{"title":"Third Man Records","description":"","products":[{"product_id":"the-white-stripes-the-white-stripes-de-stijl-vinyl","title":"The White Stripes De Stijl [Vinyl]","description":"The White Stripes - The White Stripes De Stijl [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 813547025661 \u003cbr\u003e\u003cp\u003eThe White Stripes: Jack White (vocals, guitar, piano, acoustic bass); Meg (drums, tambourine). Additional personnel: Paul Henry Ossy (violin); John Szymanski (harmonica). Recorded at Third Man Studio, Detroit, Michican. Detroit's own \"brother and sister\" drum-and-guitar duo broke out of local obscurity with their eponymous debut, a primitive garage romp that borrowed liberally from Led Zeppelin, the Kinks, the Rolling Stones, various American bluesmen and other rock \u0026amp; roll stalwarts. With DE STIJL, the band eschews its earlier raw posings in favor of blues with a hint of art rock. DE STIJL (literally translated, \"the style,\" a European art movement that praises the virtue of simplicity in design), hints at a band that plays its music guided by simplicity in form and function. The 13 songs on DE STIJL show this stripped-down duo coming into their own with more complex arrangements and more varied instrumentation. DE STILJ features an electric violin, harmonica, and piano (played by singer Jack White). All in all, DE STIJL offers more dynamic range and melody than the band's debut and a (comparatively) slick production. From the confectionery pop bounce of \"You're Pretty Good Looking,\" to the blues howler, \"Hello Operator,\" to the dirge-like \"Death Letter,\" DE STIJL is one step forward for a band deserving of a wider audience.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 12\/07\/2010\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eLabel: Third Man Records\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The White Stripes","offers":[{"title":"Default Title","offer_id":41886743658577,"sku":"15YNBF-1SS7-00","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/The-White-Stripes-De-Stijl_ETjDu.jpg?v=1762465609"},{"product_id":"dave-chappelle-dave-chappelle-846-vinyl","title":"Dave Chappelle 8:46 [Vinyl]","description":"Dave Chappelle - Dave Chappelle 8:46 [Records \u0026amp; LPs] \u003cbr\u003eBarcode: 810074420297 \u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 10\/29\/2021\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eLabel: Third Man Records\u003c\/li\u003e\n\u003cli\u003eGenre: Spoken \/ Comedy \/ Radio Shows\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dave Chappelle","offers":[{"title":"Default Title","offer_id":41892070817873,"sku":"KPCXYE-CAZE-00","price":13.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/CHAPPELLE-DAVE-846_hhKs3.jpg?v=1759469549"},{"product_id":"hotline-tnt-raspberry-moon-iex-sapphire-slush-puppy-vinyl","title":"Raspberry Moon (IEX Sapphire Slush Puppy) (Vinyl)","description":"\u003cp\u003eFollowing the release of their triumphant breakthrough album ‘Cartwheel’ in 2023 on Third Man Records, which gained widespread critical acclaim from the likes of Pitchfork (8.4\/10 Best New Music) and Stereogum (Top 10 Albums of 2023 - “riveting, restless shoegaze packed with massive hooks”), NYC’s Hotline TNT are back with their best album yet, ‘Raspberry Moon’. The first single “Julia’s War” has been road-tested across a recent sold out US tour, as well as at UK festivals including Green Man, and we can attest that it’s a ginormous singalong anthem and one which marks The Next Phase of New American Shoegaze (~ Third Man Records). Hotline TNT have toured relentlessly, including US-wide tours with Wednesday and Snail Mail, enduring seemingly endless lineup shifts to become a linchpin of several interconnecting DIY scenes. 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Newly inspired by electronic music, the rhythm of “Worldwide” is unrelenting and mechanistic — capturing the frenzied pace at which Snooper’s lives were moving, but allowing for release in Tramel’s yelps and Connor Cummins’ scuzzy guitar breaks. “Worldwide” introduces us to the next chapter of Snooper — more personal, more cathartic, sharper, bolder, catchier. “There’s a sweet spot,” Tramel says of the evolution that came out of Snooper’s whirlwind experience these last few years. “For a moment, push and pull create this beautiful dance.\"\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eReleased: 10\/03\/2025\u003c\/li\u003e\n\u003cli\u003eFormat: Cassette\u003c\/li\u003e\n\u003cli\u003eLabel: Third Man Records\u003c\/li\u003e\n\u003cli\u003eGenre: Punk\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Snõõper","offers":[{"title":"Default Title","offer_id":58174872846417,"sku":"WFDCQG-FSU5-00","price":9.79,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/worldwide_UDvJ7.jpg?v=1756945993"},{"product_id":"worldwide-dtc-indie-exclusive-translucent-pink-vinyl","title":"Worldwide (DTC \u0026 Indie Exclusive) (Translucent Pink) (Vinyl)","description":"\u003cp _ngcontent-c10=\"\"\u003e“Push pull\/ Side to side\/ This way\/ That way\/ Can’t decide\/ Pressure! 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Between the three of them, their performances can be heard on literally thousands of recordings, including some of the most legendary sessions ever recorded with some of the greatest artists. Post-War Detroit was really taking notes on the new sounds of jazz coming into favor and the group of former Detroiters included on this album include some of it's most virtuosic students. Thad Jones, (although he was technically from nearby Pontiac, MI) on trumpet, Kenny Burrell on guitar, Tommy Flanagan on piano and Billy Mitchell on saxophone. Jones' first for Blue Note from 1956 stands as a fantastic sounding announcement that the Detroiters had landed in New York and were about to take off. Including legendary players Shadow Wilson on Drums and Oscar Pettiford on Bass; Detroit - New York Junction, a long sought after rarity and a true testament to the importance of Detroit on the evolution of jazz music through Blue Note Records. 313 SeriesDetroit has long held a shared respect with New York; a similar outlook on authenticity. Tough to describe, but you know it when you see it. Third Man Records and Blue Note Records share this respect and also a commitment to integrity regarding the musical legacies they support that extends to the collaboration happening on the 313 Series partnership. The five unique albums from the Blue Note catalog chosen for limited edition re-release by Blue Note Records President and Detroiter Don Was represent the best of the Motor City; innovative sounds, incredible playing and that inexplicable something you know is real. For an undertaking like this you have to walk the extra mile. The original tapes were sent to Third Man's Detroit mastering and pressing facility where their extensive all analog re-mastering process ensured that the albums delivered live up to the tradition they are part of. The Third Man Records team's commitment to audio purity means no corners can be cut; sound and mastering engineer Warren Defever's goal being to provide the closest possible approximation of the magic found on the original master's tape brought to your living room. From the lacquers cut in the studio on the Neumann VMS-70 Cutting Lathe to the 180 gram vinyl pressed across the hall, every step of the process is tested in the facilities against exacting standards. That's the Detroit way and the reason why the musical legacy from the 313 area code remains beloved around the world. 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First time on vinyl since 1996. Album now comfortably spans two discs while original release was crammed onto single disc. Mastered directly from original analog tapes. Portions of the album recorded at the legendary Sound City Studios. 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It is antithetical to mention any of those without the others. The community of artists started as the Sound of Young America, but as history has proven, it became the sound, the look and the inspiration of so much more. And now, little nuggets of Motown's influence can be found the world over. David Ruffin, founding member of Motown superstars The Temptations, went on to become a successful solo artist even after he left the group. In 1969, Ruffin released two fantastic solo records, My Whole World Ended and Feelin' Good. Between 1970 and 1971 he recorded what was to be his third long playing solo record. However, his career was suddenly put on hold when Motown, for reasons unclear, shelved the album that had been dubbed David. The record had even been assigned a catalog number and final artwork. Ruffin returned in 1973 with a brand new LP titled David Ruffin (treated officially as his third LP) and the previously recorded album David sat on the shelves, unheard for decades. 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His red and yellow suede suit featured in the interior gatefold LP jacket is an absolute must-see!\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEach Day Is a Lifetime\u003c\/li\u003e\n\u003cli\u003eI Want You Back\u003c\/li\u003e\n\u003cli\u003eOut in the Country\u003c\/li\u003e\n\u003cli\u003eYou Can Come Right Back to Me\u003c\/li\u003e\n\u003cli\u003eI Can't Be Hurt Anymore\u003c\/li\u003e\n\u003cli\u003eRainy Night in Georgia\u003c\/li\u003e\n\u003cli\u003eI've Got a Need for You\u003c\/li\u003e\n\u003cli\u003eAnything That You Ask for\u003c\/li\u003e\n\u003cli\u003eLet Somebody Love Me\u003c\/li\u003e\n\u003cli\u003eFor the Shelter of Your Love\u003c\/li\u003e\n\u003cli\u003eDinah\u003c\/li\u003e\n\u003cli\u003eDon't Stop Lovin' Me\u003c\/li\u003e\n\u003cli\u003eIt's Gonna Take a Whole Lot of Doin'\u003c\/li\u003e\n\u003cli\u003eI Want Her to Say It Again\u003c\/li\u003e\n\u003cli\u003eYour Heartaches I Can Surely Heal\u003c\/li\u003e\n\u003cli\u003eGet Away Heartbreak (Keep on Moving)\u003c\/li\u003e\n\u003cli\u003eYou Make Me Do Things I Don't Want to Do\u003c\/li\u003e\n\u003cli\u003eMountain of Memories\u003c\/li\u003e\n\u003cli\u003eHeaven Help Us All\u003c\/li\u003e\n\u003cli\u003eEach Day Is a Lifetime\u003c\/li\u003e\n\u003cli\u003eDon't Stop Lovin' Me\u003c\/li\u003e\n\u003cli\u003eYou Can Come Right Back to Me\u003c\/li\u003e\n\u003cli\u003eDinah\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 810074420181\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Third Man Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.25.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"David Ruffin","offers":[{"title":"Default Title","offer_id":58254228455505,"sku":"365223","price":48.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/4005871-2740130.jpg?v=1759471367"},{"product_id":"grant-green-live-at-club-mozambique-indie-exclusive-limited-edition-opaque-green-2lp","title":"Live At Club Mozambique [Indie Exclusive Limited Edition Opaque Green 2LP]","description":"\u003cp\u003eThe funk fans have been waiting for this one. Finally available on vinyl, Grant Green's near perfect slice of jazz funk and soul, Live at Club Mozambique, remastered and rendered back in the Motor City. Grant Green's band had been playing a series of live dates at Detroit's Club Mozambique, (before it became a fabled Male dance club) when this session was recorded live on two cold January nights in 1971. Powerhouse drummer Idris Muhammad and soulful tenor star Houston Person were brought in to supplement Green's current band featuring Ronnie Foster on organ and Clarence Thomas on Soprano and Tenor Sax and Blue Note producer Francis Wolff recorded. This treasure was never released, though, and (conjectures aside) remained in the Blue Notes vaults for 35 years before a 2006 CD release. Sounding incredibly fresh and live, you'd be hard-pressed to find a more real stamping of Grant Green at the top of his game. The lp blends extremely hypnotic and wild funk such as their opening cover of a local funk hit ''Jan Jan'' by the Fabulous Counts next to laidback renditions of early 70's soul favorites ''Walk on By'', ''Patches'' and ''One More Chance'' by the Jackson 5. It perfectly captures the magic of hearing a legendary band effortlessly doing their thing in a small club while the audience unwinds after a long work day. Green pulls it all together with his melodic genius and perfect delivery. Great artists make it seem so easy. No pretensions here, just a great band burning up the stage with unmistakable chemistry on what might be the ultimate jazz funk time capsule. Maybe you can't go back in time, but if you close your eyes and light a cigarette, you might be convinced you're sitting in a wood-paneled club on Detroit's Westside enjoying Grant Green and his band tear it up.\u003c\/p\u003e\r\n\u003cp\u003e313 Series\u003cbr\u003eDetroit has long held a shared respect with New York; a similar outlook on authenticity. Tough to describe, but you know it when you see it. Third Man Records and Blue Note Records share this respect and also a commitment to integrity regarding the musical legacies they support that extends to the collaboration happening on the 313 Series partnership. The five unique albums from the Blue Note catalog chosen for limited edition re-release by Blue Note Records President and Detroiter Don Was represent the best of the Motor City; innovative sounds, incredible playing and that inexplicable something you know is real.\u003c\/p\u003e\r\n\u003cp\u003eFor an undertaking like this you have to walk the extra mile. The original tapes were sent to Third Man's Detroit mastering and pressing facility where their extensive all analog re-mastering process ensured that the albums delivered live up to the tradition they are part of. The Third Man Records team's commitment to audio purity means no corners can be cut; sound and mastering engineer Warren Defever's goal being to provide the closest possible approximation of the magic found on the original master's tape brought to your living room. From the lacquers cut in the studio on the Neumann VMS-70 Cutting Lathe to the 180 gram vinyl pressed across the hall, every step of the process is tested in the facilities against exacting standards. 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Not to say that this was anything but an outstanding live recording, complete with expertly commanded vocals and elegantly crafted strings. For those of us who weren't able to see live, a standout moment is the playful fourth track 'Wood', which nourishes a lush, dynamic, beautiful little world into The Greater Consciousness. 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Kenny Cox and the Contemporary Jazz Quintet is one such group that could have and definitely should have had a wider audience in their day, but their recorded legacy continues to grow in estimation. Truly a comprehensive group with no weak links, the compositions and playing on this record show the incredible talent and innovation that was brewing in Detroit before, during and after Motown locked its doors in the Motor City.\u003c\/p\u003e\r\n\u003cp\u003eOf note is group member Charles Moore, an important figure in the jazz and arts scene in Detroit and founding member of an underground art and music co-operative called the Detroit Artist Workshop. A talented musician and composer in his own right, Moore and group leader Cox composed all the material on Multidirection. Cox described it as ''more of an orchestral-type effort than just a combo per se.'' in the original release liner notes by Nat Hentoff. Both were integral in the future DIY jazz universe by co-founding the highly influential Strata Records. But before embarking on that journey, his group recorded two timeless classics for Blue Note Records. Like many of the greatest musical albums, this work shines brightest as a whole with new dimensions to discover with each listen. This new and exciting re-issue is certain to provide the listening experience with the best possible platform.\u003c\/p\u003e\r\n\u003cp\u003e313 Series\u003cbr\u003eDetroit has long held a shared respect with New York; a similar outlook on authenticity. Tough to describe, but you know it when you see it. Third Man Records and Blue Note Records share this respect and also a commitment to integrity regarding the musical legacies they support that extends to the collaboration happening on the 313 Series partnership. The five unique albums from the Blue Note catalog chosen for limited edition re-release by Blue Note Records President and Detroiter Don Was represent the best of the Motor City; innovative sounds, incredible playing and that inexplicable something you know is real.\u003c\/p\u003e\r\n\u003cp\u003eFor an undertaking like this you have to walk the extra mile. The original tapes were sent to Third Man's Detroit mastering and pressing facility where their extensive all analog re-mastering process ensured that the albums delivered live up to the tradition they are part of. The Third Man Records team's commitment to audio purity means no corners can be cut; sound and mastering engineer Warren Defever's goal being to provide the closest possible approximation of the magic found on the original master's tape brought to your living room. From the lacquers cut in the studio on the Neumann VMS-70 Cutting Lathe to the 180 gram vinyl pressed across the hall, every step of the process is tested in the facilities against exacting standards. 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The band also functioned as a space where it's members (Stephanie Phillips, Chardine Taylor-Stone, and Estella Adeyeri) could be completely themselves as black women and discover their own power in creativity. Since their formation, they've opened for such notable acts as Bikini Kill, Sleater-Kinney, The Raincoats and Parquet Courts.Outside of the band all three members have strong community ties, from helping run the festival for punks of colour Decolonise Fest, coaching new talent at Girls Rock London, or launching the 'Stop Rainbow Racism' campaign which works to stop racist performances in LGBT venues.Their new single, and first release with their fans and supporters at Third Man, is a stunner. The A-side is a brilliantly re-imagined cover of Solange's anthem dedicated to un-addressed sadness, 'Cranes In The Sky'. Big Joanie nods to the full weight and dazzle of the original but refreshingly transforms the song with a distorted, straight-ahead vision and drive. 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The album finds Ayler experimenting with soul music and digging back into his R\u0026amp;B roots (he started his career playing saxophone with Chicago bluesman Little Walter), fusing it with the avant-garde free jazz (the one element of the record which garnered consistent praise) and adding the vocals of Rose Marie McCoy, The Soul Singers and Ayler himself. As if predicting the divisiveness of the record to follow, Ayler speaks directly to the listener and explains that New Grass is nothing like his albums before - that it is of 'a different dimension of his life' - in the album opener 'Message from Albert.'New Grass deserves reconsideration, if not for the heavy grooves and surprising arrangements, then for it's bravery in challenging norms of the time; by the '60s, jazz was well-accepted as a uniquely American art form, while soul as a genre was very much still seen as primitive. Ayler melds them together and creates something novel, adventurous, and completely his own. At the time of it's release, despite it's divisive reception, New Grass helped break down the unnecessary walls dividing genres and revealed music's potential freedoms. The album has gone on to influence generations of Jazz, R\u0026amp;B, Funk, Hip Hop, Post Punk, No Wave and unshrinking artists like Pharaoh Sanders, Alice Coltrane, Funkadelic, Jungle Brothers, Red Krayola, Sonic Youth and Mark E. Smith.Third Man Records can't recommend this record highly enough. 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