{"title":"Fusion","description":null,"products":[{"product_id":"miles-davis-miles-davis-we-want-miles-2xlp-opaque-yellow-vinyl-vinyl","title":"Miles Davis We Want Miles (2xLP Vinilo Amarillo Opaco) [Discos y LP]","description":"\u003ch2\u003e Miles Davis - We Want Miles (2xLP Vinilo amarillo opaco)\u003c\/h2\u003e\n\n\n\u003cp\u003e Remasterizado a partir de las cintas analógicas originales\u003cbr\u003e\n\u003cbr\u003e\r \nEl primer lanzamiento en vivo de una banda eléctrica de Miles Davis desde el muy oscuro y pesado Dark Magus de 1977. El álbum incluye presentaciones en vivo de shows en el Kix Club de Boston. El lanzamiento de vinilo doble contiene versiones reimaginadas de canciones de The Man With the Horn (1981), melodías de la colaboración pre-eléctrica de Gil Evans Porgy and Bess (1959) y una dedicatoria al local de Boston llamado Kix. Si bien esta fue una de las primeras presentaciones en vivo de Miles Davis en más de media década, ciertamente no se notó.\u003cbr\u003e\n\u003cbr\u003e\n Este álbum cuenta con la participación de la leyenda del R\u0026amp;B Marcus Miller en el bajo, Mike Stern en la guitarra, Bill Evans en el saxofón, Mino Cinelu en la percusión y el ex miembro de la banda eléctrica Al Foster en la batería. Producido y editado por Teo Macero, colaborador de Miles desde hace mucho tiempo.\u003cbr\u003e\n\u003cbr\u003e\n PRENSADO EN VINILO AMARILLO OPACO CON INSERTO ESTILIZADO JAPONÉS Y TIRA OBI DE LUJO\u003cbr\u003e\n\u003cbr\u003e\n Título: Queremos millas\u003cbr\u003e\n Artista: Miles Davis\u003cbr\u003e\n Formato: Vinilo LP\u003cbr\u003e\n Número de discos: 2\u003cbr\u003e\n Fecha de lanzamiento: 12\/8\/2022\u003cbr\u003e\n Etiqueta: Sube al suelo\u003cbr\u003e\n Código EAN: 664425147018\u003cbr\u003e\n Género: Jazz\u003c\/p\u003e\n\n\n\u003ch2\u003e Lista de canciones:\u003c\/h2\u003e\n\n\n\u003cp\u003e Disco 1\u003cbr\u003e\n 1 Juan Pedro\u003cbr\u003e\r \n2 Asiento trasero Betty\u003cbr\u003e\n 3 Vía rápida\u003cbr\u003e\n 4 Juan Pedro\u003c\/p\u003e\n\n\n\u003cp\u003e Disco 2\u003cbr\u003e\n 1 Mi hombre ya no está\u003cbr\u003e\n 2 Kix\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Fecha de lanzamiento: 12\/08\/2022\u003c\/li\u003e\n\n\u003cli\u003e Formato: Vinilo\u003c\/li\u003e\n\n\u003cli\u003e Etiqueta: Sube al suelo\u003c\/li\u003e\n\n\u003cli\u003e Género: Jazz\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Miles Davis","offers":[{"title":"Default Title","offer_id":41887041028177,"sku":"4SLEEU-8NBO-00","price":35.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/miles-davis-we-want-miles-2xlp-opaque-yellow-vinyl_qTyXt.jpg?v=1762465904"},{"product_id":"miles-davis-miles-davis-the-man-with-the-horn-clear-vinyl-wobi-aaa-vinyl","title":"Miles Davis The Man With The Horn (Vinilo transparente, con OBI, AAA) [Discos y LP]","description":"\u003cp\u003e PRENSADO EN VINILO TRANSPARENTE CON JAPONÉS\u003cbr\u003e\n INSERTO ESTILIZADO Y TIRA OBI DE LUJO\u003cbr\u003e\n Remasterizado a partir de las cintas analógicas originales\u003cbr\u003e\n ¡¡¡EL REGRESO!!! Después de una pausa de 9 años sin grabar álbumes de estudio, Miles Davis regresó en 1981 con un gran éxito. Continuando con el funk abstracto improvisado iniciado por la banda eléctrica en vivo de Miles Davis, Miles regresó con un elenco nuevo. Si bien hay muchos músicos nuevos en esta grabación, captura el formato melancólico de canciones largas de la banda eléctrica en vivo de mediados de los 70. El álbum cuenta con la leyenda del R\u0026amp;B Marcus Miller en el bajo, Mike Stern en la guitarra, el ex alumno de la banda eléctrica Al Foster en la batería y muchos más. Producido y editado por el colaborador de Miles Davis de largo plazo Teo Macero.\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Fecha de lanzamiento: 29\/07\/2022\u003c\/li\u003e\n\n\u003cli\u003e Formato: Vinilo\u003c\/li\u003e\n\n\u003cli\u003e Etiqueta: Sube al suelo\u003c\/li\u003e\n\n \u003cli\u003eGénero: Jazz\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Miles Davis","offers":[{"title":"Default Title","offer_id":41887069143121,"sku":"TJ2ETW-28E2-00","price":30.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Miles-Davis-The-Man-With-The-Horn-Clear-Vinyl-WOBI-AAA-_SSFEA.jpg?v=1762465983"},{"product_id":"kiyoshi-yamaya-kiyoshi-yamaya-wamono-groove-shakuhachi-koto-jazz-funk-76-vinyl","title":"KIYOSHI YAMAYA Wamono Groove: Shakuhachi \u0026amp; Koto Jazz Funk '76 [Discos y LP]","description":"\u003cul\u003e\n\n\u003cli\u003e Prensado de vinilo pesado de 180 g, cubierta de cartón reverso\u003c\/li\u003e\n\n\t \u003cli\u003eMaestros de Nippon Columbia con licencia completa disponibles por primera vez fuera de Japón\u003c\/li\u003e\n\n\u003cli\u003e Masterización y corte de laca por Jukka Sarapää en Timmion Cutting Lab, Helsinki, Finlandia\u003c\/li\u003e\n\n\u003cli\u003e Obra de arte de Nker\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003cp\u003e DESCRIPCIÓN\u003c\/p\u003e\n\n\n\u003cp\u003e Siguiendo la ya clásica trilogía Wamono A a Z, 180g presenta una colección excepcional de melodías jazz funk \/ rare groove grabadas a mediados de los años setenta en los estudios Nippon Columbia por tres gigantes de la música japonesa: el arreglista Kiyoshi Yamaya, la leyenda del koto Toshiko Yonekawa y el maestro del shakuhachi Kifu Mitsuhashi.\u003c\/p\u003e\n\n\n \u003cp\u003eNacido en 1932 en Tokio, Kiyoshi Yamaya comenzó su carrera musical en 1953, cuando tocó en varias bandas de jazz de la ciudad. En 1957, Yamaya se unió a la famosa big band de jazz de Nobuo Hara, Sharps \u0026amp; Flats, como saxofonista barítono y comenzó a componer, arreglar y grabar para ellos y otras big bands. Se convirtió en una figura clave del jazz en Japón en los años sesenta junto con Norio Maeda y Keitaro Miho, ambos pianistas, compositores y arreglistas de jazz, al formar la Modern Jazz Three Association, cuyo objetivo era mejorar el nivel de composición y arreglos de jazz japonés. A mediados de los años setenta, su Contemporary Sound Orchestra exploró las fusiones de jazz funk con melodías e instrumentos tradicionales japoneses como el shakuhachi, el koto, la biwa y el shamisen. Estas obras se grabaron para una serie de álbumes panorámicos japoneses lanzados en el país por Denon y Nippon Columbia, de donde se extrajeron las pistas de esta compilación.\u003c\/p\u003e\n\n\n \u003cp\u003eToshiko Yonekawa, nacida en 1913 en la ciudad de Himeji, no tan lejos de Osaka, es la hija mayor del maestro de koto y shamisen Kin'o Yonekawa. Comenzó a estudiar ambos instrumentos con su talentoso padre a los 3 años, tocó en su primer concierto a los 8 y tenía solo 12 años cuando apareció por primera vez en la radio nacional. Su estilo único de tocar el koto es ampliamente reconocido debido a la extrema precisión de la entonación y el ritmo, así como a la belleza inigualable de la sonoridad del instrumento. Después de una vida decorada con premios y distinciones, Toshiko Yonekawa fue nombrada Tesoro Nacional Viviente en 1996.\u003c\/p\u003e\n\n\n \u003cp\u003eNacido en Tokio en 1950, Kifu Mitsuhashi es un gran maestro del shakuhachi estilo Koto. Tras completar el Programa de Formación Hōgaku de la NHK en 1972, Mitsuhashi se convirtió en miembro de Pro Musica Nipponia, un grupo de destacados compositores y músicos de primer nivel dedicados a interpretar un amplio repertorio de composiciones clásicas y contemporáneas tanto de Japón como de Occidente, en el que toda la música se interpreta con instrumentos musicales japoneses tradicionales. Mitsuhashi ha realizado cientos de recitales por todo el mundo, también como solista, y ha interpretado su arte con los conjuntos más importantes, como la Orquesta Sinfónica de la BBC y la Filarmónica de Berlín. En 2020, Kifu Mitsuhashi recibió la Orden del Sol Naciente.\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Fecha de lanzamiento: 28\/01\/2022\u003c\/li\u003e\n\n\u003cli\u003e Detalle del formato: 1LP 180G\u003c\/li\u003e\n\n\u003cli\u003e Código EAN: 5050580774728\u003c\/li\u003e\n\n\u003cli\u003e Formato: Vinilo\u003c\/li\u003e\n\n\u003cli\u003e Etiqueta: 180G\u003c\/li\u003e\n\n\u003cli\u003e Género: Jazz japonés\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"KIYOSHI YAMAYA","offers":[{"title":"Default Title","offer_id":41891602399313,"sku":"T98G0U-KYWV-00","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/wamono-groove-shakuhachi-koto-jazz-funk-76_vyuRo.png?v=1759469367"},{"product_id":"miles-davis-miles-davis-a-tribute-to-jack-johnson-140-gram-vinyl-download-insert-vinyl","title":"Miles Davis A Tribute To Jack Johnson (Vinilo de 140 gramos, Descargar inserto) [Discos y LP]","description":"\u003cp\u003e DESCRIPCIÓN\u003cbr\u003e Prensado en vinilo LP. A Tribute to Jack Johnson es un álbum de estudio y banda sonora del trompetista, compositor y director de orquesta de jazz Miles Davis. Fue lanzado el 24 de febrero de 1971. El álbum fue concebido por Davis para el documental de Bill Cayton del mismo nombre, sobre la vida del boxeador Jack Johnson. Sus dos pistas de más de 25 minutos fueron producidas a partir de grabaciones realizadas el 18 de febrero y el 7 de abril de 1970 en 30th Street Studio en la ciudad de Nueva York. Davis se inspiró en el subtexto político y racial de la saga de Johnson, así como en los sonidos hard rock y funk de su propia época, liderando una formación de músicos inspirada en el rock en el estudio: los guitarristas John McLaughlin y Sonny Sharrock, los teclistas Herbie Hancock y Chick Corea, el clarinetista Bennie Maupin y los bateristas Jack DeJohnette y Billy Cobham.\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e Fecha de publicación: 27\/03\/2020\u003c\/li\u003e\n\n\u003cli\u003e Formato: Vinilo\u003c\/li\u003e\n\n\u003cli\u003e Género: Jazz\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Miles Davis","offers":[{"title":"Default Title","offer_id":41891617374289,"sku":"Y7RK4H-7ETQ-00","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Miles-Davis-A-Tribute-To-Jack-Johnson-140-Gram-Vinyl-Download-Insert_kERt4.jpg?v=1762466960"},{"product_id":"miles-davis-miles-davis-big-fun-vinyl","title":"Miles Davis Big Fun [Discos y LP]","description":"\u003cp\u003eEl personal incluye: Miles Davis (trompeta); Sonny Fortune (saxofón soprano, flauta); Steve Grossman, Wayne Shorter, Carlos Garnett (saxofón soprano); Bennie Maupin (flauta, clarinete, clarinete bajo); Lonnie Smith, Harold I. Williams (piano); Joe Zawinul (piano eléctrico, órgano Farfisa); Herbie Hancock, Chick Corea (piano eléctrico); John McLaughlin (guitarra eléctrica); Bihari Sharma (sitar eléctrico, tambura, tabla); Khalil Balakrishna (sitar eléctrico, tambura); Dave Holland (bajos acústicos y eléctricos); Harvey Brooks (bajo eléctrico); Ron Carter, Michael Henderson (bajo); Billy Cobham (batería, triángulo); Billy Hart, Al Foster, Jack DeJohnette (batería); Badal Roy (tabla); Airto Moreira (cuica, berimbau, percusión).\u003cbr\u003e Grabado en Columbia Studio E, Nueva York, Nueva York entre el 19 de noviembre de 1969 y el 12 de junio de 1972. Incluye notas de Bennie Maupin. \u003cbr\u003eEn el período posterior al gran éxito de Miles Davis, BITCHES BREW, el trompetista grabó sin parar, probando nuevas combinaciones de ideas y músicos. Estos jóvenes músicos progresistas continuaron forjando una nueva mezcla de música a partir de la mezcolanza del funk, el soul eléctrico, el blues psicodélico y el rock progresivo, con elementos traza de la música clásica y el jazz. Y Miles fue el pararrayos de todo ello.\u003cbr\u003e BIG FUN reúne algunos de los experimentos más selectos del trompetista en el estilo cool de los años 70, muchos de ellos con un profundo sabor indio, y la atracción de Miles por el fraseo raga refleja su amor por las melodías flamencas, particularmente en \"Lonely Fire\" (una balada tardía de Miles en la tradición de \"Nefertiti\", \"Shhh\/Peaceful\" y \"Sanctuary\"). Este arreglo melancólico se distingue por las gotas flotantes de tamboura, sitar, tabla y Fender\/Rhodes, mientras Miles hace sonar los taps, ensombrecidos por el saxo soprano y el clarinete bajo, antes de entrar en ritmo sobre los ritmos cruzados de Billy Cobham y Jack DeJohnette. \u003cbr\u003eMiles emplea dos teclistas, dos bajistas y dos bateristas a lo largo de BIG FUN, y los viscerales comienzos y finales de \"Great Expectations\" resaltan el tipo de polifonía colectiva en capas que estaba tratando de desarrollar, sus melodías enfocadas actuando como un faro lírico. \"Ife\" es Miles en su modo ON THE CORNER, marcado por la llegada del bajista funk Michael Henderson, el percusionista Mtume y su colaborador de larga data Al Foster (más Billy Hart) en la batería. Pero el verdadero momento culminante es \"Go Ahead John\", donde Davis y su guitarrista favorito surfean sobre el ritmo fulminante de Jack DeJohnette y Dave Holland en secciones rápidas de funk y blues lento.\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e Fecha de publicación: 5\/9\/2016\u003c\/li\u003e\n\n\u003cli\u003e Formato: Vinilo\u003c\/li\u003e\n\n\u003cli\u003e Género: Jazz\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Miles Davis","offers":[{"title":"Default Title","offer_id":41891671507025,"sku":"LVZIEB-KNW1-00","price":40.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/Miles-Davis-Big-Fun_iVJru.jpg?v=1762467045"},{"product_id":"miles-davis-miles-davis-youre-under-arrest-crystal-clear-vinyl-obi-strip-vinyl","title":"Miles Davis You're Under Arrest (Vinilo transparente, Obi Strip) [Discos y LP]","description":"\u003cp\u003e PistasCréditos\u003cbr\u003e 1 Una llamada telefónica\/Escenas callejeras\u003cbr\u003e 2 La naturaleza humana\u003cbr\u003e 3 Introducción: MD 1\/Algo en tu mente\/MD 2\u003cbr\u003e 4 Sra. 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CHUNGA'S REVENGE evita en gran medida tanto el alto concepto como la sátira para centrarse en la considerable experiencia de improvisación de Zappa y sus compañeros. En su forma original de LP, el álbum se dividió en dos mitades discretas. La primera parte consta de piezas extensas, en gran parte instrumentales, en las que Zappa y sus músicos se extienden y muestran sus habilidades de improvisación sobre estructuras relativamente simples, a menudo basadas en el blues. El interludio instrumental basado en teclados \"Twenty Small Cigars\" proporciona un interesante cambio de ritmo semiclásico.\u003cbr\u003e La segunda cara contiene números más breves, orientados a la voz, con armonías que se inspiran en la influencia del doo-wop de la juventud de Zappa (un elemento recurrente en su obra). 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Dedicado a su padre Armando, un trompetista que dirigió una banda de Dixieland en Boston en los años 30 y 40, Eye of the Beholder reflejó una intensificación de la interpretación en conjunto y una mayor exhibición de la destreza individual en solitario de estos consumados músicos.\u003c\/p\u003e \u003cp\u003eCon esta grabación de cinco estrellas y sonido fresco, queda claro que Corea estaba más abierto a mostrar la fuerza colectiva y el virtuosismo individual de la banda. El grupo se desata, sin lugar a dudas, en temas como “Cascade, Part II”, “Trance Dance” y el asombroso “Amnesia”. 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Their collective musicianship was on full display on each album, as they seamlessly blended complex compositions with captivating improvisations.\u003c\/p\u003e\u003cp\u003eAfter releasing five legendary albums in the span of 6 years (now available form Candid Records on all streaming platforms, CD, and the vinyl box set The Complete Studio Recordings 1986-1991), Corea, always interested in expanding the scope of his work, devoted himself to a myriad of other musical projects.  \u003c\/p\u003e\u003cp\u003eCompiled and completed by Corea before his death in February of 2021, this incredible and previously unreleased album of live recordings with the reunited original Elekteric Band, was captured during tour stops in 2016, 2017, and 2018.\u003c\/p\u003e\u003cp\u003eProduced by Corea with original Elektric Band recording engineer Bernie Kirsch, and mastered by Bernie Grundman, the 3 disc vinyl LP and 2 disc CD features in depth liner notes from Corea, and all of the Elektric Band members.  It is a fitting closing chapter,  a must have for any fan of this dynamic and game changing group.\u003c\/p\u003e\u003cp\u003eA1. Charged Particles\r A2. Trance Dance\r B1. CTA\r C1. Jocelyn - The Commander\r C2. Beneath The Mask\r D1, Ished\r D2. Alan Corday\r E1. Johnny's Landing\r F1. 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Recorded live over the course of a week, there was no splicing of takes, as that would have defeated the concept. On occasion the group performed a live edit where they would take sections from different takes, but the original intention of creating a record where everything was recorded live was maintained. The result is a potent and nuanced record that beguiles as much as it charms. Across six tracks the album moves from the languorous lysergic shuffle of the opening The Last Opium Den (On Earth) to the beatific - almost Balearic - lazy grooves of The Bible Black. Elsewhere, the opening cinematic vistas of Shades of Gemini soon gives way to something far more menacing and whisky-sodden. Finally, the closing Utopia \u0026amp; Visions takes the electronic post-punk visions of Talk Talk into unapologetic cosmic dub territory. So while jazz‚Äôs spirit of wanderlust underpins the record, Machin is defiant that The Quiet Temple is not a jazz album. ‚ÄúI don‚Äôt think it‚Äôs a jazz record,‚Äù he states. ‚ÄúIt‚Äôs got a lot of Krautrocky stuff going on in it as well. For me, as well as the Alice Coltrane influence, it‚Äôs equal parts Velvet Underground and Harmonia. There‚Äôs lots of psyche rock and other elements in there too.‚Äù\u003c\/p\u003e\u003cp\u003e1. The Last Opium Den (On Earth)\r 2. The Bible Black\r 3. Shades Of Gemini\r 4. X Rated\r 5. Noah's Theme\r 6. 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Moving freely between composition and improvisation, the bands spacious, organic sound pitches lyrical melodies from guitar and trumpet over double-drummer polyrhythmic grooves and dub-like basslines.\u003cbr\u003eComing from different musical backgrounds ranging from bebop to electronic, Fazer met while studying jazz at the Academy for Music and Theatre in Munich. The German city has a rich history of improvised music; home to labels ECM (Keith Jarrett, Chick Corea, the Art Ensemble of Chicago, Steve Reich) and Enja (Archie Shepp, Eric Dolphy, Freddie Hubbard, Elvin Jones) and Krautrock icons Embryo. Today much of the scene in Munich revolves around Radio 80000, an online community radio station located in the east of the city. There, dedicated diggers like Karl Hector (Now-Again) or Marvin \u0026amp; Valentino of Public Possession are doing regular shows and its this diversity that drives the bands DNA.\u003c\/p\u003e\u003cp\u003eA1. Ghazal (00:02:15)\r A2. Thea (00:04:52)\r A3. Dezember (00:04:41)\r A4. Grenadier (00:05:15)\r A5. Morning (00:03:33)\r B6. Prague (00:03:49)\r B7. Cuentro (00:06:14)\r B8. Jaculysses (00:04:00)\r B9. Fannie's Theme (00:01:50)\r B10. Cycle (00:04:13)\r B11. 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The connection between these three albums is tight as the 1987 release Shrimp Boats compiled unreleased recordings from both the 1979 session for Plum and Cherry and the 1980 session for Deeper in Black. These two rare records have been carefully remastered from their original tapes and are back in print for the very first time in over 40 years.Shrimp Boats and Plum and Cherry capture the extraordinary musical chemistry that existed between pianist Lionel Pillay and tenor saxophonist Basil Coetzee in the late 1970s. The respective album showpieces Shrimp Boats and Cherry each occupy an entire side of vinyl with both exquisite musical journeys clocking in at an epic 25 minutes a piece. While Shrimp Boats was an instrumental reimagining of the popular 1951 song by American singer Jo Stafford, Cherry drew inspiration from Abdullah Ibrahim at the behest of producer Rashid Vally, who wanted to emulate the success of the famous track that had helped launch his independent As-Shams\/The Sun record label in 1974. Ibrahims hit Mannenberg had also featured Basil Coetzee and it was this zeitgeist South African jazz recording that had given rise to his stage name.Capturing the grace and vitality of working-class township life on the city fringe, Cherry channels the type of laid-back Cape groove that Abdullah Ibrahim, recording as Dollar Brand, introduced to South African jazz in the 1970s. On the flip side, Plum appears to take its own simple chord change in the same direction before breaking into a chugging 20-minute romp that verges on proto-electronica and on which Pillay hangs all manner of savage keyboard riffing and experimentation. The two distinct flavours of Plum and Cherry make for a well-rounded platter with an iconic cover featuring the work of abstract expressionist painter and As-Shams\/The Sun collaborator Hargreaves Ntukwana.\u003c\/p\u003e\u003cp\u003eA1: Plum\r A2: Cherry\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat Detail: LP\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Lionel Pillay","offers":[{"title":"Default Title","offer_id":42013537402961,"sku":"71IEUL-S8X2-V3","price":30.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0620\/5023\/8545\/files\/lionel-pillay-plum-cherry_6Jue4.jpg?v=1762478008"},{"product_id":"chick-corea-elektric-band-the-complete-studio-recordings-1986-1991-10lp-box-set-vinyl","title":"The Complete Studio Recordings 1986-1991 [10LP Box Set] (Vinyl)","description":"Chick Corea Elektric Band - The Complete Studio Recordings 1986-1991 [10LP Box Set] (Vinyl) \u003cbr\u003eBarcode: 708857330119 \u003cbr\u003e\u003cp\u003eLed by the legendary pianist and composer Chick Corea - the venerated 27-time Grammy winner and National Endowment for the Arts Jazz Master - The Elektric Band stormed onto the jazz scene in the mid-1980s, making an immediate and lasting impact on the genre. With their electrifying performances and innovative blend of jazz fusion, the group produced a series of albums that set the bar for excellence in contemporary jazz.\u003cbr\u003e\r\n\u003cbr\u003e\r\nFeaturing a core lineup of virtuosic musicians - John Patitucci on bass, Dave Weckl on drums, Eric Marienthal on saxophone and Frank Gambale on guitar - the group created a dynamic and electrifying sound that came to define the jazz fusion style. Their collective musicianship was on full display on each album, as they seamlessly blended complex compositions with captivating improvisations.\u003cbr\u003e\r\n\u003cbr\u003e\r\nWith each outing, the band explored new sonic territories, incorporating elements of funk, Latin and Afro music, and pop sensibilities. 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Following Melanie Charles formidable Verve album Yall Dont (Really) Care About Black Women and MdCL's lauded 2022 Soul Bank album, Freedom  Celebrating the Music of Pharoah Sanders, the three forward-thinking musicians unite for a sonic exploration across jazz, hip-hop and soulful house.\u003c\/p\u003e\u003cp\u003eA1. The Creator Has a Master Plan (Part I)\r A2. Strings\r A3. MFT\r A4. Bushido\r A5. Interlude (Contorni)\r B1. Kanazawa\r B2. Love is Everywhere\r B3. Interlude (Digestivo)\r B4. 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