{"title":"Symphonieorchester Des Bayerischen Rundfunks","description":null,"products":[{"product_id":"symphonieorchester-des-bayerischen-rundfunks-mozart-idomeneo-cd","title":"Mozart: Idomeneo [CD]","description":"\u003cp\u003eIdomeneo has long been one of Sir Simon Rattle's favourite works, and with good reason. Mozart's \"dramma per musica\" from 1781 completely revitalised the opera seria genre, which had previously been considered outmoded. It opens the series of operas from the composer's mature period. For this commissioned work for the excellent ensemble of the Munich Residenztheater, Mozart had unlimited musical resources at his disposal. It was his most extensive and ambitious stage work to date, featuring demanding arias, differentiated role portraits, a virtuoso orchestral part and several large choral scenes that rank among the most impressive in his oeuvre. - Mozart's first great opera gave Simon Rattle the opportunity to work intensively with the Chorus immediately after taking up his position as the new Chief Conductor of the Bavarian Radio Chorus and Symphony Orchestra in the autumn of 2023, further deepening his interest in historical performance practice in Munich. He was supported by an exceptional cast of singers, including British tenor Andrew Staples in the challenging title role, soprano Sabine Devieilhe and mezzo-soprano Magdalena Kozena as the tender lovers Ilia and Idamante, soprano Elsa Dreisig as the envious and distraught Elettra, and several other soloists and choral soloists. Howard Arman directs the Bavarian Radio Chorus, and Simon Rattle conducts the Bavarian Radio Symphony Orchestra.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIdomeneo~Ouverture\u003c\/li\u003e\n\u003cli\u003eIdomeneo~Akt 1: Scena I. Recitativo: Quando avran fine omai\u003c\/li\u003e\n\u003cli\u003eIdomeneo~Akt 1: Scena I. No. 1 Aria: Padre, germani, addio!\u003c\/li\u003e\n\u003cli\u003eIdomeneo~Akt 1: Scena II - III. Recitativo: Radunate i Troiani, ite\u003c\/li\u003e\n\u003cli\u003eIdomeneo~Akt 1: Scena II - III. No. 2 Aria: Non ho colpa\u003c\/li\u003e\n\u003cli\u003eIdomeneo~Akt 1: Scena II - III. Recitativo: Ecco il misero resto de' Troiani\u003c\/li\u003e\n\u003cli\u003eIdomeneo~Akt 1: Scena II - III. No. 3 Coro: Godiam la pace, trionfi Amore\u003c\/li\u003e\n\u003cli\u003eIdomeneo~Akt 1: Scena IV - V. Recitativo: Prence, signor, tutta la Grecia oltraggi\u003c\/li\u003e\n\u003cli\u003eIdomeneo~Akt 1: Scena VI. Recitativo: Estinto è Idomeneo?\u003c\/li\u003e\n\u003cli\u003eIdomeneo~Akt 1: Scena VI. No. 4 Aria: Tutte nel cor vi sento\u003c\/li\u003e\n\u003cli\u003eIdomeneo~Akt 1: Scena VII. No. 5 Coro: Pietà! Numi, pietà!\u003c\/li\u003e\n\u003cli\u003eIdomeneo~Akt 1: Scena VIII. Pantomima e Recitativo: Eccoci salvi alfin\u003c\/li\u003e\n\u003cli\u003eIdomeneo~Akt 1: Scena IX. Recitativo: Tranquillo è il mar\u003c\/li\u003e\n\u003cli\u003eIdomeneo~Akt 1: Scena IX. No. 6 Aria: Vedrommi intorno l'ombra dolente\u003c\/li\u003e\n\u003cli\u003eIdomeneo~Akt 1: Scena X. Recitativo: Spiagge romite\u003c\/li\u003e\n\u003cli\u003eIdomeneo~Akt 1: Scena X. No. 7 Aria: Il padre adorato\u003c\/li\u003e\n\u003cli\u003eIdomeneo~Akt 1: Scena X. Intermezzo. No. 8 Marcia\u003c\/li\u003e\n\u003cli\u003eIdomeneo~Akt 1: Scena X. No. 9 Coro: Nettuno s'onori, quel nome risuoni\u003c\/li\u003e\n\u003cli\u003eIdomeneo~Akt 2: Scena I. No. 10a Recitativo: Siam soli. Odimi, Arbace\u003c\/li\u003e\n\u003cli\u003eIdomeneo~Akt 2: Scena I. Aria: Se il tuo duol\u003c\/li\u003e\n\u003cli\u003eIdomeneo~Akt 2: Scena II. Recitativo: Se mai pomposo apparse\u003c\/li\u003e\n\u003cli\u003eIdomeneo~Akt 2: Scena II. No. 11 Aria: Se il padre perdei\u003c\/li\u003e\n\u003cli\u003eIdomeneo~Akt 2: Scena III. Recitativo: Qual mi conturba i sensi\u003c\/li\u003e\n\u003cli\u003eIdomeneo~Akt 2: Scena III. No. 12a Aria: Fuor del mar\u003c\/li\u003e\n\u003cli\u003eIdomeneo~Akt 2: Scena IV. Recitativo: Chi mai del mio provò\u003c\/li\u003e\n\u003cli\u003eIdomeneo~Akt 2: Scena IV. No. 13 Aria: Idol mio, se ritroso\u003c\/li\u003e\n\u003cli\u003eIdomeneo~Akt 2: Scena IV. No. 14 Marcia: Odo da lunge armonioso suono\u003c\/li\u003e\n\u003cli\u003eIdomeneo~Akt 2: Scena V. Recitativo: Sidonie sponde!\u003c\/li\u003e\n\u003cli\u003eIdomeneo~Akt 2: Scena V. No. 15 Coro: Placido è il mar, andiamo\u003c\/li\u003e\n\u003cli\u003eIdomeneo~Akt 2: Scena VI. Recitativo: Vattene, prence\u003c\/li\u003e\n\u003cli\u003eIdomeneo~Akt 2: Scena VI. No. 16 Terzetto: Pria di partir, o Dio!\u003c\/li\u003e\n\u003cli\u003eIdomeneo~Akt 2: Scena VI. No. 17 Coro: Qual nuovo terrore!\u003c\/li\u003e\n\u003cli\u003eIdomeneo~Akt 2: Scena VI. Recitativo: Eccoti in me, barbaro nume\u003c\/li\u003e\n\u003cli\u003eIdomeneo~Akt 2: Scena VI. No. 18 Coro: Corriamo, fuggiamo\u003c\/li\u003e\n\u003cli\u003eIdomeneo-Akt 3: Scena I. Recitativo: Solitudini Amiche\u003c\/li\u003e\n\u003cli\u003eIdomeneo-Akt 3: Scena I. No. 19 Aria: Zeffiretti Lusinghieri\u003c\/li\u003e\n\u003cli\u003eIdomeneo-Akt 3: Scena II. Recitativo: Principessa, A' Tuoi Sguardi\u003c\/li\u003e\n\u003cli\u003eIdomeneo-Akt 3: Scena II. No. 20A Duetto: S'io Non Moro a Questi Accenti\u003c\/li\u003e\n\u003cli\u003eIdomeneo-Akt 3: Scena III. Recitativo: Cieli! Che Vedo?\u003c\/li\u003e\n\u003cli\u003eIdomeneo-Akt 3: Scena III. No. 21 Quartetto: Andrò Ramingo E Solo\u003c\/li\u003e\n\u003cli\u003eIdomeneo-Akt 3: Scena V. Recitativo: Sventurata Sidon!\u003c\/li\u003e\n\u003cli\u003eIdomeneo-Akt 3: Scena V. No. 22 Aria: Se Colà Ne' Fati E Scritto\u003c\/li\u003e\n\u003cli\u003eIdomeneo-Akt 3: Scena VI. No. 23 Recitativo: Volgi Intorno Lo Sguardo, O Sire\u003c\/li\u003e\n\u003cli\u003eIdomeneo-Akt 3: Scena VI. No. 24 Coro: Oh, Voto Tremendo!\u003c\/li\u003e\n\u003cli\u003eIdomeneo-Akt 3: Scena VII - VIII. No. 25 Marcia\u003c\/li\u003e\n\u003cli\u003eIdomeneo-Akt 3: Scena VII - VIII. No. 26 Cavatina Con Coro: Accogli, O Re Del Mar\u003c\/li\u003e\n\u003cli\u003eIdomeneo-Akt 3: Scena VII - VIII. Coro: Stupenda Vittoria!. Recitativo: Qual Risuona Qui Intorno\u003c\/li\u003e\n\u003cli\u003eIdomeneo-Akt 3: Scena IX. No. 27 Recitativo: Padre, Mio Caro Padre\u003c\/li\u003e\n\u003cli\u003eIdomeneo-Akt 3: Scena X. Recitativo: Ferma, O Sire, Che Fai?\u003c\/li\u003e\n\u003cli\u003eIdomeneo-Akt 3: Scena X. No. 28D la Voce: Ha Vinto Amore\u003c\/li\u003e\n\u003cli\u003eIdomeneo-Akt 3: Scena X. No. 29 Recitativo: O Ciel Pietoso!\u003c\/li\u003e\n\u003cli\u003eIdomeneo-Akt 3: Scena X. No. 29A Aria: D'oreste, D'aiace\u003c\/li\u003e\n\u003cli\u003eIdomeneo-Akt 3: Scena X. No. 30 Recitativo: Popoli, a Voi L'ultima Legge\u003c\/li\u003e\n\u003cli\u003eIdomeneo-Akt 3: Scena X. No. 30A Aria: Torna la Pace\u003c\/li\u003e\n\u003cli\u003eIdomeneo-Akt 3: Scena X. No. 31 Coro: Scenda Amor, Scenda Imeneo\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4035719002157\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Br Klassiks\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.5.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Symphonieorchester Des Bayerischen Rundfunks","offers":[{"title":"Default Title","offer_id":58253912801361,"sku":"138454","price":45.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/4439247-3413028.jpg?v=1759467689"},{"product_id":"symphonieorchester-des-bayerischen-rundfunks-liza-lim-a-sutured-world-mary-compass-cd","title":"Liza Lim: A Sutured World: Mary: Compass [CD]","description":"\u003cp\u003eThe music of the composer, educator and musicologist Liza Lim, who was born in Perth, Australia in 1966, has a collaborative and transcultural focus. Her recent works have explored beauty, anger and noise, ecological issues, and women's spiritual traditions. Liza Lim has received commissions from leading orchestras and institutions worldwide, and her works continue to be performed at prestigious festivals. In 2024, she was named \"Composer of the Year\" by OPUS KLASSIK. Liza Lim is Professor of Composition and Australian Music at the Sydney Conservatorium of Music. As part of a Laureate Fellowship from the Australian Research Council, she will lead a five-year program starting in 2025 to promote the exploration of pressing climate and social issues through music. Her gender equity initiatives through Sydney Con's Composing Women have had a significant impact on commissioning, performance and next-generation leadership in Australian music.A Sutured World for cello and orchestra was commissioned in 2024 by musica viva of the Bayerischer Rundfunk, the Royal Concertgebouw Orchestra, the Cello Biennale Amsterdam, the Melbourne Symphony Orchestra and the Casa da Musica Porto. The world premiere recorded on this CD took place in the Herkulessaal of the Munich Residenz on October 25, 2024, with Nicolas Altstaedt (cello) and the Bavarian Radio Symphony Orchestra conducted by Edward Gardner.The orchestral work Mary - Transcendence after Trauma was commissioned by musica viva of the Bayerischer Rundfunk in 2020\/21. The world premiere of the work at musica viva, originally scheduled for January 28, 2022, had to be cancelled due to the Covid pandemic. In the meantime, the triptych was premiered at the Cologne Philharmonie on April 29, 2022 as part of \"Musik der Zeit\" with the WDR Symphony Orchestra conducted by Cristian Macelaru. This CD features the musica viva recording of May 12, 2023 in Munich's Herkulessaal by the Bavarian Radio Symphony Orchestra under Franck Ollu.The Compass for flute, didgeridoo and large orchestra was commissioned by musica viva of the Bayerischer Rundfunk and the Sydney Symphony Orchestra in 2005\/06. The premiere took place at the Sydney Opera House on August 23, 2006 with Rosamund Plummer (flute), William Barton (didgeridoo) and the Sydney Symphony Orchestra conducted by Alexander Briger. This CD features the musica viva recording of the European premiere of the work on January 12, 2007 in Munich's Herkulessaal, with Carin Levine (flute), William Barton (didgeridoo) and the Bavarian Radio Symphony Orchestra conducted by Christoph Poppen.? The main work on the CD is Liza Lim's latest composition: a live recording of the world premiere of the cello concerto \"A Sutured World\" (2024) as part of the musica viva concert series by the Bayerischer Rundfunk from the Herkulessaal of the Munich Residenz - with the famous cellist Nicolas Altstaedt? The CD also features Liza Lim's compositions \"Mary - Transcendence after Trauma\" (2020\/21) and \"The Compass\" (2005\/06) as live recordings from the musica viva concert series? Performed and conducted by renowned musicians, all of them experts in contemporary music\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSutured World für Violoncello und Orchester~I. take this broken wing.\u003c\/li\u003e\n\u003cli\u003eSutured World für Violoncello und Orchester~II. Chrysalis\u003c\/li\u003e\n\u003cli\u003eSutured World für Violoncello und Orchester~III. Sutra\u003c\/li\u003e\n\u003cli\u003eSutured World für Violoncello und Orchester~IV. Simon says: Alle Vögel fliegen hoch\u003c\/li\u003e\n\u003cli\u003eMary \/ Transcendence after Trauma für Orchester~I. Still Life with Foetus and Angel\u003c\/li\u003e\n\u003cli\u003eMary \/ Transcendence after Trauma für Orchester~IIa. Audi, Pontus (Hear, O Sea)\u003c\/li\u003e\n\u003cli\u003eMary \/ Transcendence after Trauma für Orchester~IIb. Audi, Tellus (Hear, O Earth)\u003c\/li\u003e\n\u003cli\u003eMary \/ Transcendence after Trauma für Orchester~IIc. Audi maris magni limbus (Hear, O great earth-girdle of the Ocean)\u003c\/li\u003e\n\u003cli\u003eMary \/ Transcendence after Trauma für Orchester~III. Her wild consent\u003c\/li\u003e\n\u003cli\u003eMary \/ Transcendence after Trauma für Orchester~IV. Sidera super terram cadent (the Stars fall over the Earth)\u003c\/li\u003e\n\u003cli\u003eMary \/ Transcendence after Trauma für Orchester~V. Mary - Tree of Light\u003c\/li\u003e\n\u003cli\u003eCompass für Flöte, Didgeridoo und großes Orchester~I\u003c\/li\u003e\n\u003cli\u003eCompass für Flöte, Didgeridoo und großes Orchester~II\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4035719006476\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Br Klassiks\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.25.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Symphonieorchester Des Bayerischen Rundfunks","offers":[{"title":"Default Title","offer_id":58254272069713,"sku":"377212","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/4426890-3394332.jpg?v=1759471852"},{"product_id":"pre-order-symphonieorchester-des-bayerischen-rundfunks-nicolaus-richter-de-vroe-49-iv-shibuya-cd","title":"Nicolaus Richter De Vroe: 49 - Iv: Shibuya [CD]","description":"\u003cp\u003eThe works of violinist and composer Nicolaus Richter de Vroe (*1955) have been and are regularly performed by the most renowned organisers and festivals of new music. The musician began his training at the Special School for Music in Dresden, now known as the Sachsisches Landesgymnasium fur Musik Carl Maria von Weber. After studying the violin at the Tchaikovsky Conservatory in Moscow, he performed with various chamber music, improvisation, and experimental ensembles. In 1980, he joined the Staatskapelle Berlin and completed his composition studies with Friedrich Goldmann and Georg Katzer at the Academy of Arts of the German Democratic Republic. In 1982, he founded the Ensemble for New Music Berlin (East), which quickly became an important platform for contemporary music in the GDR. From the mid-1980s onwards, Richter de Vroe performed his own works and appeared as a performer at all ARD radio stations, as well as at international festivals. In 1988 he joined the Bavarian Radio Symphony Orchestra, and, one year later, founded the XSEMBLE Munich - an ensemble characterised by experimental programming and stylistic openness. In 1996, he co-founded the Munich Society for New Music, dedicated to promoting contemporary music. Alongside his work as a composer and performer, Richter de Vroe has been a regular guest at Goethe Institutes worldwide since 1994, delivering lectures and giving portrait concerts and presentations of his work. In 2008 he was admitted to the Saxon Academy of Arts.Richter de Vroe's composition TETRA?b IV for four soloists and orchestra was commissioned by musica viva of Bayerischer Rundfunk in 2002. The world premiere, which is recorded on this CD, features Isao Nakamura (percussion), Irvine Arditti, Mike Svoboda (trombone), Isabeella Beumer (voice) and the Bavarian Radio Symphony Orchestra conducted by Peter Rundel, and took place on November 15, 2002 in the Herkulessaal of the Munich Residenz. - Although the large orchestra is joined by four soloists, the work is not a concerto or concerto grosso. The solo parts are so distinct that it would be challenging to have them compete in a concert setting. They also appear successively, each characterising a longer section of the work with their own style, and they can only be heard performing together towards the end. The vocalist's solo is based on a poem by the experimental Russian poet Daniil Kharms. Richter de Vroe's artistic affinity with Kharms' thinking is expressed in the title TETRA?b IV - the Russian word \"Tetra\", in which only the last letter is written in Cyrillic, means \"notebook\" - as well as in the composer's experimental approach to the text.Shibuya Movements for orchestra was also commissioned by musica viva of Bayerischer Rundfunk in 1991\/92. This CD features a recording of the world premiere on May 15, 1992 by the Bavarian Radio Symphony Orchestra under Cristobal Halffter, performed in the Herkulessaal of the Munich Residenz.Euforia for orchestra was composed in 2009, and it's world premiere on October 31, 2009 by the Bavarian Radio Symphony Orchestra under Mariss Jansons also took place in the Herkulessaal of the Munich Residenz.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTetradb IV für vier Solisten und Orchester~I\u003c\/li\u003e\n\u003cli\u003eTetradb IV für vier Solisten und Orchester~II\u003c\/li\u003e\n\u003cli\u003eTetradb IV für vier Solisten und Orchester~III\u003c\/li\u003e\n\u003cli\u003eTetradb IV für vier Solisten und Orchester~IV\u003c\/li\u003e\n\u003cli\u003eTetradb IV für vier Solisten und Orchester~V\u003c\/li\u003e\n\u003cli\u003eTetradb IV für vier Solisten und Orchester~VI\u003c\/li\u003e\n\u003cli\u003eTetradb IV für vier Solisten und Orchester~VII\u003c\/li\u003e\n\u003cli\u003eTetradb IV für vier Solisten und Orchester~VIII\u003c\/li\u003e\n\u003cli\u003eTetradb IV für vier Solisten und Orchester~IX\u003c\/li\u003e\n\u003cli\u003eTetradb IV für vier Solisten und Orchester~X\u003c\/li\u003e\n\u003cli\u003eTetradb IV für vier Solisten und Orchester~XI\u003c\/li\u003e\n\u003cli\u003eShibuya Movements für Orchester~I\u003c\/li\u003e\n\u003cli\u003eShibuya Movements für Orchester~II\u003c\/li\u003e\n\u003cli\u003eShibuya Movements für Orchester~III\u003c\/li\u003e\n\u003cli\u003eShibuya Movements für Orchester~IV\u003c\/li\u003e\n\u003cli\u003eShibuya Movements für Orchester~V\u003c\/li\u003e\n\u003cli\u003eEuforia für Orchester\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4035719006490\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Br Klassiks\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.24.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Symphonieorchester Des Bayerischen Rundfunks","offers":[{"title":"Default Title","offer_id":58254602371153,"sku":"1013044","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/4449261-3432596.jpg?v=1759476669"},{"product_id":"pre-order-symphonieorchester-des-bayerischen-rundfunks-prokofiev-romeo-julia-tchaikovsky-sym-no-4-cd","title":"Prokofiev: Romeo \u0026 Julia: Tchaikovsky: Sym No. 4 [CD]","description":"\u003cp\u003eSir Georg Solti was a frequent guest conductor with the Bavarian Radio Symphony Orchestra. Born in Hungary in 1912, he played a decisive role in rebuilding the Bavarian National Theatre after the war. From the 1960s onwards, he was considered one of the world's leading conductors alongside Leonard Bernstein and Herbert von Karajan. Georg Solti returned to Munich once more for a special concert on February 10, 1984, with the Bavarian Radio Symphony Orchestra in the Herkulessaal of the Munich Residenz. Aged 71 and at the height of his career, he conducted excerpts from Sergei Prokofiev's ballet Romeo and Juliet and Pyotr Ilyich Tchaikovsky's Fourth Symphony. Works by these two Russian composers, as well as Bruckner and Mahler, suited him particularly well, as they sounded musically spirited and exceptionally transparent.Prokofiev's three-act ballet Romeo and Juliet was written in 1935 for the Bolshoi Theatre in Moscow, but it's premiere did not take place until 1938, in Brno in the Czech Republic. At the special concert in Munich in 1984 with Georg Solti, fifteen numbers from the ballet music were performed in chronological order.Pyotr Tchaikovsky dedicated his Fourth Symphony - composed in 1877\/78 at the same time as his opera Eugene Onegin - to his patron Nadezhda von Meck. Despite their lengthy correspondence, they never actually met. 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Yes, it is extreme, but for long stretches it is less wild than other works of his-although of course it does convey a harrowing message. But it's like a lot of great works: there are always different ways of reading them. I've been conducting the Sixth for forty years now, and over time I've come to realise that it also contains hope.\"Mahler composed his Sixth Symphony during the summers of 1903 and 1904 at his \"composer's cottage\" in Maiernigg, near Klagenfurt. At the Vienna performance in 1907 (the third under his baton), he called it the \"Tragic Symphony\"-a nickname that soon became the stuff of legend. In particular, the darkness and devastating hopelessness of the finale-written at a time when he was at the high point of his life, both professionally and personally-are puzzling. Even his wife Alma could not quite explain the contradiction. As always, it was in and through music that Mahler came to terms with his experiences, exploring themes such as farewell, the meaning of existence, death, redemption, the afterlife, and love.More than other Mahler works, the Sixth Symphony is committed to \"classical\" symphonic form: it is in four movements and has no vocal parts. Despite all the liberties it takes, the opening movement follows sonata form. The Andante draws on the rondo form, as do the Scherzo and the Finale. Very unusually, even the Scherzo has march-like features and seems like a parodistic paraphrase of the opening, with a change of perspective. The march, which sets the tone from the very first note of the first movement, plays a major role.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4035719001952\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Br Klassiks\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.6.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Symphonieorchester Des Bayerischen Rundfunks","offers":[{"title":"Default Title","offer_id":58589982457937,"sku":"82607404","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/4484258-3505399.jpg?v=1767902253"},{"product_id":"pre-order-blomstedt-conducts-rehearses-brahms-cd","title":"Blomstedt Conducts \u0026 Rehearses Brahms [CD]","description":"\u003cp\u003eThe distinguished Swedish conductor Herbert Blomstedt, long associated with the Bavarian Radio Symphony Orchestra as a regular guest, conducted Johannes Brahms' Variations in B-flat major on a Theme by Joseph Haydn, Op. 56a, in concerts on February 13 and 14, 2014 in the Herkulessaal of the Munich Residenz. This new BR-KLASSIK CD presents not only the live recording of this compelling interpretation but also a live orchestral rehearsal recording from February 10, 2014. The latter forms part of BR-KLASSIK's acclaimed series Conductors at Rehearsal, offering a glimpse into their artistic work with the orchestra. Brahms composed the Variations on a Theme by Haydn in Tutzing during the summer of 1873. The work was premiered on November 2, 1873 in Vienna, conducted by the composer himself. A short while later, Brahms introduced an alternative version for two pianos (Op. 56b), which premiered in 1874, also in Vienna. The Variations are based on the melody of the so-called \"Chorale St. Antoni, \" taken from the second movement of a Divertimento in B flat major (Hob. II:46) that was most likely mistakenly attributed to Joseph Haydn. The chorale may not even have been written by the composer of the Divertimento and could originally have been a pilgrimage song honouring St. Anthony of Padua in western Hungary (present-day Burgenland). Regardless of their origins, Brahms' Variations (theme with nine variations and finale) stand as one of the composer's most important and most celebrated orchestral works, and remain a cornerstone of the Romantic repertoire. The detailed rehearsal recordings on the CD provide a deeper insight into this magnificent work. Listeners can experience first-hand how the conductor's wishes, ideas and instructions are implemented, how his explanations and his temperament change the resulting sound, and what thoughts lie behind the interpretation of the work. Thanks to this series, which is now also available on CD, the unique artistic partnership between Herbert Blomstedt and the Bavarian Radio Symphony Orchestra can be documented. Blomstedt's seemingly inexhaustible source of energy - music itself - is palpable in every word and every bar. ? Herbert Blomstedt conducts the Bavarian Radio Symphony Orchestra in concerts on February 13 and 14, 2014? Live recording of Johannes Brahms' famous Variations on a Theme by Haydn, Op. 56a? Includes \"Conductors at Rehearsal\": live recording of the orchestra rehearsal on February 10, 2014 for the Munich concerts? Electrifying live atmosphere from the Herkulessaal of the Munich Residenz\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eVariationen für Orchester B-Dur über ein Thema von Haydn, Op. 56a~Chorale: St. Antoni. Andante\u003c\/li\u003e\n\u003cli\u003eVariationen für Orchester B-Dur über ein Thema von Haydn, Op. 56a~Variation I. Poco più animato\u003c\/li\u003e\n\u003cli\u003eVariationen für Orchester B-Dur über ein Thema von Haydn, Op. 56a~Variation II. Più vivace\u003c\/li\u003e\n\u003cli\u003eVariationen für Orchester B-Dur über ein Thema von Haydn, Op. 56a~Variation III. Con moto\u003c\/li\u003e\n\u003cli\u003eVariationen für Orchester B-Dur über ein Thema von Haydn, Op. 56a~Variation IV. Andante con moto\u003c\/li\u003e\n\u003cli\u003eVariationen für Orchester B-Dur über ein Thema von Haydn, Op. 56a~Variation V. Vivace\u003c\/li\u003e\n\u003cli\u003eVariationen für Orchester B-Dur über ein Thema von Haydn, Op. 56a~Variation VI. Vivace\u003c\/li\u003e\n\u003cli\u003eVariationen für Orchester B-Dur über ein Thema von Haydn, Op. 56a~Variation VII. Grazioso\u003c\/li\u003e\n\u003cli\u003eVariationen für Orchester B-Dur über ein Thema von Haydn, Op. 56a~Variation VIII. Presto non troppo\u003c\/li\u003e\n\u003cli\u003eVariationen für Orchester B-Dur über ein Thema von Haydn, Op. 56a~Finale. Andante\u003c\/li\u003e\n\u003cli\u003eHerbert Blomstedt probt mit dem Symphonieorchester...~Dirigenten bei der Probe - Einleitung\u003c\/li\u003e\n\u003cli\u003eHerbert Blomstedt probt mit dem Symphonieorchester...~Die Haydn-Variationen\u003c\/li\u003e\n\u003cli\u003eHerbert Blomstedt probt mit dem Symphonieorchester...~Nur Piano\u003c\/li\u003e\n\u003cli\u003eHerbert Blomstedt probt mit dem Symphonieorchester...~Ja, das ist schön\u003c\/li\u003e\n\u003cli\u003eHerbert Blomstedt probt mit dem Symphonieorchester...~Zweite Variation tutti\u003c\/li\u003e\n\u003cli\u003eHerbert Blomstedt probt mit dem Symphonieorchester...~Ja, das Ritardando ist ziemlich groß\u003c\/li\u003e\n\u003cli\u003eHerbert Blomstedt probt mit dem Symphonieorchester...~Nochmal Anfang der dritten Variation\u003c\/li\u003e\n\u003cli\u003eHerbert Blomstedt probt mit dem Symphonieorchester...~Nächste Variation - schlicht, aber auch ausdrucksvoll\u003c\/li\u003e\n\u003cli\u003eHerbert Blomstedt probt mit dem Symphonieorchester...~Ich gebe einen ganzen Takt\u003c\/li\u003e\n\u003cli\u003eHerbert Blomstedt probt mit dem Symphonieorchester...~Da müssen wir ein bisschen üben...\u003c\/li\u003e\n\u003cli\u003eHerbert Blomstedt probt mit dem Symphonieorchester...~Was Herbert Blomstedt an der Musik von Johannes Brahms fasziniert\u003c\/li\u003e\n\u003cli\u003eHerbert Blomstedt probt mit dem Symphonieorchester...~Nächste Variation - sehr lustig im Charakter, nicht schwer\u003c\/li\u003e\n\u003cli\u003eHerbert Blomstedt probt mit dem Symphonieorchester...~Wenn Herbert Blomstedt mit dem BRSO probt\u003c\/li\u003e\n\u003cli\u003eHerbert Blomstedt probt mit dem Symphonieorchester...~Da fängt das Ritardando an\u003c\/li\u003e\n\u003cli\u003eHerbert Blomstedt probt mit dem Symphonieorchester...~Der Anfang vom Finale\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4035719002164\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Br Klassiks\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.15.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Symphonieorchester Des Bayerischen Rundfunks","offers":[{"title":"Default Title","offer_id":59191974068305,"sku":"123426653","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/4498117-3541606.jpg?v=1773348180"},{"product_id":"pre-order-mahler-sym-no-4-cd","title":"Mahler: Sym No. 4 [CD]","description":"\u003cp\u003eThe Dutch conductor Bernard Haitink and the Bavarian Radio Symphony Orchestra enjoyed a long and intensive artistic collaboration, which came to an abrupt end with Haitink's death in October 2021. BR-KLASSIK now presents outstanding and previously unreleased live recordings of their concerts from past years. This recording of Shostakovich's Fifteenth Symphony documents a concert given in February 2015 in Munich's Philharmonie i'm Gasteig. This recording of Gustav Mahler's Fourth Symphony documents concerts from November 2005 at Munich's Philharmonie i'm Gasteig. Haitink first conducted a Munich subscription concert in 1958, and from then on was a regular guest with the Bavarian Radio Symphony Orchestra - either in the Herkulessaal of the Residenz or in the Philharmonie i'm Gasteig. This congenial collaboration lasted for more than six decades. The orchestra musicians and singers enjoyed working with him just as much as the BR sound engineers. As an interpreter of the symphonic repertoire, and especially that of the German-Austrian Late Romantic period, Haitink was held in high esteem throughout the world. With him, the symphonies of Dmitri Shostakovich were always in the best of hands. Haitink's driving principle was to make the sound architecture of a musical composition, with it's complex interweaving, transparently audible; extreme sensitivity of sound was combined with a clearly structured interpretation of the score. In his Fourth Symphony, Gustav Mahler brought his preoccupation with the poems from Des Knaben Wunderhorn to a preliminary climax. Texts from the collection, published between 1805 and 1808 by Clemens Brentano and Achim von Arnim, had already been incorporated into the \"Wunderhorn Symphonies\" Nos. 2 and 3. In Mahler's Fourth Symphony, composed between 1899 and 1901, the final movement features the Wunderhorn poem \"Das himmlische Leben\" (The Heavenly Life), which the composer had already set to music in 1892. It depicts a paradise beyond the grave, seen from a child's perspective. Mahler's sceptical view of the world of his time forms a utopian counter-concept to this \"heavenly world\". A mature and convincing interpretation of Mahler's impressive Fourth Symphony. Concerts recorded on November 3 and 4, 2005 at Munich's Philharmonie i'm Gasteig. A fine example of Bernard Haitink's long-standing collaboration with the Bavarian Radio Symphony Orchestra.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4035719002379\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Br Klassiks\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.19.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Symphonieorchester Des Bayerischen Rundfunks","offers":[{"title":"Default Title","offer_id":59277421183057,"sku":"151422872","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/4507174-3562822.jpg?v=1775533504"},{"product_id":"pre-order-ozawa-beethoven-strauss-cd","title":"Ozawa - Beethoven \u0026 Strauss [CD]","description":"\u003cp\u003eNur zwei Mal hat der japanische Dirigent Seiji Ozawa (1935-2024) das Symphonieorchester Des Bayerischen Rundfunks in Munchner Konzerten geleitet - doch beide Male wurde nichts weniger als Musikgeschichte geschrieben! I'm Juli 1983 dirigierte Ozawa i'm Herkulessaal der Munchner Residenz Strawinskys Le sacre du printemps und Beethovens Egmont-Ouverture sowie dessen Erstes Klavierkonzert mit Martha Argerich als Solistin, das als CD bereits erschienen ist (CD 900701). Und i'm Januar 1990 prasentierte er sich in der Philharmonie i'm Gasteig mit dem hier erstmals auf CD vorgelegten Programm - mit beispiellos beeindruckenden Interpretationen von Beethovens Funfter Symphonie und Strauss' Tondichtung Ein Heldenleben. In Beethovens funfter Symphonie bestaunte bereits der erste Rezensent E. T. A. Hoffmann das in jener Musik zum Ausdruck gebrachte dramatische Ringen des Menschen durch Nacht zum Licht', das auf rein musikalische Weise gestaltet ist, in struktureller Dichte und auerster Stringenz. Erst in der zweiten Halfte des 19. Jahrhunderts wurde das Werk dann zur Schicksalssymphonie', i'm Sinne jenes heroischen Bildes des Menschen und Kunstlers Ludwig van Beethoven, das sich mittlerweile eingeburgert hatte. Demnach sollte die Symphonie das Leiden und uberwinden des titanisch mit dem Schicksal ringenden Beethoven, insbesondere mit dem personlichen Schicksal seiner Ertaubung behandeln. Eine romantische Anschauung vom Kunstler als leidendem Auenseiter wurde nachtraglich dem Leben und Werk Beethovens aufgepfropft, vor allem seiner funften Symphonie. Um das Leben eines Helden geht es auch in Richard Strauss' Tondichtung, die entstand, als er das Amt des Berliner Hofkapellmeisters antrat. Auch mit diesem Werk wollte er (wie etliche seiner Zeitgenossen) an Beethoven oder die von jenem geschaffene musikalische Ausdruckskraft anknupfen - mit den Mitteln seiner Zeit. Die Tondichtung Ein. Heldenleben, die ihre Urauffuhrung am 3. Marz 1899 in Frankfurt am Main erlebte, liee sich einem Brief Strauss' zufolge als moderne Variante der Eroica deuten, die auch formal auf die klassische Sonatenhauptsatzform zuruckgreift. In der Partitur fehlen die programmatischen Erlauterungen; die uberschriften der sechs Abschnitte wurden erst unmittelbar vor der Urauffuhrung formuliert - vermutlich nicht einmal von Strauss. Trotzdem machte man dem Komponisten, den man als Personalunion seines Helden' sah, den Vorwurf tonender Selbstdarstellung.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4035719002386\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Br Klassiks\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.7.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"Symphonieorchester Des Bayerischen Rundfunks","offers":[{"title":"Default Title","offer_id":59546444234833,"sku":"202723721","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/4517499-3605790.jpg?v=1782412025"}],"url":"https:\/\/apocalypsevinyl.com\/es\/collections\/artist-symphonieorchester-des-bayerischen-rundfunks.oembed","provider":"Apocalypse Vinyl","version":"1.0","type":"link"}