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I think the sparseness aptly reflects the solitude that is required of that kind of healing--although there are of course a couple songs that required a team to put together and feel right.”\u003c\/p\u003e\r\n\u003cp\u003eFrom the very beginning, fans have fallen in love with Jensen McRae for the sharp, evocative and clear-eyed songwriting. \"The most profound choices of my life often felt like things I did before I was ready to do, and I had to grow into them,” says McRae. Her songs have a way of giving shape to these leaps, cliff jumps and trust falls, and on her 2025 album, I Don’t Know How But They Found Me!, Jensen McRae went further than ever, evolving from a promising young artist to a fully grown songwriter and star.\u003c\/p\u003e\r\n\u003cp\u003eAn avid journaler, McRae has been breathlessly documenting her existence since she was 18. Her first album, Are You Happy Now?, was a mission statement for the artist who grew up an automatic outsider: a Black Jewish girl from Los Angeles, hellbent on making folk music in spite of the world's attempts to box her into other, more stereotypically Black genres. McRae looked to her songwriting heroes (Alicia Keys, Carole King, James Taylor, Stevie Wonder) to build a sonic world all her own. As her audience grew and with myriad doors began unlocking, it \"became the record of my coming-of-age. But it was a quiet coming-of-age, one that mostly took place inside my own head.\"\u003c\/p\u003e\r\n\u003cp\u003eNext, I Don’t Know How But They Found Me! took place against the backdrop of romantic turbulence and McRae's rapidly growing audience. \"I had never been in love before,\" McRae said. \"Not really. And then I had two life-altering relationships back to back in my early twenties. This album was primarily an exploration about how love and intimacy knock the wind out of you, can take your legs out from under you.\" She has also had multiple viral moments, including in the run up to writing I Don’t Know How But They Found Me!, when McRae posted a solo verse and chorus online, little more than a piece of a demo, and it took off. Covers, duets, and an avalanche of new fans followed (including the likes of Justin Bieber, Stormzy, and Dan Nigro to name a few); the song was the beginning of \"Massachusetts\", which would become her first Dead Oceans release.\u003c\/p\u003e\r\n\u003cp\u003eMcRae ventured to North Carolina to record I Don't Know How But They Found Me! with Brad Cook (Waxahatchee, Suki Waterhouse, Bon Iver), also enlisting the help of Hippo Campus's Nathan Stocker on guitar, Bon Iver's Matthew McCaughan on drums, and her younger brother, Holden McRae, on keys. \"It felt like summer camp. None of us wanted to leave,\" McRae said. \"It was such a joyous ten days of pure creative expression.\" In the process, I Don't Know How But They Found Me! found its footing--a vibrating, urgent collection of songs moored by razor-sharp lyrical specificity and timeless pop melodies.\u003c\/p\u003e\r\n\u003cp\u003eThe unusual title of her second album? Taken from a line in McRae's favorite film, Back to the Future. A key protagonist survives a hail of bullets, and the image resonated with McRae. “I really connected with the idea that I could've easily collapsed beneath the weight of what happened to me, but I didn't. 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'Access' was the one word maxim philosophically guiding The Old Kar-Boo's this innings. If a tune became convoluted, to the bin it went. Only those that could be hummed by any and all were kept. This sieve was on hand throughout the whole process, arrangements and forms were kept watertight, bells and whistles to a minimum. If 2024's 'Hold Your Horses' was an epic, 'Access All Areas' is a haiku. The band's tried and true recording process was dutifully respected save for one wonderful addition, the magnificent 'Sound Recordings' helmed by it's proprietor and engineer extraordinaire Alex Bennet. Steering the 4 track Ampex 440 off road when required and making sure the vibes were constantly correct, Alex is a bonafide Booger. Although it feels only a moment, the clock tells us it's been nearly 20 years since Kay's Bees first tried to play the songs of their musical heroes, The Meters, Booker T \u0026amp; The MG's, and The JB's to name but a few. Since then The Famous Flying Karate Boogaloo Brothers have put one foot in front of the other and distilled their own sound, one that respectfully acknowledges the history of instrumental Funk \u0026amp; Soul music, and reflects the time they've spent crafting their distinctive sound. As bright as each member shines individually, it is a special event when all four planets in the Booger System align. 'Access All Areas' is one such eclipse, it is an artistic expression of equal measure by each member and it casts a shadow unique to the occasion. Every second of music was composed and produced with all hands on deck, mixing was handled by Henry Jenkins, artwork by Hudson Whitlock and Callum Riley, and Darvid Thor did things you'd have to see to believe. Music is a team sport and there's no I in Funk. 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