"Take Me To The River,\" which they redefine with an ominous, supple sensuality. While Byrne still sounds like his nerves are being stretched to the breaking point, the band is a little looser here, as on the jumpy, Velvet Underground-ish \"Thank You For Sending Me an Angel.\" Byrne's hyper-intellectualism is in full flower on BUILDINGS, from the gender politics lesson \"The Girls Want to Be With the Girls\" to the New York bohemian slant of \"Artists Only,\" whose key phrase is \"you can't see it till it's finished!\"\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 10\/21\/2013\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Talking Heads","offers":[{"title":"Default Title","offer_id":41885211033681,"sku":"7C3UU8-NPQQ-00","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Talking-Heads-MORE-SONGS-ABOUT-BUILDINGS-FOOD_yzQnw.jpg?v=1759468882"},{"product_id":"blondie-blondie-eat-to-the-beat-lp-vinyl","title":"Blondie EAT TO THE BEAT (LP) [Vinyl]","description":"Blondie - Blondie EAT TO THE BEAT (LP) [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 600753550359 \u003cbr\u003e\u003cp\u003eBlondie: Frank Infante (vocals, guitar); Jimmy Destri (vocals, keyboards); Deborah Harry (vocals); Chris Stein (guitar); Nigel Harrison (bass); Clem Burke (drums).\u003cbr\u003e         \u003cbr\u003eAdditional personnel: Randy Hennes (harmonica); Elle Greenwich, Lorna Luft, Donna Destri, Mike Chapman (background vocals).\u003cbr\u003eProducer: Mike Chapman.\u003cbr\u003eReissue producer: Kevin Flaherty.\u003cbr\u003eRecorded at the Power Station, Electric Lady Studio and Media Sound, New York, New York in 1979. Originally released on Chrysalis (1225). Includes liner notes by Mike Chapman.\u003cbr\u003eAll tracks have been digitally remastered using 24-bit technology.\u003cbr\u003e1979's EAT TO THE BEAT was Blondie's fourth album, and the first to follow the enormous commercial breakthrough of 1978's PARALLEL LINES. Though its singles, the brilliant \"Dreaming\" and the disco-influenced \"Atomic,\" were lesser hits than PARALLEL LINES' \"Heart of Glass\" and \"One Way or Another,\" EAT TO THE BEAT's success cemented Blondie's status as by far the most commercially viable of the first wave of New York punk bands.\u003cbr\u003eBy this time, the band's always-tenuous connection to punk was barely noticeable; the artsy \"Victor,\" the Springsteen-ish \"Union City Blue,\" written for the soundtrack of Debbie Harry's first film, Steeltown, and the reggae-tinged \"Die Young Stay Pretty\" are early evidence of the sort of casual genre-hopping which defined the band's next album, AUTOAMERICAN. The ripping title track, \"Accidents Never Happen\" and the dreamy \"Living in the Real World,\" however, are more typical Blondie fare.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 12\/16\/2016\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blondie","offers":[{"title":"Default Title","offer_id":41885552115793,"sku":"B0CK6P-EJ0G-00","price":39.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Blondie-EAT-TO-THE-BEAT-LP_SQsBS.jpg?v=1762465158"},{"product_id":"talking-heads-talking-heads-talking-heads-77-vinyl","title":"Talking Heads TALKING HEADS: 77 [Vinyl]","description":"Talking Heads - Talking Heads TALKING HEADS: 77 [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 081227988418 \u003cbr\u003e\u003cp\u003eTalking Heads: David Byrne (vocals, guitar); Jerry Harrison (guitar, keyboards, background vocals); Tina Weymouth (bass); Chris Frantz (drums). Recorded at Sundragon Studios, New York, New York. When they burst out of the New York underground\/CBGB's movement, the Heads stood apart from the pack because not only were they unlike anything that gone before, they were even anomalous to their contemporaries. A million miles from the detached irony of Blondie or the willful primitivism of the Ramones, the Talking Heads virtually invented geek-rock, setting the stage for everyone from the Violent Femmes to They Might Be Giants. Lyrically, David Byrne came off as the guy who thought too much about everything. Fortunately, he also happened to be a unique visionary, whose quirky, hyper-cerebral modernism echoed the work of poet John Ashbery and \"serious\" composer Robert Ashley. All this high-mindedness doesn't detract from the infectious rock \u0026amp; roll appeal of the tunes on the band's debut album, though. Their twitchy, preppies-on-amphetamines rhythms and semi-neurotic gestalt fueled tunes like twisted anthem \"Psycho Killer\" and the jubilant \"Pulled Up.\" Byrne's high, yelping tenor was the perfect complement to the band's tightly-wound but kinetic rhythms, and 77 is an auspicious debut.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 04\/18\/2009\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Talking Heads","offers":[{"title":"Default Title","offer_id":41886100062289,"sku":"14I4DO-OGY6-00","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Talking-Heads-TALKING-HEADS-77_cQJtY.jpg?v=1762465335"},{"product_id":"duran-duran-duran-duran-red-carpet-massacre-iex-ruby-red-2-lp-vinyl","title":"Duran Duran Red Carpet Massacre (IEX, Ruby Red) (2 LP) [Vinyl]","description":"Duran Duran - Duran Duran Red Carpet Massacre (IEX, Ruby Red) (2 LP) [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 4050538777307 \u003cbr\u003e\u003cp\u003eTRACKLIST A1. The Valley A2. Red Carpet Massacre A3. Nite-Runner B1. Falling Down B2. Box Full O' Honey B3. Skin Divers B4. Tempted C1. Tricked Out C2. Zoom In C3. She's Too Much D1. Cry Baby Cry D2. Dirty Great Monster D3. Last Man Standing UPC: 4050538777307\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 12\/9\/2022\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Duran Duran","offers":[{"title":"Default Title","offer_id":41886128898129,"sku":"B7WMYS-WHPQ-00","price":43.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/duran-duran-red-carpet-massacre-indie-exclusive-clear-vinyl-ruby-red-2-lps_qKK26.jpg?v=1762465358"},{"product_id":"elvis-costello-elvis-costello-extreme-honey-the-very-best-of-the-warner-records-years-ltd-ed-180g-gold-import-2-lps-vinyl","title":"Elvis Costello Extreme Honey: The Very Best Of The Warner Records Years (Ltd Ed, 180g, Gold) [Import] (2 Lp's) [Vinyl]","description":"Elvis Costello - Elvis Costello Extreme Honey: The Very Best Of The Warner Records Years (Ltd Ed, 180g, Gold) [Import] (2 Lp's) [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 8719262017481 \u003cbr\u003e\u003cp\u003eSIDE A 1. THE BRIDGE I BURNED 2. VERONICA 3. SULKY GIRL 4. SO LIKE CANDY SIDE B 1. 13 STEPS LEAD DOWN 2. ALL THIS USELESS BEAUTY 3. MY DARK LIFE 4. THE OTHER SIDE OF SUMMER 5. KINDER MURDER SIDE C 1. DEEP DARK TRUTHFUL MIRROR 2. HURRY DOWN DOOMSDAY 3. POOR FRACTURED ATLAS 4. THE BIRDS WILL STILL BE SINGING 5. LONDON'S BRILLIANT PARADE SIDE D 1. TRAMP THE DIRT DOWN 2. COULDN'T CALL IT UNEXPECTED NO. 4 3. I WANT TO VANISH 4. 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(Reach Up For The) Sunrise\u003cbr\u003eA2. Want You More\u003cbr\u003eA3. What Happens Tomorrow\u003c\/p\u003e\u003cp\u003eB1. Astronaut\u003cbr\u003eB2. Bedroom Toys\u003cbr\u003eB3. Nice\u003c\/p\u003e\u003cp\u003eC1. Taste The Summer\u003cbr\u003eC2. Finest Hour\u003cbr\u003eC3. Chains\u003c\/p\u003e\u003cp\u003eD1. One Of Those Days\u003cbr\u003eD2. Point Of No Return\u003cbr\u003eD3. 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Recorded live in New York, New York in August 1999. Joe Jackson has proven himself to be a label-defying artist. Emerging from the early '80s \"New Wave\/Angry Young Man\" milieu, Jackson has consistently pushed the boundaries of pop music. He's run the gamut of pop: from brisk, tuneful rock \u0026amp; roll, to sophisticated jazz\/classic American Songbook fusion, to symphonic forms. Here, Jackson gets back to basics, just his vocals and piano, bass and drums, but retains his trademark wit, urbanity and intelligence. He wrings Dobie Gray's '60s hit \"The In Crowd\" for all it's worth, complete with delicious blues-drenched, swinging piano, then segues into 1989's sardonic \"Down to London.\" He wows the crowd with new reflective versions of his old favorites (\"Be My Number Two,\" \"It's Different For Girls\") and enthusiastic versions of choice covers (The Lovin' Spoonful's \"Summer In the City,\" a wistful vocal version of \" Duke Ellington's \"Mood Indigo\"). 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Either way, it resulted in a 20-song blue-eyed soul tour de force, where Costello doesn't just want to prove his love, he wants to prove his knowledge. So, he tries everything, starting with Motown and Northern soul, then touching on smooth uptown ballads and gritty Southern soul, even finding common ground between the two by recasting Sam \u0026amp; Dave's \"I Can't Stand Up (For Falling Down)\" as a careening stomper. What's remarkable is that this approach dovetails with the pop carnival essayed by Armed Forces, standing as a full-fledged Costello record instead of a genre exercise. As it furiously flits through 20 songs, Costello's cynicisms, rage, humor, and misanthropic sensibility gel remarkably well. Some songs may not quite hit their targets, but that's part of the album's charm -- it moves so fast that its lesser songs rush by on the way to such full-fledged masterpieces as \"New Amsterdam,\" \"High Fidelity,\" and \"Riot Act.\" Get Happy!! bursts with energy and invention, standing as a testament to how Costello, the pop encyclopedia, can reinvent the past in his own image. 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The previous albums were produced by German producer, Conny Plank, for this they look at George Martin to take the helm. Featuring four UK Top 40 singles, Reap The Wild Wind, We Came To Dance, Visions Inn Blue and the silver awarded Hymn. This new 2LP Half-Speed Master, Black Vinyl contains the original 1982 album production master, with a second LP containing A-sides, B-sides \u0026amp; live tracks. 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CLOSER is the second and final album by Joy Division, arguably the most influential U.K. band of their generation. Arriving just months after lead singer Ian Curtis' suicide, it stands as a fragile document of one man's despair, as much as a definitive statement by a band at the height of their powers. While Joy Division's much-lauded debut, UNKNOWN PLEASURES, demonstrated their transformation from shambolic punks into a tight, highly focused quartet, CLOSER cemented their status as musicians at the vanguard of modern rock. Introducing a more vibrant and expansive sound palette--adding mournful pianos and funereal strings--the album is a sprawling, poignant last chapter of a band that seemed, at the time, to have unlimited potential for greatness. Whereas UNKNOWN PLEASURES' interplay of light and shadow was daubed in contrasting layers of chiaroscuro, CLOSER is saturated with the harsh industrial glow of fluorescent light. Adding modernizing touches in the form of synthesizers--whether chirping like cicadas or forming elliptical, stuttering arpeggios--their efforts presaged later attempts at the marriage of rock and electronics by synth-pop and new romantic groups. But the band has never sounded as brutal or savaging as on the art-damaged opener \"Atrocity Exhibition\"--a grinding blitzkrieg of guitar shrapnel exploding in all directions, furious tribal rhythms, and Curtis intoning, \"this is the way, step inside.\" Plumbing the depths of alienation, the steely-cool precision of \"Isolation\" reflects Curtis's growing detachment from a life that's spinning further from his control. Which all leads up to the closer, the epic drama of \"Decades\"--a slow-boil funereal dirge that builds to a stunning conclusion, it will leave no doubt about the enduring power of one of the most vital groups of the'70s.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 06\/29\/2015\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eLabel: Rhino\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Joy Division","offers":[{"title":"Default Title","offer_id":41892077142097,"sku":"3699LR-8TI4-00","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Joy-Division-CLOSER_8e3dQ.jpg?v=1759469573"},{"product_id":"xtc-xtc-mummer-200g-vinyl","title":"Xtc Mummer [200g] [Vinyl]","description":"Xtc - Xtc Mummer [200g] [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 633367606419 \u003cbr\u003e\u003cp\u003eLimited 200gm vinyl LP pressing housed in originally conceived - but never used - album cover. XTC's sixth album, Mummer was another turning point for the band as it marked their first release as a studio only band. The comparatively quieter\/more considered English Settlement was very much an album of songs written with one ear for the studio and another for how they would work live. Mummer was different. Freed from the constraints of 'the road' this was XTC in widescreen - experimenting with songs, arrangements and the expanded sonic palette that studios can provide when there is no afterthought as to how to reproduce the material in a variety of theatres, university halls and other venues few, if any, of which were built with rock groups in mind. And, just as the Mummers' plays involve people travelling from place to place in a village enacting tales of the cycle of life (albeit in disguise), XTC travelled the best of the UK's studios recording, mixing and re-mixing their songs cycle to exacting standards. Released as the follow-up to their most successful UK album to date and with a new record label in America, band and record company hopes were high - three of the album's first four songs were issued as singles - but were to remain unfulfilled. Fans loved it, the press was positive but radio was changing, especially in the UK, and with no touring it failed, as sometimes happens with bands adopting a new approach, to cross over to that wider audience. As also happens with such records, it's reputation (and sales) have, over the years, grown far greater than it's initial reception indicated and it can now be seen, in retrospect, to have been an important first step towards the sort of expansive approach to writing and recording that would yield much greater commercial results later in the same decade with Skylarking and the albums that followed.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 05\/13\/2022\u003c\/li\u003e\n\u003cli\u003eUPC: 633367606419\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eLabel: Ape House UK\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Xtc","offers":[{"title":"Default Title","offer_id":41892081893457,"sku":"OZN9S6-LX5F-00","price":38.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/mummer-200g_nAVC3.jpg?v=1759469581"},{"product_id":"various-artists-various-artists-everyones-getting-involved-2lp-silver-vinyl","title":"Various Artists Everyone's Getting Involved [2LP Silver] [Vinyl]","description":"Various Artists - Various Artists Everyone's Getting Involved [2LP Silver] [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 617308072877 \u003cbr\u003e\u003cp\u003eSpanning the tracklist of the original album, the fresh, exciting, and utterly surprising reinterpretations create new content for longtime Talking Heads fans and introduce a new generation to the magic of the music. The brilliant selection of artists recontextualizes STOP MAKING SENSE in popular music and culture, with a focus on generational and stylistic breadth.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTracklist:\u003c\/p\u003e\r\n\r\n\u003cp\u003ePSYCHO KILLER \/ Miley Cyrus HEAVEN \/ The National THANK YOU FOR SENDING ME AN ANGEL \/ Blondshell FOUND A JOB \/ The Linda Lindas SLIPPERY PEOPLE \/ Él Mató a un Policía Motorizado BURNING DOWN THE HOUSE \/ Paramore LIFE DURING WARTIME \/ Dj Tunez MAKING FLIPPY FLOPPY \/ Teezo Touchdown SWAMP \/ Jean Dawson WHAT A DAY THAT WAS \/ The Cavemen. THIS MUST BE THE PLACE (NAIVE MELODY) \/ Bad Bad Not Good (Feat. Norah Jones) ONCE IN A LIFETIME \/ Kevin Abstract GENIUS OF LOVE \/ Toro Y Moi (feat Brijean) GIRLFRIEND IS BETTER \/ Girl in Red TAKE ME TO THE RIVER \/ Lorde CROSSEYED AND PAINLESS \/ Chicano Batman (Feat. 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Additional personnel: Robert Fripp (guitar); Gene Wilder, Ari (congas); Brian Eno (sound effects, background vocals); Julie Last, The Sweetbreathes (background vocals). Principally recorded at Chris and Tina's loft, Long Island City, Queens, New York. FEAR OF MUSIC is the point of transition between the angular art-school new wave of the Heads' early work and the P-Funk-inspired modalism of their early-'80s output. While there's nothing as funky or visionary as REMAIN IN LIGHT here, the album represents a step in a new direction. At the same time, the Heads' white-knuckled neuroticism is pushed to the extreme here. Almost unrelentingly dark and paranoid-sounding, the tunes find Byrne at his most Anthony Perkins-like, and the interplay of the guitars, even more syncopated and thoughtfully arranged than on the previous album, provides a pointillistic landscape on which Byrne can let his twitchy persona run free. From the tense espionage tale of \"Life During Wartime\" to the global disaffection of \"Cities,\" Byrne and company seem wound so tight you wonder when they'll snap. One of the only places to look for breathing room here is the funky, African-sounding \"I Zimbra,\" with its highlife-influenced guitars and tribal chanting. 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Joy Division live at the Leigh Rock Festival in 1979. It has a gatefold sleeve with previously unseen Leigh festival images. This item will only be manufactured for a short period of time so will be very limited. Order now. The Leigh Rock and Music Festival was a 3-day mini-festival co-hosted by Zoo Records and Factory Records, held in Leigh on 25, 26 \u0026amp; 27 August 1979. Factory gave the event the catalogue number Fac 15 and the title 'Zoo Meets Factory Half-way'. The roster included A Certain Ratio, Joy Division, Crawling Chaos, The Teardrop Explodes, OMD, and Echo and the Bunnymen. The event was so-titled because the town Leigh is Half-way between Liverpool (the home of Zoo) and Factory. 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Additional personnel: Nona Hendryx (vocals); Adrian Belew (guitar); Brian Eno (vocals, keyboards, bass); Robert Palmer, Jon Hassell. Recorded at Compass Point Studios, Nassau, The Bahamas, and Sigma Sound, New York, New York. Though the previous album FEAR OF MUSIC provided a bit of foreshadowing, Talking Heads fans could never have guessed what was in store for them with the release of REMAIN IN LIGHT. A visionary work of innovation and inspiration, it's arguably one of the finest albums of the 1980s. The band leaves behind the two-guitars-over-a-quirky-rock-beat ethic of their previous work, adopting a funky, modal approach. Abandoning traditional song form and chord progressions, the tunes here are built around layers of overdubbed keyboard, guitar and percussion parts that weave around each other in an almost fugue-like manner, relying on the adding and subtracting of elements in the mix for dynamics, instead of on chord changes and structural development. 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