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Yet despite making records for a decade and a half, almost nothing definite is known about Carmen Taylor, whose early life is a succession of 'may have's. No photos of her from the 1950s are known to exist - our glamorous cover shot is from the early 60s - and sadly most people with whom she would have worked are no longer around to share their memories of her. Fortunately music lasts longer than memories and Jasmine's \"Oh Please!\" brings together all the surviving masters that Carmen is known to have cut between 1950 and 1962, for the first time in one collection. Carmen sadly never had a hit - and when you heard some of the recordings here you will have to wonder why that was so - but at her considerable best she could hold her own with any of her more successful contemporaries such as her former Atlantic label mates Ruth Brown and La Vern Baker. 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In it, he writes through Hillaryville’s contradictions: the pristine beauty and the ragged roads; his teenage desire to leave and his adult desire to honor his tangled roots; the plantation history and the ups and downs of the Black community that made homes of this reparation town. “Hometowns have a way of keeping a part of you,” says Jones, “and if I’m making something young-me would be proud of, Hillaryville is a big part of that.” Jones finds something transformative in his memories there and the life he has led since, ultimately claiming and embracing his whole self. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe result is vulnerable, personal, touching on Jones’s relationship to church life, to his mother, to his queerness, to his worth. “I wish I could tell my younger self ‘you don’t have to stick to the dreams people have for you,’” says Jones, “’you can dream bigger. You are more than capable, you are more than able. 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Deeply introspective, the album features nine original songs by Nocentelli, plus a soulful rendition of Elton John's \"Your Song.\" Half a century later, these recordings sound just as fresh and engaging as the day they were recorded. 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It was certified gold in the United States. It includes the hit singles \"Sentimental\" (U.S. #27) and \"Who Do U Love\" (U.S. #17). Other minor chart hits include \"Just Be Good To Me\", \"Sound of My Tears\", \"It Could've Been You\" and \"Where Do We Go from Here.\" FTG present a 2 CD deluxe edition release of this fantastic album - maxed out with 15 bonus tracks, the majority of all the single releases from the album have been scooped up and put in one place for your listening pleasure. Remastered, limited edition of 2000. CD-1 1. Sentimental 2. Who Do U Love 3. I'm Your Natural Woman 4. Sound of My Tears 5. Call Me 6. My Radio 7. Never Gonna Break Your Heart Again 8. It Could've Been You 9. My First Night With You 10. Just Be Good to Me 11. Who Do U Love (Morales Mix) 12. Where Do You Go from Here 13. Sentimental - (Smooth Mix) Bonus Tracks 14. Who Do You Love - Driza Bone Ext Mix 15. Sentimental - Groove Mix 16. Who Do You Love - Gas Mix CD-2 1. 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There's northern soul floorfillers such as Darrell Banks' 'Our Love Is In The Pocket', The Marvellos' 'Something's Burnin', The Blossoms' 'That's When The Tears Start', Bobby Womack's 'Find Me Somebody', Mary Wells' Keep Me In Suspense', Charles Thomas' 'The Man With The Golden Touch', and Bobby McNutt's 'I'm Gettin' Ready'. This isn't just about hits, there's B-sides, obscurities and a couple of Loma tracks that were unissued until the 21st century. The focus may be mainly on the dancefloor but there's also room for a few deep soul numbers such as Jeff Dale's sublime 'A Suffering Pain'. Notes are by MOJO and Record Collector soul expert Lois Wilson. Mastering is by Grammy nominated archivist\/producer Alec Palao who discovered The Marvellos' stomping 'I Need You' (featured here) when he digitised the Loma tape archive. 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