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Though rich in it's Brazilian heritage, inspired by samba canÃ§ao, MPB, and the Clube da Esquina movement, it also channels influence from bands such as Portishead and Massive Attack, mixed with jazz, contemporary leftfield and electronic pop artists. Musically, it is not easily pigeonholed, with beautiful, well-crafted songs, sophisticated arrangements, eloquent vocals and intimate lyrics. Each track reflects different moments and stories from Nina's youth but with dialogues, feelings, and questions that span generations and resonate with all. This ambitious debut album is Nina's vision and sound, expressing herself without constraints and making music with her friends. Featuring a lineup of Thalin (drums), Valentim Frateschi (bass), Francisca Barreto (cello and vocals), Thales Hashiguti (viola and violin), Yann Dardenne (acoustic guitar and co-producer) and Nina on piano, Rhodes, guitar and production. 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Malian riffs infuse with Mississippi mud and Tin Pan Alley, stretching the band's roots aesthetic to include notes of hibiscus and the buzz of mosquitos. There are songs about death, striving, hoarding, time and the march of dementia. Soaring horns and wailing harmonica are joined by the clang of modern India and the murmur of China, a distillation of Hazmat Modine's travels through time, place and sound. Throughout, the CD weaves lyrics that reflect on the times and troubles of the world we currently live in. This is the bands most mature and original album yet, something so Hazmatian that it needs it's own genre to define it. Familiar yet un-trodden, Box of Breath celebrates humanity and mortality. 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