{"title":"Southern Rock","description":"\u003cp\u003eSouthern rock blending blues, country, roots music and hard-driving rock with unmistakable regional character.\u003c\/p\u003e\u003cp\u003eShop Southern Rock on vinyl, CD and cassette at Apocalypse Vinyl, including new releases, reissues, catalog favorites and harder-to-find titles.\u003c\/p\u003e","products":[{"product_id":"alejandro-escovedo-a-man-under-the-influence-deluxe-bourbonitis-edition-2-lps-vinyl","title":"A Man Under The Influence: Deluxe Bourbonitis Edition (2 Lp's) (Vinyl)","description":"\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat Detail: LP\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Alejandro Escovedo","offers":[{"title":"Default Title","offer_id":41884543058001,"sku":"0F5UVU-7OIR-H0","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/alejandro-escovedo-a-man-under-the-influence-deluxe-bourbonitis-edition-2-lps_akI6F.jpg?v=1762464394"},{"product_id":"eagles-their-greatest-hits-1971-1975-vinyl","title":"THEIR GREATEST HITS 1971-1975 (Vinyl)","description":"\u003cp\u003eThe Eagles: Bernie Leadon (vocals, guitar, banjo); Glenn Frey (vocals, guitar, piano); Don Felder (vocals, guitar); Randy Meisner (vocals, bass); Don Henley (vocals, drums). Producers: Glyn Johns, Bill Szymczyk. Engineers: Glyn Johns, Bill Szymczyk, Allen Blazek. The Eagles: Glenn Frey (guitar, vocals, piano), Bernie Leadon (guitar, vocals, banjo), Don Felder (guitar, vocals), Randy Meisner (bass, vocals), Don Henley (drums, vocals). Producers: Glyn Johns, Bill Szymczyk. Engineers: Glyn Johns, Bill Szymczyk, Allen Blazek. Digitally remastered by Steve Hoffman (1993). On their first four albums, the Eagles were at pains to demonstrate that they were a group of at least near-equals, each getting a share of the songwriting credits and lead vocals. But this compilation drawn from those albums, comprising the group's nine Top 40 hits plus \"Desperado,\" demonstrates that this evenhandedness did not extend to singles -- as far as those go, the Eagles belong to Glenn Frey and Don Henley. The tunes are melodic, and the arrangements -- full of strummed acoustic guitars over a rock rhythm section often playing a shuffle beat, topped by tenor-dominated harmonies -- are immediately engaging. There is also a lyrical consistency to the songs, which often concern romantic uncertainties in an atmosphere soaked in intoxicants. The narrators of the songs usually seem exhausted, if not satiated, and the loping rhythms are appropriate to these impressions. All of which means that, unlike the albums from which they come, these songs make up a collection consistent in mood and identity, which may help explain why Their Greatest Hits (1971-1975) works so much better than the band's previous discs and practically makes them redundant. No wonder it was such a big hit out of the box, topping the charts and becoming the first album ever certified platinum. Still, there must be more to it, since the album wasn't just a big hit, but one of the biggest ever, becoming one of the very few discs to cross the threshold of 20 million copies and competing for the title of best-selling album of all time. There may be no explaining that, really, except to note that this was the pervasive music of the first half of the 1970s, and somehow it never went away. 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Nothing new has been added to the set, there's no new remastering, so this is just an easy way to acquire both of these compilations. While that's handy enough, curious consumers should also check out 2003's The Very Best of the Eagles, which also runs two discs but has far more tracks and includes material from 1994's reunion Hell Freezes Over along with a new studio track. It provides slightly more bang for the buck. ~ Stephen Thomas Erlewine\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 07\/21\/2017\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Eagles","offers":[{"title":"Default Title","offer_id":41885346562129,"sku":"Q4SZ6S-KHW3-00","price":43.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Eagles-Their-Greatest-Hits-1-2_wIVqK.jpg?v=1762465117"},{"product_id":"eagles-eagles-hell-freezes-over-vinyl","title":"Eagles Hell Freezes Over [Vinyl]","description":"Eagles - Eagles Hell Freezes Over [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 602577189852 \u003cbr\u003e\u003cp\u003eOriginally released in 1994 following a 14 year-long break up, \u003cem\u003e\u003cstrong\u003eHell Freezes Over\u003c\/strong\u003e\u003c\/em\u003e celebrates its \u003cem\u003e\u003cstrong\u003e25th anniversary\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\r\nwith a remastered reissue. Long out of print on vinyl and never before released in the US on this format. The album\u003cbr\u003e\r\nhas been remastered by Bob Ludwig and pressed on \u003cem\u003e\u003cstrong\u003e2 x 180G\u003c\/strong\u003e\u003c\/em\u003e LP’s. It contains four studio tracks and eleven tracks\u003cbr\u003e\r\nrecorded live in April 1994 for MTV. Two Top 40 singles, \"Get Over It\" and \"Love Will Keep Us Alive\", were released\u003cbr\u003e\r\nfrom the record.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 03\/08\/2019\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Eagles","offers":[{"title":"Default Title","offer_id":41886565335121,"sku":"Y8WTI1-5LSQ-00","price":39.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Eagles-Hell-Freezes-Over_xDLRa.jpg?v=1759469006"},{"product_id":"lynyrd-skynyrd-lynyrd-skynyrd-nuthin-fancy-vinyl","title":"Lynyrd Skynyrd Nuthin Fancy [Vinyl]","description":"Lynyrd Skynyrd - Lynyrd Skynyrd Nuthin Fancy [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 600753550182 \u003cbr\u003e\u003cp\u003eLynyrd Skynyrd: Ronnie Van Zant (vocals); Allen Collins (guitar, piano, organ, Moog synthesizer, percussion, background vocals); Ed King (acoustic, electric \u0026amp; slide guitars, Moog bass); Gary Rossington (acoustic \u0026amp; electric guitar); Billy Powell (keyboards); Leon Wilkeson (bass, background vocals); Artimus Pyle (drums, percussion).\u003cbr\u003eAdditional personnel: Barry Harwood (dobro, mandolin); Jimmy Hall (harmonica); David Foster, Billy Powell (piano); Bobbye Hall (percussion).\u003cbr\u003eProducer: Al Kooper.\u003cbr\u003eReissue producer: Ron O'Brien.\u003cbr\u003eRecorded at WEBB IV Studios, Atlanta, in January 1975 and Studio One, Doraville, Georgia in August 1974. Bonus live tracks recorded at Bill Graham's Winterland, San Francisco, California on April 27, 1975. Includes liner notes by Ron O'Brien.\u003cbr\u003eDigitally remastered by Doug Schwartz (Audio Mechanics, Los Angeles, California).\u003cbr\u003eBesides being a touring warhorse, Lynyrd Skynyrd cranked out albums at a brisk rate during its original lineup's brief recording career, averaging at least one new release per year. 1975 saw the emergence of Skynyrd's third album in as many years, NUTHIN' FANCY.\u003cbr\u003eWhile the album didn't contain a smash hit single as had its predecessors (\"Free Bird,\" \"Sweet Home Alabama,\" etc.), it proved to be another solid collection of tough Southern rock. \"Saturday Night Special\" remains one of the band's fiercest rockers, while such other compositions as \"On the Hunt\" and \"Whiskey Rock-A-Roller\" have become Skynyrd standards as well.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 7\/31\/2015\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Lynyrd Skynyrd","offers":[{"title":"Default Title","offer_id":41886723801169,"sku":"EKL0C0-KNQS-00","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Lynyrd-Skynyrd-Nuthin-Fancy_z2KpS.jpg?v=1759469032"},{"product_id":"govt-mule-govt-mule-deja-voodoo-limited-edition-clear-vinyl-import-2-lps-vinyl","title":"Gov't Mule Deja Voodoo (Limited Edition, Clear Vinyl) [Import] (2 Lp's) [Vinyl]","description":"Gov't Mule - Gov't Mule Deja Voodoo (Limited Edition, Clear Vinyl) [Import] (2 Lp's) [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 803341523975 \u003cbr\u003e\u003cp\u003eTracksCredits\u003cbr\u003e- Disc 1 -\u003cbr\u003e1 Bad Man Walking\u003cbr\u003e2 About to Rage\u003cbr\u003e3 Perfect Shelter\u003cbr\u003e4 Little Toy Brain\u003cbr\u003e- Disc 2 -\u003cbr\u003e1 Slackjaw Jezebel\u003cbr\u003e2 Wine and Blood\u003cbr\u003e3 Lola Leave Your Light on\u003cbr\u003e- Disc 3 -\u003cbr\u003e1 Silent Scream\u003cbr\u003e2 No Celebration\u003cbr\u003e- Disc 4 -\u003cbr\u003e1 Mr. Man\u003cbr\u003e2 My Separate Reality\u003cbr\u003e3 New World Blues\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 03\/31\/2023\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Gov't Mule","offers":[{"title":"Default Title","offer_id":41886735827025,"sku":"ND7L12-VQL9-00","price":33.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/govt-mule-deja-voodoo-limited-edition-clear-vinyl-import-2-lps_aMD3Q.jpg?v=1762465607"},{"product_id":"kings-of-leon-kings-of-leon-because-of-the-times-180-gram-vinyl-remastered-reissue-2-lps-vinyl","title":"Kings of Leon Because of the Times (180 Gram Vinyl, Remastered, Reissue) (2 Lp's) [Vinyl]","description":"Kings of Leon - Kings of Leon Because of the Times (180 Gram Vinyl, Remastered, Reissue) (2 Lp's) [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 886979854710 \u003cbr\u003e\u003cp\u003eTracksCredits\u003cbr\u003e- Disc 1 -\u003cbr\u003e1 Knocked Up\u003cbr\u003e2 Charmer\u003cbr\u003e3 On Call\u003cbr\u003e4 McFearless\u003cbr\u003e5 Black Thumbnail\u003cbr\u003e6 My Party\u003cbr\u003e- Disc 2 -\u003cbr\u003e1 True Love Way\u003cbr\u003e2 Ragoo\u003cbr\u003e3 Fans\u003cbr\u003e4 The Runner\u003cbr\u003e5 Trunk\u003cbr\u003e6 Camaro\u003cbr\u003e7 Arizona\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 04\/16\/2013\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kings of Leon","offers":[{"title":"Default Title","offer_id":41886823907409,"sku":"I3DYIF-QRKR-00","price":41.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Kings-of-Leon-Because-of-the-Times-180-Gram-Vinyl-Remastered-Reissue-2-Lps_5hzEN.jpg?v=1762465665"},{"product_id":"eagles-eagles-desperado-vinyl","title":"Eagles DESPERADO [Vinyl]","description":"Eagles - Eagles DESPERADO [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 081227961664 \u003cbr\u003e\u003cp\u003eThe Eagles' excellent debut indicated that they were quickly on their way to becoming one of America's leading country-rock acts. DESPERADO, their second release, ostensibly a concept album about an outlaw figure of the Old West, furthered their claim. Recorded in London under the aegis of Glyn Johns, the set was marked by the quartet's highly measured playing, distinctive, high-flown harmonies, and accessible folk and country-flavored pop-rock. DEPERADO may not be as cohesive as its predecessor, but the different styles it encompasses mirror the Eagles' many strengths. \"Twenty-one\" is Flying Burrito Brothers-style country-rock, \"Out of Control\" is amped-up blues-rock, whereas the title track is a plaintive, melancholic piano ballad (abetted by a string section). Don Henley plays a bigger part on DESPERADO, lending vocals and co-writing much of the material, including the opener \"Doolin Dalton\" and the lazy, beautiful \"Tequila Sunrise,\" the record's single. 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Additional personnel: Steve Katz (harmonica); Roosevelt Cook (mandolin, Mellotron, organ, bass, bass drum, background vocals); Robert Nix (drums); Bobbi Hall (percussion). Engineers include: Bob \"Tub\" Langford, Rodney Mills, Danny Turbeville. Recorded at Studio One, Doraville, Georgia. More rock than Little Feat, but with a similar Southern boogie feel and absolute top-notch musicianship. [sentence fragment okay with Muze?] Al Kooper produced this record, which explains the sensitive use of strings and piano. Although tracks such as \"I Ain't The One,\" \"Simple Man,\" and \"Tuesday's Gone\" are outstanding, the one to wait for is \"Free Bird,\" a song that rivals \"Stairway To Heaven\" for hard rock credibility. 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Re-mastered for vinyl using the original tape masters. Expanded version with two additional LP-only studio cuts. Contains the hits Can t You See, Heard It In A Love Song, Fire On The Mountain and Take The Highway. Includes five rare 45 rpm single versions! 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Additional personnel: Chris Trujillo (congas); Barbara, Taj (background vocals). Recorded at Southern Tracks, Atlanta, Georgia.\u003c\/p\u003e\r\n\r\n\u003cp\u003eGiven the sub-Stones boogie of their debut, SHAKE YOUR MONEY MAKER, THE SOUTHERN HARMONY AND MUSICAL COMPANION came as a quietly accomplished body of work, apparently way beyond their relative youth and experience. The EXILE ON MAIN STREET references were still intact, but the predominant swagger and sashay had been abandoned in favour of a soulful interpretation of their roots, rather than a parody of their influences. Chris Robinson's Jagger pastiche was replaced by a more gutsy, honest strut, while brother Rich plays with an aplomb and spirit that struck darkly at the heart of their songs. 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This CD is also available as part of the 5-CD SHO' NUFF box set.\u003cbr\u003eThe Black Crowes: Chris Robinson (vocals, harmonica); Rich Robinson, Marc Ford (guitar); Eddie Harsch (keyboards); Johnny Colt (bass); Steve Gorman (drums).\u003cbr\u003eAdditional personnel: Bruce Kaphan (pedal steel); Jimmy \"Two Fingers\" Ashurst (mandolin); Eric BoBo (percussion); Andy Sturmer.\u003cbr\u003eRecorded at Sound City, Van Nuys \u0026amp; Conway Studios, Los Angeles, California from May to June 1994.\u003cbr\u003eBlack Crowes: Chris Robinson (vocals, harmonica); Rich Robinson, Marc Ford (guitar); Eddie Harsch (keyboards); Johnny Colt (bass); Steve Gorman (drums).\u003cbr\u003eAdditional personnel: Bruce Kaphan (pedal steel guitar); Jimmy \"Two Fingers\" Ashurst (mandolin); Eric BoBo (percussion); Andy Sturmer.\u003cbr\u003eThe alternate version of AMORICA features a slightly different cover.\u003cbr\u003eThe Black Crowes: Chris Robinson (vocals, harmonica); Rich Robinson, Marc Ford (guitar); Eddie Harsch (keyboards); Johnny Colt (bass); Steve Gorman (drums).\u003cbr\u003eAdditional personnel includes: Bruce Kaphan (pedal steel guitar); Jimmy \"Two Fingers\" Ashurst (mandolin); Eric BoBo (percussion).\u003cbr\u003eRecorded between May and June 1994.\u003cbr\u003eAll tracks have been digitally remastered.\u003cbr\u003eWith their roots firmly planted in the alluvial top soil of '70s blues rock, The Black Crowes are truly enjoying their exile on main street. Because when all is said and done, The Black Crowes are a classic hard rock riff band, where the groove--the weaving of electric guitars\/keyboards, with bass-drum dances--is paramount, much as it was for their mentors, Little Feat, The Faces and The Rolling Stones.\u003cbr\u003eOn AMORICA, The Black Crowes stretch out their throbbing grooves and dense retro mixes with taut, wiry bursts of electric guitar courtesy of Rich Robinson and Marc Ford, over a bumptious latin-inflected rock groove, as on \"Gone.\" Eddie Harsch's rich Hammond B-3 and funky keyboard work adds body to each arrangement, while leather lunged Chris Robinson's vocals are less melodic focus than an extension on the blues riffing going on underneath. He's a soul shouter in the best tradition of Gregg Allman, Stevie Winwood and Rod Stewart--of white rock singers influenced by the likes of Otis Redding and Ray Charles--as on \"High Head Blues.\"\u003cbr\u003eAt their best, as on the southern flavored jams of \"Wiser Time,\" and the funky lascivious \"She Gave Good Sunflower,\" the band evokes a powerful roots rock feel, with plenty of solo space for the guitars to stretch out. 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Each song was cut live to tape, with the four performing in the same room without headphones or baffling. The result is thoroughly human, Lynn Bridges' mix retaining the band's live energy and looseness at the expense of a few out of tune strings. The Glory Fires‚Äô music draws deeply from punk, but also soul, power pop, country, and gospel. It‚Äôs equal parts careful curation and geographic inheritance. ‚ÄúIt‚Äôs the sound of my place,‚Äù says Bains. ‚ÄúI want to know it. I want to argue with it. I don‚Äôt want to be a band from anywhere that could be doing anything. For me, that‚Äôs what punk is about -- figuring out who I am and how to be the best version of myself. I can‚Äôt do that by pretending to be something I‚Äôm not.‚Äù The songs are deeply rooted in Bains‚Äô experience of his hometown, Birmingham, AL. 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Beginning with 2010s Tennessee \u0026amp; Other Stories... and continuing on 2014's Life \u0026amp; Love, his albums have revolved around finding meaning in life, death, love and rebirth. Now on his latest release Chew drives deeper at the essence of the matter: From where does the human soul emerge? From what obscurity arises the urge to create? In Sailing To Byzantium, W.B. Yeats describes the human heart: sick with desire, and fastened to a dying animal, it knows not what it is\u0026amp;. Or in Hans Chew's words on this his third album: The human animal is of unknown sire. As the themes Chew explores on Unknown Sire are expanded, so is the material. The familiar sonic territory of opening track \"Easy Money\" with its boogie piano and laid back Tulsa groove recedes quickly from view, its cynical lyric serving almost as notice that these are merely headwaters. The album shifts tones into the erstwhile title track \"Tell Me\", whereupon its journey begins in earnest: \"What are you afraid of? Is it everything unknown, is it what you're made of?\" Not unusually, Chew's writing here spans multiple genres, but the recordings mark the first appearance of synthesizers in his work, and tracks like \"Early Light Waltz\", \"No Existe\", and \"The Sign\" blur the lines between psych-rock, folk, electro and R\u0026amp;B, while also melding concepts of the beginning of time, the passing of time, the illusion of time, and the end of times. Unknown Sire was recorded by long-time Chew collaborator Jason Meagher at Black Dirt Studio, who plays multiple instruments on the album, and was mixed by Jeff Ziegler at Uniform Recordings. Perhaps best known for his keyboard work with artists such as Steve Gunn, Hiss Golden Messenger, and Jack Rose, Hans Chew has established himself as a versatile singer, songwriter, and performer in his own right. A native Tennessean, Chews style has been described in wide fashion, with comparisons to artists like James Booker, Bob Dylan, Led Zeppelin, Jerry Lee Lewis, Little Feat, Nirvana, Little Richard, and Leon Russell. 2010s Tennessee \u0026amp; Other Stories... received four stars from Rolling Stone and was heralded by Uncut as one of the top 25 albums of the year. 2014 saw the release of Chews second LP, Life \u0026amp; Love, which Classic Rock magazine called an excellent album, a further development of the sound Chew revealed on his debut..., while Popmatters proclaimed the record Dixie-fried rock n roll awesomeness...a barn burning smoker of a record thats simply irresistible. 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Co-produced by Derek Trucks and Jim Scott, there is an increased emphasis on songwriting and more sophisticated arrangements. At the behest of Sony, Susan Tedeschi and Trucks invited other songwriters (some old friends) to contribute to these songs, adding perspective. They include Doyle Bramhall II, John Leventhal, Gary Louris, Eric Krasno, and Sonya Kitchell. Tedeschi's voice has developed into one of the most expressive in modern music; she receives outstanding choral support from Mike Mattison and Mark Rivers. Trucks' lead and slide guitar playing have evolved, creating new possibilities for the instrument; it remains the anchor of musical direction for this massive ensemble, that also boasts a horn section, keyboards, two drummers, and four alternating bassists. It always stands out, but rarely dominates. The title opener is a roaring blues-rock boogie. Tedeschi wails atop punchy gospel piano from Kofi Burbridge and a ripping slide guitar solo with horns blazing. A funky clavinet introduces the Sly Stone-inspired \"Misunderstood.\" Trucks' silvery wah-wah guitar drives chunky horn fills, a grooving B-3, and tough vocal exchanges between the vocalists. Tedeschi and Saunders Sermons duet on the fingerpopping soul tune \"Part of Me,\" which recalls Motown's early years; his sweet falsetto is the perfect foil for her grainy contralto. Trucks' guitar fills accent the call and response vocals in the second half, and the Northern soul melody is contrasted by a grittier Stax-style horn chart. The ballads -- the spiritually poignant \"It's So Heavy\" and the devastating, broken love song \"Sweet and Low\" -- with their subtleties and canny arrangements display a real TTB strength. It is no mean feat to deliver music this intimate and personal with such a large ensemble. On the rockers, everybody is engaged at a heightened level, as in the funky, grimy, blues-rock strut of \"Whiskey Legs\" and the off-the-rails roil of \"The Storm.\" On the latter, hard rock, blues, and jazz intertwine, and Trucks gets the opportunity to spiral off into the exploratory void. Closer \"Calling Out to You\" is simply his National steel guitar caressing Tedeschi's voice in a tender love song. Made Up Mind is tight, though it maintains the gritty, steamy, Southern heart displayed on Revelator, though on some level it feels just a bit restrained. Everything these players have assimilated throughout their individual careers is filtered through the group consciousness. When it expresses itself fully, historical and cultural lineages are questioned and answered in their dialogue. It's a sound that is instantly recognizable, sure, but it also offers a nearly limitless set of sonic possibilities. three years in, this is the sound of a band that's just getting started. 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