{"title":"M. Ward","description":null,"products":[{"product_id":"m-ward-m-ward-end-of-amnesia-20th-anniversary-remastered-edition-vinyl","title":"M. Ward M. Ward - End of Amnesia (Edición remasterizada del 20.º aniversario) [Discos y LP]","description":"\u003cp\u003eReedición remasterizada por el vigésimo aniversario del segundo álbum de M. Ward. El segundo trabajo en solitario de M. Ward confirma que el artista es uno de esos pocos compositores que se mantienen entre las grietas del tiempo, donde teje un universo nuevo y alucinatorio a partir de raíces del viejo mundo. De hecho, End of Amnesia tiene un brillo real, sencillo y sin pulir, tanto en la ejecución como en la composición, que le da una palidez atemporal y anticuada. Y, sin embargo, también hay algo ligeramente extraño en las canciones, una cualidad extraña e incorpórea que parece provenir, al menos en parte, de un lugar ulterior, ya sea real o imaginario. Ese atributo es precisamente lo que le da a la música un sonido y una visión tan singulares y distintivos.\u003c\/p\u003e\n\u003cp\u003e Fin de la amnesia Color del agua Media luna Demasiada agua Malos sueños Cuento del arcángel Silverline Corazón llameante Carolina De un sermón de radio pirata, 1989 Salmo Ella Cuento de conchas marinas O'brien\/O'brien's Nocturne\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e Fecha de lanzamiento: 12\/8\/2022\u003c\/li\u003e\n\n\u003cli\u003e Detalle del formato: funda de LP plegable de 2 LP con fundas interiores impresas\u003c\/li\u003e\n\n\u003cli\u003e Formato: Vinilo\u003c\/li\u003e\n\n \u003cli\u003eGénero: Indie y Alternativo\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"M. Ward","offers":[{"title":"Default Title","offer_id":41884990898257,"sku":"00AQYS-WCP6-00","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/M-Ward-M-Ward-End-of-Amnesia-20th-Anniversary-Remastered-Edition_fCYeH.jpg?v=1759468762"},{"product_id":"m-ward-transfiguration-of-vincent-vinyl-8298","title":"Transfiguration Of Vincent (Vinyl)","description":"This, M Ward\\'s third album, places him in the forefront of a modern movement that is clearly progressive while simultaneously sounding regressive, feeling dusty with age, and manifesting a genius that is pure and untempered. His music defies description except to say it is coming from somewhere seeped in the early blues with a Neil Young overlay and the feel of country, blues, pop, and folk. I am beginning to believe, the more I listen to this album, that if Neil Young heard it he would say: \\That\\'s it...that is what I was trying to sound like...listen to those chord progressions and chord changes...that\\'s it\\\". People point to Tom Waits and others as Ward\\'s forebearers but the muse here is genuinely unique and the sounds are those that only a budding genius could make.\\n\\nThe opening rif of Fool Says feels like it came from Abbey Road but by song\\'s end you have been dipped in Young and Dylan. I dare you to listen to Get To The Table On Time and not imagine yourself there as the Ward family calls their prodigal son to come down from the attic for dinner.\\n\\nM Ward makes beautiful music---sounds like you have never encountered--and he sings along with the melodies as if he can\\'t help himself. Who could if they had this much soul? It is all coming from a very deep place insid(more...)\u003cul\u003e\n\u003cli\u003eReleased: 7\/8\/08\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"M. Ward","offers":[{"title":"Default Title","offer_id":42410484695121,"sku":"H5P1VD-DS48-9W","price":22.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/m-ward-transfiguration-of-vincent_12Z1X.jpg?v=1746372534"},{"product_id":"m-ward-migration-stories-lp","title":"Migration Stories [LP]","description":"\u003cp\u003e\u003cspan\u003e\"It was in winter 18\/19 - I flew to Montreal to meet with Tim Kingsbury, Richard Reed Parry, Craig Silvey and Teddy Impakt at Le Studio Du Arcade Fire. It was a fine time with a dream team in a city I love. Winter in beautiful Quebec. Les semaines les plus froides de ma vie. I had a bunch of demos that were inspired by migration stories I had heard from friends or read in newspapers while on tour in Europe and North America. I remember being struck by the similarities of the stories I heard from both continents and how really only the names of the powerful and the powerless had changed - thinking, \"Is this the future? Is this our future?\"Some time went by, the stories wove together and I remember them now closer to characters in a dream of how people could treat each other than any kind of front-page news realism. I think music subconsciously - whether writing or listening - is a filter for me - helping to process all the bad news into something new to build from - some records to me are like self-fulfilling prophecies - visualizing change to wish something into being - those records inspired this one.\" - M. Ward\u003c\/span\u003e\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMigration of Souls\u003c\/li\u003e\n\u003cli\u003eHeaven's Nail and Hammer\u003c\/li\u003e\n\u003cli\u003eCoyote Mary's Traveling Show\u003c\/li\u003e\n\u003cli\u003eIndependent Man\u003c\/li\u003e\n\u003cli\u003eStevens' Snow Man\u003c\/li\u003e\n\u003cli\u003eUnreal City\u003c\/li\u003e\n\u003cli\u003eReal Silence\u003c\/li\u003e\n\u003cli\u003eAlong the Santa Fe Trail\u003c\/li\u003e\n\u003cli\u003eChamber Music\u003c\/li\u003e\n\u003cli\u003eTorch\u003c\/li\u003e\n\u003cli\u003eRio Drone\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 045778773510\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Anti\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.3.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"M. 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Ward is a true American treasure.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFor Beginners\u003c\/li\u003e\n\u003cli\u003eNever Had Nobody Like You\u003c\/li\u003e\n\u003cli\u003eJailbird\u003c\/li\u003e\n\u003cli\u003eHold Time\u003c\/li\u003e\n\u003cli\u003eRave On\u003c\/li\u003e\n\u003cli\u003eTo Save Me\u003c\/li\u003e\n\u003cli\u003eOne Hundred Million Years\u003c\/li\u003e\n\u003cli\u003eStars Of Leo\u003c\/li\u003e\n\u003cli\u003eFisher Of Men\u003c\/li\u003e\n\u003cli\u003eOh Lonesome Me\u003c\/li\u003e\n\u003cli\u003eEpistemology\u003c\/li\u003e\n\u003cli\u003eBlake's View\u003c\/li\u003e\n\u003cli\u003eShangri-La\u003c\/li\u003e\n\u003cli\u003eOutro\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 673855032313\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Merge Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.19.09\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"M. 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Is this our future?\"Some time went by, the stories wove together and I remember them now closer to characters in a dream of how people could treat each other than any kind of front-page news realism. I think music subconsciously - whether writing or listening - is a filter for me - helping to process all the bad news into something new to build from - some records to me are like self-fulfilling prophecies - visualizing change to wish something into being - those records inspired this one.\" - M. Ward\u003c\/span\u003e\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMigration of Souls\u003c\/li\u003e\n\u003cli\u003eHeaven's Nail and Hammer\u003c\/li\u003e\n\u003cli\u003eCoyote Mary's Traveling Show\u003c\/li\u003e\n\u003cli\u003eIndependent Man\u003c\/li\u003e\n\u003cli\u003eStevens' Snow Man\u003c\/li\u003e\n\u003cli\u003eUnreal City\u003c\/li\u003e\n\u003cli\u003eReal Silence\u003c\/li\u003e\n\u003cli\u003eAlong the Santa Fe Trail\u003c\/li\u003e\n\u003cli\u003eChamber Music\u003c\/li\u003e\n\u003cli\u003eTorch\u003c\/li\u003e\n\u003cli\u003eRio Drone\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 045778773527\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Anti\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.3.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"M. 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Ward has clearly mastered the whole vocabulary of American popular music \u003c\/span\u003e\u003cspan\u003eand made serious decisions about how to employ it for his own ends. What Ward shares \u003c\/span\u003e\u003cspan\u003ewith Harry Smith’s artists and Neil Young is a context of musical and human values: \u003c\/span\u003e\u003cspan\u003eauthenticity and intimacy. Supernatural Thing’s original songs sound freshly pulled from \u003c\/span\u003e\u003cspan\u003ethe ground, with a little earth sticking to them. Ward’s lyric delivery has that slight rawness \u003c\/span\u003e\u003cspan\u003ethe ear loves, and his voice has quiet dignity and great tenderness. Supernatural Thing is \u003c\/span\u003e\u003cspan\u003ean open-hearted, inviting album. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe album’s guest stars — First Aid Kit, Shovels \u0026amp; Rope, Scott McMicken, Neko Case, \u003c\/span\u003e\u003cspan\u003eJim James, others — enliven the album with surprises. On “Too Young to Die,” the wom\u003c\/span\u003e\u003cspan\u003een’s voices in First Aid Kit spread a light frosting over the melody, and their Beach Boys-\u003c\/span\u003e\u003cspan\u003elike chorus on “Engine 5” makes the song sound like an instant hit. Eight of the album’s \u003c\/span\u003e\u003cspan\u003eten songs are Ward originals. There’s an unusual Bowie choice, “I Can’t Give Everything \u003c\/span\u003e\u003cspan\u003eAway” from Blackstar, and a live rendition of Daniel Johnston’s ‘Story of an Artist.’” \u003c\/span\u003e\u003cspan\u003e-By James Cushing\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBoth as a solo artist and as one-half of She \u0026amp; Him, M. Ward became one of the defining \u003c\/span\u003e\u003cspan\u003evoices of the American indie landscape in the 2000s, earning fans and critical acclaim \u003c\/span\u003e\u003cspan\u003efor his distinctive brand of breezy West Coast Americana which pulled from folk, country, \u003c\/span\u003e\u003cspan\u003eblues, pop, and experimental indie rock elements. Ward established himself with warm, \u003c\/span\u003e\u003cspan\u003eanalog-minded releases like 2003’s Transfiguration of Vincent and 2006’s Post-War be\u003c\/span\u003e\u003cspan\u003efore joining forces with singer\/actress Zooey Deschanel to form the highly successful indie \u003c\/span\u003e\u003cspan\u003epop duo She \u0026amp; Him in 2008. Over the following decade, Ward split his time between proj\u003c\/span\u003e\u003cspan\u003eects, releasing a 2009 album with indie supergroup Monsters of Folk, several high-profile \u003c\/span\u003e\u003cspan\u003ealbums with Deschanel including She \u0026amp; Him’s Columbia-issued 2014 set Classics, and \u003c\/span\u003e\u003cspan\u003ecritically acclaimed solo releases like 2009’s Hold Time, 2012’s A Wasteland Companion, \u003c\/span\u003e\u003cspan\u003eand 2018’s What a Wonderful Industry. Ward kicked off the next decade with a deeply \u003c\/span\u003e\u003cspan\u003eatmospheric set called Migration Stories and a Billie Holiday covers album Think of Spring \u003c\/span\u003e\u003cspan\u003emost recently.\u003c\/span\u003e\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLifeline\u003c\/li\u003e\n\u003cli\u003etoo young to die (feat. first aid kit)\u003c\/li\u003e\n\u003cli\u003esupernatural thing\u003c\/li\u003e\n\u003cli\u003enew kerrang (feat. scott mcmicken)\u003c\/li\u003e\n\u003cli\u003ededication hour (feat. neko case and gabriel kahane)\u003c\/li\u003e\n\u003cli\u003ei can’t give everything away (feat. jim james and kelly pratt)\u003c\/li\u003e\n\u003cli\u003eengine 5 (feat. first aid kit)\u003c\/li\u003e\n\u003cli\u003emr. dixon (feat. shovels \u0026amp;amp; rope)\u003c\/li\u003e\n\u003cli\u003efor good\u003c\/li\u003e\n\u003cli\u003estory of an artist\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 045778796014\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Anti\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.23.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"M. 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In 2018 I performed a concert in LA. Of all the songs from Lady In Satin as a quintet and began preparing guitar arrangements for the recordings compiled on this record - Think of Spring. The title comes from a poem written in 1924 by Jane Brown-Thompson that eventually became \"I Get Along Without You Very Well\" in 1938 - the first song here. The conceit of Think of Spring is to filter the songs and strings from Lady In Satin through a single acoustic guitar using various alternate tunings and a minimal amount of textures and studio manipulation. #most of the songs were recorded on an analog Tascam four track. Think of Spring is inspired by Billie Holiday, Ray Ellis, J.J. Johnson, John Fahey and Robert Johnson. Proceeds from this record will benefit Inner-City Arts \u0026amp; Donors Choose via PLUS1 for Black Lives Fund.\" - M. Ward\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Get Along Without You Very Well\u003c\/li\u003e\n\u003cli\u003eFor Heavens Sake\u003c\/li\u003e\n\u003cli\u003eEasy to Remember\u003c\/li\u003e\n\u003cli\u003eYou've Changed\u003c\/li\u003e\n\u003cli\u003eViolets for Your Furs\u003c\/li\u003e\n\u003cli\u003eFor All We Know\u003c\/li\u003e\n\u003cli\u003eBut Beautiful\u003c\/li\u003e\n\u003cli\u003eAll the Way\u003c\/li\u003e\n\u003cli\u003eI'm a Fool to Want You\u003c\/li\u003e\n\u003cli\u003eI'll Be Around\u003c\/li\u003e\n\u003cli\u003eYou Don't Know What Love Is\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 045778779093\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Anti\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.11.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"M. 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Ward has clearly mastered the whole vocabulary of American popular music \u003c\/span\u003e\u003cspan\u003eand made serious decisions about how to employ it for his own ends. What Ward shares \u003c\/span\u003e\u003cspan\u003ewith Harry Smith’s artists and Neil Young is a context of musical and human values: \u003c\/span\u003e\u003cspan\u003eauthenticity and intimacy. Supernatural Thing’s original songs sound freshly pulled from \u003c\/span\u003e\u003cspan\u003ethe ground, with a little earth sticking to them. Ward’s lyric delivery has that slight rawness \u003c\/span\u003e\u003cspan\u003ethe ear loves, and his voice has quiet dignity and great tenderness. Supernatural Thing is \u003c\/span\u003e\u003cspan\u003ean open-hearted, inviting album. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe album’s guest stars — First Aid Kit, Shovels \u0026amp; Rope, Scott McMicken, Neko Case, \u003c\/span\u003e\u003cspan\u003eJim James, others — enliven the album with surprises. On “Too Young to Die,” the wom\u003c\/span\u003e\u003cspan\u003een’s voices in First Aid Kit spread a light frosting over the melody, and their Beach Boys-\u003c\/span\u003e\u003cspan\u003elike chorus on “Engine 5” makes the song sound like an instant hit. Eight of the album’s \u003c\/span\u003e\u003cspan\u003eten songs are Ward originals. There’s an unusual Bowie choice, “I Can’t Give Everything \u003c\/span\u003e\u003cspan\u003eAway” from Blackstar, and a live rendition of Daniel Johnston’s ‘Story of an Artist.’” \u003c\/span\u003e\u003cspan\u003e-By James Cushing\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBoth as a solo artist and as one-half of She \u0026amp; Him, M. Ward became one of the defining \u003c\/span\u003e\u003cspan\u003evoices of the American indie landscape in the 2000s, earning fans and critical acclaim \u003c\/span\u003e\u003cspan\u003efor his distinctive brand of breezy West Coast Americana which pulled from folk, country, \u003c\/span\u003e\u003cspan\u003eblues, pop, and experimental indie rock elements. Ward established himself with warm, \u003c\/span\u003e\u003cspan\u003eanalog-minded releases like 2003’s Transfiguration of Vincent and 2006’s Post-War be\u003c\/span\u003e\u003cspan\u003efore joining forces with singer\/actress Zooey Deschanel to form the highly successful indie \u003c\/span\u003e\u003cspan\u003epop duo She \u0026amp; Him in 2008. Over the following decade, Ward split his time between proj\u003c\/span\u003e\u003cspan\u003eects, releasing a 2009 album with indie supergroup Monsters of Folk, several high-profile \u003c\/span\u003e\u003cspan\u003ealbums with Deschanel including She \u0026amp; Him’s Columbia-issued 2014 set Classics, and \u003c\/span\u003e\u003cspan\u003ecritically acclaimed solo releases like 2009’s Hold Time, 2012’s A Wasteland Companion, \u003c\/span\u003e\u003cspan\u003eand 2018’s What a Wonderful Industry. 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What Ward shares with Harry Smith’s artists and Neil Young is a context of musical and human values: authenticity and intimacy. Supernatural Thing’s original songs sound freshly pulled from the ground, with a little earth sticking to them. Ward’s lyric delivery has that slight rawness the ear loves, and his voice has quiet dignity and great tenderness. Supernatural Thing is an open-hearted, inviting album. \u003cbr\u003e\u003cbr\u003eThe album’s guest stars — First Aid Kit, Shovels \u0026amp; Rope, Scott McMicken, Neko Case, Jim James, others — enliven the album with surprises. On “Too Young to Die,” the women’s voices in First Aid Kit spread a light frosting over the melody, and their Beach Boys-like chorus on “Engine 5” makes the song sound like an instant hit. Eight of the album’s ten songs are Ward originals. There’s an unusual Bowie choice, “I Can’t Give Everything Away” from Blackstar, and a live rendition of Daniel Johnston’s ‘Story of an Artist.’” -By James Cushing\u003cbr\u003e\u003cbr\u003eBoth as a solo artist and as one-half of She \u0026amp; Him, M. Ward became one of the defining voices of the American indie landscape in the 2000s, earning fans and critical acclaim for his distinctive brand of breezy West Coast Americana which pulled from folk, country, blues, pop, and experimental indie rock elements. Ward established himself with warm, analog-minded releases like 2003’s Transfiguration of Vincent and 2006’s Post-War before joining forces with singer\/actress Zooey Deschanel to form the highly successful indie pop duo She \u0026amp; Him in 2008. 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I was about 20 years old and didn't know much about Billie's records or her life or how her voice changed over the years. Anyway, the sound was coming from the other side of the mall and I remember mistaking her voice for a beautiful perfectly distorted electric guitar - some other-world thing floating there on this strange mournful ocean of strings and I was hooked for life. Ten years later in 2006 I recorded an electric guitar instrumental version of \"I'm A Fool To Want You\" for my album Post-War. In 2018 I performed a concert in LA. Of all the songs from Lady In Satin as a quintet and began preparing guitar arrangements for the recordings compiled on this record - Think of Spring. The title comes from a poem written in 1924 by Jane Brown-Thompson that eventually became \"I Get Along Without You Very Well\" in 1938 - the first song here. The conceit of Think of Spring is to filter the songs and strings from Lady In Satin through a single acoustic guitar using various alternate tunings and a minimal amount of textures and studio manipulation. #most of the songs were recorded on an analog Tascam four track. Think of Spring is inspired by Billie Holiday, Ray Ellis, J.J. Johnson, John Fahey and Robert Johnson. Proceeds from this record will benefit the Billie Holiday Foundation and Black Lives Matter. \"- M. 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His singular cover of David Bowie's \"Let's Dance,\" from 2003's Transfiguration of Vincent, breaks out into the exuberant \"Never Had Nobody Like You\" from 2009's Hold Time. Rather than the neat evolutionary line suggested by a chronological arrangement, what holds For Beginners together is Ward's impeccable skill as a songwriter, which remains in focus as his sound expands from low-fi home recordings to electric, radio-ready stompers. Serendipitously timed for release during Merge Records' 35-year anniversary, this celebration of one of the label's most beloved artists includes \"Cry\"-his first new recording on Merge since 2018-a stripped-down cover of the Godley \u0026amp; Creme pop classic featuring Melbourne, Australia's Folk Bitch Trio. M. Ward on \"Cry\":\"Cry\" was recorded in a Tasmanian modern art museum called MONA. I sat at the end of a long hallway a few feet away from Anselm Kiefer's sculpture of a 20-foot-high stack of lead books, and standing to my left and right around a single microphone were Melbourne's Folk Bitch Trio; we rehearsed and recorded \"Cry\" in about 30 minutes. A pleasure to add this song to a collection of some of my favorite memories of music-making during the first decade of record-creating with my friends at Merge. The song is the perfect capstone for a collection of this nature, summing up much of Ward's power as a musician: the richness he's capable of achieving in sparse recordings, his knack for collaboration, and his ability to see through to the soul of a meticulously crafted pop song-as much a means of looking forward to what's to come of his own work as it is a callback to his past.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eChinese Translation\u003c\/li\u003e\n\u003cli\u003ePoison Cup\u003c\/li\u003e\n\u003cli\u003eLet's Dance\u003c\/li\u003e\n\u003cli\u003eNever Had Nobody Like You\u003c\/li\u003e\n\u003cli\u003eLullaby + Exile\u003c\/li\u003e\n\u003cli\u003eDuet for Guitars #3\u003c\/li\u003e\n\u003cli\u003eVincent O' Brien\u003c\/li\u003e\n\u003cli\u003eFor Beginners\u003c\/li\u003e\n\u003cli\u003eMagic Trick\u003c\/li\u003e\n\u003cli\u003eOutta My Head\u003c\/li\u003e\n\u003cli\u003eUndertaker\u003c\/li\u003e\n\u003cli\u003eRoller Coaster\u003c\/li\u003e\n\u003cli\u003eHold Time\u003c\/li\u003e\n\u003cli\u003eCry\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 673855085012\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Merge Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.13.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"M. 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There's a real warmth to the sessions that transcends the often bare-bones production. For the most part, it sound like most takes were done live with two microphones, with the occasional overdub, and that style suits Ward's dreamy tales of molasses-slow teenage summers (\"Beautiful Car\") and oddball parables like \"Fishing Boat Song.\" It's also interesting to hear him shedding the inflections of some of his more obvious heroes like Neil Young (\"Who May Be Lazy\") and Bob Dylan (\"It Won't Happen Twice\").  This limited edition is an indie record store exclusive and pressed on clear vinyl!\"\u003c\/div\u003e\n        \n        \u003cul\u003e\n          \u003cli\u003e\n\u003cstrong\u003eArtist:\u003c\/strong\u003e M. 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