{"title":"Epmd","description":null,"products":[{"product_id":"epmd-epmd-back-in-busiex2lp-vinyl","title":"Epmd DE VUELTA A BUSI (EX\/2LP) [Discos y LP]","description":"\u003cp\u003eEPMD: Erick Sermon, Parrish Smith (voz). Personal adicional: Redman, Das EFX, Keith Murray, Nocturnal, Darryl Trotter (voz); DJ Scratch (DJ). Productores: Erick Sermon, Parrish Smith, DJ Scratch. Ingenieros: Ivan Rodriguez, Tommy Uzzo, Tom Ciante. Grabado en Mirror Image, Long Island, Nueva York y Soundtrack Recording Studios, Nueva York, Nueva York. BACK IN BUSINESS reúne a las superestrellas del rap Erick Sermon y Parrish Smith, mejor conocidos como EPMD (Erick \u0026amp; Parrish Makin' Dollars). Después de presentar proyectos solistas mediocres y escuchar a muchos críticos y fanáticos rogar por su reunión, los dos MC han dejado de lado sus diferencias y se han dado cuenta de que su contribución al hip hop se sirve mejor como dúo. Ahora, como veteranos, EPMD regresa a una escena de hip-hop muy cambiada y demuestra que sigue siendo uno de los mejores grupos de rap hardcore del momento. Como la mayoría de los otros álbumes de EPMD, su quinto álbum sigue como siempre. El ritmo lo ponen los propios Erick y Parrish, y hay visitas de miembros de Hit Squad (Das EFX) y Def Squad (Keith Murray, Redman). Para los fans de la vieja escuela, \"Jane 5\" continúa la serie de canciones \"Jane\", y \"You Gots To Chill '97\" es el viejo favorito de EPMD con nuevas letras, y nuevos cortes como \"Never Seen Before\" y \"Richter Scale\" también tienen ese toque clásico de EPMD. \u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eFecha de publicación: 27\/10\/2017\u003c\/li\u003e\n\n\u003cli\u003e Formato: Vinilo\u003c\/li\u003e\n\n\u003cli\u003e Género: Hip Hop\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Epmd","offers":[{"title":"Default Title","offer_id":41897022029905,"sku":"J66DBV-QVG2-00","price":42.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Epmd-BACK-IN-BUSIEX2LP_PCjsT.jpg?v=1762470026"},{"product_id":"epmd-you-gots-to-chill-lp","title":"You Gots To Chill [7\" Vinyl]","description":"\u003cp\u003eEndlessly sampled, covered, quoted and requoted, this may well be one of the most influential hip-hop singles ever released. But, in many ways, it's importance goes beyond it's sheer classic status as a single in it's own right.In retrospect, it shows the duo of Erick Sermon and Parrish Smith as pioneers in production, creating a funk-based sound that helped to provide a blueprint for artists on the other side of the country. In 1987\/88, most West Coast rap still adhered to an East Coast audio blueprint. By 1989, they were leaning as heavily on Zapp and Roger Troutman samples as EPMD were on this single.The foundations of the track are interesting, with a snatch of Juice's much-plundered 'Catch a Groove' (which has popped up everywhere from The Beastie Boys to Kings of Pressure) overlaid with big chunks of Kool \u0026amp; The Gang's 'Jungle Boogie' and Zapp's irrepressible 'More Bounce to the Ounce'. Vocodered funk was a rarity in New York hip-hop until this song, but it's the West Coast G-Funk artists who really ran with it.It's popularity spanned the country (and the globe, to be fair), with EPMD performing numerous shows in California on the basis of the sound, moving away from their James Brown-obsessed peers to display their own musical tastes. That said, the flipside - here presented on 7\" and, indeed, on any single, for the first time - takes it back to that JB-era. '(It's Not the Express), It's the JB's Monaurail by The JB's is woven with Otis Redding and Beastie Boys to create a mid-tempo headnodder par excellence. 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Without build-up or fanfare, they launched this stunning debut 12\" and, so ill-prepared were people for it, that the label was still misspelling their name.Those early 12\" copies of 'It's My Thing' - and the hard to find UK 7\" that followed shortly after - have them billed as EPEE MD. Before they were signed, they were going by EEPMD, but they decided to drop an E due to the success of the west coast's Eazy E. The one person not surprised by their success, however, was hip-hop pioneer and producer Kurtis Mantronik, who actually signed them to Fresh Records.It's fitting that he's the man that saw their promise, as he himself was one to go against the grain. His electro-influenced productions for Mantronix and Just Ice were ahead of their time, and perhaps in EPMD he saw kindred spirits. Because, at the time this dropped, hip-hop was going up tempo, taking it's cue from James Brown samples and picking up the pace.On both 'It's My Thing' - underpinned by the languorous 'Seven Minutes of Funk' by The Whole Darn Family - and 'You're a Customer', with it's combination of ZZ Top and Steve Miller Band - Erick Sermon and Parrish Smith slow things right down. It gives their vocals time to breathe and allows us to enjoy the interplay of their metaphor and simile-heavy lyrics. 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Strictly Business is the debut album by golden age hip-hop duo EPMD. It was originally released on June 21, 1988, by Fresh\/Sleeping Bag Records. It peaked at #80 on the Billboard 200 soon after release, yet it earned an RIAA gold album certification within four months of it's release. In addition, it has received much positive critical attention since it's release. In 2003, the album was ranked #459 on Rolling Stone magazine's list of the 500 greatest albums of all time. The album is known for it's lighthearted party raps and funky sample-reliant production. Of it's four singles, three landed on the UK Singles Chart and two reached the US Hot R\u0026amp;B\/Hip-Hop Songs chart.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eStrictly Business\u003c\/li\u003e\n\u003cli\u003eBecause I'm Housin'\u003c\/li\u003e\n\u003cli\u003eSo Let the Funk Flow\u003c\/li\u003e\n\u003cli\u003eYou Gots to Chill\u003c\/li\u003e\n\u003cli\u003eIt's My Thing\u003c\/li\u003e\n\u003cli\u003eYou're a Customer\u003c\/li\u003e\n\u003cli\u003eThe Steve Martin\u003c\/li\u003e\n\u003cli\u003eGet Off the Bandwagon\u003c\/li\u003e\n\u003cli\u003eD.J. 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This dropped as the third single from the album of the same name, and further cemented their distinctive aesthetic: Slow rhyming, trading lines rather than the rappers being confined to their own verses, and backings that were ruthlessly funky and simple at the same time.They'd go on to be labelmates with Public Enemy when Def Jam picked up their contract in 1990, and to compare and contrast the two is illuminating. While PE at that time were making waves with the Bomb Squad's breathless, kitchen sink approach to production, EPMD were equally adored for taking the opposite approach. Here, there's a sprinkle of drums from Kool \u0026amp; The Gang's oft-sampled 'Jungle Boogie', paired with a very recognisable portion of Eric Clapton's 'I Shot the Sheriff'. And that's pretty much it - the two samples are linked, looped and left to their own devices. Such was Erick and Parrish's confidence in their own rhyming ability and strong voices, no further embellishment was needed. That confidence extends to the subject matter. While their debut album and later projects were heavy with concepts - the 'Jane' series - and notable guest verses, this was the third straight single of pure brag rap. Two MC's, one beat, a whole heap of lyrics about how good they were. It's something you can't do unless you truly are special, and this duo most certainly were.Paired with the classic instrumental version, which didn't make it to the US 7\" releases - it's only on a hard-to-track-down French 7\" pressing from 1989 - this this is a timely reminder of how breathtakingly perfect hip-hop can be.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eStrictly Business (LP Version)\u003c\/li\u003e\n\u003cli\u003eStrictly Business (Instrumental Version)\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 7119691279176\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mr Bongo\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.21.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 7\" Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Epmd","offers":[{"title":"Default Title","offer_id":58254361657425,"sku":"471450","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/4033380-3088763.jpg?v=1759473167"},{"product_id":"the-big-payback-lp","title":"The Big Payback [7\" Vinyl]","description":"\u003cp\u003eEPMD's initial success in 1987 seemed to take a lot of people by surprise. Without build-up or fanfare, they launched this stunning debut 12\" and, so ill-prepared were people for it, that the label was still misspelling their name.Those early 12\" copies of 'It's My Thing' - and the hard to find UK 7\" that followed shortly after - have them billed as EPEE MD. Before they were signed, they were going by EEPMD, but they decided to drop an E due to the success of the west coast's Eazy E. The one person not surprised by their success, however, was hip-hop pioneer and producer Kurtis Mantronik, who actually signed them to Fresh Records.It's fitting that he's the man that saw their promise, as he himself was one to go against the grain. His electro-influenced productions for Mantronix and Just Ice were ahead of their time, and perhaps in EPMD he saw kindred spirits. Because, at the time this dropped, hip-hop was going up tempo, taking it's cue from James Brown samples and picking up the pace.On both 'It's My Thing' - underpinned by the languorous 'Seven Minutes of Funk' by The Whole Darn Family - and 'You're a Customer', with it's combination of ZZ Top and Steve Miller Band - Erick Sermon and Parrish Smith slow things right down. It gives their vocals time to breathe and allows us to enjoy the interplay of their metaphor and simile-heavy lyrics. 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When discussing the landmark artists of that era - Public Enemy, Boogie Down Productions, Eric B \u0026amp; Rakim - the duo of Erick Sermon and Parrish Smith are certainly in the conversation. And when it comes to all-time duos, they might be at the head of the table.The original release of 'I'm Housin' came in 1989, and the only previous 7\" release was confined to the UK - it now fetches sky-high prices. Hence this reissue couldn't be more timely, showcasing just how fresh E Double E and PMD sound over even the most rudimentary but feverishly catchy of beats.That was their genius - trading 'slow flow' punchlines over deceptively simple backings - and that's exactly what you get here. The loop of Aretha Franklin's indelible 1971 gem 'Rock Steady' does all the heavy lifting musically, the only adornment a brief vocal snippet taken from their own 'It's My thing' - EPMD is a world premiere.At a time when sampling was still in it's infancy, and before producers started to pride themselves on obscurity, and on chopping up samples creatively, this was the approach of many a hip-hop song, and rap was none the poorer for it. 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The loop of Aretha Franklin's indelible 1971 gem 'Rock Steady' does all the heavy lifting musically, the only adornment a brief vocal snippet taken from their own 'It's My thing' - EPMD is a world premiere.At a time when sampling was still in it's infancy, and before producers started to pride themselves on obscurity, and on chopping up samples creatively, this was the approach of many a hip-hop song, and rap was none the poorer for it. 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Without build-up or fanfare, they launched this stunning debut 12\" and, so ill-prepared were people for it, that the label was still misspelling their name.Those early 12\" copies of 'It's My Thing' - and the hard to find UK 7\" that followed shortly after - have them billed as EPEE MD. Before they were signed, they were going by EEPMD, but they decided to drop an E due to the success of the west coast's Eazy E. The one person not surprised by their success, however, was hip-hop pioneer and producer Kurtis Mantronik, who actually signed them to Fresh Records.It's fitting that he's the man that saw their promise, as he himself was one to go against the grain. His electro-influenced productions for Mantronix and Just Ice were ahead of their time, and perhaps in EPMD he saw kindred spirits. Because, at the time this dropped, hip-hop was going up tempo, taking it's cue from James Brown samples and picking up the pace.On both 'It's My Thing' - underpinned by the languorous 'Seven Minutes of Funk' by The Whole Darn Family - and 'You're a Customer', with it's combination of ZZ Top and Steve Miller Band - Erick Sermon and Parrish Smith slow things right down. It gives their vocals time to breathe and allows us to enjoy the interplay of their metaphor and simile-heavy lyrics. 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This dropped as the third single from the album of the same name, and further cemented their distinctive aesthetic: Slow rhyming, trading lines rather than the rappers being confined to their own verses, and backings that were ruthlessly funky and simple at the same time.They'd go on to be labelmates with Public Enemy when Def Jam picked up their contract in 1990, and to compare and contrast the two is illuminating. While PE at that time were making waves with the Bomb Squad's breathless, kitchen sink approach to production, EPMD were equally adored for taking the opposite approach. Here, there's a sprinkle of drums from Kool \u0026amp; The Gang's oft-sampled 'Jungle Boogie', paired with a very recognisable portion of Eric Clapton's 'I Shot the Sheriff'. And that's pretty much it - the two samples are linked, looped and left to their own devices. Such was Erick and Parrish's confidence in their own rhyming ability and strong voices, no further embellishment was needed. That confidence extends to the subject matter. While their debut album and later projects were heavy with concepts - the 'Jane' series - and notable guest verses, this was the third straight single of pure brag rap. Two MC's, one beat, a whole heap of lyrics about how good they were. It's something you can't do unless you truly are special, and this duo most certainly were.Paired with the classic instrumental version, which didn't make it to the US 7\" releases - it's only on a hard-to-track-down French 7\" pressing from 1989 - this this is a timely reminder of how breathtakingly perfect hip-hop can be.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eStrictly Business (LP Version)\u003c\/li\u003e\n\u003cli\u003eStrictly Business (Instrumental Version)\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 7119691279176\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mr Bongo\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.21.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 7\" Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Rock Band Merch","offers":[{"title":"Default Title","offer_id":59433802268753,"sku":"471450","price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/4033380-3088763_16f5678c-c16d-4e2e-a6d6-51f1f91923bb.jpg?v=1777454528"},{"product_id":"epmd-you-gots-to-chill-7-vinyl","title":"Epmd - You Gots To Chill [7\" Vinyl]","description":"\u003cp\u003eEndlessly sampled, covered, quoted and requoted, this may well be one of the most influential hip-hop singles ever released. But, in many ways, it's importance goes beyond it's sheer classic status as a single in it's own right.In retrospect, it shows the duo of Erick Sermon and Parrish Smith as pioneers in production, creating a funk-based sound that helped to provide a blueprint for artists on the other side of the country. In 1987\/88, most West Coast rap still adhered to an East Coast audio blueprint. By 1989, they were leaning as heavily on Zapp and Roger Troutman samples as EPMD were on this single.The foundations of the track are interesting, with a snatch of Juice's much-plundered 'Catch a Groove' (which has popped up everywhere from The Beastie Boys to Kings of Pressure) overlaid with big chunks of Kool \u0026amp; The Gang's 'Jungle Boogie' and Zapp's irrepressible 'More Bounce to the Ounce'. Vocodered funk was a rarity in New York hip-hop until this song, but it's the West Coast G-Funk artists who really ran with it.It's popularity spanned the country (and the globe, to be fair), with EPMD performing numerous shows in California on the basis of the sound, moving away from their James Brown-obsessed peers to display their own musical tastes. That said, the flipside - here presented on 7\" and, indeed, on any single, for the first time - takes it back to that JB-era. '(It's Not the Express), It's the JB's Monaurail by The JB's is woven with Otis Redding and Beastie Boys to create a mid-tempo headnodder par excellence. 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Without build-up or fanfare, they launched this stunning debut 12\" and, so ill-prepared were people for it, that the label was still misspelling their name.Those early 12\" copies of 'It's My Thing' - and the hard to find UK 7\" that followed shortly after - have them billed as EPEE MD. Before they were signed, they were going by EEPMD, but they decided to drop an E due to the success of the west coast's Eazy E. The one person not surprised by their success, however, was hip-hop pioneer and producer Kurtis Mantronik, who actually signed them to Fresh Records.It's fitting that he's the man that saw their promise, as he himself was one to go against the grain. His electro-influenced productions for Mantronix and Just Ice were ahead of their time, and perhaps in EPMD he saw kindred spirits. Because, at the time this dropped, hip-hop was going up tempo, taking it's cue from James Brown samples and picking up the pace.On both 'It's My Thing' - underpinned by the languorous 'Seven Minutes of Funk' by The Whole Darn Family - and 'You're a Customer', with it's combination of ZZ Top and Steve Miller Band - Erick Sermon and Parrish Smith slow things right down. It gives their vocals time to breathe and allows us to enjoy the interplay of their metaphor and simile-heavy lyrics. 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When discussing the landmark artists of that era - Public Enemy, Boogie Down Productions, Eric B \u0026amp; Rakim - the duo of Erick Sermon and Parrish Smith are certainly in the conversation. And when it comes to all-time duos, they might be at the head of the table.The original release of 'I'm Housin' came in 1989, and the only previous 7\" release was confined to the UK - it now fetches sky-high prices. Hence this reissue couldn't be more timely, showcasing just how fresh E Double E and PMD sound over even the most rudimentary but feverishly catchy of beats.That was their genius - trading 'slow flow' punchlines over deceptively simple backings - and that's exactly what you get here. The loop of Aretha Franklin's indelible 1971 gem 'Rock Steady' does all the heavy lifting musically, the only adornment a brief vocal snippet taken from their own 'It's My thing' - EPMD is a world premiere.At a time when sampling was still in it's infancy, and before producers started to pride themselves on obscurity, and on chopping up samples creatively, this was the approach of many a hip-hop song, and rap was none the poorer for it. 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When discussing the landmark artists of that era - Public Enemy, Boogie Down Productions, Eric B \u0026amp; Rakim - the duo of Erick Sermon and Parrish Smith are certainly in the conversation. And when it comes to all-time duos, they might be at the head of the table.The original release of 'I'm Housin' came in 1989, and the only previous 7\" release was confined to the UK - it now fetches sky-high prices. Hence this reissue couldn't be more timely, showcasing just how fresh E Double E and PMD sound over even the most rudimentary but feverishly catchy of beats.That was their genius - trading 'slow flow' punchlines over deceptively simple backings - and that's exactly what you get here. The loop of Aretha Franklin's indelible 1971 gem 'Rock Steady' does all the heavy lifting musically, the only adornment a brief vocal snippet taken from their own 'It's My thing' - EPMD is a world premiere.At a time when sampling was still in it's infancy, and before producers started to pride themselves on obscurity, and on chopping up samples creatively, this was the approach of many a hip-hop song, and rap was none the poorer for it. 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Scratch (scratches).\nThe sophomore album from EPMD, UNFINISHED BUSINESS picks up right where the hip-hop duo's debut album leaves off. Packed with funk-flavored, bass-rockin' tracks like \"So Wat Cha Sayin',\" \"The Big Payback,\" and \"Total Kaos,\" UNFINISHED BUSINESS is a stellar follow-up effort. MCs Erik Sermon and Parrish Smith (aka E-Double and PMD) spit their trademark rhymes over killer beats. Back in 1989, when the album was originally released, EPMD was just gaining steam toward becoming one of rap's longest-lasting groups. Tracks like \"Get the Bozak,\" \"Please Listen to My Demo,\" and \"Strictly Snappin' Necks\" shouldn't be missed. 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