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Featuring classic tracks from the likes of Tom Petty, The Steve Miller band, The Eagles and Fleetwood Mac. It is produced with a reverence for authenticity and musical mastery. This once-in-a-lifetime project brings together a dream team of Jamaican legends, paying tribute to their artistry and the art of collaboration.This is Timeless classics with a reggae supergroup. Tracks like \"Fly Like an Eagle\" showcase Steve Miller's unexpected, soulful guitar work layered over a reggae groove. Meanwhile, Mike Campbell's guitar on \"I Won't Back Down\" deepen the album's connections to rock royalty. Yet, the project remains firmly rooted in reggae. \"My intention was to try to do something that hadn't been done in reggae before by putting these giants of the genre together to make a record that leaves you with good feelings, they're very recognisable as the songs they are but have a distinct reggae feel and stamp.\" reflects Ralph.The Mighty Rootsmen stands as a tribute to the enduring power of reggae music-an album that brings joy, good vibes, and a profound connection to musical history.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Won't Back Down (FT. Mike Campbell)\u003c\/li\u003e\n\u003cli\u003eLove the One You're with\u003c\/li\u003e\n\u003cli\u003eFly Like An Eagle (FT. Steve Miller)\u003c\/li\u003e\n\u003cli\u003ePeace Train\u003c\/li\u003e\n\u003cli\u003eTake It Easy (FT. 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Drum machines, digital synths, and a new generation of producers were reshaping the sound of Jamaica. But even in this brave new digital world, soul and harmony still mattered-and few groups carried those qualities better than The Heptones. This album finds the legendary trio bridging eras, bringing their unmistakable three-part harmonies into a fresh and modern setting. Originally released in 1988, the album features a blend of roots consciousness and clean digital production. Tracks like \"Diana,\" \"Sha-La-La,\" and the standout \"Good Vibes\" drift between lovers rock sweetness and meditative reflection, always anchored by that signature Heptones warmth. Recorded at some of Jamaica's most iconic studios-Channel One, Harry J's, and Mark Angelo-this set was shaped by arrangers Jah Larry and Nathan Sojie, who helped steer the group's sound with taste and restraint. The players bring their own credentials: Vin Gordon on brass, Alan Weeks on guitar, and Lindel Lewis and Elroy Bailey holding it down on bass and keys. You'll hear programmed drums and digital flourishes throughout, but The Heptones never get lost in the technology-the songs breathe, glide, and groove with the confidence of seasoned craftsmen. By the time of this recording, The Heptones had already carved their name deep into reggae history. Formed in Kingston in 1965 and originally known as 'The Hep Ones', the group-Leroy Sibbles, Earl Morgan, and Barry Llewellyn-helped define the transition from ska to rocksteady, and then into early reggae. With hits like \"Fattie Fattie,\" \"Pretty Looks,\" and \"Book of Rules,\" they stood shoulder to shoulder with the Wailers and the Maytals during the golden years of Studio One. Sibbles' bass playing and arranging shaped countless Studio One classics behind the scenes, while the group's harmonic footprint remained one of the most distinctive in Jamaican music. Even as line-ups shifted and times changed, their sound endured. Good Vibes is proof that true harmony never goes out of style. 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Recorded at Channel One and backed by the legendary Roots Radics, the album captures Clarke at his best, serenading over warm, dub-inflected grooves. 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After crashing onto the reggae music scene in 1977 with their debut single 'Two Sevens Clash', Culture demonstrated the depth of their talent with further powerful and inspirational 7\" and 12\" singles for leading Jamaican producer, Joe Gibbs. Formed the previous year by Joseph Hill, his cousin Albert Walker and friend Roy Dayes, the trio first assumed the title of The African Disciples before adopting their more familiar moniker just prior to joining Gibbs's impressive artist roster. Thereafter, they wasted little time recording new works, cutting enough high-quality material over the next 12 months to ultimately comprise four whole albums. Yet, despite the popularity of their output throughout this time, Culture brought their working relationship with Gibbs to an end in 1978, when they joined Sonia Pottinger's High Note Records - an arrangement that led to the global distribution of their music via Virgin Records' Front Line label. 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Lascelle \"Wiss\" Bulgin, Albert \"Apple Gabriel\" Craig, and Cecil \"Skelly\" Spence all contracted childhood polio, and met at a Jamaican rehab center; in the '70s, they formed Israel Vibration and their first record, The Same Song, released in 1978 on the Top Ranking label, was an international smash. But by the time they released Strength of My Life in 1988, it had been seven years since they had made a record, having fled Jamaica in the intervening years to seek better health care and to escape the dancehall scene. Against all odds, Strength of My Life turned out to be a triumph, the beginning of the group's partnership with the Roots Radics and a reaffirmation of the love the group's members had for each other and a celebration, as the title goes, of the strength of their lives (we defy you not to be moved by the title track). That's Augustus Pablo on melodica on \"Greedy Dog\" and Dwight Pinkney on guitar on \"Jah Love Me,\" by the way. 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And seven previously unreleased live recordings. Released at the dawn of the 21st Century, 'On The Wire' marked the long awaited return of Lee 'Scratch' Perry's to Trojan Records, 14 years after the company had issued his powerful come-back long-player, 'Battle Of Armagideon' Demonstrating The Upsetter's eccentric and innovative approach to music-making, the 2000 album comprises a compelling blend of weird and wonderful sounds, over which he delivers typically unpredictable yet captivating lyrics that range from the profound to the absurd. Upon it's release, the Trojan collection was comprehensively praised, with many critics proclaiming Scratch was finally back to his best, but unbeknown to most, the recordings were in fact already well over a decade old, with Scratch having cut the material, accompanied by popular British roots band Misty In Roots, at London's Matrix Studio early in 1987. Despite the enduring popularity of 'On The Wire', it has remained unissued since it's original release, an oversight this 25th anniversary edition sets to finally address. 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The growing influence of the increasingly popular styles of roots and dub is clearly apparent his work from this time, as evidenced on this 2CD set, which collects the cream of Pratt's output throughout this transformative year. 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Written has been preparing for this moment almost his entire life. From early on he has been writing. You might even say he was obsessed with writing. It did not matter what he was writing, he just felt compelled to write. Hence the name Written.Born on January 18, 1994 (yes, he will gladly accept birthday greetings!) in the Payne Land neighborhood of Kingston, Jamaica, J. Written entered this world as Jason Rasheed Wright. Due to certain financial instability in his family they had moved around a bit to various locations within the Kingston area. His parents, wanting him to be safe, encouraged him to be at home with his two sisters and to occupy his time at home he began to write. And write and write. And write some more.He would write daily journals and even create newspaper articles written on the walls of their home. This creative outlet gave way to writing poems, speeches and essays while a student in high school. At 16 he started a dance trope known as the ACEZ dancers who were quite popular around Kingston.He was then drawn to music around age 18 and began to create beats at a studio in Trench Town. He became part of the Trench Town community and is still very connected with the people there. His drive to write songs became his new medium for expressing himself. And this has led to him being recorded for various producers and included in the song \"Fear To Understand\" with Albarosie. Other songs and music videos followed and J. Written was brought to the attention of reggae producer Doctor Dread.\"When I first saw a video with J. Written and began to listen to more of his songs I knew this was a unique artist with a special vibe and a knack for writing interesting songs\" says Doctor Dread. So he came to Jamaica and produced a first album \"Kaleidoscope\" for J. Written which is due for release in late 2024.\"My mission is to be active and positive. Not to confirm with the norm. To sometimes make people feel uncomfortable with issues impacting our community and society at large. To give thought to what is happening in the world and presently around us\". J. Written has made his intentions clear and it is revealed through his music.And of special note is that J. Written has a role in the Bob Marley movie \"One Love\" as Junior Braithwaite, a member of the early Wailers in the scene when the young Wailers first come to audition for Coxsone Dodd of Studio One.The future is bright for J. Written. He is creating music and lyrics as a constant in his life. And now the world will be able to share in his vision of creative expression. Respect.His discretion and humility, despite being one of the world's greatest toasters like U Roy or Big Youth, make him a cornerstone of this music.After many years of collaboration on stage and in the studio, U Brown and French label Irie Ites Records have teamed up to produce this new album entitled 'Still Chanting Rub A Dub'.Comprising 12 tracks, this opus showcases U Brown's inimitable voice.U Brown's inimitable voice and flow, recognizable from the very first notes. The themes addressed revolve around current social issues, in which the artist encourages us to surpass ourselves on a daily basis and to fight against the corruption of the most powerful. Lyrics that will speak to a wide audience!Musicians on the album include the cream of reggae songwriters such as Roots Radics, Naram \u0026amp; Art, Med Tone, The Ligerians, Irie Ites All Stars, Nambo Robinson and Dean Fraser. Mixed by Roberto Sanchez and Irie Ites for a rootsy result in the image of 70s albums. 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Included here are some of his most important Upsetter recordings from the period, featuring such influential artists as Junior Byles, Dave Barker, Little Roy, Carl Dawkins and The Righteous Flames. 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Features Jamaica's premier session crew, The Roots Radics. By the dawn of the 1980s, dancehall dominated the sound of Jamaican music, with a new generation of music makers challenging the authority of the island's long established record producers. Among this brash new group of music makers was Nkrumah 'Jah' Thomas, a talented young DJ who had first burst onto the reggae scene just a few years before with a number of popular 7\"singles produced by some of Kingston's leading record label owners. Within a few years of his recording debut, he joined their ranks, launching his own Midnight Rock imprint in 1979, initially using the label to showcase his own recordings before expanding his roster to include a variety of other youthful talents, notably Barrington Levy, Barry Brown, Anthony Johnson and Tristan Palmer. Over the years that immediately followed, Jah Thomas remained at the top of Jamaica's music hierarchy, producing and releasing scores of popular recordings by many of the most popular performers. During this time, he also demonstrated a keen understanding of dub, frequently working in the studio alongside respected dubmaster Overton Brown AKA Scientist to create high quality works, with top session group The Revolutionaries employed on early sessions prior to dancehall's seminal band, The Roots Radics becoming his regular musicians of choice. This 3CD collections brings together a trio of dub collections that first saw issue over three decades ago, but which have remained unavailable on any format ever since. With each set comprising superior material from the early 1980s, produced, mixed and performed by some of the greatest exponents of the genre during dancehall era, 'The Trojan Dub Albums Collection' is an essential purchase for all those who enjoy only the deepest and heaviest reggae sounds.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eKing Tubby's Rude Boy Dub\u003c\/li\u003e\n\u003cli\u003eJah Thomas' Home Boy Dub\u003c\/li\u003e\n\u003cli\u003eKing Tubby's Dreadlocks Dub\u003c\/li\u003e\n\u003cli\u003eJah Thomas' Rastafarian Dub\u003c\/li\u003e\n\u003cli\u003eKing Tubby's Ackee ; Saltfish Dub\u003c\/li\u003e\n\u003cli\u003eJah Thomas' Snapper Fish Dub\u003c\/li\u003e\n\u003cli\u003eKing Tubby's Rice ; Pease Dub\u003c\/li\u003e\n\u003cli\u003eJah Thomas' White Rice Dub\u003c\/li\u003e\n\u003cli\u003eKing Tubby's Twelve Tribe Dub\u003c\/li\u003e\n\u003cli\u003eJah Thomas' Muslim Dub\u003c\/li\u003e\n\u003cli\u003eKing Tubby's Sound Man Dub\u003c\/li\u003e\n\u003cli\u003eJah Thomas' Sound System Dub\u003c\/li\u003e\n\u003cli\u003eKing Tubby's Ghetto Dub\u003c\/li\u003e\n\u003cli\u003eJah Thomas' Uptown Dub\u003c\/li\u003e\n\u003cli\u003eKing Tubby's Young Girl Dub\u003c\/li\u003e\n\u003cli\u003eJah Thomas' Old Man Dub\u003c\/li\u003e\n\u003cli\u003eKing Tubby's Garage Music Dub\u003c\/li\u003e\n\u003cli\u003eJah Thomas' Jungle Dub\u003c\/li\u003e\n\u003cli\u003eKing Tubby's Late Night Blues Dub\u003c\/li\u003e\n\u003cli\u003eJah Thomas' Skanking Dub\u003c\/li\u003e\n\u003cli\u003eHouse Of Parliament Dub\u003c\/li\u003e\n\u003cli\u003eMinister Of State Dub\u003c\/li\u003e\n\u003cli\u003eOpposition Dub\u003c\/li\u003e\n\u003cli\u003eSocialist Dub\u003c\/li\u003e\n\u003cli\u003eCommunist Dub\u003c\/li\u003e\n\u003cli\u003ePoliceman Dub\u003c\/li\u003e\n\u003cli\u003eSoldierman Dub\u003c\/li\u003e\n\u003cli\u003eHousewife Dub\u003c\/li\u003e\n\u003cli\u003eMidwife Dub\u003c\/li\u003e\n\u003cli\u003eNurse Dub\u003c\/li\u003e\n\u003cli\u003eDoctor Dub\u003c\/li\u003e\n\u003cli\u003eLawyer Dub\u003c\/li\u003e\n\u003cli\u003eWorldwide Dub\u003c\/li\u003e\n\u003cli\u003eJamaica Labour Party Dub\u003c\/li\u003e\n\u003cli\u003ePeople's National Party Dub\u003c\/li\u003e\n\u003cli\u003eKing Tubby's Pearl Dub\u003c\/li\u003e\n\u003cli\u003eKing Tubby's Diamond Dub\u003c\/li\u003e\n\u003cli\u003eKing Tubby's Gold Dub\u003c\/li\u003e\n\u003cli\u003eKing Tubby's Platinum Dub\u003c\/li\u003e\n\u003cli\u003eKing Tubby's Crown Dub\u003c\/li\u003e\n\u003cli\u003eKing Tubby's Anchor Dub\u003c\/li\u003e\n\u003cli\u003eKing Tubby's Coral Dub\u003c\/li\u003e\n\u003cli\u003eKing Tubby's Emerald Dub\u003c\/li\u003e\n\u003cli\u003eKing Tubby's Copper Dub\u003c\/li\u003e\n\u003cli\u003eKing Tubby's Silver Dub\u003c\/li\u003e\n\u003cli\u003eKing Tubby's Jewel Dub\u003c\/li\u003e\n\u003cli\u003eKing Tubby's Brass Dub\u003c\/li\u003e\n\u003cli\u003eKing Tubby's Ruby Dub\u003c\/li\u003e\n\u003cli\u003eKing Tubby's Hidden Treasure\u003c\/li\u003e\n\u003cli\u003eKing Tubby's Sovereign Dub\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5013929285842\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Doctor Bird\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.25.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Jah Thomas \u0026 The Roots Radics","offers":[{"title":"Default Title","offer_id":58254357921873,"sku":"468341","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/4406047-3327731.jpg?v=1759473112"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/collections\/4440700-3414278.jpg?v=1762094798","url":"https:\/\/apocalypsevinyl.com\/collections\/reggae-dub-cds.oembed?page=3","provider":"Apocalypse Vinyl","version":"1.0","type":"link"}